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Untold Passion/Here To Stay

SKU: BGOCD1384
Label:
BGO Records
Category:
AOR
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  • Two albums from Journey guitarist Neal Schon and former Mahavishnu Orchestra keyboardist Jan Hammer
  • These albums date from 1981 and 1982, originally recorded for CBS, and include former Back Door bass player Colin Hodgkinson
  • ‘Here To Stay’ has Steve Perry and Steve Smith (both Journey) and Glenn Burtnick (Styx) as guest musicians
  • Jan Hammer has had a long and distinguished career. Well known for composing the Miami Vice TV theme, he has worked with the likes of Jeff Beck, Tommy Bolin, Mick Jagger and Al Di Meola
  • Neal Schon was in Santana before forming Journey, as well as being a member of Bad English and Hardline
  • Digitally remastered and slipcased, and with new notes

UNTOLD PASSION

Wasting Time

I’m Talking To You

The Ride

I’m Down

Arc

It’s Alright

Hooked On Love

On The Beach

Untold Passion

HERE TO STAY

No More Lies

Don’t Stay Away

(You Think You’re) So Hot

Turnaround

Self Defense

Long Time

Time Again

Sticks And Stones

Peace Of Mind

Covered By Midnight

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  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
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  • "In better than 25 years, singer and songwriter Damian Wilson has had a remarkable and prolific career. Lately known for his work with progressive rock acts Threshold and Headspace, Wilson has also done solo work over the years. Built For Fighting is latest and fourth solo studio album, and once more produced by Andrew Holdsworth.To be honest at the start, I think Damian Wilson is one of the best singers on the planet. So don't expect some objective unbiased review. It ain't happening.Wilson's versatility and range, tone and timbre, are well suited for progressive rock and metal to the AOR melodic rock of Built For Fighting. I've liked most everything that he's been a part of, simply because I like listening to his voice. He has a natural melodic sweetness wrapped in inherent passion.Wilson is also an exceptional songwriter. He writes songs that are dripping with melody, often defined by his voice, acoustic guitar, or piano. Also, his lyrics are usually intelligent and cogent, filled with meaning. With this album, and I'm merely speculating here, his words seem more reflective, perhaps introspective, thoughtful of his life, times, and relationships.To the songs, as mentioned earlier, they are largely AOR melodic rock, many times within a symphonic wrapper. The album has some variety and some shifts in character. The first five songs are lighter fare dominated by the trio of the piano and acoustic guitar lines with Wilson' voice. Yet, the lead track and first single Thrill Me is a bit more spry and lively, coming off as attractive and radio-friendly power pop. Alternatively, Fire turns almost entirely on voice and piano, wrapped in violin and cello. It's a beautiful piece of music.Halfway in, beginning with short, catchy and sexy, Sex & Vanilla, Wilson and crew get their groove on again. The song is another punch of power pop. The following Can't Heal War is also a bit more heavy thanks to the sharp riffs. Written In Anger, a song that seems almost autobiographical, becomes more dense and moody from the deeper bottom end, riffage, and generous orchestration. All I Need returns you once more to the brisk riffs and groove of a power rock song. In the end, the album winds down with two quieter songs, I Won't Blame Life and Battlelines. Wrapped in the lightness of acoustic guitar and orchestration, then led by Wilson's voice, both songs have passionate lyrical themes: the former to life and loss in relationships, the latter to the irony of war.So what's my biased bottom line? I liked everything about Built For Fighting. Damian Wilson is a superb singer who writes exceptional melodic rock songs. His voice is terrific, the music delightful. Get the album. You won't be disappointed in the least." - Dangerdog.com
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  • Two albums from Journey guitarist Neal Schon and former Mahavishnu Orchestra keyboardist Jan HammerThese albums date from 1981 and 1982, originally recorded for CBS, and include former Back Door bass player Colin Hodgkinson‘Here To Stay’ has Steve Perry and Steve Smith (both Journey) and Glenn Burtnick (Styx) as guest musiciansJan Hammer has had a long and distinguished career. Well known for composing the Miami Vice TV theme, he has worked with the likes of Jeff Beck, Tommy Bolin, Mick Jagger and Al Di MeolaNeal Schon was in Santana before forming Journey, as well as being a member of Bad English and HardlineDigitally remastered and slipcased, and with new notesUNTOLD PASSIONWasting TimeI’m Talking To YouThe RideI’m DownArcIt’s AlrightHooked On LoveOn The BeachUntold PassionHERE TO STAYNo More LiesDon’t Stay Away(You Think You’re) So HotTurnaroundSelf DefenseLong TimeTime AgainSticks And StonesPeace Of MindCovered By Midnight
    $16.00
  • Glass Hammer get all existential on us...Perilous is the new band's new concept album about a man dealing with grand scale issues like mortality.  A bit of a downer but like all Glass Hammer projects there is a ray of sunshine at the end.  Glass Hammer is fronted by Jon Davison who was plucked away by the remaining members of Yes for current tours and cruises.  He remains a member of GH as well.  Naturally with the voice of a Jon Anderson sound alike, the music bears remarkable similarity to Yes.  Some of Fred Schendel's piano work reminds a bit of Going For The One.  When Fred is hammering away on the organ the music takes on a Kansas quality.  So essentially not much has changed.  Glass Hammer's sound has pretty much evolved into a Yes/Kansas hybrid over the past decade and there it remains.
    $13.00
