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  • Victor Peraino once again collaborates with Arthur Brown and the results are shockingly good.  The disc adheres to the old sound - Peraino is playing a variet of analogue keys - plenty of VCS 3, Hammond organd, Mellotron, Moog, etc. The music features a combination of original tunes, reworkings of some of their old stuff, plus a cover of "Please Don't Let Me Be Misunderstood'.  The bonus DVD was filmed in Detroit in recent times."In the 70's Victor Peraino recorded on Polydor Records in England with the father of theatrical rock Arthur Brown, know for his million sell hit "Fire" Arthur Brown's Kingdom Come “Journey” was critically acclaimed as a landmark, in the music industry the first recording to feature a drum machine. Victor played keyboards. mellotron. moog synthesizer. vcs3, theremin & vocals on this ground-breaking album. After Arthur Brown's Kingdom Come disintegrated following the release of the wonderful “Journey”, US keyboard player Victor Peraino somehow retained the name, releasing No Man's Land in '75 under the name Victor Peraino's Kingdom Come, reissued by Black Widow in 2010. After about 40 years, Victor and Arthur decide to collaborate again, resurrecting the project Kingdom Come: in this new musical adventure, reproduce in a new guise some of the best songs included in "No Man's Land" (Demon of Love, Sun Sets Sail, Empires of Steel), take up the theme of the wonderful "Time Captives" from "Journey" turning it into a cross-section sidereal enriched by the magnificence of space keyboards, revitalize ina progressive key two old classics like "Don’t Let Me Be Misunderstood" and "I Put a Spell On You "... but they also offer some brand new compositions (We Only Come to Help You, Future, the title track, Walk with Angels) deploying an odyssey of lovely sounds, underpinned by the omnipresent as ever presence of Mellotron, Moog, VCS3, in an uninterrupted flow of emotions."
    $15.00
  • "Marillion seems to be appealing to a commercially-oriented buying demographic with this album. There are parts of this record you'll love, and there are parts ... you might not. The band's work in the Hogarth era is marked by its variability - or some might say inconsistency. Although there have been some dud CDs, arguably including Radiation, Anoraknophobia and marillion.com, each of those records had some excellent songs. Similarly, the great albums had songs that were less than stellar. So it's generally safer to think of Marillion's work in terms of the songs rather than the CDs. Having said that, though - Somewhere Else probably fits somewhere between Marbles and marillion.com stylistically, and it's closer to .com in terms of quality.Somewhere Else doesn't share all of Marbles's progressive elements, its subtleties, or its general appeal. This music is a bit more linear, and it's very vocals-oriented. Steve Hogarth's singing is as emotion-laden as ever, switching effortlessly in and out of falsetto, and very expressive - in the style of "The Invisible Man" or "Angelina" from Marbles, or Radiohead's classic "Creep". But you might wish that he would stop singing for just a few minutes and let some instrumentals shine through. Steve Rothery's legendary guitar work is heard in only a few places, and Mark Kelly provides some very appealing piano lines, but there aren't any instrumentals to into which you can really sink your teeth."Most Toys" is a hard-hitting rocker with very simplistic lyrics that won't have much appeal to Marillion's traditional fanbase, although it might win them some commercial radio time. "Last Century for Man" also has simplistic lyrics with little subtlety, and a catchy melody that stays with you for days. There are no epics here, with 10 songs in just 52 minutes, and the title track (the longest at 8 minutes) is the standout piece with a meandering structure, gently appealing delivery and an almost minimalist approach to the instrumentals. Some might call it sleepy - but it definitely goes into the list of Marillion's better songs. Other highlights are the opening track "The Other Half", and "Thank You, Whoever You Are" - a fairly straightforward piece that features some nice but all-too-brief moments from Rothery's guitar.If Marillion is chasing after radio time, or if they're wooing the Coldplay / Radiohead / Pineapple Thief audience, this song-oriented record will probably get them there. But it will do so at the cost of a significant portion of their progressive rock fanbase." - Sea of Tranqulity
    $8.00
  • "For the last thirteen years, Secret Sphere have been successfully building their reputation of power metal heroes. Strongly influenced by such acts as Dream Theater, Savatage and Helloween, this Italian group managed to develop a style of their own, forging together fast aggressive riffs and bold symphonic elements. Now, with the re-issue of "Heart & Anger" (2004) Metal Mind is proud to bring back one of the most talented power metal acts of all times... The album brought more progressive sound and more polished compositions and featured such highlights as the emotional opener "Where The Sea Ends" and the stomping "Bad Blood". The new digipak edition includes a bonus live tracks and is limited to 2000 copies. Remastered using tube technology, digitally edited on a golden disc."
