Jazz

"Recorded for Polydor, six years after her landmark Joy album, this set features Norwegian jazz iconoclast Karin Krog in the electric company of keyboardist Steve Kuhn, drummer percussionist Jon Christensen, and Steve Swallow on one of his early electric bass dates.

$25.00

"The Nordjazz Quintet was formed in 1974, with the help of a grant by the Nordic Music Committee NOMUS. One musician from each of the Nordic countries was selected to the group. Before the five musicians got together, they brought their own groups to the Molde Jazz Festival in Norway.

$24.00

"Rare and saught-after, beautiful Finnish jazz album from 1976. Originally released on Love Records and features the cream of the 70s Finnish jazz scene – Pekka Pöyry, Juhani Aaltonen and others. Black vinyl edition with gatefold cover. "

$12.00

Hermeto Pascoal is the brilliant Brazilian multi-instrumentalist and composer.  His music is has a definite Brazilian feel but its roots are in jazz.  The compositions are complex and a bit off kilter - as if it went through a Frank Zappa filter.

$15.00
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Hermeto Pascoal is the outrageous Brazilian multi-instrumentalist that has been turning our brains topsy-turvy for decades.  He's been quiet of late but this new double album will show that after all these years he's still a vibrant composer and musician.

$28.00
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"Freddie Hubbard, the CTI Years 1970-1973. When top jazz trumpeter Freddie Hubbard began recording for the CTI label in the early 1970s, he combined his mastery of bop with forays into fusion and imaginative interpretations of contemporary rock and soul hits.

$21.00
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"The title refers to 32 Jazz's successful release of Pat Martino's entire Muse and Warner Bros. catalog between 1972 and 1996. The result is four two-fers, two single discs and several compilations showcasing one of the finest, most consistent jazz guitarists of the last quarter century.

$10.00
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Once in awhile Svart Records throws us a wildcard - a great unknown.  In this case its two jazz ensembles.  The common thread between Mircea Stan Quintet and Jukka Ruohomaki is trombonist Mircea Stan.

Oli Ahlevanti plays electric piano and synth so thats basically good enough for me.

$21.00

"“Seriously Deep” throws a light blanket of tender drones and electric piano, quilted with gorgeous solos on soprano sax and bass. Steady rhythms (hereon provided by ex-Soft Machine drummer John Marshall) turn something otherwise mournful into life-affirming joy.

$12.00
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"Svart Records continues the Eero Koivistoinen reissue program with this 1971 super-rarity. With Vesa-Matti Loiri, Seija Simola and Eero Raittinen on vocals.

