A Sunday Above The Rain (Blu-ray)

SKU: 0209427ERE
Label:
Ear Music
Format:
BLU-RAY
Region:
Region 0
Category:
Progressive Rock
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Sorry about the price but there is no US release scheduled.  This is an all region NTSC European import.

"Since 2002, Marillion celebrate themselves and their fans in an extraordinary way. Every two years, the band and their most dedicated fans gather together for a very special weekend in the UK, the Netherlands and Canada. On three nights, Marillion perform three different shows with different set-lists consisting of full records played from start to finish, fan favourites and rarities. Fans travel from all over the world to be part of these truly amazing nights. From March 8 to March 10, 2013 one of the weekends was held in Port Zelande, Netherlands and featured a grand premiere: for the first time, Marillion performed their most recent and widely acclaimed studio album “Sounds That Can’t Be Made” in its entirety on March 10. And what a performance it was: the venue, the 2.500 strong audience and the songs were what made the night unique. Let’s put it this way: Holland delivered the usual grandeur of the Port Zelenade gigs. Besides the eight album tracks, the band also performed a selection of fan favourites ranging from “This Strange Engine” to “Garden Party”, the most successful single from the band’s debut album from the Fish-era. Rarely or hardly ever performed by front man Steve Hogarth, the song definitely is one of the evening’s highlights. Guitarist Steve Rothery is sure that “the best audience on the planet” was attending the concert whereas his band mate Pete Trewavas adds that “it was such a good vibe that year” and that “it never ceases to amaze him staring over the crowd”. Of course, the night was also very memorable to the fans: “Just to say WOW...... What a weekend and what an experience we had!!!!” - Robert Mercieca (Malta). “What a convention!! What a vibe!! Oh my goodness!!” - PM van der Kroft (Netherlands). “All the gigs were excellent.” - Charlie Carnegie (UK) After the surprise success of the 2011 live release “Live From Cadogan Hall”, “A Sunday Night Above The Rain” is able to hold up to the quality of that release and is even able to exceed it. Released on 2CD, 2DVD and Blu-ray, “A Sunday Night Above The Rain” provides the best possible sound and glorious high defi nition vision. Simply said, it’s one of the band’s finest releases so far."

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The inhabitants of the idyllic island practice such spiritual, philosophical models, culminating in the consumption of so-called “Moksha-medicine,” a hallucinogen which permits heightened awareness and understanding. The band which explores similarly Zen and reflective topics is one to catch my eye and I excitedly embarked on this quest for internal liberation.Moksha is the fifth full-length by Germany’s My Sleeping Karma, succeeding their previous release Soma (also a reference to Eastern spirituality and prominently interpreted in Huxley’s Brave New World). It accordingly incorporates Eastern instrumentation in a groovy, psychedelic exploration of exactly how mellow one can be while the music can still be interpreted as metal. Though it could be described as relaxing mood music, the distorted guitars and surprising technical proficiency of the band grounds Moksha in the space between rock and metal (and also qualifies it for AMG, you goddamned haters).If Kraut or psychedelic rock is your jam then you will assuredly find plenty to enjoy here. The minimalist approach with sparingly-used instruments and catchy but repetitive leads will worm its way into your skull. There aren’t multiple riffs throughout each song; rather, a core motif which gradually progresses and develops throughout, lending a charming coherency to the album – see opener “Prithvi” for this. Occasional synths and piano keys afford an ethereal air too. However, it’s the points at which more overt Eastern instrumentation is used that the material really stands out. The five “Interlude”s which split each of the main songs strongly evoke My Brother The Wind, with groovy bass-lines and the interesting use of monk’s chants and hand-operated drums. The album’s concept is thus drawn into the music and it creates a quite captivating effect. The sudden and disturbing emanation of pop shite from one of my housemates’s bedrooms drew me from my trance and alerted me to how involving the material is.Despite the repetitive and seemingly improvised nature of the music, its technicality is another boon. As the songs progress and layer, the guitars and drums can become quite intense despite the over-arching serenity (I’m aware this sounds like a contradiction but it’s a testament to the subtle song-writing). The nifty transition at 2:30 of “Akasha” foregrounds a sound very