You Lost Me At Hello (Digipak)

I stumbled on this band's debut, Cowboy Music, and they blew me away. It's a wild free for all guitar/bass/drums power trio that runs the gamut of free playing to metal skronk. The band has moved over to Rune Grammofon - expect more of the same!


"This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilssen in 2003 in their hometown of Skien, a couple of hours from Oslo, the trio aim to combine the jazz/improv background of the rhythm section with the rock/metal background of leader, composer and guitarist Hermansen to create their own expressive music inspired by names like Black Sabbath and Jimi Hendrix as well as Ornette Coleman and Albert Ayler. Hermansen is also a member of such diverse groups as Shining and Solveig Slettahjell's Slow Motion Quintet. Nergaard is from the northern town of Bodø and also plays in Humvee and the Eirik Hegdal Quartet, while Nilssen can be found in Puma, Humvee and Lord Kelvin. Both have a background at the Jazz Academy in Trondheim, breeding ground for musicians such as Arve Henriksen, Ståle Storløkken, Nils Petter Molvær, and many more. Musically, You Lost Me At Hello has an untamed energy, showing a looser and rougher side than the debut, yet with a more focused road-map towards free exploration. The production is quite heavy with a dark and dirty side to it, and within the Rune Grammofon catalog, this record is probably most comparable to Scorch Trio and Motorpsycho. Metal crunch, bass meanderings, free jazz space-drums, anthemic riffs, and bursts of scrawl and fire, Bushman's Revenge will lay to waste all other contenders."

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  • "One of the most elegantly complex and fully realized of the "difficult" Italian classics, Melos is for fans of the Osanna, Balletto di Bronzi, RRR, and Semiramis styles. I have a hunch that fans of Crimson, VDGG, and Gentle Giant will also approve. It will probably be less appreciated by fans of the gentler and more accessible bands like Celeste and Locanda delle Fate. The musical approach and the sound are very sophisticated and unique. A combination of primarily guitars, flutes and saxes are tightly woven into a very dense, often dark, unsettling, and just plain eerie feel. Some sources say there are no (or very little) keyboards used to create this sound palette which is certainly unusual. Sometimes I think I hear some but I can't be sure the way the other instruments are employed. It took me many plays to really get past the rather exhausting outer shell and discover the melodies hiding inside and now I just cannot get enough of this excellent material. This band from Naples was related to the Osanna band via the Rustici brothers, the younger one in Cervello was another example of how the very young were leaders in the Italian scene back then. Corrado Rustici was but a teenager when the band recorded Melos in Milan back in 1973. While Osanna's big album "Palepoli" generally gets the most attention my personal view is that "Melos" is a better album. While not as trippy as the wildly freaky "Palepoli" I feel that Melos is more overtly musical and more genuinely satisfying in the long run.Juan at ItalianProg describes the Cervello sound like this: "There is great deal of excellent acoustic guitar work and mellotron-like sounds created by the saxophones. The vocals coupled with the acoustic guitar and flutes hypnotize the listener into a technical yet fluid atmosphere so the music then breaks into a frenzy full of sax and adventurous guitar playing. The tempo and mood change from calm and melodic to violent and bizarre (interweaving between scales). No keyboards present, but they are not needed due to the "cerebral" arrangements these musicians have created for us on this album."[Juan Carlos Lopez] In another great review Warren Nelson sums up the sound perfectly: ".with soaring and complex melodies, compelling and angular instrumental passages culminating in some aggressive individual performances, all weaved together in a tapestry of beautiful and emotional musical syncopation. One of the few Italian prog releases without a prominent keyboard arsenal, the rich sound of this band is achieved with powerful drumming, multiple woodwinds, and intelligent scaler runs on guitar. But not least of all are the typically emotionally powerful vocals. Dynamic change-ups and exquisite group interaction complete another example of one of the finest Italian progressive albums you will ever hear."[Warren Nelson]My own take on the specific tracks: "Canto Del Capro" begins with layers of flutes over what sounds like a foghorn and cymbal splashes moving left to right in the stereo spectrum. Soon an acoustic guitar precedes delightfully freaky operatic style vocals like only the Italians can do. A thrilling opening. Suddenly the drums kick in and you think it might be "normal" for a bit but soon these ungodly compressed vocals rattle your eardrums. Strange acoustic and electric guitar flares round out the rest of this unsettling start. "Trittico" is an enchanting initially with sentimental flute melody, acoustic and vocal. Eventually a crazy sax and percussion crash the party for a bit before the soft opening style returns with additional guitar noodlings. After a brief fade the end section is a bizarre cacophony of choral voices. My one complaint is