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SKU: IW83106
Label:
Inner Wound
Category:
Power Metal
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2022 reissue includes 3 bonus tracks and a 20 page booklet.

New Brazilian power metal outfit fronted by Soulspell vocalist Daisa Munhoz.  The band follows the straight and narrow course set down in stone years ago.  Lots of speed, nice spacious sounding keys, superb vocals and lots of guitar and synth breaks.  Speed is the key here.  Very melodic and it all zooms along.  Very well done actually.

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  • "E-Force was formed in Montreal, Canada in 2001 by vocalist/bassist, Eric Forrest, upon his departure from the legendary Canadian cyber metallers Voivod. In all Eric appeared on two studio masterpieces, Negatron and Phobos; on the live album, Voivod Lives, and on the compilation: Kronik. When leaving Voivod, Forrest chose to use his nickname, E-Force, as the name for his new band. Labeled monsters of Thrash, Eric Forrest's wide array of musical influences and vocal capabilities set E-Force apart from the pack and ensure that this band is very original. E-Force released their debut album Evil Forces to widespread critical acclaim in 2003. Soon after Forrest relocated to France, resulting in a line-up change. In 2008, E-Force released their follow-up, Modified Poison. The album further expanded the intensity of the band, impressing both fans and critics alike. In 2014 the band released their third album The Curse, on Mausoleum Records. Curse was a concept album based on a collection of songs describing the power and temptation of, and obsession with the female race. The album featured guest performances by Glen Drover (Megadeth, King Diamond), Kristina Niemann (Therion) and Vincent Agar (Yotangor). Throughout their 10-year history E-Force has released only three albums, albeit prominent ones, but nevertheless managed to perform in over 20 different countries since the band's inception, appearing at some of the most prominent festivals of the musical genre, both in Europe and North America. Now E-Force returns with Demonikhol, lyrically another concept album with alcohol as the subject matter, illustrating the ravages and destruction of all kinds it is capable of causing. Musically E-Force has become an intense and shatteringly percussive killing machine, driven by battering ram guitars, supporting Eric's primal screaming vocal assault."
    $15.00
  • "7 long years it has been since PYRAMAZE’s last album, “Immortal”, with the famed Matt Barlow at the vocal helm. Come 2015, the band has seen half of the original lineup revamped; still remains Jonah Weingarten on keyboards, Morten Gade Sørensen on drums and Toke Skjønnemand on guitars, but have welcomed about longtime-friend and producer Jacob Hansen on guitars and Terje Harøy on vocals. “Disciples Of The Sun” assuredly marks the beginning of a new era for the band, adopting a new and fresh musical trajectory.Who would replace the former members were always at the forefront of the minds of their fanbase. A Danish band, with the exception of American Jonah, Jacob Hansen is well-known in the metal echelons of his home-country and abroad for working with and producing many of Metal’s greatest bands; DELAIN, ABORTED, ANUBIS GATE and EPICA among them. Already the band’s producer, the transition to guitar simply made sense. As for vocals, many considered Matt irreplaceable; such cynicism does not have a place in the metal world, for the band pulled in Terje from Prog/Heavy band CROSSNAIL (formerly TEODOR TUFF).On one hand, the decision to pick a relatively-unknown singer to take the vacant vocal position could be considered risky, but it was the best-possible decision the band could have made, because “Disciples Of The Sun” is chock-full of uplifting and powerful heavy-hitters, to which his voice is perfectly-suited. The introduction of epic proportions sets a spanning, cinematic scene for chugger “The Battle Of Paridas”. One of the album’s heaviest moments right off the bat, the track soon gets into the lyrics, where Terje’s power is obvious right away. Come the chorus (in fact, any chorus on the album, especially that of “Fearless” or “Hope Springs Eternal), the man’s voice lets loose with raw, unrestrained energy. Not losing their trademark, soaring atmospherics either, which are incredibly