Radiation 2013 (2LP Vinyl)

SKU: MDF-996LP
Label:
Madfish
Category:
Progressive Rock
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2 LP 180 gram blue vinyl.

This is a remix of the band's 1998 album, reworked by long time Marillion collaborator Mike Hunter.

"This edition is the latest in a series of reissues of Marillion albums on the Madfish label. 180gm Blue Vinyl, packaged in a gatefold cover with printed inner sleeves. Re-worked artwork is by original designer Carl Glover. This vinyl version also contains an exclusive new etching by Carl on the disc for side 4."

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  • Please note this is a vinyl only release!"London based Zoltan capture the eerie spine-chiiling terror of the decomposed ghoulish Knights Templar with this four track EP, by paying homage to the Tombs of the Blind Dead series of movies created by Spanish director Amando D’Ossorio.Each track relates to one of the four movies from this cult underground series, which are regarded by many as absolute highlights of the Euro Horror underground horror scene of the early 70’s. Slow motion doomed imagery comes to life in full analogue glory, making this a must for any dark minded music lovers and soundtrack collectors out there."
    $16.00
  • "A singular and rare neogothic concept album combining the sound of a grand pipe organ with the typical progressive rhythm section: “The Legend of the Holy Circle” is the second concept album from the italian band Three Monks after their debut album “Neogothic Progressive Toccatas” published in 2011. The project is centered around the incredible pipe organ playing of Paolo Lazzeri supported by a thundering bass/drums rhythm sections and little else. This album is a church organ purist's dream. The various tracks are inspired by baroque composers and stories of cathedrals and their huge, historic pipe organs.. The music is incredibly heavy, vast, formal, and tinged with centuries of age. You feel as if you are walking into one of those centuries old European cathedrals and hearing the bombast of the ancient organ, yet it is swirled into often dizzying progressive rock pieces.It is right compared to the bombast of EL&P, Areknames, Jacula, Van Der Graaf Generator and Il Balletto di Bronzo, but with 100% pipe organ rather than varying kinds of keys or synths, vocals, or guitar. Most of the music is in the heavy vein with eccentric and baroque aesthetics. Three Monks is a band who should be heard by Heavy Prog fans and fans of serious organ and classically influenced prog....do not hesitate..."
    $24.00
  • "Artistry is never about conformity and straight lines. It’s about taking risks, and then pushing boundaries to a point where the impossible suddenly seems a little more flexible. Such has been the career of Devin Townsend, one of the most uniquely insightful musicians of the 21st Century. And it’s certainly the case with the Retinal Circus.Staged at The Roundhouse in London on October 27, 2012, this was the chance for Townsend to present a performance that summarised his career so far. And he did it with aplomb, style, humour, a sense of blackness and a touch of the bizarre.“My manager and I were looking for a way to sum up 20 years of my music, without making it seem that I was some kind of multi-headed hydra. And over a period of time we came up with the idea of the Retinal Circus.”The concept was to piece together a presentation that was musical, visual and startling. One that reflected Townsend’s own remarkable ability to take up almost any idea, twist it within his own show, thereby adding to the overall impact.“To me it’s like somebody putting a cauldron in the middle of a room, with only a nail in it. Eventually someone comes along and says, ‘That cauldron could do with some potatoes’. And then someone else says, ‘Let’s add some tomatoes’, and before you know it you have a cauldron filled to the brim with all sorts of interesting items. That’s how we approached this concept.”Over a period of eight to 10 months, during which time he was also working on other projects, Townsend assembled all the factors and talents that would eventually help to spit this Circus into something so fascinating that it took The Roundhouse by storm, and is still being spoken about as one of the great triumphs of the live environment over the past decade. While the centrepiece was clearly the music that has helped to propel Townsend to such eminence, it’s very diversity allowed for the introduction of characters who were wild and wacky enough to be the music made flesh and blood – not to mention fire breathing skills, in some cases!“We always knew that it was going to be a one-off performance. It’s not as if we planned to repeat the process. So what you see and hear is captured from the one night when the Retinal Circus will ever be brought to life.”Given the complexity and wide-ranging nature of this production, it’s astonishing to think that there were just one-and-a-half days of rehearsal time prior to the show itself. But it would all prove to be quite extraordinary, as the night in question brought out a kind of collective feral belief from everyone.“To me, it’s like going on a long bicycle ride. You can always give up at any point, but what do get out of that? It’s far more satisfying to keep going, whatever the problems you face, and to know that you’ve made it on your own merit and in your own time.”Since the show itself happened, Townsend has been busy getting together the live release, and ensuring that every aspect reflects the night itself in the best possible sense.“I wanted the sound and musical quality to be of the highest order. I wanted the commentary, the visuals...everything about it to be appealing and comprehensive. And I feel that’s what I’ve now got. This will never happen again, so what I release to the fans has to be of a quality that reflects the original ideals. It was so much fun to do, and had so much passion. I believe you can feel that when you watch and listen.”The Retinal Circus was so extreme, full of depth and intelligence that it should have taken much longer to produce with considerably more financial and manpower back-up. But then the beauty of Townsend is that he made it work on his own terms and in his own times.“It was an absurd project to start. But it was an even more absurd project to finish. But I am proud of what I did. I will always have a special place for the Retinal Circus.”"
