Earn 1 Loyalty Point With Every $1 Spent!

Jazz Rock

Pyle's, Pip Bash

Belle Illusion
Category:
Fusion/Jazz

Drummer and composer Pip Pyle is widely recognized as the drummer of the Canterbury school of progressive rock.

$15.00
Add to wishlist 

Woodenhead

Perseverance
Category:
Jazz Rock

28 years is a long time for a band to stay together but that's how long Woodenhead has been playing together. They have quietly cultivated a dedicated cult following in New Orleans. Now Free Electric Sound is bringing this extraordinary quartet to a national audience.

$5.00
Add to wishlist 

Nucleus

Solar Plexus/Belladonna
Category:
Jazz Rock

Brilliant 3rd and 4th albums from Ian Carr's ensemble that ultimately metamorphosed into an incarnation of Soft Machine.

$19.00
Add to wishlist 

Soft Machine

Six (Remaster)
Category:
Jazz Rock

Remastered edition of the original 2LP set includes new liner notes and photographs. No one knows more about Soft Machine than Steve Feigenbaum. With his permission I have decided to steal his thoughts:

$9.00
Add to wishlist 

Pork Pie

Transitory (Mini-LP Sleeve)
Category:
Jazz Rock

One of the great fusion albums from the MPS label, finally available on CD and it's been given the royal treatment from Promising Music. This is the first of two albums from Pork Pie, the band formed by keyboardist Jasper Van't Hof, saxophonist Charlie Mariano, and guitarist Philip Catherine.

$22.00
Add to wishlist 
VIEW MORE
Subscribe to RSS - Jazz Rock
Laser Pic

customers also bought

SEE ALL

  • Yes

    The Quest (2CD Digipak)
    Progressive Rock
    YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021. "It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”   Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.Label Manager Thomas Waber said “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band's fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”For half a century YES have been the definitive band of the progressive music genre, the band by which all others are judged. Their ground-breaking albums of the 70s set the standard for the genre and influenced countless others who followed in their wake.The current line-up of YES was completed in 2015 when Billy Sherwood replaced founder member Chris Squire, at Squire’s insistence, as he bravely fought a losing battle with leukaemia. Since then, YES have concentrated on touring with their Album Series tours, each featuring a classic YES album in its entirety. During this period YES have released three live albums Topographic Drama – Live Across America (2017), Yes Live 50 (2019) and The Royal Affair Tour: Live in Las Vegas (2020).The music of YES has endured over the years and has been handed down through generations of music lovers.
    $15.00
    ADD TO WISHLIST

  • Phideaux

    Infernal (2CD)
    Progressive Rock
    Its been seven years since Phideaux Xavier's last album.  Everyone has been chomping at the bit for this album and I can honestly say he delivers the goods.  If you are unfamiliar with his work you should expect contemporary progressive rock with lots of references to the 70s giants.  A perfect blending of old and new sounds.  (I'm a sucker for the Mellotron sounding bits).  While he originally started out as pretty much a one man show, Phideaux has morphed into a band with 10 musicians contributing, including Discipline's Matthew Kennedy who holds down the bass notes.  There is a lot of music here and its new so its going to take some time to digest.  This will easily sit high on year end top 10 lists.  Buckle yourself in and dig deep into this one.  Well worth the effort.BUY OR DIE!"Arguably no other progressive rock creation in recent years has been shrouded in as much mystery and expectation as Infernal, the latest studio effort from Phideaux. After all, it follows what many fans (myself included) consider to be three of the best genre albums of all time: 2007’s Doomsday Afternoon, 2009’s Number Seven, and 2011’s Snowtorch. (Of course, the prior collections were great as well and paved the way for such distinction.) As such, devotees have spent the last seven years—if not eleven since Infernal concludes the Great Leap/Doomsday Afternoon set—speculating and anticipating how exceptionally it’ll tie into the trilogy, maintain the idiosyncratic brilliance of its predecessors, and rank as one of the top works of its release year.So, was it worth the wait?Well, that depends on what you expect. Upon initial listens, those hoping for a consistent continuation of the aforementioned trio’s robust eccentric intricacy may find it a bit wanting; sure, that side of Phideaux certainly crops up from time to time within its ninety-minute duration (especially during the second half), but Infernal is deceptively unvaried and reductive at first glance since it appears to prioritize straightforward songwriting and lush yet modest arrangements. However, a deeper analysis and appreciation reveals how resourcefully Infernal actually does two things at once: touch upon the styles and stories of its two narrative precursors while also establishing an almost brand-new approach entirely. Thus, the double LP is markedly different from—yet equivalent to—the extraordinary achievements that came before it.Just as The Great Leap and Doomsday Afternoon were different kinds of albums, so too is Infernal (despite featuring the complete Doomsday Afternoon line-up). In fact, during our last correspondence, Phideaux confirmed my conclusion that the first and second discs are meant to channel the first and second entries in the trilogy, respectively, as it simultaneously feels more theatrical (“like a play”) than either of them. Perhaps, then, it’s best to think of Infernal as the BE (Pain of Salvation) or The Lamb Lies Down on Broadway (Genesis) of the band’s discography, as it extends out of its predecessors in the midst of existing as a singular experiment unlike anything else in their catalog.Although the first half of the undertaking captures the more accessible rock nature of The Great Leap overall, it’s still filled with multilayered splendor and a fair amount of complexity. Opener “Cast Out and Cold,” for instance, is a tour-de-force that builds ominously (with effects and harmonies) before instantly evoking the classic Phideaux charm with its blend of male/female lamentations and pastoral instrumentation. In doing so, it sets a great stage on which to introduce the more multifaceted, urgent, and dynamic “The Error Lives On”. Later, “We Only Have Eyes for You” is relatively bouncy and playful (despite being foreboding beneath the surface), whereas “C99” is a venture into sinister surrealism and “Tumbleweed” uses the trademark piano ballad as a poignant cliffhanger. Again, these songs in particular may seem too similar to each other originally, but they eventually become truly essential components in making the record flow like a unified performance filled with captivating melodies, lively textures, poetic lyricism, and entrancing structures.The concluding portion of Infernal absolutely channels Doomsday Afternoon in its heighted emphasis on flamboyant intricacy. This is clear from the start, with “The Order of Protection (One)” contrasting its introductory choral serenity with a latter helping of dissonant tones over mesmerizingly mischievous piano motifs (that—no surprise—are reimagined brilliantly in “The Order of Protection (Two)”). Elsewhere, “In Dissonance We Play” finds a strong balance between solid songwriting and musical showmanship, “The Sleepers Wake” is tenderly enchanting, and “Endgame – An End” wraps things up in a mildly foreseeable yet entirely fitting and satisfying way. Without question, though, the standout track of the whole journey is “From Hydrogen to Love,” a fourteen-minute masterpiece that serves as the “Microdeath Softstar” of Infernal (in more ways than one and I’ll leave it at that).At the risk of spoiling any more of the LP’s magic (hence why the breakdowns of each disc barely scratched their surfaces), suffice it to say that arguably the chief feats of Infernal are its abundant allusions to past sequences and its refreshing theatricality. Not only does it offer plenty of links—both subtle and overt—to itself, Doomsday Afternoon, and The Great Leap as it develops, but it even throws a nod or two at another full-length triumph (whose identity is then made obvious via a clever anagram). Every one of these connections will delight devotees, as will the brief scattered respites that basically act like soliloquys/monologues/intermissions. Together, these elements make the album feel at once laudably unique and endearingly familiar while also revealing (and justifying) why it took so long for such a passion project to be completed.Ingeniously, Infernal simultaneously pays tribute to the Phideaux legacy and etches itself as a wildly ambitious, enthralling, and fresh entry into it. Although it can be a bit incongruent and underwhelming at first, those who fully internalize all that it offers—and appreciate what it’s doing both expectedly and differently—will find it to be another benchmark creation in the catalog of one of the most distinctive and essential artists in modern progressive rock. Taking that into consideration, a new question must be asked: Is it Phideaux’s greatest achievement to date?Well, it could be." - The Prog Report 
    $16.00
    ADD TO WISHLIST

