Humanum Est (Vinyl)

SKU: LHC43
Label:
Long Hair Music
Category:
Progressive Rock
Add to wishlist 

Aera (not to be confused with the Italian band Area), were a long running German fusion band that recorded for the independent Erlkoenig label in the 70s and into the 80s.

Although the band had a very active rhythm section the real energy came between the interplay of guitarist Muck Groh, violinist Christoph Krieger, and alto/flute player Klaus Kreuzeder. Expect extended jamming that is quite reminiscent of Kraan and Embryo. Authorized vinyl edition.
 

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Tenth studio album from the reconstituted verison of Focus led by Thijs van Leer.  Returning is original drummer Pierre van der Linden.  Bobby Jacobs handles bass and Menno Gootjes lead guitar.  X doesn't break any new ground.  This sounds just like classic Focus - van Leer concentrates on flute and Hammond organ and vocals.  Pure prog with strong jazzy overtones in places.  Neat cover art and logo courtesy of Roger Dean.  Highly recommended.
    $9.00
  • Adrenaline Mob is a new hard rock/metal band assembled by Russell Allen (Symphony X), Mike Portnoy (ex-Dream Theater), Mike Orlando, and John Moyer (ex-Disturbed).This style of music is a bit of departure for Allen and Portnoy. Adrenaline Mob seems to take its direction from their bassist who was a member of Disturbed. The music fits in the Disturbed/Godsmack vein. Allen's vocals are much more aggressive sounding than in Symphony X reminding a bit of Rob Zombie. Guitarist Mike Orlando plays with hyper-kinetic abandon. Mr. Portnoy...is Mr. Portnoy. What would you expect? This band is definitely going to be controversial with the Symphony X and Dream Theater crowd because it sounds so extremely different from those bands. Your move.
    $9.00
  • "Marked by an evident Crimso vein, both in the harmonical geometries and in general for the sound, the band proposes an instrumental formula that ranges over ethereal atmospheres and granitic tangles, a perfect synthesis of electric and electronic, in an ongoing game of references between guitars, keyboards and the sax of Leo Aries (Akinetón Retard, from Chile as well). Thanks to a solid technic and solo skills, Abrete Gandul shows the possibility of a genuinely eclectic and perfectly recognizable approach." References: King Crimson, Magma, Akineton Retard
    $18.00
  • Three Fates Project is a collaborative effort from the Keith Emerson Band and the Munchner Rundfunkorchester conducted by Terje Mikkelsen.  The material is drawn from the ELP catalog but also covered are pieces by Marc Bonilla, Alberto Ginastera as well as Emerson's solo work.  Its an all instrumental orchestral interpretation of the compositions augmented by the Keith Emerson Band.  Surprisingly its rather refined.  Emerson does play a variety of synthesizers but they don't really jump out strongly in the mix, instead piano seems to dominate his playing.  The centerpiece of the album is Tarkus.  Its the track where the band lets their hair down - Bonilla gets a bit heavy handed with his guitar distortion, Emerson gets a bit nuts with the Moog, and the rhythm section goes all Carl Palmer on us.  All in all its a true integration of band and orchestra and not just the band being backed by the orchestra.  I'm not one for mucking around with the classics but this is really tasteful and is a fun listen.  Highly recommended.