wishing the bass were a bit more clear and upfront, sometimes it is distant and muddy but it's a minor nitpick. "Euterpe" begins with acoustic and flutes again in a warm and inviting mood. This eventually leads into the full band jamming with a real e-guitar and saxophone workout. "Scinsicne" begins with guitar that sounds like it came from an outtake of "Astronomy Domine!" In comes great flute and bass interplay and then vocals which are another strong point on this album. As the band comes on full the saxes jump into the fray and the sound gets brutal. At 3:48 is one of my favorite parts of the album, these mutant bizarre sounds and drums that mimic some sinister funeral dirge. This is followed by a maniacal e-guitar solo. "Melos" features great flute and sax workouts again with another Rustici axe thrashing at the end. "Galassia" is a feast of inventive vocal interludes over beautifully played acoustic guitars. Dabbles of flute precede a full blown e-guitar freakout challenged by pursuing sax and percussion attacks. You'll need a shower after this track. "Affresco" is a rather traditional sounding closer piece, very short and there just to bring you gently back to Earth after your cerebral pummeling.I guess the reason I light up the magic star 5 would be this: Even when listening to most good albums it is evident that I am doing just that. I'm listening to a collection of songs that are just too structured and I know what is coming. They might light up my pleasure center and my brain says "oh that's a good song, let me listen to more of the same!" Melos does not allow me to stagnate. It's more like eavesdropping on someone's thoughts (presented musically) than listening to the next "killer song, dude." Their thoughts or perhaps their nightmares in this case with everything being so strange, the album starts and it's like this bizarre trip occurs. Even some of my favorite albums are relatively predictable but not Melos. With each play I still wonder what the hell is going on. It still pushes my buttons and challenges me, my definition of a genuinely progressive album. That's not the only way an album can get 5 stars from me but it is one way.This is one of the Italian albums you hear people describe as "harsh" and you might hate it the first several times you listen. Don't get discouraged. Put it away and spin it every other month..like many of the best prog albums you may end up loving it a year from now. That's how it was for me-a real grower. But while many of us are thrilled by this album it is not universally loved in the way that PFM is. It's rather confrontational sonic style does have its detractors so read plenty of reviews before you take the plunge. In my book this is essential for Italian fans and recommended for fans of stuff like "Red" era Crimson. Try to find the Japanese mini-lp sleeve edition which features decent sound and a high quality reproduction of the cool artwork. I love the cover of this album..fantastic stuff!" - ProgArchives
    $11.00
  • "Freaks is the third release from Qoph, a Swedish psychedelic rock band on Transubstans Records. Basically, all I needed to say was Transubstans Records and most of you regular readers of SoT would have assumed this band was from Sweden and played in a retro style, and you of course would have been correct. Qoph are comprised of Filip Norman (guitars), Rustan Geschwind (vocals). Federico de Costa (drums), and Patrik Persson (bass), and together they lay down some interesting sounds here on Freaks.Imagine a cross between The Doors, Led Zeppelin, and early Soundgarden and you have an idea of what to expect with Freaks. Trippy, fuzz toned guitars permeate "Hearts & Sorrows" and "In Your Face", while the crunchy "Ride", with its heavy riffs and squealing saxophone, comes across like a midnight jam session between Soundgarden, Jimmy Page, and John Coltrane. Geschwind's vocals are a cross between Chris Cornell, Robert Plant, and Jim Morrison, very expressive and fitting every aspect of the bands music. Some of the mellower, more haunting songs such as "Seconds & Minutes" and "Feverland" work quite well too, and " The weirdness to come" even has some space rock elements mixed in with the heavy arrangements. The most adventurous track though might be the lengthy closer "Remedy", complete with jam-like guitar patterns and mysterious sax explorations, a must hear for any fan of psychedelic rock.Solid stuff here on Freaks, a very enjoyable album that will certainly appeal to psych lovers of all ages." - Sea Of Tranquilit
    $9.00
  • It s nice to hear a band like Siena Root playing it for real in this overly-processed world that we live in. Power to them, and I wish them all the success in the world! - Mick Box (Uriah Heep)"Siena Root is an experienced live act and an experimental project with its roots in analogue old school rock music. The group was founded in Stockholm in the late 90s. The sound is classic but yet original, based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy soulful vocals, various guest musicians and psychedelic vibes.Siena Root is well known for its unique spectra of appearances, its many great guest artists, its broad musical range and its different interpretations of rock music. Yet, with a foundation in a traditional quintet, and a sound rooted in late 60s analogue gear. Don't expect to experience the