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Sky 4 (CD/DVD)

SKU: ECLEC22476
Label:
Esoteric Recordings
Category:
Progressive Rock
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"Esoteric Recordings are pleased to announce the next release in the continuing series of reissues of the entire catalogue by the legendary classical rock band SKY. Formed in 1979, Sky brought together the worlds of rock and classical music in a highly successful and inspiring way. Featuring the gifted talents of guitarist JOHN WILLIAMS, percussionist TRISTAN FRY, legendary bass player HERBIE FLOWERS, former Curved Air keyboard player FRANCIS MONKMAN and guitarist KEVIN PEEK, Sky recorded their debut album at Abbey Road studios in the early months of 1979. The band’s self-titled debut reached the UK top ten in May 1979 and went on to achieve Platinum status in the UK and was also a major hit in Europe and Australia. Also a huge live attraction, SKY released their second album in April 1980. "SKY 2” was a fine achievement, featuring the hit single "Toccata”, and topped the UK album charts upon its release. For the band’s third album, STEVE GRAY replaced Francis Monkman on keyboards, but the band continued their run of success as SKY 3 reached the UK top ten upon its release in March 1981. The album’s success followed a highly memorable concert by the band at Westminster Abbey in London on February 24th 1981, which was recorded and broadcast by BBC Television.

SKY’s line-up remained the same for this, the band’s fourth album "SKY 4: Forthcoming” released in April 1982. Another successful chart album, "SKY 4: Forthcoming” has now been remastered and includes a companion DVD (NTSC / Region Free) of SKY’s live set for the BBC TV programme "Night Music”, broadcast in July 1982 (the first ever release of this classic television appearance). The original album artwork is fully restored and the booklet features a new essay."

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  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
    $14.00
  • "Fatal Fusion play in a prog style which remains rooted in the genre's 1970s roots (with a strong flavour of 1980s neo-prog on the side), but avoid turning themselves into a sterile nostalgia act by playing in a loose, wild style which feels like it could have blasted forth from the stage of prog venues of old. Avoiding the overprecise, fussy production which less interesting retro-prog outfits pursue in the name of sonic perfection, Fatal Fusion instead create an album whose imperfections are, in fact, part of its charm - the rest of its charm being taken up with its gloriously sincere embrace of its fantasy themes as expressed in its lyrics.This is one of those albums like Galadriel's Muttered Promises From an Ageless Pond where somehow it ends up sounding incredible even though in terms of originality and technical excellence it's nothing special - there's a magic to Fatal Fusion's compositions which drips from every second of the album. Great stuff." - ProgArchives
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  • Digipak edition with one bonus track"Fans of gothic metal, rejoice! Tristania, one of the genre’s true pioneering bands, has just released their seventh studio album entitled Darkest White. The Norwegian powerhouse act has a storied fourteen year history stretching back to their 1998 debut – and they haven’t lost a step thanks to some much needed lineup stability. Darkest White contains all the near-theatrical arrangements, darker moods, and diverse tones that fans of the band would expect – delivered with a solid three-singer attack and technically tight musicianship. After numerous line-up shuffles, the now stable group has really hit their stride again, producing an album that clearly outshines their previous effort (2010’s middling Rubicon).Tristania has always focused on delivering solid vocal performances, and continue on with the duet of the angelic Mariangela Demurtas and the theatrical Kjetil Nordhus. Demurtas has a silky, clear voice and she remains her own singer rather than pushing towards the operatic stylings of other Gothic bands. Nordhus delivers with great emotion and depth, whether singing softly and clearly or doing some Broadway-style emoting. Guitarist Anders Høyvik Hidle now contributes a good amount of growled / death metal vocals, giving the band a bit of “beauty and the beast” sound at times. Overall, Tristania continues to deliver the clear and precise metal that has won them a worldwide following. Excellent musicianship backs up the great vocal harmonies, delivered by guitarists Hidle and Gyri Losnegaard, keyboard player Einar Moen, and bottom end Ole Vistnes (bass / backing vocals) and Tarald Lie (drums).“Number” opens the release with growled vocals and a kicky drum line, intense bass and great guitar hooks. Demurtas and Nordhus also contribute well done duet vocals making this track the quintessential example of the rebuilt Tristania. The heavy and intense “Darkest White” showcases the male vocalists. This track has a more conventional heavy metal feel to it, with strong contributions from guitars, bass and drums. “Himmelfall” is a slower, darker rock tune with hooky guitars and a great rolling rhythm line, and theatrical vocals by all. “Requiem” is a sweeping, epic soft track – very different from the previous songs. Demurtas’ voice is at its best here, and the softer keys and guitars combined with multi-layered vocal harmonies make it arguably the best track on the album. The languorous vocal lines of “Diagnosis” contrast nicely with the high speed rhythm lines, and both carry emotional intensity.