present in this track, as well as in the infectiously-catchy “Back For More”, PYRAMAZE proves that they have successfully moved forward without losing any trace of their identity.In hearing the wonderful lyrics for the album, written with absolute poetic flair in “Genetic Process” and “Hope Springs Eternal”, I learned that ANUBIS GATE’s very own bassist/vocalist/lyricist Henrik Fevre was asked to write the new album’s lyrics, given that Michael Kammeyer, the previous writer, had left. And they fit the music PYRAMAZE has lovingly-crafted ever so perfectly; uplifting crescendos and dramatic cascades the ideal vehicle. Heavy-hitting, Progressive Power Metal the band’s tried-and-true engine, not one track on the album hints to any monotony; each piece has its own vibe, and is a story all in its own. For one, “Perfectly Imperfect” booms with a series of Stoner-like opening riffs, before transitioning into soaring and gloriously-melodic choruses. The track to follow, “Unveil”, however, provides some of the more ‘Proggy’ moments on the record; the key-change in the last chorus leaving me light-headed, and probably best display’s Terje’s impressive range. As for the most balls-to-the-castle-wall Metal track on the album, “Hope Springs Eternal” is the package, containing the album’s fastest, most aggressive, most blistering riffs; but in a gracefulness only Scandinavian metallers have perfected, transitions to long-lasting, memorable and melodic choruses.For my own personal pleasure, the band picked the right year to release “Disciples Of The Sun”, being able to look forward to new NIGHTWISH and new KAMELOT albums as well, for if Metal were a competition, the genre heavy-weights would have serious competition. PYRAMAZE is, quite frankly, the come-back I’ve been waiting for." - Metal Temple
    $11.00
  • "Dark Sarah is a concept project from Finland, led by singer/songwriter Heidi Parviainen (former lead singer of the Symphonic Metal act Amberian Dawn). Financed by successful indiegogo campaigns, Dark Sarah’s Behind The Black Veil brings together a number of veteran musicians and singers and the act has released a strong and theatrical debut.Although not 100% new material (separate funding campaigns had allowed the first eight tracks to be released as two individual EPs), Behind The Black Veil consists of 12 main songs along with two bonus tracks – a substantial amount of theatrical goodness. Heidi Parviainen’s strong voice is the centerpiece of the release, and it remains as powerful and clear as ever. She shares the microphone with guests Manuela Kraller (Xandria), Inga Scharf (Van Canto), and Tony Kakko (Sonata Arctica). The band behind Heidi is technically excellent, consisting of guitarists Kasperi Heikkinen (U.D.O, Merging Flare) and Erkka Korhonen, bassists Jukka Koskinen (Wintersun) and Rude Rothstén, and drummers Teemu Laitinen and Lauri Kuussalo.“Save Me”‘ opens the album, and is the epitome of “cinematic” metal. A sad and melancholy track introduces the character of Dark Sarah and sets the standard for the tracks that follow. Dramatic orchestral musical passages and near operatic vocals are carried by well done keyboards and strong lyrics that lay the groundwork for the rest of the album. “Poison Apple” starts with moody keys but it quickly becomes a heavy rocker with intense bass and drums. On the whole this song is nicely balanced between metal and orchestral instruments. “Hide And Seek” is a stirring keyboard driven ballad that brings out the true beauty and power of Heidi’s voice. “Memories Fall” is a well done, energetic duet with Xandria’s Manuela Kraller, and their two voices complement each other well while riding over a crunching guitar line.“Evil Roots” kicks off the second quartet of songs. Inga Scharf (Van Canto) lends her voice to this well done Power Metal track, and the lead and backing vocal work on this track is truly outstanding. Broadway theatrics make an appearance on the unusual “Violent Roses” – a Tim Burton-esque cinematic track that starts slow and low and ramps up the intensity as it progresses. “Hunting The Dreamer” is a rousing rocker with a kicky rhythm line and driving bass. The interplay of full metal (great guitar solo!) and orchestra gives this one a unique personality. “Fortress” starts as a soft, moody and introspective piece with some nicely done vocals and textures, and then gets kicked up in power and speed as guitars, bass and drums join the keys.