Hyperdrive

SKU: LE1071
Label:
Laser's Edge
Category:
Progressive Rock
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Hyperdrive marks a new era for Knight Area.  The long running Dutch progressive rock band had previously released four studio albums and toured Europe and USA extensively, performing at all major prog rock festivals.  1n 2012 the band welcomed guitarist Mark Bogert as well as legendary bassist Peter Vink (Q65, Finch, Ayreon) into the fold. 

With these newcomers onboard, Knight Area introduced a heavier element and fuller sound to their repertoire.  All the classic symphonic rock traits of their previous albums are still clearly evident but the songs on Hyperdrive are more immediate and concise.

The band invited noted prog guitarist Arjen Lucassen (Ayreon, Star One) to participate as a special guest on one track.  Joost van den Broek, who is known for his production work with Epica, Mayan, and After Forever, mixed the album.   Rounding out the package is startling artwork by Gustavo Sazes.

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  • "The album is the third release by the band who formed in 2009 when Belgian Producer and musician Frank van Bogaert and keyboard player William Beckers established FISH ON FRIDAY as a studio-based Progressive Rock project. The band’s debut album was released in 2010 and saw the band augmented by Californian guitarist Marty Townsend and drummer Marcus Weymaere. The album’s melodic Progressive approach soon drew very favourable critical stylistic comparisons with the progressive side of Alan Parsons Project. The reaction to the group was encouraging enough for them to embark on performing several live shows in Belgium, before embarking on their second album, "Airborne”, which gained a wider audience and sales by receiving airplay on mainstream Belgian radio alongside specialist Progressive Rock stations globally. "Airborne” also featured the virtuoso bass player Nick Beggs (Steven Wilson band, Steve Hackett band, Lifesigns) guesting on one track, an experience that led to Nick officially becoming a member of Fish on Friday for the band’s new (and arguably most Progressive) album "Godspeed”.This stunning album features a grasp of melody on songs such as ‘Callin’ Planet Home’, ‘Just a Nightmare’, ‘Ghost Song’, ‘Sanctuary’ and the album’s epic ten minute title track. "Godspeed” also features a special guest, Theo Travis, the virtuoso saxophonist and flautist noted for his work with Steven Wilson, Soft Machine Legacy, Robert Fripp, Gong, Bill Nelson et al. All in all "Godspeed” is a Progressive rock album of fine songs, excellent musicianship and is the eagerly anticipated next step in the story of Fish on Friday."
    $15.00
  • Louisiana based progressive metal band Tetrafusion follow up their impressive instrumental debut. This time around keyboardist Gary Tubbs added vocals and he's not bad at all. There really isn't any fusion in Tetrafusion. Its intense high energy progressive metal with chops from hell on display. Their first album was excellent and this is a further step in the right direction. Highly recommended.
    $13.00
  • "Death.Taxes.Ozric Tentacles.Since 1984 this loose collective have been releasing reliably great music from the mind of leader Ed Wynne. Their margin of error is enviably tiny – there is no such thing as a bad Ozrics album. Sure, some are better than others, but the body of work is as inescapably consistent as mortality and societal contributions. Technicians of the Sacred is their fifteenth studio album, second double album and the first release in this format since Erpland in 1990. It is also one of the best they have ever recorded.The blend of electronica and inner-space rock is instantly recognisable with ‘The High Pass’. World music and gently undulating synths take their time to ease us back into the required frame of cosmic consciousness. It takes almost 6 minutes for the secret weapon, Wynne’s signature lysergic lead guitar, to be deployed and that is the modus operandi of the whole album – nothing is rushed, each track unfolds lotus-like.‘Changa Masala’ distils all the band’s ingredients into a spicy side-dish. Sequencers, vocal samples and a reggae skank provide the base while acoustic guitar rips like a John McLaughlin solo, interjecting a nod to their past, a musical in-joke for the fans, which I won’t spoil for those who haven’t yet heard it.The Steve Hillage (Gong, System 7 and sometime Ozrics collaborator) influence is foregrounded in the first disc’s closer, ‘Switchback’. Tap-delay guitar slithers over a web of ambient keyboard washes. Portamento bass notes slide and glide their way through the patchouli-scented psychedelic haze.f the first disc was an aromatic treat, then the second is manna. ‘Epiphlioy’ recalls the classic ‘Saucers’. Its serpentine twelve-string acoustic riffs employ Eastern modes to evoke a scene that is paradoxically earthy and otherworldly. Staccato strings conjure Kashmir while a celestial orchestra of whooshing keyboard pads threatens to levitate us into