    $16.00
  • "The phrase, "A New Dawn" has become one widely used these days with the ascension of the Obama presidency in the United States, and certainly, that is a breath of fresh air for most of us. However, it’s also a good time for a metal band, with that phrase as a name, to make a serious arrival on the international music scene.A New Dawn isn’t really new. They’ve actually been around since 1998 in one form or another, although they began as a side project. Several demos and one semi serious EP and DVD later, the band has released the title under review here and is primed for a run at the big time.The band is a 6 member group headed up by a duel female lead. That lead, Sanne Kluiters and Jamila Ifzaren do something of an operatic front end. The guitars are provided by Elbert de Hoog, bass by Michel van Beekum and drums are compliments of Rik Bruineman. The final member is Michiel Glas whose responsibilities include vocals and grunting. Poor Michiel has the unenviable task of replacing the lovely Monica Janssen who played bass and was clearly the most impressive female grunter in metal. She was always, for me, a significant interest in this band and will be missed, but, as they say, the show must go on.It should be noted, however, that this CD was actually produced with a different lineup, and Monica is the grunter and bass player here. The additional clean vocals are done by a friend of the band, David van Santen. Willem Cremer performed on guitar and Peter van Toren did drums on this recording. With the completion of the CD, the changes came about, so this is the swan song for Monica. And that’s unfortunate but certainly not devastating. Lineup changes in European bands, unlike many American bands, are like changing your clothes in the morning.Doesn’t matter really who does the grunting, this is a B & B Gothic metal band. That Beauty and the Beast approach serves as the focus of A New Dawn and carries through much of the music presented here. And, as B and B bands go, this one is pretty good. They’re Dutch of course, and utilize a style found in numerous western European bands, even if the composition is a little unique. The sound, however, is pretty much mainstream metal, with a few twists.Falling from Grace opens with a beautiful little piece called Black Lotus, the two female leads doing an operatic harmony over a lovely symphonic background. You get the feeling we’re in for a lovely bit of harmonic Gothic, heavily orchestrated. Something like what we’d hear for a movie about life in the Middle Ages. David van Santen even joins in with a lovely male vocal component to augment this direction. The tome lasts some 1:22. . .. and then things change.As mentioned previously, A New Dawn is Gothic Metal, fairly hard Gothic Metal over a solid guitar base. The vocals, the female vocals anyway, are operatic, but they ride a cushion of heavy guitars to get where they’re going. Living Lie begins this journey, and pretty much introduces the real A New Dawn. And Monica’s grunting provides a highlight to the composition.Arguably, the most interesting song might be the following title, Veil of Charity. It made the Sonic Cathedral release A World of Sirens and gets significant airplay on the radio outlet. The song opens with an interesting guitar line over a metal core. Things heat up fast and flow to the duel female lead, which is juxtaposed against the grunting female vocals. This is, of course, the core of the A New Dawn sound and is probably the best implementation of that sound on the CD. Guitars are always secondary to the vocals with A New Dawn but they cannot be ignored, especially on this title. They are solid and get significant solo time, as well they should.The CD being somewhat new I haven’t been able to get lyrics online. However, the English of singers Kluiters, Ifzaren, Janssen and David van Santen is excellent so you can pretty much understand everything they’re singing. That’s not always the case with European bands, especially as they move further to the east. When you get to the Russians, they quit trying.A New Dawn does most of its work in heavy mode. However, there are exceptions. Wisdom of Hindsight is actually something of an acoustic number, at least at first. Vocals are different as well. The band does a sound like a Medieval Folk song on occasion, and this is one of those numbers. However, even here, the metal comes back at some point, but the movement back and forth is really interesting. There are almost three or four distinct styles here in one song.The acoustic sound carries through on other numbers as well, especially as an intro. A short number, Prelude to a Farwell, uses this technique to serve as a mid point on the CD, almost like an intermission, very beautiful and moving.That midpoint takes us to the second part of the CD, introduced by Kissed Goodbye. Again, the song starts slowly with a moving guitar that takes us to the lead female vocals. It should be pointed out that these vocals are not all that similar and are used differently, even when done at the same time. One is more operatic, the other less so, and they work in different ranges. Very different in the style and effect. Anyway, the slow stuff doesn’t last long, the guitars crank up and the metal goes full tilt.Much of the second part of the CD follows this format, slow and dreamy intros that lead to a crunching guitar guiding the female vocals to their face offs with Monica’s grunting.The final number, Ascension, Part III, is worth mentioning. It’s been a favorite of mine for some time and has video clips on YouTube where you get to see Monica (and the rest of the lineup at that time) in performance. This is one of the songs where the grunting is more up front, the guitars are a bit harder and we get the image of A New Dawn on stage. Of course, the two female vocalists are a delight and the band performs this number in much the same style as they would on stage, there is an electricity to their sound that transcends the recording.I’m sure that, in all respects, the band is every bit as good as ever, but I’m sure going to miss that little brunette bass player with the killer voice. Fortunately, we still have the strong contributions from the two female leads who carry the majority of the load.Oh well, progress is inevitable, and, in this case, we move with the tides. A strong offering from a band we will, no doubt, hear much more from in the future." - Sonic Cathedral
    $17.00
  • 2012 remastered edition of the 1979 album.  Comes with three bonus tracks.
