Falling Deeper (Vinyl)

SKU: KSC-LP-820
Label:
KScope Records
Category:
Progressive Rock
Add to wishlist 

Vinyl edition. Falling Deeper finds Anathema reworking older material, backed by a 26 piece orchestra. The band is complemented by former Gathering vocalist Anneke van Giersbergen.

Anathema - Danny talks us through Falling Deeper from Kscope on Vimeo.



FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL WE MUST ADJUST YOUR SHIPPING CHARGES ACCORDINGLY.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • 150 minute NTSC DVD from these German power metal icons. Featured performances include Wacken 2001 and from their Black Sun tour in 2002. There are video clips, stuff from Wacken 1999 as well as "bootleg" footage from various tours going back to 1998. The set includes a bonus CD called "Official Live Bootleg - Live In Wacken".
    $18.00
  • Gorgeous new 180 gram vinyl pressing in a gatefold sleeve.  One of the all time great symphonic rock albums.  One could easily present the argument that this was Camel's finest achievement.
    $25.00
  • "The story gets kind of complicated, so stick with me. In 2010, then-Iowa-based psych/prog five-piece Mondo Drag released their Alive Naturalsound debut, New Rituals (review here), which was full of ’70s-style lysergic serenity, open spaced guitars and heady vibes. It was, in short, a winner. The next year, Mondo Drag‘s labelmates Radio Moscow — who also have their roots in Iowa — imploded. It was the stuff of viral video. Radio Moscow bassist Zack Anderson and drummer Cory Berry moved home shortly thereafter, to Iowa, and got together with Mondo Drag vocalist/keyboardist John Gamino, guitarist Nolan Girard (also synth), and guitarist Jake Sheley. At the same time they were recording as the new rhythm section of Mondo Drag, Anderson and Berry were also putting together Blues Pills with Swedish vocalist Elin Larsson. That band took off, and the bass player and drummer moved to Sweden as a result, but not before Mondo Drag had recorded — mostly live — the seven tracks of their self-titled sophomore outing, which also found Gamino taking the vocalist role, using a host of vintage gear and analog tape to further play into a classic feel. After the departure of the rhythm section, the remaining three members of Mondo Drag picked up and headed for the West Coast, where swing-drummers and warm-toned bassists looking for psych rock acts to join rule the land, and in Oakland, California, they met up with bassist Ventura Garcia and drummer Andrew O’Neil, who along with Gamino, Girard and Sheley, comprise the current lineup of the band.Got all that?When you whittle down all the complexities of comings, goings and relocatings, what you’re left with is the fact that Mondo Drag‘s Mondo Drag (released on wax by Bilocation Records) captures a very special moment in the life of the group. It’s a credit to Mondo Drag that it exists at all, and not just because Anderson and Berry would go on to attain a higher profile in Blues Pills (Berry has since left that band as well), but also for the cohesion they managed to make out of all that flux. With ultra-organic atmosphere across the board — guitar, bass, keys, drums, vocals — the seven-song/35-minute run of Mondo Drag is gripping on side A, hypnotic on side B and wonderfully progressive throughout. Later moments like the penultimate instrumental “Pillars of the Sky” call to mind a wash of keys Astra might be able to conjure, but the analog spirit of the recording is relentless, and the album winds up with its own character, warm and welcoming. No need for pretense here, whether it’s the key-led fade-in and shuffle of “Zephyr” or the organ-soaked build of side A closer “Plumajilla,” which comes brilliantly to an instrumental head after swinging verses and choruses that foreshadow the sleazier side B finale “Snakeskin,” the guitars providing a highlight solo to transition into the quiet start of the build. Second cut “Crystal Visions Open Eyes” brings Gamino‘s vocals forward to create an immediately memorable impression, moving quickly through verses of subtle intricacy toward a descending instrumental finish in an early showing of how well the guitar and synth work together throughout, and of course how well that work rests atop the rhythmic foundation of the bass and drums.Some