the stratosphere and beyond. We are back in the bizarre bazaar, folks. Brandi Wynne pins down the ethereal mix with a heavy dub bassline. The track changes constantly. This is the most compositionally complex music the band has ever produced.While there are references to Ozric history and a more organic feel similar to early classics with the occasional use of non-electric instruments and ethnic voices, the album as a whole is a step forward. The painstakingly crafted symbiosis of synthesised sounds and rock instrumentation, coupled with a slick production, lend Technicians of the Sacred a holistic integrity not heard since Jurassic Shift (which incidentally entered the UK charts at a very respectable number 11 in 1993). The whole gels together and flows with the multi-layered sophistication of a symphony while retaining some of the jam-band aesthetic of the free festival days.‘Smiling Potion’ features interlocking sequences even Tangerine Dream would be proud of and a tribal metronome-sense beat straight out of Peter Gabriel’s soundtrack for The Last Temptation of Christ.As ‘Rubbing Shoulders With The Absolute’ throbs along on a blissed-out dub rhythm artificially generated voices ensure the weirdness meter is kept firmly in the red.Hungarian drummer Balázs Szende makes his first studio appearance and throughout the album he proves to be a superb addition to the group, whether approximating the tight programmed style of The Hidden Step era or, as on the closing track, ‘Zenlike Creature’, tackling elusive prog time signatures with ease and finesse. As Ed Wynne winds up a solo worthy of fusion maestros Mahavishnu Orchestra he introduces a shimmering Hillage-esque repeating motif that stays in the mind long after the music has stopped.Technicians of the Sacred, for all its dynamic shifts and intricacies, is a very chilled-out release, one for relaxing to and for transportation to the other, wherever that may be. There are no jarring wig-out rock guitar hero sections or all-out sonic attacks like ‘The Throbbe’. Rather this is Ozric Tentacles’ most cohesive and accomplished effort in almost 20 years and a highlight of a long and peerless career." - Echoes And Dust
    $13.00
  • New studio album from Roye Albrighton and Ron Howden carrying on with the Nektar name.  Since the band reformed last decade, their studio output hasn't lived up to the reputation of the classic 70s era.  This album appears to stop the skid.  Keyboardist Klaus Henatsch has been with the band for some time now.  His keyboard arsenal has that old school sound utilizing Hammond organ at every turn.  Fill-in bassist to the stars Billy Sherwood rounds out the quartet and he also handled production.  While no two Nektar albums sounded exactly alike there was an overriding sound - once you heard a song you immediately were able to identify it as Nektar.  A lot of that had to do with Albrighton's vocals and guitar work.  Time Machine is just that - a trip back in time to the sound of Nektar in the early 70s.  I'm not going to tell you that is will supplant Remember The Future as their magnum opus, but I have to say that this isn't half bad at all and pretty closely approximates the Nektar sound that we all know and loved.  Surprising and satisfying.
    $16.00
  • “I love the CD...the sheer skill and gusto with which they tackle it makes you laugh out loud. Great drumming. Jonathan plays and writes like a demon. Congratulations to them.” - Bill BrufordDistrict 97’s 2010 debut “Hybrid Child” took the progressive rock world by storm. Since then the band toured across the US, performed at a number of high profile festivals, and even opened up for prog icons Kansas. The band now returns with their second opus “Trouble With Machines”. Former American Idol finalist Leslie Hunt fronts District 97. With a fantastic voice and looks to match, she has captured the hearts and imagination of the progressive rock world. Complexity is one of the hallmarks of District 97s compositions but the album is laced with catchy vocal melodies. The track “The Perfect Young Man” features a guest vocal appearance by King Crimson/Asia bassist John Wetton. Rich Mouser who has produced albums for Spock’s Beard and Neal Morse mixed the album. Audiophile mastering comes courtesy of Bob Katz.
    $14.00
  • "This is actually a 1995 CD that was way ahead of it's time! The New York club scene was rocked by these gothic, futuristic, intricate musicians. The album contains epic melodic tracks linked by sound-effect intros and outros that include movie dialogues, readings and plain wierdness. The music is dark progressive metal with gothic influences and complex arrangements. Clean vocals and Yes-like vocal harmonies play off against heavy crunchy guitar (a woman named Vora Vor who is simply marvelous on this CD) and soaring keyboard symphonics. Very memorable melodies and intriguing lyrics makes this one of my favorite CD's in the last couple of years! There is no one else out there quite like Braindance's style but maybe Tiamat or Moonspell comes to mind."
