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"Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowe
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"Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings.
$7.50 -
Considered by many to be the first fusion album.
$8.00 -
""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be.
$7.50 -
"With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion.
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"Since it's billed as "Directions in Music by Miles Davis," it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock fusion.
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"After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one).
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"Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements.
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"Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan.
$41.00 -
"In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP.
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"The classic interpretation of Gershwin by Miles Davis (performing with a large ensemble) and Gil Evans (arranger and conductor).
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"What is immedately noticeable upon listening to Miles Davis' classic first -- and only -- album with his original sextet is how deep the blues presence is on it.
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"ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop.
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"None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between F
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"Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining.
$7.50 -
5CD budget set (some bonus tracks!) from Miles' electric period:
A Tribute To Jack Johnson
On The Corner
Big Fun (disc 1)
Big Fun (disc 2)
Water Babies$25.00 -
"Miles’ touted “Fillmore Band” didn’t sound much like a band to me. In an area of music where individual virtuosity is the rule rather than the exception, give-and-take between players becomes all important.
$39.00 -
The double live album Dark Magus was recorded on March 30, 1974, at Carnegie Hall in New York City.
$39.00 -
Miles Davis Octet, Live at San Juan Capistrano, Coach House on June 15th 1989
By the late '80s Miles Davis had radically overhauled his style yet again, incorporating prominent synthesizers and using an ever-changing cast of young backing musicians.
$6.00 -
MILES DAVIS - Paul's Mall, Boston, MA September 14th, 1972
$12.00