    $16.00
  • This is the second edition (limited to 500 copies) with different artwork than the first."Norway's Tusmørke (Norwegian for twilight) go straight to the heart of the psychedelic matter on their full-length debut album "Underjordisk Tusmørke" (Subterranean Twilight). Culling influences from such prog-psych luminaries as Gong and Caravan, krautrock giants like Can and Amon Düul 2, pagan folksters like The Incredible String Band as well as a healthy dose of Nordic folk music, Tusmørke present a dark cauldron of magical, musical potions.The band's history can be traced back to the mid-nineties and the budding, Scandinavian scene of new progressive bands. Back then, the Momrak twins who are the beating heart of Tusmørke called their band Les Fleurs de Mal. The band featured future Wobbler vocalist Andreas Prestmo, and shared the stage with other up-and-coming bands like White Willow. Via intricate pathways, this evolved into Tusmørke, whose music is darker, more intense and dare we say primeval, than the more delicate Les Fleurs de Mal.This album will conjure up images of pagan rites, witches dancing in the firelight serenading the new moon, eldritch wizards conjuring dark spirits… And it's no gimmick: This band lives and breathes the same air that flows through the magical lands their music describes.The album has been expertly recorded and produced by that master of retro productions, Lars Fredrik Frøislie (Wobbler, White Willow, In Lingua Mortua), and sounds so authentically analogue that you can practically smell the antique equipment that has been used for its making. Lars contributes mellotron, chamberlin, spinet, Hammond organ and a host of esoteric instruments on the album."
    $19.00
  • "I haven't had anything similar on my musical plate for a while, so Gazpacho's eighth album Demon was an interesting, beautifully surprising and absolutely brilliant variation. Again Gazpacho mixes progressive sounds with electronic elements and folk instrumentation with the addition of dynamic riffing and amazing vocals. The outcome is a unique sound that is quite inimitable and rare to find. How much you enjoy the new record will mainly depend on how you respond to this incredible mix and the singing style used by the vocalist. Anyway Gazpacho rules, especially at night.I'm a great fan of these guys and for those of you that still don't know who they are, Gazpacho is a band formed in Oslo, Norway in 1996 by childhood friends, Jon-Arne Vilbo and Thomas Andersen, along with Jan-Henrik Ohme - later joined by Mikael Krømer, Lars Erik Asp and Kristian Torp; they released their debut album Bravo in 2003.Demon, the upcoming record, is a concept album based on the true story of a manuscript found in an apartment in Prague where the writer, a previous resident, had detailed his chase of an evil, “The Demon”. Demon is for sure full of emotion and humanity and the way the Norwegian band reproduces in music the diabolical story and the psychosis of the protagonist is wonderful.The story is told in four parts and it starts with 'I've been walking – part 1' and it couldn't start in a better low-key fashion way. There’s something disarmingly powerful about loud vocals from Jahn Henrik Ohme that add incredible depth to a song. The intermittent piano notes are just perfect and the delicate violin sound is like a nice shade of color you don't notice on painting but that painting wouldn't be the same without it. A great bonus.The second part of 'I've been walking' – that is the third track of the album – starts exactly where the first movement of the piece ends but adding a dark shadow to the overall atmosphere. There are still vocals but now are slower and they mix perfectly with the other instruments. The bass is gorgeous and the way the song turns into a more ambient and atmospherical dimension is great. It's such a damn good track and together, 'I've been walking' parts I and II, might be the best tunes that Gazpacho has ever written.The mix of sounds of the opening track changes completely in 'The Wizard of Altai Mountain' becoming electronic in the first part of the track and turning into a sort of gipsy or Yiddish sound in the second half. We are all crossing lands pursuing the demon.The story ends with 'Death Room' and the motifs of the 'The Wizard of Altai Mountain' come back like creating a circle with that song. Oriental sound, progressive rock and folk are all mixed together and the resulting fusion sound is incredible. I rarely make direct comparison among artists but this time I cannot avoid to think of Radiohead's music mixed with folk elements to create an intricate yet beautifully original tone. Other times they make me think of the Scandinavian prog-rock band Airbag but again Gazpacho find their way to be definitely unique.The story ends here and Demon too, a captivating and intriguing album that is absolutely brilliant. I like the way it flows song by song and the variety of sounds blended in it. Such experimentalism is the proof that the Norwegian guys are really talented and they deserve to be considered one of the best progressive rock bands on the scene today.Demon is an album that requires time and patience to be understood and to gain the listener's estimation and it will reward open minded audience. Play it in the dark to fully experience its great music." - Echoes And Dust
