"If you look at Jim Matheos’ career, across his role at the helm of the pioneering progressive metallers Fates Warning, to his collaborations in OSI and Arch/Matheos, and his appearances with Gordian Knot and Memories of Machines as well as his own solo material, people might think they know what to expect from this guitarist. Tuesday The Sky, however, from the opening sounds of the debut album Drift, is set to expand those boundaries even further.
The impetus for Tuesday The Sky came from a Fates Warning bonus track that Matheos felt didn’t fit: “I started the first song, probably about a year and a half ago, as an idea for a Fates Warning bonus track. But as we progressed with Theories of Flight I realized it might not fit in and we decided to go with the all-acoustic bonus disc. This left me with a song that I really liked but didn’t know what to do with. So I started thinking about writing a few more in this style to see where it might lead.”
The resulting full-length album, Drift, came together in the downtime between Fates Warning finishing Theories of Flight and the beginning of the touring cycle, enabling Matheos to explore a type of atmospheric and instrumental music you might not expect of him. He comments: “With this kind of music, it’s a lot about creating a mood and letting that sink in and develop over long periods of time, as opposed to the more frenetic format of most prog music.” Taking cues from artists like Brian Eno, Boards Of Canada, Sigur Ros and Explosions In The Sky, he explores expansive textures and ambient electronica, as well as some of the most colossal riffs he has ever produced. The album also features the talents of God Is An Astronaut’s drummer Lloyd Hanney, who provides a rhythmic backbone that is at once punchy, precise and restrained when necessary. Other guests include long-time OSI collaborator and former Dream Theater member Kevin Moore who plays keys on two songs, and Anna-Lynne Williams (Trespassers William, Lotte Kestner) who provides ethereal vocals (of the non-verbal kind) on two other songs.
Instrumental music often forces a different way of thinking when it comes to writing, and Tuesday The Sky is no different: “One of the things I did was to look at the writing from a sound design perspective. What I mean by that is I would start with interesting sounds that would (hopefully) lead to interesting parts, rather than the other way around.” Matheos continues: “So, I would start by experimenting with different guitar/amp/effects combinations, sometimes all analog, sometimes digital, often for days, until I came up with something that inspired me to play things I liked.” It’s an approach that has paid dividends and is reflected in the music, flowing freely and naturally across its 10-song duration.
What the future of this project holds and whether it will be taken out on the road is yet to be seen. Matheos comments: “It would be a challenge to bring this project but it is an interesting idea and one I would at least consider if there seems to be enough interest.” What is sure though, is that Tuesday The Sky’s debut is a bold, brave, creative and ultimately successful album from one of rock’s most underrated of musicians."