jabbing starts and stops pervade the three-minute “The Dawn,” but nothing about its garage psych roll is abrasive or interrupting the overarching flow, a boogie solo and run emerging in the midsection to help ease the way into “Plumajilla”‘s two-movement run, which in linear form — i.e. digital — makes a fitting centerpiece solid transition into the second half of the record, which slips into more exploratory material with the tense undercurrent of synth and bass on “Shifting Sands” and the interwoven lines of keys and synth on “Pillars of the Sky,” which follows, taking the best of pre-noodling progressive heavy psych and topping it with a bluesy-but-not-overdone plotted guitar lead. A peaceful mood emerges, the song in conversation with the back half of “Plumajilla,” and the richness of Mondo Drag‘s layering becomes a hook unto itself, despite no actual chorus present. Closer “Snakeskin” arrives quietly but unfolds a Doors-style throb given bluesy fervor not unlike the echoing output of Maryland’s The Flying Eyes, but perhaps more atmospherically dense. A final reaffirmation of swagger at the heart of Mondo Drag‘s Mondo Drag only makes the album more impressive, both in the actual listening experience and in context when one considers how quickly such fluid chemistry emerged between the five players involved, two of whom would soon enough be gone. As Mondo Drag was recorded in 2011/2012, and since the band has moved to the fertile psych ground of the West Coast, one can’t help but wonder what conjurations they may have come up with since these songs were written, and when those might appear and follow-up the lush but humble resonance of this self-titled. More important right now, however, is the achievement Mondo Drag managed in capturing this fleeting incarnation of the band, which will be plainly evident to any among the converted whose ears it reaches." - The Obelisk
    $14.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • Second album from Rush influenced band. New edition comes with four bonus tracks.
    $14.00
  • This album compiles and releases for the very first time all of the studio recordings (as well as two live recordings) made by guitarist and composer Kerry Livgren with the 2nd edition of Kansas, a seven-piece band that immediately preceded the formation of the lineup of the band that the world knows as Kansas. These recordings present a different and fascinating contrast to the music that Kerry would develop and release upon the world with Kansas just a couple of years later. Yet, as composer of all the tracks here, they still have his obvious imprint. In fact, two of the songs here would later reappear in different versions on Kansas' albums; Belexes would show up on the band's self-titled debut album, while Incomudro would appear on their 2nd album, Song For America. With dual keyboards (one of whom doubled on reeds) and an electric saxist/flautist featured in addition to the more standard rock instrumentation, the sound is obviously influenced by jazz/rock pioneers such as Don Ellis, Soft Machine and Frank Zappa and The Mothers Of Invention as well as early progressive rock bands such as Van Der Graaf Generator and King Crimson. Early Recordings From Kansas 1971-73 is an exciting archival release of dark and exploratory early American progressive rock. The fact that these musicians were not able to find success while making this adventurous music in the heartland of agricultural America over 30 years ago should not be a surprise, but the fact that the tapes have survived and are able to finally be presented to the world in an authorized form will give fans of Kansas as well as all fans of early progressive rock a very pleasant surprise. These recordings have been licensed from, and released with the full consent and agreement of all the musicians. Kerry Livgren has returned to the original tapes and worked on all tracks in his studio to present this material in the best possible light. He also contributed liner notes and provided archival photographs.
    $13.00
  • Its quite rare that a metal album gets proper care and attention when it comes to sound quality.  This Audio Fidelity hybrid SACD release of the classic Dio title was mastered by Steve Hoffman and Stephen Marsh.  This is about the best its every going to sound.