    $6.00
  • ""Two years after Iridule, finally the italian band Yugen comes back with its first live album. The cd captures the show at RIO Fest 2011, in Carmaux, France, and presents the group in an extraordinary seven-member line-up.As Sid Smith writes in the liner notes, Mirrors is "a dizzying cavalcade of turn-on-a-dime rhythms, intriguing harmonies and striking, anthemic melodies that have a habit of drilling down deep into the consciousness of the listener"."Yugen represents an exciting forward-looking trend in European music", Smith underlines, "marrying both intellect and emotion in one seamless and coherent partnership. How successful they are in this endeavour you can judge for yourself by playing this remarkable and frequently thrilling live souvenir.""
    $15.00
  • New reissue of the band's 1994 release features two new acoustic tracks from Jon Oliva.
    $14.00
  • Remastered edition of the band's classic 4th album with two bonus tracks.  Its a concept album that literally defined classical rock.  Sure its pop oriented but the overarching progressive elements are prominent through out.  Highly recommended and at 5 bucks a steal.
    $7.50
  • Second part of the English Electric concept dealing with life across the UK landscape.  What a beautiful album.  First off lets make it clear - Tony Banks and Mike Rutherford made a huge mistake.  Vocalist David Longdon should have been Phil Collins replacement in Genesis.  He would have fit like hand in glove.  The album features the band augmented by a variety of guest musicians including Andy Tillison of The Tangent who contributes organ, Moog, and Mellotron parts.  Its all very British sounding and once again a wonderful mix of old school prog and a more contemporary neoprog sound.  Highly recommended.
    $16.00
  • Fronted by the fiery-tressed Charlotte Wessels, Delain is the brainchild of ex-Within Temptation keyboardist, Martijn Westerholt. Originally conceived by Westerholt as an all-star studio project, the success of the debut album Lucidity tipped his hand and Delain evolved into a full blown band. The immediate impact of their debut “Lucidity”, put Delain on tour. An instant live hit, the band’s popularity continued to grow with the release of their 2nd album “April Rain”. The band found themselves on tour through out Europe, USA, Mexico, and Brazil. Highlights of the tour included festival performances at Wacken Open Air, Sonisphere, Lowlands, ProgPower USA, and Hellfest. As the band’s popularity grew they evolved from a support act for Kamelot and Epica into full fledged headliners across Europe.“We Are The Others” is the band’s third album. It was produced by the team of Jacob Hellner (Rammstein, Apocalyptica), Fredrik Thomander and Anders Wikstrom (Scorpions, Backyard Babies). At first glance some song titles on “We Are The Others” may sound mysterious and conspiratorial, but there is a very serious background: The lyrics to the title-track were inspired by the hate-crime against a British girl named Sophie Lancaster in 2007. She and her boyfriend were beaten comatose by a gang of youths, because of their goth looks. Sophie died from her injuries. This tragedy sent shock waves throughout the world. Delain’s response to this tragic case is expressed through the song We Are The Others.The band met Fear Factory’s Burton C. Bell at Wacken Open Air. As a result he guests on the track “Where Is The Blood”. The Sensory special digipak edition features four bonus tracks. The steampunk influenced cover art was created by noted pop surrealist Glenn Arthur.