similar to mid-era Anathema, and the transition at 4:00 demonstrates the talent of the bassist and drummer, leading into an appropriately-climatic harmony. This is just one song, but jazzy drum fills and strong bass work permeate the entirety of the release. The Floydian jam on “Interlude 5” is compelling too.I would argue that Moksha effectively achieves its goal and nails the style it strives for. However, I do feel that it may be too niche for some listeners – it’s easy for me to concertedly listen for the technical accomplishments as a reviewer, but the music can slip to the background into the realms of mood music. Though a pleasant listen it may be, one could argue it’s a little safe and it certainly doesn’t arouse my passions sufficiently to push my score to excellent. Furthermore, each of the main tracks can sound quite similar if not explicitly listening – that said, the interludes split up the record nicely so this effect is mitigated. I’m also part of the niche rock and metal market that appreciates the spiritual subject matter, if only on an academic level.Turning my gaze to the empirical and away from the spiritual, the solid dynamics certainly aid affairs. The principle tracks hit a DR score of 8, with the “Interlude”s varying between 10 and 14. There is good breathing room for each instrument and each is clean without being over-produced. A holistic sound is achieved which envelops the listener well.I imagine there is quite a specific demographic that this music hits so it may not be for everyone, but I’m enjoying my journey to the geographic heights of Nepal, the enigmatic Sadhus of India and through the tenets of Yin Yang. The ultimate dearth of diversity and Moksha‘s intrinsic tranquility limits my true passion for the record, but it’s a worthwhile investment nonetheless. Aldous would be proud." - The Angry Metal Guy
    $13.00
  • "Formed nearly 20 years ago in Madrid by guitarist Enrik Garcia, Dark Moor is not slowing down. The band returns with their ninth long player, Ars Musica. Their trademark symphonic and melodic metal remains at the forefront on this album.Actually, even though there are elements of traditional melodic heavy and power metal, Ars Musica reminds more of symphonic and melodic hard rock record, simply because of the catchy groove and accessible hooks in most every song. Certainly, the opening intro and following First Lance of Spain sounds like sweeping and epic symphonic power metal.But the tide turns with It Is My Way and The Road Again. Both songs charm your ears with the great melody, groove and friendly accessibility. This continues through Together As Ever, The City of Peace, and the beautiful ballad Gara and Jonay. Then the tide turns once more. Living in a Nightmare is clearly symphonic power metal, a swift and rushing composition, as is Saint James Way, though not quite as fast. Dark Moor taps their heritage with El Ultimo Rey and the closing Spanish Suite, the latter an epic instrumental. Once more, besides the excellent melodic rock and metal, the vocals of the talented Alfred Romero leads the way; he's easily one of the best melodic metal vocalist of our day. Dark Moor's Ars Musica is an excellent accomplishment and strongly recommended." - Dangerdog.com
    $15.00
  • Lots of different versions of this album coming out from Century Media. This is a CD/DVD digipak. It comes with a poster, sticker, and custom guitar pick. What's on the DVD? Here is what the promo sea:"The DVD, 'Dark Passengers,' contains six intertwining vignettes, each one featuring a different band member".Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
    $6.00
  • I've known keyboardist Dan Pluta for a very, very long time.  I never actually got to hear him play but one evening in Pennsylvania, his quartet Carpe Nota opened a gig for Knight Area.  In this age of sampling it was refreshing to see Dan's rig - he had keyboards stacked up to the heavens and damn if he didn't play the beejezus out of them!  I was impressed to say the least.So what's Carpe Nota all about?  The are an instrumental quartet with strong roots in 70s progressive rock.  Guitarist Peter Rubinetti has a vintage sound that fits the music perfectly.  Dan is a very dexterious keyboardist.  He is clearly influenced by all the greats - Wakeman, Simonetti, and Emerson while doing his own bombastic thing.  You get serious back and forth interplay between keys and guitar.  The rhythm section of Ken Sundling and Peter Derenbecher essentially hold down the fort and get out of the way for Pluta and Rubinetti to do their high energy thing.  Knowing Dan's passion for progressive music of all kinds, it's refreshing to hear the gestation of it after all these years.  Its reflected in his music - a trip back to old school prog with the occasional contemporary flash.  If you dig the classic bands you need to check out Carpe Nota.