$8.00
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  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $13.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • Budget priced new live album from fine German melodic prog metal band. Special guest Patrick Rondat featured on Rainmaker.
    $7.00
  • Superb return to form from these German masters of melodic progressive metal. Beyond Daylight exhibits many similarities to The God Thing and may well prove out to be their best effort yet.
    $15.00
  • "John Mitchell is a man with a rich musical heritage and history - from musician and vocalist, to songwriter and producer. So it’s no great surprise to find him as the mastermind behind a new project called Lonely Robot. The eponymous forthcoming album is the first time he has done something of this nature, and he's loved every minute of making it.“I can honestly say it's the most fun I've ever had in the studio. That's not to belittle anything I've done before but with this, I can wake up in the morning with a song idea in my head, write it and have it recorded by the evening.”Mitchell had long thought about embarking on a project like this, and when he found a break in his schedule due to plans for the next It Bites album being delayed, he finally took the opportunity.“People had suggested I do an album like this for a long time, but I procrastinated so much that in the end, it took Thomas Waber from InsideOut to push me into doing this.“With Lonely Robot, I have a clean slate and that's very exciting, because nobody expects anything in particular. It reminds me a lot of how things were when the Kino album [2005's ‘Picture’] was done, in that no-one knew what would come out of it. Musically, the Lonely Robot album is very proggy, but more about atmosphere than technical expertise. It reminds me in places of Kino and Frost*, but stands apart from both.”There are 11 songs in total, with the versatile Mitchell handling much of the instrumental performance and vocals himself. But he also lined up some intriguing musical talents to guest on it.“Craig Blundell does all the drums. I mapped out all the parts for him in advance, but he brought a lot of his personality to the songs.”Marillion vocalist Steve 'H' Hogarth performs on two songs, but not in his accustomed role. “He does backing vocals, yes. But his main contribution is playing the piano, which he does with such a delicate feel.“Throughout, what I wanted to do was to take the guests outside of what they're usually known for. For example, Kim Seviour from Touchstone sings on one track called ‘Oubliette’, and I got her to do it at the lower end of her vocal register, which she doesn’t normally get to use.”There are two other acclaimed singers featured on the album, the first being Heather Findlay.“We duet on a song entitled ‘Why Do We Stay’, which was actually the first one I wrote for the album. Heather is usually known for her folk style of singing but for this song, I gave her the brief of taking a more Kate Bush approach - breathy and emotive.”Perhaps a surprise inclusion on the album is Go West lead singer Peter Cox.“When you think of Peter, you immediately think of Eighties pop, don't you? But I felt his dusty baritone would suit my track ‘The Boy in the Radio’ perfectly.”Still on the 1980s pop trail, John also asked Nik Kershaw to contribute a guitar solo for the track ‘Humans Being’, as he’s long been a fan of his style. John also couldn’t resist asking good friend and keyboard player Jem Godfrey of Frost* fame to add his unique musical treatment to two tracks, including the title ’Lonely Robot’, with Nick Beggs playing bass and his signature Chapman Stick on a few other songs.There's one more significant contribution to the album. And that comes from the narration provided by renowned English actor Lee Ingleby.“He's one of Britain’s finest character actors right now. He was in Harry Potter and the Prisoner of Azkaban, and Master And Commander, as well as having the lead role in the recent BBC TV series ‘Our Zoo’. What I asked him to do was to provide motifs at certain key points in the album, to help to link everything together to the overall album theme.“The concept is about the way in which some ancient civilisations – for instance, the Mayans, the Egyptians and the Chinese – had technology way beyond what they should have had at the time. And I'm talking about the millennium up to 1000AD. It’s as if some people had been transplanted onto the planet from another world and time.”Mitchell also put a lot of thought into the overall project name. Lonely Robot isn't just the juxtaposition of two disparate words.“It represents the human condition. I'm not suggesting that human beings behave like robots, but so many people lead regimented lives and it’s easy to get stuck in a rut and not realise or know how to get out of it.”Lonely Robot is certainly the soundtrack of John Mitchell's prolific imagination coming to life.“What's the album like? Like nothing I've ever done before!”"
    $15.00
  • Withem is an up and coming Norwegian progressive metal band, inspired by the likes of Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus.The band started to take shape in 2011 when Øyvind Voldmo Larsen (guitars) and Ketil Ronold (keyboards) met the gifted drummer Frank Nordeng Røe. Soon they were joined by the vocal talents of Ole Aleksander Wagenius and bass duties were taken care of by the special guest Andreas Blomqvist from Seventh Wonder.Withem’s debut offers varied sonic landscapes for the listener to explore, ranging from guilty-pleasure choruses permeated with memorable vocal hooks, to symphonic epic themes.  The unique vocal range of Ole Aleksander Wagenius gives the band a distinctive touch to tackle the overcrowded progressive metal scene.The passion and dedication put into the album is emphasized by the countless hours spent in studio perfecting each individual performance and making sure that the end result is a world class blend of progressive, symphonic and power metal.The Point Of You was mastered by Markus Teske (Vanden Plas, Saga, Spock's Beard)
    $13.00