“Scarling” starts off as almost an old school rocker, but becomes a moody progressive / Gothic track driven by vocals and drums. The vocal chorus, and interplay amongst the three leads is quite impressive. “Night on Earth” features great growl vocals over a simple but effective guitar riff and a real head banging rhythm line. The haunting “Lavender” is a major contrast, filled with soft guitars and mellow, soft vocals – the epitome of dramatic rock. “Cypher” is a somewhat gloomy sounding rocker with very well done male vocals and a brooding rhythm line. “Arteries” wraps up the CD, and features great back and forth between growl and clean voices along with top notch drum and bass.Darkest White is a very good release from a veteran band. The returning lineup now has a good deal more experience working as a team and has gelled into something special. Although the band’s technical abilities were never in doubt, they have addressed the weaknesses apparent in their last album – the song structure is better, the lyrics and themes more consistent, and the members of Tristania now seem more comfortable working together. They are tight and confident, once again pushing musical boundaries. Diversity in song style, tempo, and tone highlight the band’s superb use of multiple singers, and keeps the album interesting throughout. The excellent production values and strong engineering allow the many subtleties and great depths of the music to flow without seeming forced or unnatural.Highly recommended for fans of the genre." - Hard Rock Haven
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  • "When one thinks of countries that are a hotbed of prog metal bands, places such as Norway, Sweden, and Finland come to mind. However the Land Down Undah’ otherwise known as Australia has been churning out amazing prog metal bands for the past decade. Bands such as Hemina, Voyager, Lord, Carnivool, Caligula’s Horse, Teramaze and Melbourne’s Vanishing Point have been wowing the prog metal scene for the past decade. It’s been seven long years since the release of Vanishing Point’s The Fourth Season, but the melodic metal quintet consisting of Silvio Massaro (Vocals), Chris Porcianko and James Maier (Guitars), Simon Best (Bass), and Christian Nativo (Drums) have finally returned with their fifth studio album Distant Is The Sun on AFM Records. The band has stayed true to their unique blend of progressive, power, AOR metal and have secured the talents of Sebastian “Seeb” Levermann of Ordan Ogen for mixing duites on Distant Is The Sun. Picking up right where The Fourth Season left off, the musicianship and songwriting on Distant Is The Sun is exceptional.The album kicks off with the short instrumental track Beyond Redemption and powers right into the first song King of Empty Promises. The double bass drum attack from Nativo and melodic keyboards lead the way and the harmonious soaring vocals during the chorus are a perfect way to officially start the album.The title track is next and begins with a heavy groove and transforms into a light piano tinged verses with Massaro’s impressive vocals leading to a catchy and melodic chorus. The twin guitar harmony lead attack from Porcianko and Maier is a thing of beauty during the solo section.Symphonic keys signify the start of When Truth Lies, an epic slab of energetic melodic progressive metal with a driving headbanging beat. Sonata Arctica frontman Tony Kaako lends his melodic pipes to the fast and furious power metal of Circle of Fire. Kaako and Massaro’s vocals compliment each other extremely well and create an amazing metal duet.The keyboard prominence on Denied Deliverance is pronounced in the mix but never overshadows the heaviness of the track, it just adds to the overall melody of the song. A blazing guitar solo section highlights the middle portion of another stellar song. Let the River Run has an impeccable acappella vocal harmony section that begins this mid tempo metal gem. The beautiful vocals during the chorus will be stuck in your head for days after listening.The album slows down for the piano based Story of Misery but don’t be fooled into thinking this is a traditional power ballad. The emphasis is on POWER with a emotive vocal performance from Massaro. Era Zero speeds things right back up with a frenzied double kick attack with plenty of soaring melodic vocals throughout and a shredding guitar solo from the tandem of Porcianko/Maier and culminates in a symphonic ending and bursts right into Pillars of Sand which keeps the hard and fast metal flowing.The eerie keyboard intro of As December Fades melds into a Maiden-esque guitar harmony and a glorious AOR sounding chorus with a symphonic element that is reminiscent of Within Temptation. A bright piano melody signals the beginning of Handful of Hope. Once again Massaro gets his chance to shine with an impressive vocal performance filled with passion and emotion. The bands penchant for writing catchy power metal is on display on Walls of Silence. The brilliant symphonic melodies and heavy guitar compliment each other perfectly. The album closes with the acoustic guitar tinged instrument titled April, an understated yet effective piece of music with a keyboard accompaniment underneath in the mix. It is a curious choice to end the album, but well done nonetheless.After a seven-year absence, the world of melodic prog welcomes back Vanishing Point with open arms and hopefully Distant Is The Sun will shoot the band to the next level of popularity outside their native Australia. This goes to show that like a fine wine, Vanishing Point only improves with age!" - Lady Obscure