    $18.00
  • Domestic jewelbox pressing with one bonus track."It’s always the highlight of my year when I discover a new “Who’s Who” of heavy metal, all-star line-up releasing a full-length album. Sometimes, they can really flop, sounding nearly identical to one of the member’s bands, like nothing at all has changed, and only release one album – maybe two. That being said however, some of these all-star mash-ups end up creating a freight train of hard-hitting heavy metal that doesn’t seem to be slowing down any time soon. Sometimes they succeed in seemingly blending the influence from each member so perfectly that an entirely new and original sound comes soaring out of your speakers. Enter Ashes of Ares, the new project of ex-Iced Earth and Nevermore members, forming in 2012 and preparing the release of their debut, self-titled full-length in September.Fronting the band is truly a name that needs no introduction (though I plan to give one anyway), Matt Barlow. Despite the mile long “past members” list for American heavy metal band Iced Earth, Barlow fronted the band for the majority of their career thus far, boasting one of the most original and most recognized voices in American metal. He left the band, along with bassist (turned guitarist) Freddie Vidales in 2012 to focus on other acts, particularly Ashes of Ares. Joined by ex-Nevermore drummer, Van Williams, Ashes of Ares proves to live up to the destructive, war-drenched name the band has been given.The album runs up and down like a roller coaster from straight up thrashing, in your face American metal, to a more toned down and melodic side to the artists. It’s easy to hear the influence of all of the member’s past bands, yet they each definitely brought some new songwriting to the table. “The Messenger” opens the album up with a mellow and melodic guitar line, featuring Barlow’s insanely haunting, layered vocals. The chills immediately travel up my spine, right up until the song really kicks into gear. Moving on throughout the album, tracks “On Warriors Wings” and “This is My Hell” feature great groove, showcasing beautiful melodies and harmonies left and right between Barlow’s voice and the guitar lines. Meanwhile, the drum parts remain simple yet constructive, especially in “This is My Hell” where they are responsible for pushing along this musical tension, building-up to the song’s liberation. The falsetto vocal touches in this song really push it over the top for me, and it is easily my favorite moment on the album.While there are some tracks that get somewhat repetitive and lose my interest, the album redeems itself with “Chalice of Man” that hits hard and doesn’t let up. Immediately following is the album’s ballad-like moment, “The Answer”. Barlow soars above the music in the beginning, but the distorted guitar and bass lines answer quickly and the song picks up into a great tune. The lyrics are seriously emotional and heart-felt, which definitely isn’t lacking on the album (see “What I Am”), but it really sticks out on this song specifically. The slower tempo fits Barlow’s pipes perfectly, and the layered harmonies are flawless.As a whole, the album moves along unbelievably fast, despite the few tracks that do get repetitive. The songs are so creatively arranged, topped off with the god-like vocals of Matt Barlow, I really don’t see how anyone could pass up on this record. Right now, they have “Dead Man’s Plight” as a lyric video (see below), along with snippets of “The Messenger” and “The One Eyed King” on YouTube. If I still haven’t persuaded you on the music, have at it!I beg you to check out this new, unbelievable legacy that these men are creating! It will not disappoint!" - Metalholic
    $6.00
  • Stunning 140 gram double LP vinyl reissue of the 2006 debut from this Swedish progressive/doom hybrid band.  Very dark and ominous its filled with tons of old school keyboard work.  Black vinyl edition - only 300 copies worldwide."Orne's debut album The Conjuration by the Fire, originally released in 2006, is already a revered cult classic. It's original vinyl version, alas, was a botched affair. Pressed directly from a CD master, it left much to be desired.The Svart reissue is a modest attempt to try and fix the situation. With a new vinyl master prepared by Joona Lukala / Noise For Fiction, the album is cut on three LP sides to give it more dynamics. As an added bonus on side D there's the original A Beginning three track demo, which led to the band being signed back in the day. The package also features a 8 page booklet with liner notes by band leader Kimi Kärki (also of Reverend Bizarre / Lord Vicar fame). The LP set comes packaged in a copper foil stamped heavy gatefold jacket. Limited to 300 copies on black and 200 on transparent green