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Jazz Rock
Beautiful transfer from the original analogue master tapes. Replicates the gimmix die-cut sleeve.
Beautifully done transfer from the original analogue master tapes!
NOTES:
Two albums from 1977 from the late Jon Hiseman’s Colosseum II
Band members include Don Airey, Gary Moore and John Mole
The band performed on Andrew Lloyd Webber’s album ‘Variations’, a UK No.2
‘War Dance’ proved to be Colosseum II’s last album
From their beginnings as a psychedelic rock band in 1966, sharing stages with Pink Floyd and the Jimi Hendrix Experience, to being one of the originators of electric jazz/rock by early 1969, Britain’s Soft Machine were restlessly creative. The Dutch Lesson captures them in late October, 1973.
"The second instalment from London Odense Ensemble digs deeper into the group's vision of what modern psychedelic jazz should sound like. Cut from the same sessions as Jaiyede Sessions Vol. 1, released last summer, Vol. 2 presents a more nuanced approach to the material.
"The second instalment from London Odense Ensemble digs deeper into the group's vision of what modern psychedelic jazz should sound like. Cut from the same sessions as Jaiyede Sessions Vol. 1, released last summer, Vol. 2 presents a more nuanced approach to the material.
"Psychedelic improvisational spiritual avant-rock/jazz featuring the legendary Larry Young on organ and equally astounding Joe Gallivan on drums, steel guitar, Moog synth, and percussion; the mysterious Nicholas wailing on guitar synthesizer and ring modulator; and Jimmy Molneiri on drums and pe
Fifth album from this incredible instrumental quartet from Munich. Shame it arrived in the last days of 2022 as it would sit high on many "top 10" lists for the year. Regardless it deserves recognition whatever year you want to place it.
There were three cornerstone prog bands from the Czech Republic: Blue Effect (later Modry Efekt), Jazz Q, and Collegium Musicum. Coniunctio is a 1970 release featuring a collaboration between members of Blue Effect and Jazz Q. Blue Effect was led by guitarist Radim Hladik.
"Thanks to the commercial success of Miles Davis's 'Bitches Brew' there was a lot of fusion music around in the early 1970s. Wayne Shorter and Joe Zawinul were an integral part of Miles's project but unlike most who followed him they managed to leave acoustic jazz behind without embracing rock.