    $11.00
  • "Too many people mislabel “technical” or “math” for “progressive”. The vast majority of the bands in the djent movement are, at best, technical. The only prog-like changes in the music are from a riff to a breakdown. Elsewhere, some noodly math band is labeled “progressive” because the guitars make pretty twinkle noises. That is hardly the stuff of prog legends. Enter The Omega Experiment, whose debut helps re-define a genre that really needs clarification.I don’t mean to get ahead of myself, as The Omega Experiment is no classic. These Michigan natives have the story of a djent group, but the sound of a bygone era. The group consists of multi-instrumentalist Dan Wieten and keyboardist Ryan Aldridge. The group is, in essence, a bedroom project, one of the many disciples of the prophet Misha Mansoor. Yet, The Omega Experiment treks down a different sonic road than Periphery.While the latter worshiped at the altar of Meshuggah, these gentlemen prefer to take heed from the success of Rush, Dream Theater, and most evidently, Devin Townsend. The band’s particular brand of progressive metal is light on the metal, favoring towering vocals to screamed sentiments. Also, half of the group is the keyboardist, so you bet your sweet ass that the keyboard plays a heavy role on the proceedings here. The blazing solos aren’t too shabby either.The album tells the story of Dan Wieten’s struggles over the past ten years and his search for a way out of his own mess. The music helps tell the story of transcendence; each melody seems to come from a place of light as Dan fights off his inner demons. Like any concept album, The Omega Experiment is best enjoyed in one sitting. Because of this, the album lacks absolute highlights and lowlights. If you are a fan of the throwback prog style, surely each new track will uncover something pleasing to your ears. The entire album is laden to the brim with vocal melodies, guitar pyrotechnics, and enough keyboards to please any Styx fan. The record is such a treat that the band even named its first track “Gift”.With an album like this, it’s not easy to point out complaints, but two become evident upon multiple listens. While the drum programming is certainly adequate, there is no substitute for live drums. For the most part, the kicks and snare sound good enough, but the programmed nature of the percussion occasionally irked me. The other complaint is really a matter of preference. The album’s standout track, “Furor”,  is also the only track where the band seems to really unleash the metal they're clearly holding in. I wish the band let loose a few more times throughout The Omega Experiment; however, too much gusto might detract from the sound the band has cultivated.Overall, The Omega Experiment has reminded this reviewer how progressive music can be when it’s actually progressive. If the mention of Devin Townsend or Rush makes you want to run to the hills, then The Omega Experiment will not change your viewpoint. However, if you’re looking for a sampling of a new crop of progressive metal acts, then take a careful listen to The Omega Experiment." - Decoy Music
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  • "One of the best Cast albums. IMO Cast career are a little bit irregular but this album is one of the high points of that band. Even when its a Mexican band, this album lyrics (as many others of Cast) are in english. The music also is very-very Neo Prog, with notorious influences of early Pendragon and Marillion, so maybe Neo Prog fans couldn't find surprises in the 13 tracks of Legacy. But there's something in the music that feels totally different and powerful. Maybe is the superb keyboards of L.A. Vidales or the awsome drumming of Antonio Bringas. Legacy's Executor is the best example of this talents gathered into an explosive formula of prog rock. Another highlights of this album are Key of Life, Magic of Love, We Are te Ones, Take aLook Back (so similar to I.Q. and so different at the same time!), The Will and Conclusion. Good album, interesting but not a masterpiece. I'm totally sure that is best Mexican band around here but Cast make a great effort with this album." - Progarchives