“Silver Tree” is a wonderfully done up-tempo piece with plenty of keyboards and lush orchestration, highlighted by a slightly manic drum line. Soft keys and peaceful vocals start off the power ballad “Sun, Moon, And Stars” – a song with a very simple arrangement in comparison to the rest of the release. “Light In You” is a superb Broadway showstopper – quite probably the most powerful song of the album – and features the wonderful voice of Tony Kakko (Sonata Arctica) playing The Moon, deep in conversation with Sarah. The official story closes on a high with the peaceful piano-driven “Sarah’s Theme”. Bonus tracks fill the balance of the run time – an orchestral version of “Memories Fall,” and very quirky, bloody, and somewhat amusing “A Grim Christmas Story” – very Tim Burton!Despite being produced at different times and with different performers, Behind The Black Veil has a consistent, solid sound. There is a good deal of warmth in the orchestral pieces, yet they are crystal clear. Heidi’s voice is crisp and accessible, and the musical delivery by the entire Dark Sarah ensemble is technically excellent. The music is powerful, the performances tight, and the story is one just waiting to be brought to life on file or stage. While the dark material and heavy orchestral overtones won’t appeal to everyone, fans of symphonic, Gothic, or female fronted metal will find a lot to enjoy.Dark Sarah’s Behind The Black Veil is highly recommended for fans of the darker, Symphonic genres." - Hard Rock Haven 
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  • "With their 2013 debut “Back With A Vengeance”, MASTERS OF DISGUISE filled the musical gap left behind by the demise of Savage Grace almost 30 years previously. Two years later the successor CD “The Savage And The Grace” was ready, building on its predecessor in classical style and which again is sure to set the pulses of speed freaks racing. The album again honours the true Speed Metal spirit of the Eighties without sounding antiquated or dusty. Classic US Speed Metal, taken another step upwards by several typical, fast Euro-Metal characteristics make the eleven tracks a real ride through speed hell."
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  • "I am somewhat torn doing this review as it is one of my favorite Metal cd's, which in itself is a very brash statement and also it is Rob Halford "without" one of the greatest Metal bands in the world..... Judas Priest.During those few very sad years back in the early 90's when Halford left Priest,he formed a band called "Fight" which I think surprised everyone(including your's truly) with it's raw power and brutal almost Thrash-like Metal riffs.This was definatley not some some lame Priest cover band but it was a new way for Rob to showcase that incredible voice of his.The cd opens up with what was a staple of Mtv's Headbanger's Ball back then with the song "Into the Pit" which was a fast and furious tribute to the "Mosh Pit".The music continues to grab you by the throat and choke the life out of you and never let's you come up for air.Some of my other favorites are "Nailed to the Gun", "Life in Black" the title track "War of Words" and two absolute Thrash classics, "Contortion" and "Kill it".There is also the (Dare I say hit single..."Little Crazy").Sadly, Fight put out only one other cd but it did not even come close to the power of it's predecessor and shortly after that the band called it quits. Over the next few years Halford tried a few other projects but none of them had the "Balls" of "War of words".A few years laterHalford and Priest resolved their differences and Priest was reborn,Badder than ever.I strongly recommend this cd to any "real" Metal fan,especially the younger one's which may not have known that Rob Halford was ever in another band besides Judas Priest.Without a doubt this cd "War of Words" scores a very HEAVY....10." - The Metal Pit
    $7.00
  • Vocalist Silje Wergeland has been fronting The Gathering since 2009.  She has developed into a more than able replacement for Anneke Van Giersbergen.  The Gathering's music is far removed from the early death and gothic metal days.  They have firmly moved into the post-progressive rock genre.  Their music deals more with mood and tension - textures and atmosphere.  Think of a more rock oriented version of Portishead. 