same Siena Root show twice.In the sense that blues is blue, hard rock is black, and reggae is pan African coloured, this music has the colour of siena. It is a warm colour, originally from the muddy roots of the earth. Because this sound has roots that go deep, it was also natural to let root be a part of the bands name.Four full length studio albums, one live album, one DVD and two 7 singles have been released so far, each one marking the development and refinement of the bands diverse style. Through touring the music has developed in such a way, that jamming and improvising has become an essential element, always keeping you on the edge of your seat. A Siena Root concert is dramatic and exciting, visually, as well as emotionally. It's a dynamic root rock experience.""The musical world is rich and powerful and that is also a correct description of Siena Root's music. This is a Swedish hard rock band which aren't very progressive but still play in a progressive spirit or a psychedelic mood, without being psychedelic thankfully. "Pioneers" which is totally new is their fifth record and all their records has got very high (but few) ratings on this site. Especially their first "A new day dawning" from 2003 and their third "Far from the sun" from 2008. 2014 year's record follows a five year spectrum of now records. Their record has a lovely cover with a yellow landscape and the sillouettes of the five band-members heads in the background sky. Left from former line up is Love Forsberg, the band's drummer and Sam Riffer, the band's bassist. Otherwise the lead guitarist and organist KG West is gone as well as the lead vocalist Sartez Faraj. They are replaced by the keyboardist Erik Errka Petersson(who has played with my choir actually), the new vocalist Jonas Åhlén and the guitarist Matte Gustafsson."Pioneers" is a record of very high standard music which will please folk who like the hard rock of the late sixties and early seventies. The music is straight and melodic, filled with heavy organ sound and a caressing hard rock vocal. The musicians themselves has beautiful beards and it's obvious they love what they are doing. The only shame is that they have chosen to sing in English, that makes their music less interesting. I compare with the Norwegian band Höst which did a better choice. But still this music is lovely and very pleasurable. I think almost every track is similarily good but "In my kitchen" is absolutely the best(9/10), calmer and more atmospheric than the others. "Between the lines" and "Root rock pioneers" are two other songs I recommend(8/10). The record is extremely even so you won't find any bad or uninteresting tracks. This is specially a band and a record for fans of classical hard rock such as the late sixties' Deep Purple. This record is definitely at least a four star record. Recommended!" - ProgArchives
    $13.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $17.00
  • Excellent debut release from this progressive folk band from Italy.  The band is led by multi-instrumentalist Valerio Smaldoni who sings (in English) and plays keyboards and some guitar.  The music has a definite prog flavor particularly from the keyboard work - some nice atmospheric Mellotron-type sounds as well as Mini-moog soloing.  Guitarwork is acoustic based that never gets overly agressive.  I'm reminded of Celeste and W&W period Genesis.  This is the kind of thing I can listen to as a Sunday morning wake up call.  
    $18.00
  • With the anticipation of a new Marillion album on the horizon, we are going to hold back for just a short while on our next concept album. That doesn't mean however... that we don't have something very special to hold you over until the next epic is complete...  We present our new "bridge album" to take you from Edison's Children's last epic to out next, entitled:"SOMEWHERE BETWEEN HERE AND THERE..."is a non-conceptual album featuring several songs that have been kicking around the E.C. laboratory for a few years but will doubtfully ever see the light of day otherwise. It's not that we don't love them... they simply don't fit the "concept albums"of the past or the future. They are however, quite exciting pieces of music in their own right.• 15 never before heard tracks/remixes including 7 all new songs + 2 Downloadable Bonus Tracks(including the 3 new songs that were performed at the Marillion Montreal Weekend)- Growing Down in Brooklyn- Someone Took My Heart Away- Winter Solstice (instr.)- Stranger In A Foreign Land- Ever Be Friends- The Darkness (instrumental track intended for The Final Breath Before November but never used)- Sinner's Minus (instrumental track intended for The Final Breath Before November but never used)• 3 songs from the original version of "The Final Breath Before November" - originally mixed by King Crimson's Lead Singer Jakko Jakszyk incl: the original and slightly longer "whispery ending" of Where Were You!- Where Were You (14:10)- Light Years-  The Seventh Sign• The Longing (orchestral) - Mike Hunter originally gave us 2 mixes... a full on Rock Mix of The Longing as well as a far more orchestral version. We wound up using the "Rock Mix" for TFBBN. Hear for the 1st time what the orchestral version sounded like!• Never before released live version of A Million Miles Away from the 2013 Marillion Wolves WeekendThis is a full 80 minute album!