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  • Withem is an up and coming Norwegian progressive metal band, inspired by the likes of Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus.The band started to take shape in 2011 when Øyvind Voldmo Larsen (guitars) and Ketil Ronold (keyboards) met the gifted drummer Frank Nordeng Røe. Soon they were joined by the vocal talents of Ole Aleksander Wagenius and bass duties were taken care of by the special guest Andreas Blomqvist from Seventh Wonder.Withem’s debut offers varied sonic landscapes for the listener to explore, ranging from guilty-pleasure choruses permeated with memorable vocal hooks, to symphonic epic themes.  The unique vocal range of Ole Aleksander Wagenius gives the band a distinctive touch to tackle the overcrowded progressive metal scene.The passion and dedication put into the album is emphasized by the countless hours spent in studio perfecting each individual performance and making sure that the end result is a world class blend of progressive, symphonic and power metal.The Point Of You was mastered by Markus Teske (Vanden Plas, Saga, Spock's Beard)
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  • First album from this extreme metal band from Australia that is generating quite a buzz. Ne Obliviscaris mix clean and black metal vocals over a fairly symphonic/prog style that features quite a bit of lead violin. Plenty of guitar crunch to be heard through out as well. Definitely some of the early Opeth albums rubbed off on these guys but oddly classical and jazz elements creep in. As long as the black metal vox don't get to you I think you'll find the music quite captivating. Highly recommended with the noted reservations.
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  • Guitarist/vocalist Clay Withrow is the heart and soul behind Vangough.  He's made some fine albums in the past but this is clearly his best as you can tell that he's exerting more of his own vision.  The previous albums were fine slices of progressive metal, bu they were clearly influenced heavily by Pain Of Salvation.  While there is some of that early PoS feel, Between The Madness has more of Clay than Daniel.  Its very angst driven music - from the vocals to the grinding guitar solos.  This is one pissed off band.  Its a non-stop prog metal roller coaster ride.  BUY OR DIE!"Over the last two full-length albums leading up to this, the band’s most important release, one thing is strikingly clear: Vangough has been eating their Wheaties. Whereas the last album couldn't find its center of gravity despite merits and high replay value, "Between The Madness" bridges the gap between Vangough's left brain and right brain. Moreover, the band feels much more balanced with the addition of drummer Kyle Haws. Further, it sounds like mastermind Clay Withrow had pushed himself beyond his limits to expand the Vangough tone palate.On the “Acoustic Scars” EP, Withrow developed a vocal technique that finds full maturation on "Between The Madness:” the rage-sing. Almost a yell, but neither a scream nor a simple vocal fry and free of any pitch interference, Withrow's rage-sing makes the lyrical intent as clear as it can be. The album offers bile to many parties, lyrically, and puts the listener behind a sometimes uncomfortable but necessary first-person perspective: any other perspective simply would not do justice to the intent. Vangough has always been more effective at conveying feelings than telling stories, but never before had the songs had such a natural novel-like flow to them. All the while, Withrow peppers his versatile clean singing with elaborate layers of harmony and polyphony, making for subtly different listening experiences each time.The overall sound hasn't drastically changed, and even shows some musical nods to prior songs. In "Vaudeville Nation," a scathing condemnation of a track, a clever link is established with "Mannikin Parade" around 4:28. The main melody of the latter is re-introduced on guitars in a straight-played manner. Later in the song, a similar "Mannikin Parade" vocal melody emerges in the line "...and burn the circus to the ground," and up through the yell following it. Further, continuing the storyline started with "Road To Blighttown" on the “Acoustic Scars” EP, "Depths of Blighttown" adds a fitting dark and ominous chapter to the story.The added input from Haws and bassist Jeren Martin have made the songs seem more logical, acting as balancing forces. The drumming style of Haws is noticeably organized, nuanced, and thought-out and could be accurately categorized as a blend of the styles of Lamb of God's Chris Adler, Opeth-era Martin Lopez, and Pain of Salvation-era Johan Langell. The mixing job by Sterling Winfield is a stunning step forward for the band as well, and the drum sound is particularly remarkable for its bright, punchy, but balanced character. Lead guitarist Jay Gleason makes several shred-tastic appearances to accentuate the technicality of Vangough's instrumentation, while Justus Johnston and Jose Palacios make