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  • Remastered edition with 2 bonus tracks."The third and final album of what could be called Journey's cocoon phase (Escape would give birth to a fully formed butterfly and put the band through the stratosphere), 1980's Departure would also be the quintet's last with keyboardist/vocalist Gregg Rolie. Produced by Geoff Workman and Kevin Elson (essentially both engineers turned producers), the album continued to build on the band's previous two recordings, but offered an added edge, arrangement-wise. This was likely due to the fact that the band had walked into Automatt Studios with 19 new tunes and proceeded to record most of them live, eventually trimming down to 11 songs. Catapulted all the way up to number eight on the Billboard Top 200, Departure was the band's highest charting album to date and got off to an explosive start with the driving riffs and chorused vocals of "Anyway You Want It" (another radio smash that would chart Top 25). Never sounding tighter, the quintet then launched into "Walks Like a Lady" (another future FM staple, climbing to number 32) and a string of outstanding rockers, including future concert opener "Where Were You" and the stop-go-stop-go energy of "Line of Fire." On the other hand, elegant power ballads like "Good Morning" and "Stay Awhile" would foreshadow the band's future commercial triumphs on Escape. And even though it packs the occasional filler like "Someday Soon" and "Homemade Love" (a weak attempt to boogie that falls absolutely flat), Departure is a solid record all around. Soon, Rolie would be replaced by the greater pop-savvy songwriting muscle of former Babys keyboard man Jonathan Caine, and Journey would go from huge cult act to monster superstars." - All Music Guide
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  • "The seventh studio album for Norwegian dark gothic metal band Trail Of Tears comes fresh on the heels of a new label deal with Massacre Records. Beginning their writing sessions in 2011, the quintet would record again in the familiar French Sound Suite Studio with Terje Refsnes behind the boards who they've worked with on and off since 2002's "A New Dimension Of Might" record. "Oscillation" is a 13 song, 59 minute plus platter that travels through dynamic gothic metal pastures, incorporating a slew of extreme and commercial elements that should keep the listeners on their toes.The cascading, echo guitar passage that opens "Waves of Existence" quickly gives way to this thumping gothic charge, Bjorn Erik Naess using a myriad of heavier picking and clean transitions on his guitar while extreme vocalist Ronny Thorsen and female clean vocalist Catherine Paulsen trade off the verse and chorus work to heighten the contrasts within the song. "Scream Out Loud" as a follow up is slightly more commercial in nature, the keyboard hook and alluring high melodies more in line with long-time Nightwish fans (although the whispering vocals from Ronny bring classic Moonspell to the table).Many will appreciate the heads down emphasis on aggressive guitars and semi-progressive/ tribal transitions for the title track (some of the best drumming on the album courtesy of Bjorn Dugstad Ronnow) and the upper soprano vocal delivery from Catherine on "Room 306"- wrenching out all of the drama that makes this sub-genre appealing to a wide swath of the populace. Trail Of Tears belong in the metal genre as they are unafraid to approach these arrangements with ferocity- emphasizing darkness and despair through all facets while adding outside influences from the symphonic world as texture and not overpowering the mix."Oscillation" is a strong effort from Trail Of Tears- packed with an assortment of dark gothic metal colors and professionally executed from a veteran act. Let's hope we don't have to wait 4 years between the next recordings." - Eternal Terror
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  • There are not a lot of unreissued Italian prog albums from the Golden Era but little by little BTF Records is chipping away at them. This is a little known album from a one-off band, originally recorded in 1972 and not released until 1974 on the Pan Records label out of Munich, Germany (Pan was a weird label - they licensed New Trolls "Atomic System" as well). Collectors have known about this album for some time but it's eluded legit reissue until now. Hero was a trio consisting of Massimo Pravato (guitars), Robert Deller (vocals, keyboards), and Umberto Maschio (drums). The music has equal roots in hard rock and well as prog (as so many bands of the day did). Deller sings in English relatively accent free so my guess is he is an ex-patriate Brit or American. While Parvato's killer leads tend to dominate there is plenty of color on organ to lend comparisons to bands like New Trolls, Le Orme, Garybaldi and on a lesser level Black Widow and Uriah Heep. There is a pervasive dark vibe to the music and lyrics that evokes VDGG, Genesis and early Faithful Breath. BTF has done a spectacular job reissuing this disc with a bonus track, liner notes, and unreleased band photos. To top it off they stuck it one of those fancy mini-lp sleeves so we can all get nostalgic. Highest recommendation and one of the best reissues I've heard in years. And no...I'm not parting with my vinyl copy!