  • Enchant

    The Great Divide
    Progressive Rock
    After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $13.00
    ADD TO WISHLIST

  • Leprous

    Coal
    Avant Garde Metal
    Fourth studio album from Leprous reinforces the fact that they are one of the most innovative and cutting edge bands working in the prog metal idiom.  The music of Coal has already kicked up a bit of controversy from the early listeners.  The music isn't quite as angular and frenetic as Bilateral.  Atmospheric passages similar to Tall Poppy Syndrome are perhaps a bit more prevalant as well.  All in all it's clearly identifiable as Leprous.  Ihsahn guests on one of the tracks - don't forget Leprous is his backing band.  Nice guys - great band.  Highly recommended."Considering Leprous‘s previous album Bilateral is considered by many to be a masterpiece of progressive metal; Norway’s Leprous had a tall order in front of themselves. Coming up with a followup to such a critically acclaimed and beloved album is no doubt a daunting task. Despite that, after two long years of waiting, Leprous have conjured the successor to Bilateral, and it’s called Coal. Usually, when bands release an album after their magnum opus, the result is either a “version 2.0″ of the previous album, or it’s a return back to the normal style of the band. Leprous have taken a bold turn instead, and they have reinvented themselves. Coal is clearly a Leprous album, carrying all their trademark touches, but it’s also very fresh and unique.With Bilateral, the band were clearly rooted in a sound that has been defined by the big names of progressive metal. By applying their characteristic syncopation, moody riffs and singer Einar Solberg’s haunting and powerful vocals, they were able to perfect an already existing sound. With Coal, the band have taken a different direction. The album is very dense, emotional, and quite avant-garde at times. While there are some more traditional songs similar to Bilateral, there’s also an air of neo-80s on some songs, while others carry some characteristics of modern Scandinavian indie bands. Longtime fans of Leprous will definitely see the direction that has been present since the band’s inception, but listeners who know of them only via Bilateral might be slightly confused. In the end, Leprous have always been about mood, and Coal is oozing with it.In terms of structure, Coal is more similar to Tall Poppy Syndrome than Bilateral (but not too similar to either in the end). The songs are slow burners, setting up a mood, then deliberately building on it until overwhelming the listener with the climax. Everything is very subtle, the production making every hit of every instrument matter. Each song is an exercise in building an atmosphere by slowly adding layers to form a very powerful sound. Einar Solberg is at his best here, he has taken his voice to the next level. He was already an amazing vocalist, but Coal sees him becoming a master of expression. There are many progressive metal bands nowadays with clean singers who can hit insanely high notes and execute amazing melodies. But what is often lost is the soft touch, the control over timbre that makes one’s voice special. Einar is a master of timbre, and he uses his abilities to their full extent in Coal. While this is an album about the big picture and constructing an ambiance with the convergence of all instruments, his unparalleled vocal skills definitely deserve a special mention, because he is what hammers down the emotions and makes this album so special.As mentioned before, Coal is a deliberate album, where attention is paid to every instrument. And the production, by Ihsahn (who also has a stellar guest appearance on the closing track), is perfect for this. Especially of note are the drums, they sound very real and quaint. The intimate feeling of some of the songs can directly be attributed to the unconventional drum sound. The drumming has also taken a turn for the more subtle, with small flourishes and cymbal runs building tension in the more atmospheric sections of some songs. The bass is also clearly audible and adds to the sound. The guitar work isn’t as flashy as Bilateral for the most part, but it also has more character because of that. It should come as no surprise to longtime followers of the band, but Leprous are masters of doing more with less, and all of the instruments reflect this. Another production detail worth noting is the presence of keyboards. The keyboard work is more prominent now. In Bilateral it was used mostly to add some extra layers to parts driven by the guitars, but here the keyboards form the building blocks of the sound. This is perhaps what sets the album apart from Leprous’s previous work, the heavier focus on atmosphere and a dense aural landscape. This might be disappointing to some who preferred the more direct approach of Bilateral, as Coal is less “metal”, but the more developed sound suits the band.In terms of songs, Coal is a very diverse album. The first three songs and the closer can be interpreted as a direct evolution of the band’s sound from their previous work, then there is the extremely moody and emotional masterpiece “The Cloak”. This is where the album takes a turn for the introspective, as the rest of the songs are quite experimental and ethereal. Overall, the album has a very clear journey with a defined start and end, and it works quite well. Some of the later songs can feel like they last half a minute too long, but the deliberate pacing of the album makes more sense as is.In the end, it’s hard to deny that Coal is yet another masterpiece by Leprous. The songs ooze character and deliberation. Coal is expressive, emotional and brave. It might not be what everyone expected after Bilateral, but Leprous have defied expectations and raised the bar again." - Heavy Blog Is Heavy
    $14.00
    ADD TO WISHLIST