appearances on strings to further amplify the feeling of the songs and add a superb creep factor touching on Resident Evil levels at times.No song feels out of place or unessential, with "Infestation," "Schizophrenia," "Vaudeville Nation," "Useless," and "Corporatocracy" as highlights. The dynamic growth between “Kingdom of Ruin” and “Between The Madness” makes this album out to be Vangough's “Blackwater Park,” what many will no doubt cite as the band’s seminal record. Put simply, there has never been a better time to jump off of whatever progressive metal train you've been on and ride with Vangough. "Into the dark I take you," Withrow jabs at us. Make sure your seatbelts are securely fastened." - Metal Underground
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  • Xandria have been around for quite some time and for whatever reason they seem to churn through vocalists - perhaps each one better than the previous.  Their new vocalist is Dianne van Giersbergen, formerly with the Dutch band Ex Libris.  She's a great one for sure.  Luckily the overall band sound hasn't changed very much.  This is pure bombastic symphonic metal that follows the Tarja-era Nightwish template very closely.  You may have to play this one in secret or the originality police may come after you but if you do play it loud!This is the deluxe mediabook edition.  It comes with a bonus CD that features an exclusive studio track as well as an instrumental mix of the album so you can karaoke to your hearts content.  
    $16.00
  • Brilliant double live set clearly demonstrates that Mr. Hackett can still bring the thunder to the stage. The set was drawn from shows in Paris, London, and New York during the 2009/2010 tour. With a great line up and a set list that digss into his solo career as well as Genesis gems, this is impossible to pass up. Simply awesome!
    $12.00
  • It s nice to hear a band like Siena Root playing it for real in this overly-processed world that we live in. Power to them, and I wish them all the success in the world! - Mick Box (Uriah Heep)"Siena Root is an experienced live act and an experimental project with its roots in analogue old school rock music. The group was founded in Stockholm in the late 90s. The sound is classic but yet original, based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy soulful vocals, various guest musicians and psychedelic vibes.Siena Root is well known for its unique spectra of appearances, its many great guest artists, its broad musical range and its different interpretations of rock music. Yet, with a foundation in a traditional quintet, and a sound rooted in late 60s analogue gear. Don't expect to experience the same Siena Root show twice.In the sense that blues is blue, hard rock is black, and reggae is pan African coloured, this music has the colour of siena. It is a warm colour, originally from the muddy roots of the earth. Because this sound has roots that go deep, it was also natural to let root be a part of the bands name.Four full length studio albums, one live album, one DVD and two 7 singles have been released so far, each one marking the development and refinement of the bands diverse style. Through touring the music has developed in such a way, that jamming and improvising has become an essential element, always keeping you on the edge of your seat. A Siena Root concert is dramatic and exciting, visually, as well as emotionally. It's a dynamic root rock experience.""The musical world is rich and powerful and that is also a correct description of Siena Root's music. This is a Swedish hard rock band which aren't very progressive but still play in a progressive spirit or a psychedelic mood, without being psychedelic thankfully. "Pioneers" which is totally new is their fifth record and all their records has got very high (but few) ratings on this site. Especially their first "A new day dawning" from 2003 and their third "Far from the sun" from 2008. 