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  • "‘Empath – The Ultimate Edition’ is the definitive version of Devin Townsend’s acclaimed 2019 album Empath. Featuring the original album & bonus disc, it also includes 2 Blu-Ray discs, the first of which contains a brand new 5.1 surround sound mix by Devin, as well as visuals for each track on the main album, plus a visualizer for the stereo version of the album. The second blu-ray disc contains ‘Acoustically Inclined – Live in Leeds’, a live show filmed during the April 2019 acoustic tour, as well as the Empath Documentary, ‘Genesis’ 5.1 mixing lesson, acoustic gear tour, a full Empath album commentary, and a video for the bonus track ‘King’. This is all contained within a hardback artbook with expanded artwork and photos, as well as new liner notes by Dave Everley."
    $28.00
  • "TRANSATLANTIC — the multinational progressive rock supergroup featuring vocalist/keyboardist Neal Morse (SPOCK'S BEARD, THE NEAL MORSE BAND), drummer Mike Portnoy (SONS OF APOLLO, DREAM THEATER), bassist Pete Trewavas(MARILLION) and guitarist Roine Stolt (THE FLOWER KINGS) — will release its fifth studio album, "The Absolute Universe", on February 5, 2021 via InsideOut Music. Representing the band's first new music since 2014's "Kaleidoscope", with "The Absolute Universe" the band has done something unique and created two versions of the record: "The Absolute Universe: The Breath Of Life (Abridged Version)" and "The Absolute Universe: Forevermore (Extended Version)".As Portnoy explains: "We've got two versions of this album. There is a two-CD presentation, which is 90 minutes long, and a single one — that's 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the songtitles have also been changed, while others might remain the same, but compositionally, what you'll hear has been altered."You must appreciate that what we have done is unique. We revamped the songs to make the two versions different."Trewavas adds: "We did write some new music for the single CD. What's more, there are also differences in the instruments used on some of the tracks across the two records."Each album will be available on CD, LP and digitally. But there will also be what has been called "The Absolute Universe: The Ultimate Edition", which collects both versions together in one lavish package that includes 5LPs, 3CDs and a Blu-ray that contains a 5.1 Surround Sound mix with visuals and a behind-the-scenes documentary. All editions have unique artwork created by Thomas Ewerhard.Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material. As Portnoy explains: "Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. That's the way we always do it. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD.""What happened was that everything kept expanding and expanding," recalls Stolt. "Therefore we decided it made sense to make it a double album. It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn't seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn't want to lose. That's when we ended up in discussions over the best way forward."This album also marks a return to the concept album for TRANSATLANTIC."Well, the idea of TRANSATLANTIC deciding to do a concept record this time around won't shock anyone, right?" laughs Portnoy. "What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today.""We didn't start out with the idea of this being conceptual," admits Stolt. "The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment."So, how does this new groundbreaking album compare to TRANSATLANTIC's previous four albums?"I always try not to compare albums as much as possible," insists Morse. "It's very difficult when you're trying to be creative, because your natural instinct is to constantly compare. But in order to create you have to kind of step away from that. Having said that, I would say this would have more in common with 'The Whirlwind' album [the band's third, from 2009] than others that we've created."For Trewavas, "The Absolute Universe" is a momentous project. "I think it is right up there with the very finest albums we've done," he says. "As the others have said, it compares very well to 'The Whirlwind', which I believe represents TRANSATLANTIC at our best. As on that album, we took our time to write and arrange everything, and that shines through. I am very excited for people to hear it."TRANSATLANTIC formed in 1999 and released its debut album, "SMPT:e", the following year. Sophomore effort "Bridge Across Forever" followed in 2001, but the group went on an extended hiatus after Morse left SPOCK'S BEARD in 2002 to focus on his newly launched career in the Christian music industry.The group reunited in 2009 and released third album "The Whirlwind", which consisted of a single 77-minute track, that same year. A fourth album, "Kaleidoscope", was recorded in 2013 and released the following year, when it debuted at No. 6 on the German top album charts. The band has also released several live albums and live videos, most recently 2014's "KaLIVEoscope".Portnoy and Morse are frequent musical collaborators, having recorded more than a dozen albums together outside of TRANSATLANTIC, including three FLYING COLORS releases, three by THE NEAL MORSE BAND and seven Morse solo albums."