    $14.00
  • Miller Anderson made his name as the guitarist in Keef Hartley Band.  He cut Bright City for Deram in 1971, bringing along some of his ex-bandmates from KHB.  The album is a beautiful mix of dreamy folk rock with psychedelic touches as well as driving hard rock.  Definitely "of its time" its a charming album that still holds up today.  This new remastered edition from Esoteric comes loaded with bonus tracks.  One of those albums that continues to fly under the radar but deserves your attention.
    $15.00
  • With their departure from the label, AFM Records has seen fit to release this lavish compilation. The 2 cd set is 130 minutes worth of 24 bit remastered album material, videos, unreleased live and studio material.
    $14.00
  • • A NEW 3 CD/1 BLU RAY REMASTERED BOXED SET EDITION OF THE CLASSIC BARCLAY JAMES HARVEST ALBUM.• FEATURING A NEW REMASTER OF THE ORIGINAL ALBUM MIX, ALONG WITH NEW 5.1 SURROUND SOUND AND STEREO MIXES BY STEPHEN W. TAYLER.• PLUS A RARE BBC JOHN PEEL CONCERT APPEARANCE FROM 1971,RARE OUT-TAKES AND THE 1972 SQ QUADROPHONIC MIX.• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH ESSAY BY KEITH AND MONIKA DOMONE.Released in February 1971, Barclay James Harvest’s second album was recorded at Abbey Road studios and was produced by Norman Smith. Widely regarded as one of the band’s early masterpieces, ‘Once Again’, the album was critically acclaimed upon its release and featured the Barclay James Harvest symphony orchestra and eventually attained Gold disc status.This new expanded edition features three CDs and an all-region Blu ray disc and comprises 44 tracks. The set features the original UK stereo mix remastered from the original master tapes and also includes stunning new 5.1 Surround Sound and stereo mixes by Stephen W. Tayler, a new remaster of the 1972 SQ Quad mix of the album and a multi-channel version of the 1972 Quad mix.In addition, there is also a rare live performance recorded for BBC Radio One’s John Peel in February 1971, and seven further rare bonus tracks, including an early version of ‘Mocking Bird’ and the full version of the unreleased piece ‘White Sails (A Seascape). The set also includes a lavishly illustrated booklet with a new essay Barclay James Harvest experts Keith and Monika Domone and a replica of a 1971 promotional poster.Track Listing:DISC ONEOnce Again – The original stereo mix remastered1 She Said2 Happy Old World3 Song for Dying4 Galadriel5 Mocking Bird6 Vanessa Simmons7 Ball and Chain8 Lady LovesBonus tracks9 Too Much on Your Plate10 Happy Old World (Take One)11 She Said (BBC John Peel Concert 1971)12 Mockingbird (BBC John Peel Concert 1971)13 Dark Now My Sky (BBC John Peel Concert 1971)DISC TWOOnce Again – The new stereo mixes1 She Said (new stereo mix)2 Happy Old World (new stereo mix)3 Song for Dying (new stereo mix)4 Galadriel (new stereo mix)5 Mocking Bird (new stereo mix)6 Vanessa Simmons (new stereo mix)7 Ball and Chain (new stereo mix)8 Lady Loves (new stereo mix)Bonus tracks9 Mocking Bird (first version – May 1970)10 Too Much on Your Plate (new stereo mix)11 White Sails (A Seascape) (complete version)DISC THREEOnce Again – The 1972 SQ Quadrophonic mix1 She Said (1972 SQ Quad mix)2 Happy Old World (1972 SQ Quad mix)3 Song for Dying (1972 SQ Quad mix)4 Galadriel (1972 SQ Quad mix)5 Mocking Bird (1972 SQ Quad mix)6 Vanessa Simmons (1972 SQ Quad mix)7 Ball and Chain (1972 SQ Quad mix)8 Lady Loves (1972 SQ Quad mix)Bonus tracks9 Galadriel (non-orchestral version)10 Mocking Bird (non-orchestral version)DISC FOUROnce Again96 kHz / 24-bit new 5.1 Surround Sound mix / new Stereo mixes /original stereo mix & 1972 Quadrophonic Mix1 She Said2 Happy Old World3 Song for Dying4 Galadriel5 Mocking Bird6 Vanessa Simmons7 Ball and Chain8 Lady LovesBonus tracks9 Too Much on Your Plate10 White Sails (A Seascape) (complete version)
    $36.00
  • Although together for only a brief time, Dutch progressive metal newcomers NovAct have begun to make a name for themselves in the metal world. On the basis of a strong four song demo the band was invited to perform at both the Headway Festival and ProgPower Europe in 2004. With their debut set for release on Sensory, NovAct is poised to continue their rise to prominence.NovAct have found the perfect blend of melody and complexity echoing bands such as Dream Theater, Rush, Pain Of Salvation and Vanden Plas. Vocals are an important part of their sound and in that respect the band has one of metal's great new voices Eddy Borremans. Quite siimply Eddy doesn't sound like any one else! He has an uncanny ability to convey his emotions in every song in a way that brings warmth to a genre often categorizes as cold and emotionless. "Tales from the Soul" is thinking man's metal that aims for the heart as well as the head.
