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Wasting Time

Wasting Time

BY Six Minute Century

(Customer Reviews)
$14.00
SKU: NMR-575
Label:
Nightmare Records
Category:
Melodic Metal
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"Houston, Texas is the place that the group who go by the name of Six Minute Century call home. Six Minute Century have a new album Wasting Time and it's one that comes with some serious hooks courtesy of guitarist Don LaFon. This melodic power/progressive group's well received debut Time Capsule introduced us to Six Minute Century in 2008 so it has been quite a long period between albums for fans of that release, but now the wait for their sophomore release is over.

The first thing that I noticed about this group was the soaring vocals of Chuck Williams that is in a John Arch kind of way and fans of the heavier side of Fates Warning should give Six Minute Century a go. His approach totally suits the intriguing metal of Wasting Time, Six Minute Century is also group with very competent musicians the bass and drums really give Six Minute Century a hard driving sound not to mention some dynamic performances of their own along the way.

Six Minute Century aren't afraid to put their bass player Michael "Dr. Froth" Millsap in the spotlight like on the instrumental "Czardas" and you can soon tell why as this guy is impressive, he also puts in a very nice introduction to "Last Days in Paradise". Two mid tempo songs that easily won me over thanks in a large part to guitarist Don LaFon are "Just Remains" and "The Killing Fields" these aren't the only memorable songs Six Minute Century have on Wasting Time but they certainly do reel you in promptly. Six Minute Century have a real knack at writing songs that entice you back again and again.

Six Minute Century are onto something very agreeable here, and yes while their debut Time Capsule was quite good this new album Wasting Time shows a band that have lifted their game and the results are much more impressive." - Sea Of Tranquility

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  • Silent Voices

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  • Almah

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  • Mangala Vallis

    Microsolco
    Progressive Rock
    Lots of changes in the Mangala Vallis camp with this new release.  Bernardo Lanzetti is out, replaced by the great Rob Tiranti aka Rob Tyrant.  Many of you know Rob from his work in the metal world with Labyrinth but he has alway worked with New Trolls so he knows how to dial it back.  Great, great set of pipes.  The music has changed a bit too.  Its not as overtly retro although at times the keyboard sounds harken back to the 70s.  Definitely more of a contemporary neo feel.  Its a concept album about a hacker who infects the world with a virus that will destroy all the digital files on the planet.  Good times!
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  • Bloodbound

    In The Name Of Metal
    Power Metal
    "Sweden’s Bloodbound has returned with the fifth album “In the Name of Metal.” If you think this album is all about dripping anthems raging about the glory of metal and all related topics...you would be right. If you think you have heard it all before, well, perhaps you have. BUT....if you love "Franken-traditional" comprised of parts of Manowar, Accept, ancient Queensryche, Helloween, Skid Row, and oddly, old Bon Jovi, well you have a new master. What Bloodbound did was take the sum of those parts, add the slick 2012 production and put out one of the greatest true metal albums in memory. For every single solitary thing that Manowar did wrong with “The Lord of Steel,” Bloodbound did ten things right. If you will indulge me, let me impart a few words that apply: “Glory, majesty, unity Hail! Hail! Hail!”I often speak of songs of yore back in the great times of the beginning to mid-80's and how it evoked a spirit, a feeling...a metal brotherhood, if you will. I’ve pointed out many recent albums that evoked that spirit, and I am back to tell you that this is another of those, but the best of all - complete with the hair standing on the back of my neck. Only my favorite bands have the ability to do this, and Bloodbound was not in that realm up to this point. As far as an album that lives up to its name, “In the Name of Metal” is glaringly perfect. As an album that breaks new ground, it “falls flat.” As an insult, that last statement is completely the opposite.Having heard the song “In the Name of Metal,” it wet my appetite providing more Manowar than the aged egos of its members have since “Gods of War” (for some, much earlier). This is nothing compared to what follows: the Accept-ish “When Demons Collide” (a personal favorite), the “bonecrushing” sound of first album HammerFall on “Bonebreaker,” back to Manowar with “Metalheads Unite,” Bloodbound took every working formula and made it better. “Son of Babylon” had me head scratching wondering where I had heard that chorus and it dawned on me, if Bon Jovi made “In and Out of Love” a heavy song, it would be this. “Mr. Darkness” doesn’t just scream Helloween for nothing: it has “Mrs. God” all over it (or was that “Dr. Stein,” no...no “Mr. Torture,” wait, no “Mr. Ego”). “I’m Evil” has a chorus that echoes (linear wise) Queensryche’s “Breaking the Silence.” The comparisons here are merely meant to show the affluence of talent drawing influences from all over the metal spectrum.The most interesting combination is found within “Monstermind.” The verses present a riff right from Motley Crue’s “Dr. Feelgood.” Then right before the bridge it grinds down with that brash riff from Ozzy’s “No More Tears” (complete with the Zack Wylde style). So many great styles meld to make “In the Name of Metal,” which works in terms of catchy head banging greatness. It helps that a band has a phenom on vocals in the form of Patrik Johansson (from Dawn of Silence, not to be confused with Nils Patrik Johansson), a brotherhood of guitarists (Tomas & Henrik Olsson), the absolutely non-buzzing bass of Anders Broman, and the perfect (not mechanical) drumming of Pelle Åkerlind (Morgana Lefay). Fredrik Bergh is one of those keyboardists that is unassuming, but who’s presence is notable when absent. Even he would agree, in Bloodbound it’s all about the guitar.So, when you are all done mocking power metal for its lack of originality, Bloodbound will still be there: totally unapologetic, balls to the wall, hail and kill, steel meets steel, bells of seven hells metal that makes you want to be a metalhead. Music doesn’t always require over the top orchestration or melodramatic progressive Malthusianism. Most days, it’s what makes you instantly feel great, even though the world laughs at you for being in a “pre-pubescent phase.” For the metal faithful, every achievement in life is all “in the name of metal.”" - Metal Underground
    $15.00
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  • Minotaurus