wax.Orne is a strong and experienced collective of musicians, led by guitar & mellotron player and responsible songwriter Kimi Kärki (also known from Reverend Bizarre, Lord Vicar, and E-Musikgruppe Lux Ohr). The vocal duties were handled by Sami Albert Hynninen, also known as Magister Albert and Albert Witchfinder (Reverend Bizarre, The Puritan, Opium Warlords, Armanenschaft, KLV, etc.). Drum stool was occupied by Jari Pohjonen, also known as Void and Jay Lovely (Reverend Bizarre, Specie’s Traitor, Confirmed Kill, Vyöhyke, KLV, etc.). He also played keyboards on the demo. Bass guitar was punished in the demo by Kalle Alho, a really young but talented fellow at the time, on the first album by a fretless bass wizard Antti Fredriksson, and on the second album by solid an more minimalist Jaakko Penttinen (E-Musikgruppe Lux Ohr, Forca Macabra, etc.). Hammond and Rhodes were commanded by Pirkka Leino (Dirty Harry Sextet). 2nd guitar always played by Pekka Pitkälä (who, besides Kimi is the other remaining original member of the band), saxes and flutes were played on the demo and flutes on the 2nd album by Timo Oksanen, on the first album by Jussi Lisko, sax on the 2nd album by Lea Tommola, and the intro and outro verses were spoken by Patrick Walker (hailing from UK, known also from Warning and 40 Watt Sun)."
    $31.00
  • After a four year wait, Colour Haze return with their most lethal effort yet.  Led by guitarist Stefan Koglek, Colour Haze play an (almost) instrumental form of old school guitar driven psychedelia along the lines of early Ash Ra Tempel.  The trio of Koglek, Philipp Rosthofer (bass), and Manfred Merwald (drums) are augmented with keys (some' tron!) and percussion.  The addition of percussion on parts of the album add a Santana-esque feel and there is even some horns tucked away in spots.  The album is split between two CDs (although it would fit on one but Koglek felt it sounds best this way).   Overall the primary focus is on Koglek.  He unleashes the f**king fury on loooooong jamz that will rip apart your skull.  Ocassionally Koglek inserts some vocals at the heads of the tunes but then his voice gets out of the way and his heavily distorted leads take you to another galaxy.  This one should make my top 10 for 2012.  BUY OR DIE!
    $29.00
  • "Alternative Rock is not a genre that graces my ears very often, but as always, they are open; as is my mind. The funny thing is, any time I am exposed to something I wouldn't normally find myself listening to, there is always something about that band that has my wanting attention for one reason or another, be it the sound of the vocalist, the mixing, or those infectious hooks in the chorus. For its genre, the ANNEKE VAN GIERSBERGEN (formerly AGUA DE ANNIQUE) is perfectly postulated and is a leading act, with their non-repetitive writing (something I hear too often in commercial rock), excellent vocals and songs leaving you burning with an urge to sing along.Their latest release, "Drive", is no exception; as an album, it proves to be versatile, with no two songs sounding identical, but every song keeping the rhythm and mood to make the album fit piece by piece. "We Live On" feels like a typical pop-rock track, upbeat and driving, with an extremely powerful vocal performance in the choruses by Van Giersbergen. "Treat Me Like A Lady" does not want to be treated like a lady, and takes a noticeably heavier tone, brimming with attitude. "She" begins ever so modestly, making us think we're brought back to some level of calm, but explodes into an incredibly fast-paced chorus for such a Rock band, and includes yet another infectious chorus; something that is fast becoming an obvious highlight. "Drive" – I adore the sound of the bass in this song, the way it is dislocated from the drums, adds another dynamic. Van Giersbergen's even more stellar performance in the chorus demonstrates her large vocal range and versatility. Save for electric bass, "My Mother Said" is an entirely acoustic song and is the softest, most heartfelt song on the album; the band's namesake flawlessly demonstrates her ability to fit her voice around any song to emote any mood wants. "Forgive Me" is especially different, demonstrating unusual chord progressions, totally different instrumentation, and revealing even more, the extent of control that Van Giersbergen has over her range. "You Will Never Change" is upbeat and punchy, through-and-through with an – okay, let us just assume that every song on this album has an infectious chorus; definitely one of my favorites on the album. "Mental Jungle" begins with a strange, Arabic-sounding vocal melody, also featured on the chorus; I do indeed also love this chorus, as well as the interesting chord progressions. Quite easily the most unique song on the album, it strays from the pipeline rock sound that this record has been purveying. "Shooting for the Stars" takes the cake for the 'radiorock' track on the album, where every note, every beat, every lyric, screams commercialism and airtime. Not necessarily a bad song, but not the most