  • Caligula's Horse

    Bloom
    Progressive Metal
    Third album from Sam Vallen and Jim Grey.  Plain and simple another triumph.  The great thing about this band is the way they assimilate different influences and make a cohesive whole.  Vallen's guitarwork touches on djent riffing as well as fluid clean lines and Grey's vocals...well they are spectacular as usual.  You get a little bit of Opeth here and Haken there.  Maybe even a little Dream Theater and Pain Of Salvation.  Naturally if you are a fan of Jim Grey's other band, Arcane, you are going to love this one as well.  Very dynamic and dramatic.  Essential 2015 purchase.  BUY OR DIE!"There are certain albums that require more than just open ears. Sometimes, you need to close your eyes in order to sharpen up your senses, to be able to really consume and obtain the musical message delivered throughout the record. So before pressing the ‘play’ button on Caligula’s Horse newest release, Bloom, pour a glass of your favorite drink, put your headphones on and close your eyes.Consisting of 8 tracks, Bloom delivers something deeper than a compilation of technical riffs; it sets an atmosphere, driven by emotion and by the story line, as the sound and production correlate towards that notion. From the very beginning, with the theme song being the opener of the album, you can see how the band sets the mood for the entire record. Mysterious, dark, heavily Opeth influenced, and yet still having its own characteristics to the story.Right from the beginning of the album, one cannot miss how Opeth deeply affected the band’s music. The vocal ideas and implementation, the guitar sound and the general image that’s created, can immediately drift the listener to many of the Swedish group’s finest works. Nevertheless, I do feel that within these carried elements still lies a large chunk of originality that separates this album from being another Opeth-imitation attempt, which can easily be found on a variety of past-releases of different bands.One impressive thing to notice on this record is vocalist’s Jim Grey. It is easy to fall in love with the color of Grey’s voice, as can be heard on The Tide, The Thief & River’s End (2013), but he did manage to improve a certain and essential vocal ability for this album: I’ve always felt that when hitting the higher notes, he needed to “shout” those notes just a little bit too much, having immediate impact on the tenderness and vibrations of his voice. On this album, it seems that Grey feels much more comfortable on higher scales, and that vocal freedom affects his entire range. Grey has turned it up a notch, becoming not only great a singer, but a great storyteller. His vocal movements are probably the most interesting thing to follow on this album, as it escorts the listener throughout each and every song.Another thing that immediately stands out is the band’s cooperation while putting Grey’s vocals as the leading musical idea of the album. Nothing is over-pressed, and it seems that band took a great care of composing the songs mostly to create an atmosphere, to set the right stage to deliver the story in the best way. It is impressive, since many bands tend to miss this very idea, with every musician trying to overlap the other, which mostly leads to a confusing blend that misses the main idea. This shows great maturity of the band, which helped them carry their music to the next level.Many bands these days try to force their music in to a hidden musical horizon just to be different. What’s so great about Bloom is that the band did not try to reinvent the wheel, but only used the tools they had, mixed just a little bit of everything to create something unique. Every song has that thing that sticks to your head; whether it’s a defying chord, a vocal movement, mesmerizing vocals and at times – some really catchy, groovy guitar riffs. That alone helps the fluency of the record, making it an album, 44-minutes of which you listen to from the top to the bottom, rather than just a collection of different songs.Overall, it’s easy to see how the band feels more comfortable with their work with every passing release. With time, Caligula’s Horse understands what they look for while composing their music, yet something still feels held back. It’s funny, because even I, after countless of times listening to the album, still cannot really put my finger towards what it is that is missing. Perhaps it is something that cannot be described by simple words, but it is that something that turns a 9 into a 10. That something that transforms an album which is great to hear, to a one that really dives into your deeper cells, and stays there. Rest assured: You cannot turn a blind eye in regard of the band’s progress, and you absolutely must give this album a try." - It Djents
    $15.00
    ADD TO WISHLIST