    $12.00
  • "Iridule pushes on the most abstract language derived from the avant-garde music of the Twentieth century (Ligeti, Xenakis, Nancarrow), but also on a typically rock rhythmical drive, thanks to a more aggressive drum-and-bass section and to heavier and multi-faceted sound, on the edge between Henry Cow, King Crimson and Frank Zappa, with the further novelty of the voice. You won’t miss, as in Labirinto d’acqua, great dynamical ranges, a scrupulous tymbrical research, an even more articulated and stratified rhythmical detail. Important guests as Elaine Di Falco, Dave Willey, Mike Johnson, Dave Kerman (practically speaking, the whole of Thinking Plague!), Guy Segers (Univers Zero), Michele Epifani (Areknames) and others make a kaleidoscopic and astonishing album."
    $16.00
  • District 97, is the only progressive rock band in the world to feature an American Idol finalist and a Chicago Symphony Orchestra virtuoso cellist.The band was formed in the Fall of 2006 by drummer Jonathan Schang, keyboardist Rob Clearfield, bassist Patrick Mulcahy and guitarist Sam Krahn. The foursome from Chicago honed a no-holds barred style of Liquid Tension Experiment-inspired instrumental rock before deciding the right vocalist was needed to complement their sound; enter 2007 American Idol Top 10 Femal Finalist, Leslie Hunt. With a look, sound and stage presence comparable to a young Ann Wilson, Leslie's dynamic performances pushed the band into a new direction that forged a unique marriage between accessible, cathy vocal melodies and an adventurous instrumental prowess.After attending a show and being highly impressed, Katinka Kleijn, cellist extraordinaire from the world renowned Chicago Symphony Orchestra joined the band. She was soon followed by one of Chicago's finest young guitarists, Jim Tashjian. With this new lineup of peerless musicianship in place, District 97 began wowing crowds and establishing a devoted fan base through packed shows at legendary Chicago venues such as House Of Blues, Schubas and Martyrs.Hybrid Child balances a meticulous attention to detail and studio-craft with the visceral power of a rock band that is firing on all cylinders. Running the gamut from Meshuggah-inspired metal, the epic majesty of Yes, and the melodicism of The Beatles, Hybrid Child unveils District 97 as a true force to be reckoned with, and one that is poised to take the music world by storm. With fans ranging from high school students to world class musicians, this process is clearly well underway.
    $14.00
  • Debut album from this Italian crossover band.  Secret Tales is not traditional rock progressivo italiano style of music.  This blends together symphonic rock, medieval and Celtic folk, and maybe even some subtle touches of metal around the edges (but barely).  This is a Black Widow Records release so expect an overlay of dark subtext.  Female vocals are in Italian and fit the ominous music perfectly.  There is an otherworldly ominous quality to the whole affair.  Its a concept piece and it would definitely help if you spoke Italian but the music by itself has a dark beauty."Secret tales of an enchanting journey that takes place over time in a kingdom disappeared from who knows how long ...Kings, queens, princes and princesses, fairies, witches and magical and grotesque creatures rotate with their stories in a fabulous location, where the figure of the demiurge-Unicorn overhangs and protects everything and everyone, from the monstrous Faust to the sweet Elf. Emotions without boundaries, to other infinite universes ... The charm and enchantment of soft and dreamy music, full of fabulous side dishes and lyrically supported by parts sung in Italian, English and French by Princess Tiziana Radis: the debut album of the Secret Tales is an imaginary sound that turns his gaze to the ancient traditions of Celtic folk-medieval, alternating dark atmosphere and refined symphonic progressive melodies… A work of great emotional impact !"
    $16.00
  • New 2 CD set features the audio tracks of the already out of print DVD as well as bonus tracks recorded in the US and Germany. An excellent cross selection of material drawn from their three studio albums as well as some cool covers like "21st Century Schizoid Man" and "America".