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  • "With "Street Lights Fail", the Swiss Progressive eccentrics led by mastermind Fredy Schnyder introduce the first part of a concept comprised of two albums which is going to be completed in 2015 with "Neon Light Eternal".After the "Nihil"/"Knell"/"Andromeda Awaiting"-trilogy and its subsequently released prequel "Golden Age", "Street Lights Fail" marks not only the start of a new concept, but also a radical aesthetical change. The album impresses with a contemporary, anti-nostalgic sound and takes a stand against the intolerable boredom of listening to predictable music. With qualities that have always been common to Nucleus Torn - expertise, creativity, bravery and the readiness to fail - the band has created an album of 40 minutes with a density which is, in terms of sound, style and emotion, unparalleled in Progressive Rock. A fair share of this can be ascribed to Anna Murphy (Eluveitie) as well, who for the first time acts as the only singer on an album by Nucleus Torn, thus leaving a distinct imprint.Fredy Schnyder backs his new work more confidently than ever: "With 'Street Lights Fail' - and later on 'Neon Light Eternal' - Nucleus Torn make good on their great promise. The albums show the group's entire potential, are both peak and closure. If Nucleus Torn are to be remembered by anybody, then hopefully through these two albums.""
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  • "My first introduction to Brazil's Hibria came with last year's DVD/CD live package Blinded By Tokyo. It seems, besides their popularity in South America, they've been a hit in Japan from earlier on in their career. The live set was good showcase for their power metal skills. Now seeking more international recognition, Hibria releases Silent Revenge through AFM Records.I'll admit I was almost put off by Silent Revenge from the start, thanks to the first, and title, cut. Silent Revenge features Andre Meyer of death metal act Distraught offering competing death vocals. I get the addition, but it's still annoying. Later, with Walking to Death, Hibria vocalist Iuri Sanson nears hardcore screamo vocals. All this makes me wonder if, in attempt to be edgier or more commercial, Hibria wants to move more towards modern metal.Alternatively, listening to Silence Will Make You Suffer, Lonely Fight, or the powerful anthem Shall I Keep on Burning (unplugged version is even better), you find both Sanson and Hibria straying little from their traditional heavy power metal roots, with emphasis on heavy. However, sometimes they get a little over ambitious as with The Way It Is. It's decent power metal, just too long. One thing Hibria has always been known for is powerful guitar leads, and there's a truck load of ripping leads all over this album. This simple, but necessary element, puts Silent Revenge beyond a better than average album. Their traditional South American and Japanese fans should enjoy this album, and the band will probably collect more fans in Europe as well. Recommended." - Danger Dog
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  • "The second album from melodic power metal quintet Civilization One finds a few member shifts as well as a label change- so fear sets in when three-fifths of the lineup receives a re-boot. In the case of these musicians, it was necessary due to proximity and related productivity. Enter drummer Michael Stein- who also plays with vocalist Chity Somapala in Red Circuit, along with new guitarists Oliver Marmann and Nicklaus Bergen. What does the mean in terms of sound relative to their 2007 debut "Revolution Rising"?For one, the emphasis on these 12 songs (plus brief "Aazis" 54 second intro) appears to be on a more lively, easier to replicate sound than the multi-tracked vocal harmonies and waves of keyboards lurking in the shadows. Chity is an affable front man- professional and more than capable of keeping the melodies versatile and memorable: be it in a lower / mid-range capacity for the commercial leaning "The Land In Flames", the more heart-tugging ballad "Reunite" or his potent lung capacity for the conventional double bass driven number "True Believer". Oliver and Nicklaus perform to high caliber standards: challenging the listener with many dazzling lead breaks and a mixture of riffing techniques that combine crunchy, almost thrash-like parts in "The Supernatural Virtue" as well as standard Firewind meets Brainstorm guitar hero work on the title cut and "Hell Awaiting". Many will even smile at the Phil Collins/ "Take Me Home" laid back percussive aspect of closer "Dreams of Fire"- once again illustrating the band's desire for individuality.Another aspect I enjoy is the shorter time frames for the twelve songs: proof that you can cut to the chase, provide the level of energy and excitement, and move onto your next arrangement in a tidy 3-4 minute measure. "Calling The Gods" is a proper follow up to its predecessor, which is always a great move in today's crowded power metal sweepstakes. Those on the fence after their five year layoff will be adequately appeased." - Eternal Terror