    $15.00
  • Four mammoth length drugged out tracks that will blast you off to the deepest part of the cosmos."The fifth instalment of the Cosmic odyssey on Paradigms. As as you will surely now expect, it's a potent kraut mammoth of the highest order. Four towering psych beasts inhabit this album, commanding 74 blissful minutes. You can hear one of them below.Only previously available on cassette, 'The Inner Sanctum' is now available as a luscious, limited digi-pak album, laden with glorious artwork and some of the band's hardest cuts. Only 500 of these wonders are available. THE COSMIC DEAD on top of their freak-out game, right here.."
    $16.00
  • Chris Adler and Jason Bittner, Live at Modern Drummer Festival 2005 features the full length performances of these two incredible drummers, along with in-depth interviews that include demonstrations, discussions of technique and practice routines, and specific playing examples from their MD Festival performances. Included is almost 30 minutes additional performance and clinic footage not included on the Modern Drummer Festival 2005 DVD!Bonus Footage includes: Chris Adler On The Road - Chris discusses his drums and cymbals, talks to his drum tech, talks about his daily routine while on tour, about warming up, and what it's like to be on road. Also features live clips of Chris with the Lamb of God.Jason Bittner in Clinic - features excerpts of Jason in a great clinic from Ibben Germany shot with a Handycam. Also, an 18-minute lesson that includes Jason's actual, in-studio performance of The Light the Blinds and an explanation and demonstration from Jason of his drum part in that song.Exclusive interviews with Chris and Jason, backstage at the Modern Drummer Festival 05, at pad kits, during which they talk about technique, warming up, double bass, practicing and more. And at various points during each interview intersections with their on-stage performance can be accessed with the DVD remote.
    $24.00
  • 2nd album is a fine one but Damian Wilson is replaced by Glynn Morgan who is fine in his own right but I dig Wilson better. New edition with bonus trax!
    $18.00
  • Beautiful laid back psychedelic offering from this Swedish supergroup. Members include Reine Fiske (Landberk/Dungen), Johan Holmegard (Dungen), Christoffer Gunrup and Moussa Fadera. The music has a distinct 70s west coast vibe. It all has a gauzy lysergic haze over the sound but Reine's burning solos and the Mellotron remind us of the band's true roots. This one is like a wonderful dream you are trapped in and never want to wake up from. Highly recommended."With a name like The Amazing, a certain standard is already expected; just as well the Swedish ‘supergroup’ don’t disappoint. Gentle Stream, the band’s sophomore efforts (2010’s Wait For a Light To Come was a ‘mini album’) is only eight tracks long, but totals in at a prolific forty-five minutes, and sees Reine Fiske et al pull together to create an alluring sound, one which has already gained the comparisons of Pink Floyd and Nick Drake.Title-track ‘Gentle Stream’ opens the album, with somber strumming of the guitars, which is indeed reminiscent of David Gilmour, and the dreamlike vocals of Christoffer Gunrup. The opening of ‘The Fog’ would be perfectly at home on a track like Simon and Garfunkel’s ‘Dangling Conversation’, that is until the heavier plucking of Fiske comes into play, combined with melodic chiming, it gives the track that neo-psych feel the band are known for. Gunrup’s vocals are as beautiful as ever on this track, and sound so relaxed and calm that you don’t even realise "bring the bastards down" is a regular line. It’s things like this that elevate the album from being blithe and casual, which is how it seems on first listen. Of course, this isn’t a bad thing, and the whole album is simply exquisite to listen to, but the juxtaposition of such de-stressing music with slightly potentially darker lyrics is a strange, yet good one.‘Dogs’ is a contender with ‘The Fog’ for best track on the album. It would be silly to deny the likeness to Pink Floyd when the beginning of this track launches, but again, those vocals make the song completely their own. The percussion (from Johan Holmegard) is particularly strong here, and truly lifts the song and helps it come to life.Thankfully for them, and luckily for us, The Amazing live up to their name, having put together a harmonious and elegant album; excellently produced and beautifully orchestrated." - The 405FOREIGN CUSTOMERS PLEASE NOTE THAT YOU WILL INCUR ADDITIONAL SHIPPING CHARGES DUE TO THE HEAVIER WEIGHT OF VINYL.
    $29.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • New 24 bit remastered 2 cd edition of the debut from After Forever. This comes with a 28 page booklet, tons of non-album and unreleased demos, rarities, and session tracks.
    $20.00