  • Dream Theater

    A View From The Top Of The World (Digipak)
    Progressive Metal
    "Two-time GRAMMY-nominated and millions-selling progressive music titans Dream Theater announce the forthcoming worldwide release of their 15th studio album, A View From The Top Of The World on October 22nd. A View From The Top OF The World is Dream Theater at its musical finest expanding on the sound they helped create while maintaining the elements that have garnered them devoted fans around the globe. The 7-song album also marks the second studio album with InsideOutMusic / Sony Music.The artwork was created by long-time cover collaborator Hugh Syme (Rush, Iron Maiden, Stone Sour). A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap.Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.“We just love to play our instruments,” observes Petrucci. “That never goes away. I love to be creative, write, and exercise that part of my mind. We’ve been able to do this for a long time, and we don’t take it for granted. Whenever we get together, we know we can’t disappoint ourselves or our fans, so we manage to try even harder.”“We approach every album like it’s our first,” adds LaBrie. “It’s been such a great ride, but we’re not going to stop.”"
    $14.50
    ADD TO WISHLIST

  • Aurora Clara

    Clear Dawn
    Fusion
    Clear Dawn is the second album from this incendiary fusion ensemble.  Aurora Clara is the multi-national band led by guitarist Raul Mannola.  Once again the great Jerry Goodman guests on violin on the opening track.  If you are a fan of the 70s great fusion bands - Mahavishnu Orchestra, Nova, Return To Forever et al you need to hear this guys.  BUY OR DIE!!"CLEAR DAWN is the second album of the Madrid-based international Jazz-Fusionband AURORA CLARA. A work full of colours, fascinating rhythms, vertiginous unison lines, and inspired improvisations in the framework of elaborated and original compositions. The acoustic 12-string guitar mixed with flute, violin, and an electric Funk/Jazz rhythm section creates a very unique soundscape."“It is, however, my great pleasure to report that Aurora Clara’s second album, Clear Dawn, eclipses its first brilliant release, Transformation “ (Walter Kolosky, Music journalist and podcast host specialized in Jazz-Rock)Raul Mannola - guitarsFlamenco guitarist with 30 years of professional experience and over 10 solo albums, with roots in Blues and Jazz. Born in Buenos Aires, Argentina to Finnish parents. One of the most outstanding musicians when it comes to merging Flamenco with Jazz and Rock. The first to play Flamenco on the 12-string guitar.Juan Carlos Aracil - fluteFlutist from Alicante, Spain. Specialist in Flamenco and Flamenco-Jazz with an exceptional talent in improvisation. He has an impeccable sense of rhythm, developed over years of work with the virtuoso Flamenco dancer Juan Ramírez.Denis Bilanin - keyboardsHailing from Rumania, is a keyboardist with a very heavy groove, and a sound reminiscent of the 1980’s, but at the same time very atmospheric. He plays and produces many different styles, like Funk, Afrobeat, R&B, World Music, and Mainstream.Jorge Barrero - bassA Colombian musician, resident in Madrid for the last two years, he specialises in different Latin and African American music styles, such as Andean music, Colombian folk, Rock, Funk, Jazz etc. A brilliant virtuoso player, who encompasses all the modern techniques.Marco Anderson - drumsDrummer and multi-instrumentalist born inYorkshire, England. Musician with more than 40 years of professional career playing almost every musical style imaginable. Was drummer with The Groundhogs, seminal UK progressive blues band, and has featured in live performance and recordings with Steve Vai (Saurang Orchestra) and Carl Orr (Billy Cobham), amongst many others.Boris Momtchilov - drumsBorn in Bulgaria, resident in Spain for four decades, this drummer started to play in rock bands in Madrid, evolving towards alternative and progressive rock styles. He is Influenced by Balcanic folklore and the fusion of cultures.Collaborations:Jerry Goodman – violin (1) Zeke Olmo – congas (4, 7)
    $11.00
    ADD TO WISHLIST

  • Wobbler

    From Silence To Somewhere
    Progressive Rock
    Wobbler's latest simply blew me away...The band's musical history has shown a variety of influences.  While their debut Hinterland demonstrated elements of King Crimson, Gentle Giant, and many other 70s prog bands, later efforts moved towards full blown Yes worship (not that there's anything wrong with that).Personally I was a fan of Hinterland.  We released it on our in-house label and it pushed all the right buttons.  From Silence To Somewhere reverts back to that sound.  Its very English and very 70s.  The band has matured and they really have established more of their own identity.  Sure you will hear something that might remind you of Genesis or Yes or [Insert your favorite 70s prog band's name here] but it will only evoke the feel - it won't sound like music that was written with tracing paper.There can be only one true answer: BUY OR DIE!
    $15.00
    ADD TO WISHLIST