    The Call
    Folk Metal
    "With their timeline stretching back to 1997, and now 8 releases under their belt, our Celtic brothers have stood the test of time in the ugly realm known as the Music Business. It is a harsh mistress, but lo, Peter Scheu and his fellow mates have persevered and ridden out the storms, with good reason. "The Call" is their latest release, combining some interesting aspects of metal, Celtic, and Folk themes to bring forth a rugged, almost rustic sounding album. This proved to be an interesting journey for yours truly.I am quite fond of the Pagan / Folk / Viking bands, and relish the opportunity to review such music, with this being no exception. As a whole, I found "The Call" to have some bright moments of metal mixed with a few not so shining moments. The vocals are very traditional, with a few songs such as "Princess Of Destruction" having a few screams to rile the listener. The backing vocals weren’t always on the mark, and at times, a wee bit painful, especially on "Varus Battle". The guitar work is pretty good, driving and free spirited, with at times, a Power Metal feel to it such as on "Love Song". "Chains Of Captivity" has some great solos on it. The keyboards are almost non-existent, which is unfortunate since they can lend so much to a song. Drum work is good but standard, which the same for the bass. Not bad by any means, but throughout most of the songs they are just, there. The production quality isn’t the best with the album sounding very bottom heavy. Again, not bad but not stellar either.  For a rating, I would say a 6 out of 10. Until next time, stay well, and live free! " - Metal Temple
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  • Braindance

    Master Of Disguise
    Progressive Metal
    12 years after their last release, Braindance are back.  One look at Sebastian Elliot and Vora Vor's photos you will think they were frozen in a time capsule.  Unless the Masters of Disguise are also the Masters of Photoshop they haven't aged at all.  Wow!What also hasn't changed is the sound.  Its classic Braindance and they are giving the fans exactly what they expect.  Sebastian's vocals have always drawn comparison to Peter Steele.  The music is a blend of prog metal - doom - electro-darkwave.  Typically the tunes are set against an epic scale symphonic landscape with an intense rhythmic pulse that allows room for Vora Vor and Crafty guitarist Tony Geballe to shred across.  Tracks are stitched together with samples lifted from film.  Masters Of Disguise is a conceptual work and the presentation is stellar.  The band has always had a relationship with the artists from the world of comic books/graphic novels.  One of the two booklets included is a 16 page comic drawn by Joe Simko.  The entire package is really over the top and quite gorgeous.  I'm emphasizing this because I know its an extremely expensive item and I'm sure cost the band a lot to manufacturer  Keep in mind - we didn't set the pricing on this.  Hopefully you are a fan of the band and can look beyond the price.
    $20.00
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