  • Chicago rockers’ 1977 and 1990 albums‘The Grand Illusion’ was a US Top Ten album with the song ‘Come Sail Away’ a Top Ten hit‘Edge Of The Century’ was the first to feature new member Glen Burtnik, and the last with drummer John PanozzoThe single ‘Show Me The Way’ was a US Top 3 hitDigitally remastered and slipcased, and with new notesTRACKLISTDisc One:THE GRAND ILLUSIONThe Grand IllusionFooling Yourself (The Angry Young Man)SuperstarsCome Sail AwayMiss AmericaMan In The WildernessCastle WallsThe Grand FinaleDisc Two:EDGE OF THE CENTURYLove Is The RitualShow Me The WayEdge Of The CenturyLove At First SightAll In A Day’s WorkNot Dead YetWorld ToniteCarrie AnnHomewreckerBack To Chicago
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  • Budget priced box set includes the following albums in CD wallets: The Grand IllusionPIeces Of EightParadise TheatreKilroy Was HereCornerstone
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  • Mastered for vinyl.  Includes one non-LP bonus track."Three stars and a half, better album than many progfans would suggest. The beginners guide. was released after two disappointing albums. But this album shows a return to the sound the group is known for. For me, the best Saga albums are the first 5, but this one comes close. I still find myself playing the album every now and then. The album was issued in 1989, you can hear this by the use of many electronic percussion and sound effects. But once you get used to that, you really can enjoy one of Saga's finest albums. The beginners guide is a bit of a concept-album as the story in the lyrics is about a schizophrenic boy. The music is typical for Saga, only the massive keyboard-sounds of their first albums is missing. But the songs are great, maybe some tracks like "Starting all over again" tend too much to pop music but other tracks like "giant" are reminiscent to "Worlds apart". In 1989 Saga was only a trio : Michael Sadler and the two Crichton brothers. In the nineties Jim Gilmour and Steve Negus would return but this wouldn't mean, the quality of the music would always be better than on this album" - ProgArchives
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  • "It's as easy to see why radio listeners loved Toto as it is to see why critics hated them. Toto's rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. It all sounded great, but it also implied that music-making took craft rather than inspiration and that the musical barriers critics like to erect were arbitrary. Then, too, Toto's timing couldn't have been much worse. They rode in during the middle of punk/new wave with its D.I.Y. aesthetic, and their sheer competence was an affront. Of course, there's always been an alternate history of popular music not available to rock critics (it's written in record stores and concert halls and on the radio), and in that story, Toto was a smash. Singles like "I'll Supply the Love" and "Georgy Porgy" (featuring Cheryl Lynn) made the charts, and "Hold the Line" hit the Top Ten and went gold. The members of Toto had already influenced the course of '70s popular music by playing on half the albums that came out of L.A. All they were doing with this album was going public." - Allmusic
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  • "Styx kept themselves busy in the 21st century, launching a tour like clockwork every year, but they abandoned recording new material after 2003's Cyclorama. Arriving 14 years after that record, The Mission announces Styx's return in a grand fashion. Although The Mission has its mind on the future -- it's designed as a concept album about a mission to Mars in the year 2033 -- the sound is an unapologetic throwback to the band's late-'70s prime. In a sense, it's a sequel to Paradise Theater, containing the same kind of over-baked story and, more importantly, a bunch of songs that sound like sequels to "Too Much Time on My Hands" and "Rockin' the Paradise." Dennis DeYoung's Broadway streak is notably absent, but it's not necessarily missed because Styx craft these operatic rockers so well. Apart from the slight sheen in the production, these songs could be mistaken for prime Styx, and that's a quite thing to say for a band that is not only firmly within its status as a legacy act, but one that has gone so long without recording new material at all." - Allmusic
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  • "Toto's compilation is to be recommended in that it contains all four of the group's Top Ten hit singles -- "Hold the Line," "Rosanna," "Africa," and "I Won't Hold You Back." It also contains four more of Toto's 14 pop chart singles -- "Georgy Porgy," "99," "I'll Be Over You," and "Pamela." But that means it leaves out six chart entries, including the Top 40 hits "Make Believe," "Stranger in Town," and "Without Your Love." In their place are an album track from the most recent album, The Seventh One, and four newly recorded songs co-written and sung by the group's fourth lead vocalist, Jean-Michel Byron, who is more soulful than his predecessors, but no more memorable. As such, this is not the ideal Toto best-of and earns its "pick" designation over Toto IV only by virtue of its inclusion of the group's first hit, "Hold the Line."" - Allmusic
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  • First two A&M Records albums from the Chicago rockers, originally released in 1975/76Styx’s career took off with the arrival of guitarist Tommy Shaw just before the tour to promote ‘Equinox’Their brand of melodic AOR earned Styx huge popularity and a succession of chart hits, not just in the US but all around the worldDigitally remastered and slip-casedTRACKLISTEquinox:Light UpLoreleiMother DearLonely ChildMidnight RideBorn For AdventurePrelude 12Suite Madame BlueCrystal Ball:Put Me OnMademoiselleJenniferCrystal BallShoozThis Old ManClair De Lune/Ballerina
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  • 5CD slipcase set includes the following 5 albums:InfinityEvolutionEscapeFrontiersRaised On Radio
    $24.00
  • New edition of the controversial 1986 album that featured both Steve Hackett and Steve Howe.  The music was a blend of AOR and prog rock.  Surprisingly they had a lot of commerical success with the album and a hit single with "When The Heart Rules the Mind".  I want my MTV!This new version includes a remastered version of the album with a few bonus tracks.  The second disc is a live recording from the Wiltern Theater in Los Angeles on July 19, 1986.  Lots of liner notes from the appropriate culprits as well.
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