  • Camel

    Air Born : The MCA and Decca Years 1973-1984 (27CD/5BR Box Set Preorder)
    Progressive Rock
    WE ARE NOW TAKING PREORDERS FOR THE RE-PRESS OF THE CAMEL "AIRBORN" 27 CD/5 BLU RAY BOX SET.  STREET DATE IS MAY 3, 2024.  PLEASE DO NOT COMBINE YOUR PREORDER WITH YOUR REGULAR STOCK ORDER.  WE DO NOT SPLIT SHIPMENTS OR RESERVE STOCK ITEMS.  AVOID DISAPPOINTMENT - PLACE YOUR PREORDER SEPARATELY.In celebration of the 50th anniversary of the release of their self-titled debut album, this 32-disc super deluxe boxed set is the definitive tribute to the legendary band Camel. The boxed features newly remastered versions of every Camel album and single issued between 1973 and 1984,  but also includes new stereo and 5.1 Surround Sound versions of the albums “Camel”, “Mirage”, “Music Inspired by The Snow Goose”, “Moonmadness” and “Nude”, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977 The set also features previously unreleased out-takes from album recording sessions and BBC Radio “In Concert” appearances from 1974, 1975, 1977 and 1981. Additionally included is a Blu ray video disc of promotional videos and BBC TV appearances on “The Old Grey Whistle Test” and “Sight and Sound In Concert” and a Blu ray video disc of the 1984 concert film “Pressure Points”The boxed set includes a lavishly illustrated book with essay and a poster.CD ONE “Camel” – Remastered (Released as MCA Records MUPS 473 in 1973)Slow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaSarah (previously unreleased) - Bonus trackNever Let Go (single version) - Bonus trackHomage to the God of Light (live) (from "Greasy Truckers - Live at Dingwalls Dance Hall") - Bonus trackCD TWO “Mirage” – Remastered (Released as Deram SML 1107 in 1974)FreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyEarthrise (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The Traveller (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Supertwister (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The White Rider (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Lady Fantasy (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))CD THREE “Mirage” sessionsLady Fantasy (Basing Street studios original mix)Autumn (previously unreleased)Nimrodel / The Procession / The White Rider (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLigging at Louis' (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLady Fantasy (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackArubaluba (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackCD FOUR Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)IntroductionEarthriseNimrodelSix AteSupertwisterMystic QueenArubalubaCD FIVE Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)Rhayader Goes to TownThe Snow Goose / FreefallLady FantasyHomage to the God of LightCD SIX “Music Inspired by The Snow Goose” – Remastered (Released as Decca SKL-R 5207 in May 1975)The Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshFlight of the Snow Goose (single version) - Bonus trackRhayder (single version) - Bonus trackCD SEVEN “Snow Goose” sessions - Recorded and mixed at Decca Studios, Broadhurst Gardens 7th June 1974RivermanRhayder Goes to Town (BBC Radio One “In Concert” – 22nd April 1975)Sanctuary (BBC Radio One “In Concert” – 22nd April 1975)The Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Migration (BBC Radio One “In Concert” – 22nd April 1975)Rhayder Alone (BBC Radio One “In Concert” – 22nd April 1975)Flight of the Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Preparation (BBC Radio One “In Concert” – 22nd April 1975)Dunkirk (BBC Radio One “In Concert” – 22nd April 1975)Epitaph (BBC Radio One “In Concert” – 22nd April 1975)La Princesse Perdue (BBC Radio One “In Concert” – 22nd April 1975)The Great Marsh (BBC Radio One “In Concert” – 22nd April 1975)Selections from "The Snow Goose" (BBC TV Old Grey Whistle Test – 21st June 1975) a. The Snow Goose / b. Friendship / c. Rhayader Goes to TownCD EIGHT “Live at The Royal Albert Hall - 17th October 1975” – Remastered & mixed with the London Symphony Orchestra conducted by David BedfordIntroduction by Peter BardensThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshEncore: Lady Fantasy (previously unreleased)CD NINE “Moonmadness” – Remastered (Released as Decca TXS-R 115 in 1976)AristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaSprit of the Water (demo) - Bonus trackChord Change (demo) (previously unreleased) - Bonus trackLunar Sea (demo) (previously unreleased) - Bonus trackAnother Night (single version) - Bonus trackCD TEN Live at Hammersmith Odeon - 14th April 1976 – (Newly mixed in full by Stephen W. Tayler)AristillusSong Within a SongThe Great MarshRhayaderRhayader Goes to TownAir BornChord ChangeThe White RiderCD ELEVEN Live at Hammersmith Odeon - 14th April 1976 (Newly mixed in full by Stephen W. Tayler)Lunar SeaPreparationDunkirkAnother NightLady FantasyCD TWELVE “Rain Dances” (Released as Decca TXS-R 124 in 1977)First LightMetrognomeTell MeHighways of the SunUnevensongOne of These Days I'll Get An Early NightElkeSkylinesRain DancesHighways of the Sun (single version) - Bonus trackFirst Light (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackMetrognome (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackUnevensong (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackSkylines (live at Leeds University 3rd October 1977) - Bonus trackLunar Sea (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackRaindances (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackCD THIRTEEN: “Raindances live”Never Let Go (live at the Colston Hall, Bristol 2nd October 1977)First Light (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Metrognome (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Unevensong (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rhayader / Rhayader Goes to Town (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Skylines (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Highways of the Sun (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Lunar Sea (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rain Dances (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Never Let Go (BBC In Concert - Golders Green Hippodrome - 29th September 1977)One of These Days I'll Get an Early Night (BBC In Concert - Golders Green Hippodrome - 29th September 1977)CD FOURTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. Tayler)First LightMetrognomeUnevensongRhayaderRhayader Goes to TownPreparationDunkirkSanctuaryThe Snow GooseCD FIFTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. TaylerTell MeSong Within a SongSkylinesHighway to the SunLunar SeaRain DancesOne of These Days I'll Get an Early NightCD SIXTEEN: “Breathless” (Released as Decca TXS-R 132 in 1978)BreathlessEchoesWing and a PrayerDown on the FarmStarlight RideSummer LightningYou Make Me SmileThe SleeperRainbow's EndRainbow's End (single version) - Bonus trackCD SEVENTEEN “I Can See Your House from Here” (Released as Decca TXS-R 137 in 1979)WaitYour Love is Stranger Than MineEye of the StormWho We AreSurvivalHymn to HerNeon MagicRemote RomanceIceRemote Romance (single version) - Bonus trackCD EIGHTEEN “Nude” – Released as Decca SKL 5323 in 1981City LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)Captured (first version) (previously unreleased) - Bonus trackCD NINETEEN BBC Radio One In Concert - Hammersmith Odeon 27th February 1981 First broadcast 2nd May 1981Never Let GoSong Within a SongLunar SeaSummer LightningIceCity LifeDraftedDocksBeachedLandscapesChanging PlacesReflectionsCapturedThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)CD TWENTY “The Single Factor” – (Released as Decca SKL 5328 in 1982)No Easy AnswerYou Are the OneHeroesSelvaLullabyeSasquatchManicCamelogueToday's GoodbyeA Heart's DesireEnd PieceYou Are the One (promotional 12-inch single version) - Bonus trackCD TWENTY-ONE “Stationary Traveller” – (Released as Decca SKL 5334 in 1984)Pressure PointsRefugeeVoposCloak and Dagger ManStationary TravellerWest BerlinFingertipsMissingAfter WordsLong GoodbyesIn the Arms of Waltzing Fraulines - Bonus trackPressure Points (12-inch single extended version) - Bonus trackCD TWENTY-TWO “Pressure Points” Live at Hammersmith Odeon 11 May 1984Pressure PointsDraftedCapturedLiesRefugeeVoposStationary TravellerWest BerlinFingertipsCD TWENTY-THREE “Pressure Points” Live at Hammersmith Odeon 11 May 1984SasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyCD TWENTY-FOUR “Camel” and "Mirage" New Stereo Mix by Stephen W TaylerSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyCD TWENTY-FIVE “Music inspired by The Snow Goose” New Stereo Mix by Stephen W TaylerThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshCD TWENTY-SIX “Moonmadness” New Stereo Mix by Stephen W TaylerAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaCD TWENTY-SEVEN “Nude” New Stereo Mix by Stephen W TaylerCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC TWENTY-EIGHT (Blu-ray) “Camel” & "Mirage" High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyAutumn - Bonus trackDISC TWENTY-NINE (Blu-ray): “Music inspired by The Snow Goose” & “Moonmadness” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshRiverman - Bonus trackAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaDISC THIRTY (Blu-ray): “Nude” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC THIRTY-ONE (Blu-ray): “The Video Vaults”Never Let GoArubalubaSelections from "The Snow Goose" a. The Snow Goose / b. Friendship / c. Rhayader Goes to Town (Guildford Civic Hall 1973 – MCA Promo film shown on “The Old Grey Whistle Test”)The White Rider (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lunar Sea (BBC TV – The Old Grey Whistle Test – 21st June 1975)Preparation (BBC TV – The Old Grey Whistle Test – 21st June 1975)Dunkirk (BBC TV – The Old Grey Whistle Test – 21st June 1975)Another Night (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lady Fantasy (BBC TV – The Old Grey Whistle Test – 21st June 1975)First Light (Live at Hammersmith Odeon – 14th April 1976)Metrognome (Live at Hammersmith Odeon – 14th April 1976)Unevensong (Live at Hammersmith Odeon – 14th April 1976)Rhayader / Rhayader Goes to Town (Live at Hammersmith Odeon – 14th April 1976)Skylines (Live at Hammersmith Odeon – 14th April 1976)Highways of the Sun (Live at Hammersmith Odeon – 14th April 1976)Lunar Sea (Live at Hammersmith Odeon – 14th April 1976)Rain Dances (Live at Hammersmith Odeon – 14th April 1976)Never Let Go (Live at Hammersmith Odeon – 14th April 1976)One of These Days I'll Get an Early Night (Live at Hammersmith Odeon – 14th April 1976)City Life (BBC TV – “Sight & Sound in Concert – 29th September 1977”)Lies (BBC TV – “Sight & Sound in Concert – 29th September 1977”)DISC THIRTY-TWO “Pressure Points”In the Arms of Waltzing FraulinesPressure PointsRefugeeVoposStationary TravellerWest BerlinFingertipsSasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyIn the Arms of Waltzing Fraulines
    $225.00
    ADD TO WISHLIST