    $13.00
  • Die-cut digipak edition."One thing already in the beginning. Dark Age continues with their change. If this is good or bad each of you have to evaluate personally.  I like the new album, as well as I liked their more death metallic history. The guys from Hamburg are more and more filling a gap between Linkin Park (70%) and In Flames (30%). That will say, that there are still some, almost hidden, death metal part in some of the songs, but the melodic parts are still increasing and the usage of keyboards became more. In that sense “A matter of trust” is a logical next step following their 2009 album “Acedia”.So what is, next to ‘change’, the consistent factor. Dark Age are still writing good songs. The songwriting quality didn’t change. And the band also comes up again with a very good production – maybe it’s even too perfect in the sense of being too clean.The album starts with “Nero”, a song which represents the album in a good way. The song is very melodic, and a great chorus. In the verse I was even party reminded to Simple Minds with some rougher guitar work. “My savior” makes use of the same pattern, but increases intensity towards the end.Songs like “Out of time”  and “Fight” show more the history of the band. The remind me in parts to the “Dark age” album.  “Dark sign” is a good mix between old and new. It combines old trademarks with a dark atmosphere.And than there are a few very keyboard focused tracks on the album. Songs like “Onwards” are probably not even metal anymore, even though I like it. But the guitar is pushed very much to the back and the keys are dominating the scene.“A matter of trust” became a good album. But it also needs an open mind to enjoy it. If you got over the fact that the album didn’t became another “Dark age” you will have a enjoy what you hear. If you’re deeply rooted in death metal I would recommend to go for the new Master album instead." - Markus' Heavy Music Blog
    $15.00
  • New edition of the band's second album features a remix by Rob Reed and remastered sound courtesy of Bob Katz (who called me to proclaim this "reference recording material"). There is a bonus DVD (NTSC - region 0) which features a 5.1 remix and video footage of Rob and Steve Reed in the studio as well as some Magenta official bootleg clips of Seven material.Wonderful followup to their 2001 debut. "Seven" is a concept album based on the 7 deadly sins. So you get 7 tracks crammed into a 76 minute disc filled with stunning female vocals and a musical melange that recalls the salad days of prog bands. Genesis fans will trip out on this one! Highly recommended.
    $19.00
  • "Recently Dutch symphonic metal outfit Epica celebrated their first decade as a band with a massive show and a release of a DVD and now they’re back with a brand new studio album, which may very well be their finest moment to date…On “The Quantum Enigma” Epica has grown far beyond their humble musical beginnings. The symphonic elements and the massive choirs are still very much in place, but the band has found a new sense of renewed vigour and focus. High paced scorchers like ‘The Second Stone’, ‘The Essence Of Silence’ and ‘Reverence – Living In The Heart’ are poignant examples of the aforementioned refound sense of urgency. The band isn’t afraid to incorporate elements from thrash, death and progressive metal in their musical fabric, which makes this album a tempting listening adventure for people who aren’t necessarily into female fronted/symphonic metal.Vocalist Simone Simons shines on tracks like ‘Omen – The Ghoulish Malady’ and ‘Canvas Of Life’, while Arien van Weesenbeek shows his drumming prowess in the aforementioned ‘The Second Stone’ and ‘Essence Of Silence’. A special mention should go to guitarist Isaac Delahaye. His tasteful leads and solos are the proverbial icing on the cake. Particularly the main guitar solo in ‘The Quantum Enigma – Kingdom Of Heaven part 2’ is simply mindboggling.Production-wise “The Quantum Enigma” is a true gem, thanks to the considerable talents of Joost van den Broek (ReVamp, MaYan) and Jacob Hansen (Volbeat, Pestilence). The direct and in-your-face production sound gives the album a definitive edge which is somewhat lacking on some of Epica’s earlier works.“The Quantum Enigma” is the sort of record where everything comes together. Great songs, great atmosphere and the band has finally managed to capture the energy of their live shows on a studio album. It’s still early in the year, but “The Quantum Enigma” is destined to become one of the musical highlights of 2014." - This Is Not A Scene
    $12.00
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00