    $10.00
  • Love Over Fear album CD  in a digi-sleeve as a glorious textured mini gatefold with lyric bookletTrack listing:1. Everything2. Starfish and the Moon3. Truth and Lies4. 360 Degrees5. Soul and the Sea6. Eternal Light7. Water8. Whirlwind9. Who Really Are We?10. Afraid of Everything 
    $18.00
  • Formed in Oslo in 1992/93, WHITE WILLOW has built a reputation over the years as a diverse, subtle, progressively-focused group, their albums always critically acclaimed and revered as influential. They were a part of the original revival of progressive rock in Scandinavia that also included Änglagård, Anekdoten, and Landberk, and original Änglagård drummer Mattias Olsson is the drummer of WHITE WILLOW. Fusing influences from 1970s prog rock and folk rock, hard rock, electronica, and even some pop influences, with each album they explore new territories. A common thread throughout all the albums though, is the use of female vocals and the employment of huge arsenals of vintage keyboards and synthesizers, notably Mellotrons, Chamberlins, Moogs, Solinas, Prophets, and more. Among the bands/artists admired by WHITE WILLOW are Genesis, Blue Öyster Cult, King Crimson, Fairport Convention, Nick Drake, Joni Mitchell and Norwegian bands ranging from Høst to Darkthrone.WHITE WILLOW’s first album since 2011’s well-received Terminal Twilight sees the outfit exploring some of the most “progressive” territory the band has ever ventured into, with several lengthy tracks and more instrumental passages than they are usually known for. Musically the album builds upon the foundation of its predecessor, with a modern approach to production. Future Hopes also features a heavy use of synthesizers, including the unique textures of the famed Blade Runner synth, the Yamaha CS80.The Future Hopes lineup, which as always is a loose constellation of musicians with multi-instrumentalists Jacob Holm-Lupo and Mattias Olsson at the core, sees the return of several WHITE WILLOW stalwarts, including flautist Ketil Einarsen (Jaga Jazzist, Motorpsycho), keyboardist Lars Fredrik Frøislie (Wobbler, Tusmørke), and bassist Ellen Andrea Wang (Pixel, Manu Katché Quartet). The singer is however a new arrival. Venke Knutson is best known in her native Norway for a string of Top 10 hits and is well established as a solo pop artist. She came into Holm-Lupo’s orbit as a guest singer with his other project, The Opium Cartel. Guesting on several tracks and putting a clear stamp on the album is Norway’s trailblazing guitar hero Hedvig Mollestad, known from her own Hedvig Mollestad Trio. Holm-Lupo felt the material needed a soloist who could both navigate the tricky, almost jazz-influenced chord and time changes on the album while at the same time retaining a rock edge, and Hedvig fit the bill perfectly.Future Hopes was mixed by highly respected Norwegian Grammy-nominated engineer Christian Engfelt, known for his work on the Elephant9/Reine Fiske album, Atlantis, and the Todd Rundgren/Lindstrøm collaboration, Runddans. The record was mastered by Grammy Award-winning audiophile legend Bob Katz, and completed with a specially commissioned painting by Roger Dean. The CD and digital versions of the album also feature two bonus tracks, including an original tune, “Damnation Valley,” as well as WHITE WILLOW‘s unusual cover of The Scorpions’ classic dirge, “Animal Magnetism,” re-interpreted as a Tangerine Dream-like electronic piece while still retaining the heaviness of the original. The star on the track is New York-based clarinetist David Krakauer, knows as the world’s foremost klezmer clarinetist, with countless credits to his name both with his own projects, in jazz constellations, with many of the world’s best philharmonic orchestras and with soundtrack music. Krakauer is a recipient of many prestigious nominations and awards, from DownBeat to the Grammys.
    $14.00
  • Cynthesis is a new band that reunites three of the original members of Zero Hour (Jasun and Troy Tipton, and Erik Rosvold) along with Enchant drummer Sean Flanagan.ReEvolution is the middle part of a dystopian trilogy begun with 2011’s DeEvolution. The central character, a shaman, is sent out to gather more slaves. He comes across a tribe and senses a light within them that triggers a distant memory of his past.  He realizes this is the original tribe he was taken from.  He brings them back to the city and encounters what was done to the population and sets them free.While Cynthesis maintains much of the Zero Hour tech metal influence, it also demonstrates the more melodic and atmospheric side of Jasun Tipton’s songwriting.  ReEvolution will appeal to fans of both progressive rock and metal.
    $13.00
  • Edensong is a progressive rock quintet from New York City.  The band's self-released 2008 debut "The Fruit Fallen" was hailed as a "masterpiece" by critics, and helped to pave the way for live shows and notable festival appearances throughout North America.At over 70 minutes of new music, their 2016 followup, "Years in the Garden of Years" is even more ambitious than it's predecessor, and will be sure to appeal to fans of both classic progressive rock and metal.  The concept album features an extended song cycle on themes of time, each song a different scale and perspective.  The melodies are more memorable, the riffs more powerful, the flute playing more inventive and propulsive.  The songs prominently feature immersive new textures, from lush keyboard and orchestral arrangements to esoteric percussion from around the world, such as hang drum and Balinese gamelan.   "Years in the Garden of Years" is mastered with audiophile precision by Grammy winning engineer Bob Katz, and the CD release features stunning original cover art and booklet illustrations from beloved surrealist painter Dan May. 