  • Pendragon

    Men Who Climb Mountains 2019 (2CD)
    Progressive Rock
    "Men Who Climb Mountains 2019 is an updated version of the 2014 release. This version is the same as the one included in the First 40 Years box set and only now becomes available as a separate release double CD. All the drums have been re recorded by new drummer Jan Vincent Velazco, and the whole album has been remixed by Karl Groom and Nick Barrett."Disc 1Belle AmeBeautiful SoulCome Home JackIn BardoFaces Of LightFaces Of DarknessFor When The Zombies ComeExplorers Of The InfiniteNetherworld Disc 2 Live At TwigsThe VoyagerA Man Of  Nomadic TraitsThis Green And Pleasant LandNostradamusPaintboxKing Of The CastleIndigo FreakshowMasters Of IllusionSpace CadetEdge Of The WorldIt’s only MeOur original write up:Its been three years since the last Pendragon album.  To be honest I hadn't checked in on them in quite some time so it was interesting to listen to their latest - it was very different from what I expected.  Guitarist Nick Barrett has gone all Roger Waters on us - he wrote all the music and lyrics - so this really has evolved very much into a personal vehicle for him.  The usual bandmates of Peter Gee and Clive Nolan are on board and now joined by new drummer Craig Blundell.  Men Who Climb Mountains is a concept album but Barrett isn't spelling it out - you're going to have to work at this one.  The musical mission of the band has clearly changed over the years.  Don't have any hesitation - its full on prog but much more contemporary sounding.  The symphonic flourishes from the old days aren't quite so obvious - which isn't to say you won't notice Clive Nolan's presence.  Its simply that this is a bit more of a guitar driven vehicle than decades ago and Barrett's mournful solos have that nice Hackett-esque feel that always draws my attention.  I have to say I'm impressed.  Highly recommended.
    $21.00
    ADD TO WISHLIST

  • Pain Of Salvation

    Panther (2CD Mediabook)
    Progressive Metal
    Ultimately, progress will not be stopped. Pain of Salvation have been firmly at the forefront of the progressive rock and metal scenes for nearly three decades now. Led by mercurial multi-instrumentalist Daniel Gildenlöw, the Swedish band have consistently demonstrated a sincere passion for moving their own extraordinary music forward, while always remaining lyrically enlightened and ferociously intelligent. As a result, the band’s return in 2020 could hardly be better timed.Since selecting the Pain of Salvation banner back in 1991, Gildenlöw’s crew have arguably been the definitive prog band of the modern era. From elaborate and pointedly metallic early classics like The Perfect Element, Part I (2000) and Remedy Lane (2002) to the obtuse wizardry of Be (2004) and the genre-blurring mischief of Scarsick (2006), Pain of Salvation’s all-encompassing musical vision has delivered some of contemporary prog’s most brave, bold and startling moments. Perennially restless, the band switched to a more retrogressive style for Road Salt One (2010) and Road Salt Two (2011), conjuring a precocious blend of ‘70s blues rock and proto-metal with Gildenlöw’s unerringly inventive instincts.Also one of modern rock’s most revered and acclaimed live acts, Pain of Salvation reached a new peak of efficacy on 2017’s In The Passing Light Of Day, an intricate but soulful concept piece that focused on notions of mortality and joy. Both a technically dazzling metal band and a freewheeling prog ensemble, Pain of Salvation have earned their formidable reputation by simply being their brilliant, creatively fearless selves.Fast forward to 2020 and the world is in a state of disarray. But music’s power to uplift and unite has never been in doubt, and the new Pain of Salvation album PANTHER is guaranteed to provide prog fans with a much-needed dose of sumptuous musical substance. Since the release of In The Passing Light Of Day, the band have deftly weathered the departure of guitarist Ragnar Zolberg, discovering a newfound enthusiasm for what happens next in the process.“We did In The Passing Light Of Day and that ended with the departure of Ragnar from the band,” Gildenlöw recalls. “In the past, 10 or 20 years ago, that would probably have made me doubt the future of the band and all of that. I went through that a lot in the past with members leaving or things not turning out in a good way! It’s always difficult and it’s always something that makes you sad, when your little band family is disrupted, but I never came to the point where I doubted where to go or what to do. The other band members were pushing us on to continue, so I just kept writing music.”The result of that sustained surge of creativity is PANTHER, the eleventh Pain of Salvation album and a very obvious landmark release in a career full of them. PANTHER is a concept piece that delves into the conflicts and contradictions between so-called normal people and those who are wired entirely differently.“I guess a lot of the songs that came out dealt with not being part of the norm of society,” Gildenlöw says. “Because we live in a time where we’re more aware of people not fitting the norm and we’re doing everything we can as a society to acknowledge all of these individuals, but at the same time, they’re more disowned than ever, more medicated than ever. The album is painting pictures of a world, I guess. If this was a movie it would be scenes from a city. It’s set in one city, and it’s populated by dogs and the panthers, the so-called normal people and the spectrum people. That’s the setting for the entire album.”As with all Pain of Salvation records, PANTHER will demand multiple listens before it reveals all of its secrets, both musical and narrative. But one things is certain: Gildenlöw’s ability to create a unique and fascinating musical and lyrical world has only grown in recent times. Both traditional and radical, PANTHER is the epitome of a modern prog concept album.With such a deep and varied catalogue, Pain of Salvation – completed by guitarist Johan Hallgren, keyboardist Daniel ‘D2’ Karlsson, bassist Gustaf Hielm and drummer Léo Margarit - have taught their fans to expect the unexpected at all times. Although instantly recognisable as music from the wild mind of Daniel Gildenlöw, PANTHER once again refines and redefines the Swedes’ sound, with echoes of the past vastly outnumbered by vivid, new textures, tones and sonic sleight-of-hand.“For this album, I started off looking for sounds. I always feel I need to move and change and find new ground for myself. Maybe it’s not intentional, but looking back I see that I chose a different starting point every time, or a different methodology, which makes everything else unfold in a different way. It’s a way of making sure that I’m not repeating myself.”Meticulously pieced together by Gildenlöw in Eskilstuna and The Cabin, and mixed together with Daniel Bergstrand (Meshuggah, In Flames, Devin Townsend) at Studio 33 in Stockholm as well as mastered by Thor Legvold / Sonovo (Tambours de Bronx, Purified in Blood, Susanne Sundfør, Gazpacho) in Los Angeles, PANTHER ended up becoming a very intense and personal labour of love for Pain of Salvation’s leader.“It’s been somewhat of a lonely process, but I was finding sounds that I felt were communicating something, and then built something around that,” says Gildenlöw. “It started off a chain of events that led to PANTHER. Just like we did with the last album, you have a song and you find a new sound that you like, and then you start pulling the other songs into that world, step by step. So there’s a lot of odd sounds and a lot of trying to think anew, particularly from my point of view. I don’t have to try to make it sound like Pain of Salvation – the sound is basically what I do when I write music.”Old school PoS fans need not panic, however. Panther still features plenty of guitars and recognisable prog rock and metal tropes: It’s just that Daniel Gildenlöw can’t help but do things differently, every time he hits the studio.Yet another groundbreaking monolith to progress, passion and the joy of music itself, and with artwork consisting of fantastic illustrations made by André Meister, PANTHER is destined to be one of 2020’s most significant releases. Sprung from the maverick mind of prog’s most ingenious contributor, it’s a triumph for artistic imagination and an exhilarating new chapter in the life of a truly great band.“I don’t think that an album can change the world in any way, but I think that every small drop in the ocean can make a difference,” Gildenlöw concludes. “Hopefully people will look around at life as it surrounds us and they’ll realise that this is something we choose. We don’t have to have things as we have them right now. Then I hope, as always when it comes to our albums, people will take time to absorb it all. Our albums work best when they have a little time to sink under the skin. Hopefully with our track record, people know what’s coming!”"
    $19.00
    ADD TO WISHLIST