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  • Raise The Curtain is the latest effort from the former Savatage mastermind.  Its quite different from the Jon Oliva's Pain project and in a surprising way.  The music has a strong 70s vibe blending elements of progressive rock, AOR, and metal.  Oliva plays all the instruments but he collaborated on the songwriting with Dan Fasciano.  From the opening roaring organ sounds you know you are in for something a bit different.  You can tell this is Jon Oliva - there are parts that will remind you a bit of Savatage but you will also think in terms of Kansas, ELP, Alice Cooper.  A mash up of styles for sure but quite well done.  A friend who heard an advance copy summed it up perfectly: "A fun album".  This is the first pressing that has one bonus track.  Grab it while we got 'em.
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  • "Esoteric Antenna are pleased to announce the release of the eagerly awaited new studio collaborative album by PETER HAMMILL & GARY LUCAS. Peter Hammill’s work, both as a solo artist and as part of Van Der Graaf Generator, is legendary, whilst Gary Lucas has worked closely with many great artists and vocalists, including Don Van Vliet (Captain Beefheart) and Jeff Buckley.Described by Peter as "something quite strange, but strangely powerful”, all the music on "Other World” has been created using nothing more than guitars and Hammill’s unique vocals. Songs and other worldly instrumental tracks create a sonic atmosphere that is unique and spellbinding.A stunning work, "Other World” is certain to be one of the most unique and atmospheric albums of 2014."
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  • Another winner from this fine Savatage offshoot.  
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  • One of the finest releases of the era "Procol Harum” captured the exquisite song writing of Gary Brooker and Keith Reid and the excellence of the musicians in the group, namely Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ). The overall result was a collection of songs that would prove to be truly ground breaking, despite only having being released in Mono at the insistence of producer Denny Cordell.Newly re-mastered from the original tapes, this Deluxe edition of "Procol Harum” has been expanded to include 27 bonus tracks (8 previously unreleased) over two CDs, including the classic singles "A Whiter Shade of Pale”, "Homburg”, along with rare B-sides, alternate session takes and stereo mixes and seven previously unreleased BBC Radio sessions from June and September 1967.This expanded deluxe edition of "Procol Harum” also includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Procol Harum biographer Henry Scott-Irvine, along with a facsimile promotional shop poster for the release of the album in January 1968.Disc One1. CONQUISTADOR2. SHE WANDERED THROUGH THE GARDEN FENCE3. SOMETHING FOLLOWING ME4. MABEL5. CERDES (OUTSIDE THE GATES OF)6. A CHRISTMAS CAMEL7. KALEIDOSCOPE8. SALAD DAYS (ARE HERE AGAIN)9. GOOD CAPTAIN CLACK10. REPENT WALPURGISBONUS TRACKS11. A WHITER SHADE OF PALE12. LIME STREET BLUESA & B SIDES OF SINGLE13. HOMBURG14. GOOD CAPTAIN CLACK (SINGLE VERSION)A & B SIDES OF SINGLE15. ALPHA16. SALAD DAYS (ARE HERE AGAIN) – PREVIOUSLY UNRELEASEDRECORDED AT OLYMPIC STUDIOS, LONDON – 29th MARCH 196717. UNDERSTANDABLY BLUERECORDED AT OLYMPIC STUDIOS, LONDON – 17th JULY 196718. PANDORA’S BOX (INSTRUMENTAL)RECORDED AT ADVISION STUDIOS, LONDON - 24TH AUGUST 196719. CERDES (OUTSIDE THE GATES