interesting on the album. The album closes with "The Best Is Yet To Come" which makes me thing, Anneke has even better music to offer us in the future? The song itself takes first place on the album for me; the presence of the overdriven guitars and bass compliment her voice perfectly to create a powerful and catchy, yet Heavy Rock track, with interesting and unpredictable licks and hooks.Van Giersbergen and her band are quickly cementing themselves as one of Europe's currently most powerful and gorgeous-sounding rock groups, whom don't necessarily always cling to the commercialized, radio cliché sound, although no doubt perfectly suited to long air time. Coming from a metal head who listens to a fair share of female singers, I believe she could sing anything she wanted to, and the band of musicians that have got together and recorded this organic album with her have done so masterfully, and I'm not sure if the best is yet to come." - Metal Temple
    $7.00
  • Kindly Bent To Free Us is the long awaited third album from Cynic.  It finds the core trio of Paul Masvidal, Sean Reinert, and Sean Malone intact.  Just as Traced In Air was an evolution from Focus, so is Kindly Bent To Free Us a natural sounding progression from Traced In Air.  There is a common underlying sound which is clearly Cynic.  The music still maintains metallic and jazz roots but it serves as a foundation for a sound that owes more to prog rock.  If you are expecting Focus you will be disappointed.  This probably owes more to Porcupine Tree and Riverside as its not quite as technical as in the past, relying more on atmosphere.  But don't get me wrong, there is some unbelievable playing going on.  Once again Sean Malone demonstrates that he is the most underrated bassist in the world.  Double LP is cut at 45rpm for maximum fidelity.  Highly recommended.
    $29.00
  • 2LP 180 gram vinyl in gatefold sleeve.  Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.
    $39.00
  • earMUSIC is happy to announce the long-awaited final chapter of the successful Savatage re-issues series. Previously unreleased and originally only intended for the Broadway rendition, “Streets: A Rock Opera” - the groundbreaking album by Savatage – is now released including its original narration parts.To complete this extraordinary release and to award the many fans who have shown dedication and love for Savatage’s legacy, the final chapter of this reissue series will feature the band’s favourite videos. Released for the first time on DVD and restored from the original tapes, the video collection spans from Savatage’s 1987’s video ‘Hall Of The Mountain King’ until 1996’s ‘One Child’.As on all previous chapters of the Savatage re-issues series, the album includes newly-written liner notes by Jon Oliva, who is sharing his memories about all Savatage videos.Fans looking for unreleased and rare bonus tracks will be happy to discover a lot of extra audio content on the DVD: ‘Shotgun Innocence’, ‘Forever After’, one instrumental acoustic version of ‘Voyage’, live versions of ‘Stare Into The Sun’ and ‘Conversation Piece’ recorded in Japan (but NOT included on the official live CD) and the piano version of ‘Sleep’. The bonus track ‘Larry Elbows’ deserves a special mention: this previously unreleased song didn’t make it on the original “Streets: A Rock Opera” album due to time limits and is finally available to all the fans that never forgot the creativity and the energy of this extraordinary band.“I’m really excited for this version of ´Streets´ to finally be released" – says Jon Oliva – “It was something different, an idea that Paul O’Neill had to take the progressive rock opera format to a bigger and better place than anything we had done, and anything I had heard anyone else doing before. This version of the album has only been floating around on bootlegs.”
    $23.00
  • In early 2014, Premiata Forneria Marconi (PFM) performed a series of concerts in Japan - doing complete run throughs of their classic albums.  This live recording captures their performance of L'Isola Di Niente (which some of you may know in its bastardized form as The World Became The World).  To the best of my knowledge some of these tunes have never been performed live before.  So who's left in PFM after all these years?  Franz Di Ciocco is still the drummer and he also handles vocals.  Patrick Djivas is a monster bassist.  Franco Mussida handles guitars.  The trio are augmented by Lucio Fabbri on violin (he has ducked in and out of the band over the years), Alessandro Scaglione on keyboards, and a second drummer in Roberto Gualdi.  Vinyl edition comes with the CD as a bonus. 
    $28.00
  • 17 years after it’s initial release on CD, The Masquerade Overture album is now available as a double album in 180gm heavy weight vinyl.Track listing -Side 1:1. The Masquerade Overture2. As Good As Gold3. PaintboxSide 2:1. The Pursuit Of Excellence2. Guardian Of My SoulSide 3:1. The Shadow2. Masters Of IllusionSide 4  [Bonus Tracks]1. Bird Of Paradise2. Midnight Running3. A Million Miles Away
    $23.00