    $15.00
  • "SULA BASSANA is on the way again in 2009 - this time with a vintage space rock styled album. Multi-instrumentalist Sula is a music aficionado as no other when simultanously collaborating with several bands/projects, organizing festivals in Austria as well as his own SULATRON record label and mail-order business. In spite of that he's even able to spare time enough to record complete albums on his own. This means 'The Night' was produced at his homestudio where he manages all the instruments by himself. Cover art (painting by Frank Leweke) and track titles are obviously referring to cosmic themes.Here we have five playful songs mastered by Eroc (ex-Grobschnitt) - sounding relaxed and busy at once. This is trippy basically, except some rare heavy rocking elements. Probably this album is concipated as a time travel (didn't ask for clarification though) ... anyhow, the opener In Space appears in really retro clothes - mysterious - maybe even a little bit nightmarish. This is immediately reminding me of a sound track seemingly composed for a sci-fi series like the German 'Raumpatrouille Orion' for example which started in 1966. As for that the song even reflects a pop appeal in my humble opinion especially caused by this special beat and the synthesizer contributions.Later then we are Lost In Space - this song might refer to the early 70s - krautrock tinged with hypnotic rhythm elements where Sula's keyboard work is very very attractive. With the epic title song the album gets going at the latest. Divided in four parts it undoubtely makes out a highlight of the production. Partially grooving but also trippy floating this song is ultimately dedicated to the psychedelic guitar! A wonderful melodic piece of work where you will detect the sole external contribution by Stefan Koglek from the band COLOURHAZE. He provides lyrics and vocals for the second part and this fits closely to the mellow mood.Now hereafter we are up to enjoy contemporary space rock at its best I would say. Meteorritt - the song title shows a nice pun at first colloquially meaning 'ride on a meteorite'. A fine straightforward grooving ride indeed with many repetitve elements plus echoing and swirling guitars all over. Stylistically on nearly the same line Kosmokrator as the last (and longest) tune follows - much more diversified though containing also culminating heavy rocking impressions, some typical vocals - rather more sprechgesang and ambient gliding parts.'The Night' is offered with a charming appeal but guarantees tension too - you can smell Sula's longtime experiences composing music. An excellent cosmic journey which will please krautrock as well as psych/space fans." - ProgArchives
    $17.00
  • First release apart from the long out of print Japanese edition from many years ago. Great "one and done" supergroup of sorts taht featured keybardist Graham Field (Rare Bird) and drumer Andy McCulloch (King Crimson) as well as guitarist/bassist/vocalist Alan Barry (who played with the Giles Bros.). Pure ELP worship in places as Fields dons his Emerson maks and rips up the Hammond. Barry is an adequate vocalist and even tosses in some Mellotron. This edition from Esoteric is 24 bit remastered and features 2 bonus tracks and extensive liner notes. Highly recommended.
    $17.00
  • Grails is a US instrumental "post-metal" band (whatever that means). I would be hard pressed to call this metal. Its very dark and doomy and has a strong 70s feel. There is a weighted heaviness to the music that evokes the first Black Sabbath album but they use keyboards for added textures, and flute and violin for the weird factor. Some of it gets trippy in a Pink Floyd - Echoes direction. I guess if Dario Argento had commissioned Black Sabbath to compose a soundtrack to one of his early films it might sound like this. I find it highly addictive and something that any prog fan would enjoy. If this was released in 1972 it would now sell for $750 on Ebay. Case closed.
    $15.00
  • "A tremendously popular act at home in the UK, their last album, Sensible Shoes (their first with Cuneiform) was a 2009 'Album of the Year' winner with the prestigious Mercury Prize. Led Bib regularly play large-scale festivals and concert halls in the UK as well as festivals and shows elsewhere in Europe. So, in the wake of the huge press attention lavished on them due to the Mercury, and having appeared on UK's Channel 4 News, performing their version of the theme music to literally millions in front of the telly, did the mighty Bib decide to tone it down? Turn it back a notch? Definitely not. If anything, Bring Your Own contains some of their hardest rocking material to date, mixing the full throated cry of the dual saxes over loudly amplified Fender Rhodes and heavy bass and drums. Those familiar with the Led Bib sound will recognize the trademark hooky melodies and idiosyncratic improvisation on this album. The raw energy and style remains, but it has never sounded so confident or accomplished, so genre-crossing and definition-defying. Here eastern melodies tumble into rock and roll grooves, there jazz phrases open up pastoral overtures, and elsewhere crescendos rise and disappear into whirring kraut-rock wormholes. I don't want to play up the association too much because Led Bib absolutely have their own sound, but their alto sax/Fender Rhodes/bass/drums sound will bring to mind the classic Soft Machine sound updated 40 years and with a big dollop of punk/jazz. The group has been playing together for over 7 years – and it shows. There’s an electricity here, a ‘group mind’ built out of a confidence in each of the member’s playing that means risks can be taken and their unique sound world cracked open and reassembled time and time again. The band has come a long way from their humble beginnings as Holub’s college music project! Led Bib were formed in 2003 and have had the same formation since their beginnings; Mark Holub, drums; Liran Donin, bass; Toby McLaren, Rhodes and Chris Williams and Pete Grogan, alto sax. "
    $15.00