OF) (ALTERNATE MONO MIX)20. SOMETHING FOLLOWING ME (ALTERNATE MONO MIX)Disc Two1. A WHITER SHADE OF PALE (EXTENDED EARLY VERSION)RECORDED AT OLYMPIC STUDIOS, LONDON – 29TH MARCH 19672. HOMBURG (EXTENDED STEREO VERSION)3. REPENT WALPURGIS (EXTENDED STEREO VERSION)RECORDED AT ADVISION STUDIOS, LONDON - AUGUST 19674. CONQUISTADOR (1971 STEREO MIX)5. SHE WANDERED THROUGH THE GARDEN FENCE (1971 STEREO MIX)6. SOMETHING FOLLOWING ME (STEREO MIX)7. MABEL (UNDUBBED STEREO MIX)8. KALEIDOSCOPE (STEREO MIX)9. CERDES (OUTSIDE THE GATES OF) (STEREO MIX)10. HOMBURG (1971 STEREO MIX)11. MORNING DEW12. A WHITER SHADE OF PALE13. MABEL"EASYBEAT” SESSION 14th JUNE 1967 BBC LIGHT PROGRAMME PREVIOUSLY UNRELEASED14. HOMBURG15. GOOD CAPTAIN CLACK16. SHE WANDERED THROUGH THE GARDEN FENCE17. KALEIDOSCOPE"TOP GEAR” SESSION 27th SEPTEMBER 1967 BBC RADIO ONE PREVIOUSLY UNRELEASED 
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  •  · NEW REMASTERED EDITION OF THIS CLASSIC 1968 ALBUM BY PROCOL HARUM· WITH 3 BONUS TRACKS· REMASTERED FROM THE ORIGINAL TAPES· FULLY RESTORED ARTWORK AND PHOTOGRAPHSEsoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1968 album by PROCOL HARUM.Released in the UK in December 1968, "Shine on Brightly” followed on from the huge international success in 1967 of the band’s debut single ‘A Whiter Shade of Pale’ and the follow up single "Homburg” and built on the creative path begun on Procol Harum’s self-titled debut album issued in January 1968. Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ) took the music of the band to new heights with this, their second album. Dominated by the 17-minute epic suite ‘In Held ‘Twas in I’, Procol Harum re-wrote the rule book of popular music with the material written and recorded for "Shine On Brightly”.Newly re-mastered from the original tapes, this remastered edition of "Shine on Brightly” includes 3 bonus tracks and restores the original album artwork. 1. QUITE RIGHTLY SO2. SHINE ON BRIGHTLY3. SKIP SOFTLY MY MOONBEAMS4. WISH ME WELL5. RAMBLING ON6. MAGDALENE (MY REGAL ZONOPHONE)7. IN HELD TWAS IN I    a. GLIMSPES OF NIRVANA8. IN HELD TWAS IN I    b. TWAS TEA TIME AT THE CIRCUS9. IN HELD TWAS IN I    c. IN THE AUTUMN OF MY MADNESS10. IN HELD TWAS IN I     d. LOOK TO YOUR SOUL11. IN HELD TWAS IN I     e. GRAND FINALE BONUS TRACKS12. IL TUO DIAMANTE ("SHINE ON BRIGHTLY” ITALIAN VERSION) (MONO)RECORDED IN SEPTEMBER 196713. QUITE RIGHTLY SO14. IN THE WEE SMALL HOURS OF SIXPENCEA & B SIDES OF SINGLE 
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  • The Custodian is a new British post-progressive rock band formed by Richard Thomson, vocalist for cinematic death metal band Xerath.  Unlike Xerath, The Custodian is an outlet for the more melodic, rock oriented writing from Thomson.While there are moments in the album that harken back to old school bands like Genesis and Yes, the music of The Custodian is contemporary in sound.  Necessary Wasted Time is an album full of dynamics - light and dark shadings balancing acoustic vs electric, heavy vs pastoral.  While atmospherics and tension are a strong component of the album, the band demonstrates their adept musicianship offering up long instrumental passages to complement the emotion filled vocals.  When needed the band unleashes some complex electric runs.The Custodian's debut should deeply resonate with fans of Steven Wilson, Riverside, Pineapple Thief, and Anathema.Necessary Wasted Time was mixed by noted engineer Jacob Hansen and give the full audiophile mastering treatment from Bob Katz. 
    $5.00