  • "“Eye Of The Soundscape” features 13 experimental and highly atmospheric compositions, previously used as bonus material for the “Shrine Of New Generation Slaves” (2103) and “Love, Fear and the Time Machine" (2015) albums, alongside rare cuts (e.g. a new mix of “Rapid Eye Movement” and the single “Rainbow Trip”, so far only released in Poland) as well as 4 new songs (“Where The River Flows”, “Shine”, “Sleepwalkers” and “Eye Of The Soundscape”) into a massive +100 minutes 2CD/3LP package, which showcases RIVERSIDE’s ambient electronic side.RIVERSIDE’s Mariusz Duda explained and introduced this rather unorthodox and experimental release as follows:“I had a feeling that the sixth RIVERSIDE album might be the last chapter of a story. That the future releases might have a different sound, a different character... Unofficially, I called our latest three albums "the crowd trilogy". Each subsequent title was longer by one word – four, five, six. Six words were long enough as a title and I thought that was the one to finish it off with...Before we started a new chapter, perhaps a "new trilogy", I had an idea to release a complementary album. An album in between. An album we had always wanted to record. It wouldn't be just new music but in our case and in such configuration it would definitely be a new quality because we hadn't released such an album before.For years, we have accumulated a lot of material, a part of which was released on bonus discs. I know that some of our listeners still haven't heard those pieces and do not realise that Riverside, basically right from the start, have been experimenting with ambient and progressive electronic music. And that's always been a part of our music DNA.So I presented the idea to the rest of the band and the decision was unanimous. We decided to make a compilation of all our instrumental and ambient pieces, and release it this year as an independent album. Some of the songs would be re-mixed to make them sound better, but most of all, we'd add new compositions.At the beginning of the year, we locked ourselves in the studio and we started to compose. We even published a picture on our facebook page, in which Grudzien is holding a small keyboard as a joke. That was that recording session. We were working with smiles on our faces, genuinely excited, knowing that this time it wasn't just a bonus disc or an addition to something "bigger" but a fully fledged, independent release with that kind of music, full of space, trance, melodies and electronics. The day before I got a text message from Grudzien, "I really can't wait for this release, I have always had a dream for RIVERSIDE to release such an album."The release of “Eye Of The Soundscape” therefor also honours late RIVERSIDE guitarist Piotr Grudzinski, who tragically passed away of natural causes on February 21st, 2016.“Eye Of The Soundscape” is composed of material created between 2007-2016 and concieved in 2015/2016 at Serakos studio in Warsaw with Magda Srzednicka, Robert Srzednicki as well Mariusz Duda as producers, and the release comes packaged in artwork by RIVERSIDE’s longterm design partner Travis Smith (Opeth, Katatonia, Nevermore, etc.)."
    $12.00
  • The third album from Haken once again demonstrates why they are at the forefront of the progressive metal scene.  The first two albums Aquarius and Visions are quite different.  Aquarius is a much quirkier album - lots of twists and turns that kept you off balance through out.  It had more of a prog rock feel and some real oddball approaches that resulted in some reviewers referring to it as circus meteal.  Visions was quite different.  It was much more linear and clearly defined in terms of content.  It was a prog metal album and wonderful one at that.The Mountain is the first release for the band's new home at Inside Out.  The direction of the band takes a bit of a u-turn.  The music falls somewhere in between the first two.  There is a quirky, prog rock vibe but you get the heaviness and complexity of prog metal.  One particular track I keep going back to is "Cockroach King" which essentially pays homage to Gentle Giant's counterpoint vocals.  Regardless of which direction you preferred, The Mountain has enough diversity to go please everyone.If you want to keep track of where progressive metal is headed then climb the mountain - this is where its at.  Highly recommended.
    $14.00
  • Second album from this brilliant Australian prog band led by Sam Vallen and Jim Grey.  The band started out as a project and has now expanded into a full blown quintet.  Caligula's Horse has assimilated a variety of influences.  You wouldn't call them a pure prog metal band as there is a strong atmospheric prog rock component.  Djent riffs are part of the band's sound as well.  I'm particularly drawn to Jim Grey's clean vocals.  They work perfectly here.  So basically a lot of disparate elements congealed into a greater whole and it works incredibly well.  You get something heavy (at times), and atmospheric (at times).  Think Tesseract meets Dream Theater meets Riverside.  Modern, forward thinking music.  Easily one of 2013's best releases.  Highly recommended.  BUY OR DIE!
    $13.00
  • I guess miracles do happen. Incredible to think that its been 18 years since Epilog was released. The long promised third album is finally here and it does not disappoint. The boys and girl are back in town and they sound exactly the way they did on Hybris and Epilog. Essentially Anglagard infuse their music with the best elements of 70s prog from Sweden, Germany, and England and do it at the same high standard as the original bands that influenced them. Viljans Oga consists of 4 epic tracks of Mellotron laded symphonic rock bliss.After the band's triumphant return to the stage at Nearfest Apocalypse, the band generously divided up their remaining stock of the new album among the various vendors. For the moment we have a limited stock that we expect to sell out very quickly. More will be on the way shortly. For the moment - if you are reading this grab it because it won't be here the next time you look.BUY OR DIE!
    $18.00
  • Latest studio album from this outstanding band from Sweden.  The best thing about Beardfish is their ability to be contemporary but they blend in just enough old school sounds to appeal to the entrenched prog fan base.  The band never quite sounds retro yet they incorporate vintage keys and guitar sounds. Chalk this up to great songwriting. On their previous album, The Void, something went amiss and it didn't sit well with their fans.  The band had taken on a heavier edge touching on metal.  Well have no fear - the band has jettisoned all metal trappings and have returned to the sound of the earlier albums.  Swirls of organ and Mellotron are everywhere and the unmistakeable sound of the Rickenbacker bass will slam you in the gut.  Are you are fan of Anekdoten, Gentle Giant, King Crimson, or even The Flower Kings?  You need to hear this.With regards to the bizarre album title here is a clue from the band:“The comfort zone is the invisible protective suit of negative thinking, almost like an entity of itself. It’s been with you since birth: your parents and your teachers and your friends and your neighbours all teaching you the way the world works – this is how it is and will be and there’s nothing you can do about it. The negative vibe is like a voice living inside of you, a companion through life. With time you start to like that voice and the place it takes you to: your comfort zone. I’m so sick and tired of it and I want to address it and maybe in that way start to work my way out of it”+4626 Comfortzone comes with a bonus CD featuring 13 previously unreleased demo and outtake tracks spanning 2002-2008.BUY OR DIE!
    $12.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00
  • Second release from this German band and frankly its a huge improvement from their debut. Dante skirt the fine line between neoprogressive rock and progressive metal. The music is quite melodic and there is some heaviness in the guitarwork...and yeah the keyboardist likes to shred like Jordan does...so maybe they can slip into the metal category. File these guys along side Ricochet.
    $3.00