    $24.00
  • Years ago before Mind's Eye were Mind's Eye (they were known as Afterglow), the band had demoed many different vocalists. One of them was German Pascual. Reflecting back on those demos I always felt that Pascual was a diamond in the rough and had great potential. He didn't stick with Mind's Eye and to be honest I don't know what he's been up to all this time. He's landed in the Narnia lineup and damn if he isn't a great singer! Guitarist Carl Johan Grimack has toned down all his Malmsteen-isms that always seemed to fit Narnia into a Christian Malmsteen clone box for all these years. Instead there aren't that many solos and the writing has taken the music into a melodic metal direction with catchy choruses. The lyrical themes are still religious and that seems to fit Pascual well as he's also gone down that path.
    $12.00
  • BACK IN PRINT Renowned guitarist Scott McGill returns with his second instrumental solo album. Influenced by legends Bill Connors and Allan Holdsworth, McGill reinvents the genre by creating an aggressive style of progressive fusion. His high-energy fretwork matched by the potent rhythm section of Chico Huff (Mistaken Identities) on bass, and Vic Stevens (Gongzilla, Mistaken Identities) on drums. Ripe charts a new direction for both fusion and progressive rock.
    $5.00
  • "Here go the twins and their Metal, aimed to please, distribute their appreciation and admiration for the melodic end of this exquisite music. Founders of the majestic brethren of TWINS CREW, David Janglöv and Dennis Janglöv, originating from Sweden, were able to assemble an astonishing group of folks embraced with great talents upon providing the world with downright classic Heavy / Power Metal fame and fortune, crossing paths with IRON MAIDEN, RAINBOW, HELLOWEEN, GAMMA RAY, STRATOVARIUS, LABYRINTH along with the line of melodic fanatics. Signing with the Italian Scarlet Records seemed rather natural for these guys, also since Italy is one of the foremost places for melodic Metal, and it is quite an honor for the release of their sophomore release, “The Northern Crusade”. After listening to this album for a few sessions, I came to a known notion of mine, time and time again, regarding me being convinced even more, and it has been a while since I took to review this profound unison of brothering subgenres, that this form is a safe bet, a golden chip to rely upon while writing Metal music.What I mostly liked about “The Northern Crusade” that the larger sum of the time flew by as if a racing car passed right through my face without making me flinch about it. Though there were a few epic songs, those were so refined that I didn’t even notice their length. Eventually it starts and ends with the material in question, TWINS CREW wrote songs with an appeared intent on delivering it straight up, yet with being smooth, harmonic and fluent. Nothing within the music is awfully complex or ambiguous, every song has that same obviousness forged back in the 80s, yet it didn’t enervate or bored. Each track has its own quality and virtues without recycling the others in the process. When it comes to personal skills, I believe that the founders, both on guitars, are twin wizards, focusing their shred, partially Neo-Classical playing through the Malmsteenish style is conveyed with awesome precision, yet their playing also contributed a great deal to the clarity and power of the rhythm section that is intense as well. Furthermore, there is active keyboard man, and also the band’s newest addition, Nicko DiMarino, which maintained the certain Neo-Classical emblem on the band’s creations. Also I was overwhelmed by the frontman, Andreas Larsson, as it seems that these types of vocalists grow on trees in Sweden. I haven’ never heard of the guy nor noticed any other bands he participated in, definitely a keeper in this group. A part of the problem regarding Larsson’s role is that I don’t believe that he was set well into the overall mix, a little behind the rest of the band as he should be in the front center.Unraveling the classiness of 80s Metal with a little ventures towards a few modern enactments, “The Northern Crusade” grazed my skin with tasty hits. Although, as I stated earlier, there is a pattern between the songs, but each and every one showed its worth and effect. “Take This Life”, however heading towards the end of the album, heavily caught my attention with its HELLOWEENish nature, not fully Teutonic, yet with ounces of power, catchy melodic lead guitar licks and crisps of harmonies. Larsson nearly killed me with his performance. “Under the Morning Star” is one of those songs that I wish to long for just a minute or so, as it would terrible for them to end prematurely. Mainly a buildup ballad, eventually turning the chick to heaviness, cradles such an emotional chorus, slightly tacky but with the orchestration involved, it is simply magical. “Loud and Proud” is nothing more, nothing less of an 80s Metal hit, straightforward and pounding, a bit RAINBOWish, not in the range of “Long Live Rock N’ Roll”, yet more of the ACCEPT kind with sharper and stronger vocals. “Blade” and “Dr. Dream”, both Power Metal speeding bullets, cumbersome on those wonderful keyboards support, an incredible addition no doubt. Finally there you have it guys, a foundation of an unforgettable Heavy / Power Metal happening, an astute melodic title that you have to check out unlike most of the Swedish NWOBHM entries." - Metal Temple
    $15.00
  • First album for this Finnish band, recorded for the Christian based metal label Rivel Records. OK...so is it any good? Well if you are fan of Stratovarius I would think you would go insane for this band. It's melodic power metal with just the right amount of crunch. Not original by any stretch of the imagination but it fits neatly into that niche of melodic but slightly speed filled bands like their Finnish brethren.