    $5.00
  • "Recorded live over 3 nights in October 2003 (17th-19th).In the summer of 2003 Cardiacs were charged with the unenviable task of casting a wincey eye back.Way back to before Sarah hung up her little saxophone, before Tim Quy broke the nausea rule, before THE CONSULTANT and Miss Swift held the reins. Way, way back.For that coming October’s ‘Special Garage Concerts’, Cardiacs were expected to wipe the grime of the dusty archive from thirty-two tunes everyone had long since forgotten about. Cardiacs dutifully frittered away the waning days behind locked doors, exhuming songs from clanking, obsolete machinery and reams of faded manuscript. Music from the band’s conception in 1976 to their ‘coming of age’ in 1983 was given the dressing down THE ALPHABET BUSINESS CONCERN had always wisely insisted it deserved.With the arrival of autumn the songs had somehow taken on a raw, definitive bent. Haphazard approximations you may have previously heard performed by wide-eyed, puny youths were given deftness, muscle and swagger by the four grizzled and worldly-wise men proudly standing their ground under the Cardiacs banner today.This nostalgic arsenal was duly recorded over three consecutive nights at London’s sizeically challenged ‘The Garage’ concert venue. Privileged witnesses described the spectacle as "one-fifth loving recreation, two-fifths exercise in futility and four-fifths sheer brute force."Cunningly encrypted on to two Compact Discs, as never they were meant to be, Volumes One and Two are a unique testament to pure bloody mindedness and musical irrelevance.Both volumes contain music that has never previously been recorded and re-workings of other tunes that many of the faithful claim to have ‘insider knowledge’ of.They don’t have a clue."
    $34.00
  • "It feels like it’s been longer than two years since Lacuna Coil’s last release, Dark Adrenaline, but where that album fell a little short, Broken Crown Halo feels like a true return to form for the band and this is perhaps one of the band’s strongest releases to date.Broken Crown Halo begins with Nothing Stands In Our Way, which slowly builds up into an absolute earworm of a tune and it’s no wonder that this was the track chosen to represent the album because it just has everything – fantastic vocal performances from both singers with a small hint of heaviness amongst the melody, and this wonderful heavy tone to the guitars atop of crushing drums.It’s not just the opener that will get stuck in your head however; with this album it really does feel that Lacuna Coil have crafted a whole collection of wholly memorable tracks. There’s Zombie, which features one of the best vocal performances from Andrea to date, with him seamlessly blending harsh and clean vocals together, and then there’s Die And Rise which begins with an introduction so catchy it’ll be stuck in your head for days. In all honesty, there isn’t a single track on the album that stands out as being bad.In essence, Broken Crown Halo is an exceedingly strong release from the band. It’s adventurous and fresh, whilst still retaining the classic Lacuna Coil ‘sound’ – and it’s excellent." - Soundscape
    $12.00