    $12.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Originally released in 1999 as a sequel to `Journey To The Centre of the Earth?, the album has been out of print and unavailable for many years. `Return to the Centre of the Earth? has been re-issued to complement the newly extended and re-recorded edition of `Journey To The Centre Of The Earth?, and comes beautifully packaged with new, original artwork from legendary artist Roger Dean."When I heard the first news of this album being recorded I was impatient, curious and afraid that "Return to the Centre of the Earth" would be a re-creation of the excellent "Journey of the Earth" with explicit musical references and nothing new, but at the same time I was really pleased to know that RICK WAKEMAN was trying to return to his roots.I bought the first copy that reached Lima (A friend who owned a store called me the night when he received the album) and my first pleasant surprise was finding that Patrick Stewart was the narrator because his perfect English and calmed voice gives credibility to any project, a first point for Rick.Surely had some doubts when I read the names of Ozzy Osbourne and Bonnie Tyler in the credits but when I listened "The Return Overture" all my doubts faded, the London Symphony Orchestra and the English Chamber Choir are simply perfect for the composition, the music was completely original but at the same time kept the pompous and wonderfully overblown spirit of the original album and in the moment I heard the first Moog performance I knew Rick was back to stay.But there are some new things, this time he proved he could make an Orchestra and a choir Rock hard as in "Buried Alive" without affecting the atmosphere of the prequel.Absolutely no review would be complete without mentioning the impressive keyboard performance in "Dance of the Thousand Lights" an incredible gem where Rick manages to keep the London Symphony Orchestra in the background to enhance the excellent melody without hiding his performance.Of course the album is not perfect, "Return to the Centre of the Earth" has some flawed songs as the poppy "Still Watters Run Deep" only saved by the beautiful chorus, but over all the album is excellent.But Rick reserves the best for the end, a brilliant reprise of the opening even more elaborate than the Overture that leaves a taste of honey in the lips of the fan.If it wasn't for a couple of bellow the average tracks and the excess of narration the album would deserve 5 stars specially because he didn't insisted with Ashley Holt's terrible vocals, but despite the excellent moments there's something missing that doesn't allow me to rate it with more than 4 very solid stars.An excellent addition for any Prog collection and a must have for every Wakeman fan." - Progarchives
    $16.00
  • "Ethan Matthews and ECHO US are able to achieve true success with their masterpiece "II:XII, A Priori Memoriae." The album is one the best progressive rock albums of the century. Such a production made up of wonderful melodies, clever dramaturgy and compelling dynamics itself, is something that even the top of the class Mike Oldfield was not able to achieve through decades of work, including after his album "Ommadawn". The warmth and intensity of the album's overall sound - where Ethan Matthews emerges from his cacoon as brilliant composer - can still be heard despite digital recording technology. He constructs an acoustic reflection of grand experiences out of his hometown's heritage and his musical past with the progressive metal musicians from GREYHAVEN. It is a journey held through sound structures made up of memories from the past to the futuristic sprawling sound collages from the modern era. The complex sound structures and Matthews' diversified guitar work magically and powerfully pull the listener into a vortex of senses. 'A Priori' literally means "from the former" in Latin. The album looks back on other levels of consciousness expressed in the preceding works of the trilogy, as if within an afterlife. Flowing as one long work based off of a few melodic motifs, "À Priori Memoriaé" is truly a 'classical' work in many ways, fusing ancient and modern instruments to create a stream of consciousness. Musicians including the Grammy-nominated singer Henta, harpist Raelyn Olsen, Chris Smith (Flutes) and Christina Fitzgerald (Oboe) purify "II:XII, A Priorie Memoriae" creating a masterpiece, an innovative, perfect and unique classic. This kind of music has not been seen in over 40 years since Mike Oldfield's "Ommadawn" or Jon Anderson's "Olias Of Sunhillow!" It is somehow the comeback of concept albums that permanently shaped the genre in the 1970s."