2014 year's record follows a five year spectrum of now records. Their record has a lovely cover with a yellow landscape and the sillouettes of the five band-members heads in the background sky. Left from former line up is Love Forsberg, the band's drummer and Sam Riffer, the band's bassist. Otherwise the lead guitarist and organist KG West is gone as well as the lead vocalist Sartez Faraj. They are replaced by the keyboardist Erik Errka Petersson(who has played with my choir actually), the new vocalist Jonas Åhlén and the guitarist Matte Gustafsson."Pioneers" is a record of very high standard music which will please folk who like the hard rock of the late sixties and early seventies. The music is straight and melodic, filled with heavy organ sound and a caressing hard rock vocal. The musicians themselves has beautiful beards and it's obvious they love what they are doing. The only shame is that they have chosen to sing in English, that makes their music less interesting. I compare with the Norwegian band Höst which did a better choice. But still this music is lovely and very pleasurable. I think almost every track is similarily good but "In my kitchen" is absolutely the best(9/10), calmer and more atmospheric than the others. "Between the lines" and "Root rock pioneers" are two other songs I recommend(8/10). The record is extremely even so you won't find any bad or uninteresting tracks. This is specially a band and a record for fans of classical hard rock such as the late sixties' Deep Purple. This record is definitely at least a four star record. Recommended!" - ProgArchives
    $13.00
  • "There is plenty of excellent melodic Metal to come out of Italy; RHAPSODY OF FIRE, TRAGODIA and ELVENKING, but upon closer inspection of the more progressive side of the scene, we have a band like CHRONOS ZERO. An ambitious project with grand lyrical and musical aspirations, they have finished their debut piece, “A Prelude to Emptiness”, and it is by no means empty. The thing I love about brand new modern bands is how I'm always surprised at the sheer quality of the debut release, and this band is no exception. They adapt Progressive Metal from the masters such as SYMPHONY X and NEVERMORE, add the melodic flourishes of KAMELOT and an aggressive, yet melodic singer such as Gustavo of ADAGIO.The album has one monster of an opening track in “Spires”, which is completely instrumental, but is unrelenting in progressive riff artillery, not so dissimilar to MESHUGGAH in heaviness. Woven under this neck-snapping guitar playing is innovative, high-end bass playing and foreboding keyboard atmospherics. The MESHUGGAH vibe is noticeably carried on in “Breath of Chaos”, where the mixing of the extremely down-tuned bass adds a much deeper dimension to the album's already crunchy guitar work. The particular riff that characterises most of this song instantly made it one of my favourite tracks on the record. Here we also first hear a taste of the vocals, and it appears to take great skill to pull off a convincing combination of aggressive raucousness and grasp of melody, and the hitting of high notes, which Gianbattista does unquestionably. In addition, there are also featured seductive female vocals, which add a further, interesting dimension to the already-deep music.Parts I and II of “Lost Hope, New Hope” are exemplary of true progression in heavy metal music; two parts to a story, they are both very different, but intelligently interwoven tracks. Part 1 is very much so up-tempo and more aggressive, thrashing about that glorious riff sound I have come to love from this band, and experiences sudden mood swings to jazzier, quieter sections; here, the neo-classical influences are shining throw, as does a blistering guitar solo. Part II contains no vocals, but leans much more to the atmospheric side, but contains even more complex riff mastery, the sheer heaviness and stunted rhythm of which is brain-addling.  “Sigh of Damnation” marks a subtle change to a more melodic sound, dominated by a greater presence of interwoven male and guest female vocals, and the range of the main vocalist is fully explored here, proving that he is most capable of tender pieces in addition to his powerful bellows. The final track, “Sorrowful Fate”, begins with an effective minor scale acoustic trill, and features almost solely female vocals by Claudia; it is about time she and her beautiful voice had almost a whole song to itself. Expectedly, yet unexpectedly, it features a drastic change from a settled, yet foreboding sound, to an explosive and punching beat down, characterised by a further, small performance from Gianbattista, perhaps hitting his most powerful notes yet.I found this an extremely enjoyable album to listen to. An issue that sometimes brings down some Prog albums is the overuse of instrumentals, but I found this to not be the case, because of the sheer musicianship purveyed here. This is exactly what I look for in Progressive Metal." - Metal Temple
    $13.00
  • Live DVD filmed in Poland from this excellent Finnish prog band. Overheard plays melodic progressive rock that takes on spacey overtones in places. Vocalist Alex Keskitalo also plays flute adding lots of atmospheric touches. As a bonus you get lots of extra live material shot at different festivals in Europe.
    $18.00