    $14.00
  • Here is what Century Media has to say about it:"Once again Nevermore invite you into their world of desolate metal. On their sixth release, Nevermore blend elements of speed, power, progressive and even death metal to make for a unique listen. With the addition of Steve Smyth to the ranks, this band is prepared to deliver an impending wave of doom over the land. Comes with enhanced features for your computer.
    $8.00
  • ""It has happened to me twice here in 2009. You stumble upon a band that you have never heard of which totally blows you away. The first time was with the band Anima Mundi out of Cuba. Now, it has happened a second time.From Germany comes the band AtmOsfear with their third release called Zenith. After hearing this one, I am now they have me on a mad search for their past two discs. I cannot believe that they have been ignored by the prog metal world if the past music is as good as this album. Any fan of groups such as Dream Theater, Symphony X or Evergrey whom they have shared a stage with, are in for a treat that is the equal of any of these bands.The disc kind of lulls you in with the short instrumental intro titled "Beginnings". Aptly titled as this is only the start of what is about to fill your senses. The five remaining songs fill the remaining 70 minutes of music and it culminates in the almost 30 minute epic "Spiral Of Pain". Along the way you are treated to a group of five musicians that can hold their own with anyone you would like to name. Stephan Kruse on keyboards, vocalist Oliver Wulff, bassist Burkhart Heberle along with drummer Tim Schnabel and guitarist Boris Stepanow form one of the most dynamic group of musicians ever assembled. They seem to draw off each other and interweave their individual talents into one of the best musical offerings of 2009 or any year for that matter.When music has the power to make you stop what you are doing and listen then you know you have something special. As the very metal opening to "Loss Of Hope" hit me I perked up the ears. When the vocals started, I knew this was no run of the mill offering. Then as the band swelled to their full magnitude, I was completely absorbed. Who are these guys? It is still amazing that music of this caliber can fly under the radar for this long. All you have to do is listen to the exchange between the keyboards and guitars during the extended instrumental section of this song and you will become a fan without a doubt. These guys are the real deal.I have been trying to think of what I can tell you are the highlights of this disc. Well it could be the terrific instrumental piece "Reawakening" with its powerful piano that sets a mood that the guitar plays off of so well, or it may be the enthralling "Generations" which is a roller coaster ride of sound. Then there is the edgy "Scum Of Society" which shows that they are as powerful lyrically as they are musically. Of course all this is setting you up for the epic "Spiral Of Pain" where they take you on a 30 minute quest for musical perfection. They leave nothing on the table as this vast work captures all that we prog metal lovers dream of. Intoxicating from beginning to end this is a classic piece of art. Where Michelangelo used many different mediums to project his art, AtmOsfear similarly uses many different musical approaches to convey their message, melancholy when called for, melodic where needed, brooding and harsh as the story calls for and totally mesmerizing throughout.This is a must have disc. For anyone who has a love of great music this is one that needs to be given a chance. You will not be disappointed." - Sea Of Tranquility
    $3.00