  • Knight Area

    Hyperdrive
    Progressive Rock
    Hyperdrive marks a new era for Knight Area.  The long running Dutch progressive rock band had previously released four studio albums and toured Europe and USA extensively, performing at all major prog rock festivals.  1n 2012 the band welcomed guitarist Mark Bogert as well as legendary bassist Peter Vink (Q65, Finch, Ayreon) into the fold. With these newcomers onboard, Knight Area introduced a heavier element and fuller sound to their repertoire.  All the classic symphonic rock traits of their previous albums are still clearly evident but the songs on Hyperdrive are more immediate and concise.The band invited noted prog guitarist Arjen Lucassen (Ayreon, Star One) to participate as a special guest on one track.  Joost van den Broek, who is known for his production work with Epica, Mayan, and After Forever, mixed the album.   Rounding out the package is startling artwork by Gustavo Sazes.
    $6.00
    ADD TO WISHLIST

  • Riverside

    Lost'n'Found - Live In Tilburg (2CD/DVD)
    Progressive Rock
    Previously only available as limited self-released fanclub/tour-edition, “Lost’n’Found - Live in Tilburg” re-visits an outstanding performance at one of the biggest shows during RIVERSIDE’s European tour in 2015 for their acclaimed “Love, Fear and the Time Machine” album and also documents the group’s last tour with original guitarist and founding member Piotr Grudzinski († 2016, R.I.P.).“Lost’n’Found - Live in Tilburg” is now made available widely as limited Mediabook 2CD+DVD (The concert is coming on DVD for the first time ever!), as Gatefold 3LP on 180g. vinyl with the full concert on two CD’s as bonus and as Digital Album.RIVERSIDE’s Mariusz Duda checked in with the following comment:“We're really pleased to tell you that our live release “Lost’n’Found - Live in Tilburg” with a concert from the "Love, Fear and the Time Machine Tour 2015" recorded at the fantastic 013 venue in Tilburg, The Netherlands, will be officially released later this year via InsideOutMusic.The tour promoting "Love, Fear and the Time Machine" was groundbreaking, exceptional, and, as it turned out later, also the last one with Piotr Grudziński. We played, among others, a special version of "The Same River" and a 20-minute version of "Escalator Shrine".The reissue of this recording we had previously sold exclusively during our shows in very limited edition, is enhanced by artwork from Travis Smith, extended booklet layouts and...a DVD with the concert, for the first time.”
    $21.00
    ADD TO WISHLIST

  • Ice Age

    Waves Of Loss And Power
    Progressive Metal
    Originally formed on Long Island, NY, Ice Age began in 1991 when the four members clicked over a mutual passion for classic and progressive rock with a penchant for heavier music undercurrents.The band was signed by the noted progressive label Magna Carta resulting in 1999’s THE GREAT DIVIDE.  This ambitious debut stands the test of time, acclaimed and sought-after by progressive rock and metal fans alike.  2001 saw the release of the band’s sophomore record LIBERATION, pushing the boundaries even further with melodic heights and metallic crunch.  The band supported the release with festival performances and tours of Europe and the USA.  At that point the band took an extended break but the members stayed in contact.Now 22 years later Ice Age is back with their third album WAVES OF LOSS AND POWER. The material that comprises the release finds the members of Ice Age wearing their varied influences confidently on their collective sleeve.  Once again the band conjures the spirits of Kansas, Genesis, Styx, fleeting shades of Queensryche, Rush, and Fates Warning.  In the true prog tradition, Ice Age continues their epic sagas begun on their first two albums.  In all respects, WAVES is a seminal masterwork of catchy, thoughtful, progressive songwriting.The album was mixed and mastered by Rich Mouser (Transatlantic, Dream Theater, Spock’s Beard).  The cover art concept and booklet design were brought to life by Killustrations, with a fresh new band logo by Thomas Ewerhard.Ice Age will see the band returning to the US festival stage by kicking off ProgPower USA XXII on September 6, 2023 in Atlanta.
    $14.00
    ADD TO WISHLIST