    $5.00
  • "A Chinese Firedrill is a project assembled and put together by bass player Joey Vera. He has written all the tunes, and play most instruments, with just drums and "DJ scratching" handled by others. Which makes this album more of a solo release than a band project as such. Previous to this release Vera was best known as a band member, with his involvement in Armored Saint, Fates Warning and OSI arguably being the most high profiled. The album “Circles” was issued by Bridge Records in 2006, and re-released in 2007 by ProgRock Records when Joey Vera signed for them.Musically this release will be seen as an odd one by many listeners. Vera's background from metal bands shines through in the guitarwork on many tracks, while his involvement with bands like Chroma Key and OSI are easily detected by the use of synths, as well as ambient and industrial sounding elements in the musical tapestry. But the most striking feature of “Circles” is variation, as all songs explore more or less different musical styles.“Circles” moves between hard rock and heavy metal in style, with some nice synth work throughout, "Automatic Fantasy" explores a more folk-rock influenced musical landscape, spiced with at times extensive synths and a hard rock influenced chorus. The more or less aptly named tune "Insane" mixes mellow psychedelic influenced moods with a grandiose prog metal chorus, fusing both styles at the end, whereas "Siúcra" is more of a symphonic rock and neo-prog musical journey. "Never Say Never" is a trip into prog metal territories with space rock elements included, and the following track "Grass and Stone (Ethereal)" is more of a haunting metal ballad with symphonic and psychedelic tendencies. "Rock, Paper, Scissors" is the final track, mixing electronic and ambient sounds with hard rock and metal in a song with numerous changes in style, pace and sound.Vera is a talented performer and producer, and “Circles” proves that he's a very talented songwriter too. All tunes are coherent, even when exploring multitudes of styles. The songs move effortless between the different styles explored, and each individual song as well as the album as a whole has a distinct, individual sound. Overall this comes across as a very strong release - but perhaps with a slightly limited appeal.Personally I'd recommend this album to people into OSI in general, and fans of their second release Free in particular, but fans of slightly experimental progressive rock and metal might also find this album intriguing." - Olav Björnsen/USAProgressiveMusic.com
    $3.00
  • Second album of fine melodic metal from former Savatage member Zak Stevens, doesnt stray that far from his former bands path. Its not Savatage but its close enough. Comes with one live bonus track.
    $11.00
  • "Winter In Eden’s latest offering comes on the heels of their highly acclaimed debut ‘Awakening’ and follow up ‘Echoes Of Betrayal’. Latching onto the production team behind fellow symphonic hard rockers Within Temptation and with critical support from the rock and metal media , ‘Court Of Conscience’ sees them looking to rub shoulders with the big players in the field.Has anyone else noticed a marked increase in the numbers of females becoming part of the rock scene? You only need check out some of the rock publications on the shelves of your local newsagents to find the latest in a new breed or the new release featuring a talented rock goddess on its cover (and let’s face it, more often than not, the ladies tend to look a bit better than the guys.)Nowhere has it been more apparent than in the melodic/symphonic rock/metal scene, where the likes of Within Temptation, Evanescence, Amaranthe and  Nightwish have opened the doors and made female fronted rock almost a genre by itself. In fact, one of the best gigs I’ve attended this year was the Within Temptation/Delain double bill and as someone (probably Disney related) once said, it opened up a whole new world.To the point though. Winter In Eden are another five piece symphonic rock band from the north of England who can be added to the list. With an EP and two albums behind them and a string of recognition  (best new band, female vocalist, live act) from the likes of the Classic Rock Society, Metal Storm and Classic Rock magazine, anticipation is high for their third album, ‘Court Of Conscience’. It comes courtesy of producer Ruud Jolie (of Within Temptation) and mixed by Stefan Helleblad (of…..Within Temptation) and featuring a number of guest appearances most notably including  Landmarq/Threshold singer Damian Wilson. Sounding good so far.Opening track ‘Knife Edge’ has all the classic elements – the false sense of security of the  gentle piano opening giving way to the immediate vocal of Vicky Johnson amid a smack in the teeth blast from the band, a minor respite mid song giving way to a suitably symphonic ending and a flavour of what’s to come.  The typically dynamic expectations and atmospheres come courtesy of the ominous opening of ‘Critical Mass Pt 1- Burdened’ which smoulders along and builds into becoming the big production piece on the album.  With ‘Toxicate’ and ‘Order Of Your Faith’ they display a slightly harder edge while ‘The Script’ offers up something more akin to a string driven power ballad.Although the overall sound is naturally quite heavily orchestrated (expertly done by keyboard ist Steve Johnson) the band are driven along by Steve Hauxwell’s drums and it’s hard not to be impressed by Vicky Johnson’s symphonic metal goddess vocals which pour a velvety smooth coating over  the soundtrack which essentially provide the focus for the band. The album is accessible with some commercial hooks, dare I say radio friendly (maybe rock radio friendly might be more appropriate)  in songs like ‘Before It Began’ and full of sweeping strings and explosive guitars yet able to move into simple acoustic guitar driven pieces.Having come off the road and straight into recording saw the material coming together quickly and making the most of the benefits of playing together  as a live unit. The ‘been there and got the T shirt’ Within Temptation polished production influence has rubbed off  and given Winter In Eden the motivation and momentum to deliver a record which establishes and strengthens their reputation  in the genre." - Louder Than War
    $16.00
  • "It started with a simple idea: virtuoso musicians and a pop singer joining to make new-fashioned music the old fashioned way. A band followed, evolving into Flying Colors: Mike Portnoy (drums, vocals), Dave LaRue (bass), Neal Morse (keyboards, vocals), Casey McPherson (vocals, guitar), and Steve Morse (guitar). Together, they create a unique fusion of vintage craftsmanship, contemporary music and blistering live performances."
    $15.00