    $6.00
  • Moon Safari’s illusive comeback album following a decade of silence. Almost 70 minutes of no nonsense symphonic rock spread over nine tracks filled with soaring vocals, explosive guitars, thunderous low-end and those unwaivering romantic lyrics fans have come to expect. Mixed and Mastered by Rich Mouser.1. 198X (Heaven Hill) (3:55)2. Between the Devil and Me (10:38)3. Emma, Come On (3:19)4. A Lifetime to Learn How to Love (8:28)5. Beyond the Blue (2:12)6. Blood Moon (5:44)7. Teen Angel Meets the Apocalypse (21:03)8. Forever, For You (10:08)9. Epilog (3:22)
    $16.00
  • 2CD+BluRay. Co-headlining the legendary ProgPower Festival, Redemption's "Alive In Color" captions the perfect musicianship of all members in the band, making this concert a real treat for fans of Progressive Metal! Combining unapologetic melodies and hooks with technicality, complexity and thundering riffs, the band occupies a unique place with it's powerful, heavy, intelligent and deeply emotional music. "Alive In Color" captions the perfect musicianship of all members in the band, making this concert a real treat for fans of Progressive Metal!- Disc 1 -1 Blu-ray: Intro / Noonday Devil 2 The Suffocating Silence 3 The Echo Chamber 4 Damaged 5 Someone Else's Problem 6 Little Men 7 Long Night's Journey Into Day 8 Threads (Featuring Ray Alder) 9 Black & White World 10 Indulge in Color (Featuring Chris Poland) 11 Walls - Disc 2 -1 Intro / Noonday Devil 2 The Suffocating Silence 3 The Echo Chamber 4 Damaged 5 Someone Else's Problem 6 Little Men 7 Long Night's Journey Into Day - Disc 3 -1 Threads (Featuring Ray Alder) 2 Black & White World 3 Indulge in Color (Featuring Chris Poland) 4 Peace Sells (But Who's Buying) (Featuring Chris Poland) 5 Walls 6 Threads (Featuring Tom Englund) 7 Indulge in Color (Simone Mularoni Solo)
    $18.00
  • Previously only available as limited self-released fanclub/tour-edition, “Lost’n’Found - Live in Tilburg” re-visits an outstanding performance at one of the biggest shows during RIVERSIDE’s European tour in 2015 for their acclaimed “Love, Fear and the Time Machine” album and also documents the group’s last tour with original guitarist and founding member Piotr Grudzinski († 2016, R.I.P.).“Lost’n’Found - Live in Tilburg” is now made available widely as limited Mediabook 2CD+DVD (The concert is coming on DVD for the first time ever!), as Gatefold 3LP on 180g. vinyl with the full concert on two CD’s as bonus and as Digital Album.RIVERSIDE’s Mariusz Duda checked in with the following comment:“We're really pleased to tell you that our live release “Lost’n’Found - Live in Tilburg” with a concert from the "Love, Fear and the Time Machine Tour 2015" recorded at the fantastic 013 venue in Tilburg, The Netherlands, will be officially released later this year via InsideOutMusic.The tour promoting "Love, Fear and the Time Machine" was groundbreaking, exceptional, and, as it turned out later, also the last one with Piotr Grudziński. We played, among others, a special version of "The Same River" and a 20-minute version of "Escalator Shrine".The reissue of this recording we had previously sold exclusively during our shows in very limited edition, is enhanced by artwork from Travis Smith, extended booklet layouts and...a DVD with the concert, for the first time.”
    $21.00
  • "The release of official live material is a project that is long overdue and we know our existing fans have been crying out for this for some time now. Whilst we have filmed and recorded many shows in the past we have always felt there were elements of our shows that could be improved 'visually' before we documented and immortalised this for the world to see and that the timing for a live release never felt right for us. This is just our nature as creative people to be so extremely self-critical and constantly strive for perfection. It is largely due to the will of the people that the idea of this project became a reality. Both the band and the label were inundated with emails requesting a live release in some shape or form, and it was actually rather flattering, so giving the people what they wanted just felt like the right thing to do" - Haken"Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.'L-1VE' will be released as a 2CD/2DVD Digipak package & as digital download. The DVD will include 4 bonus tracks filmed at ProgPower USA 2016 that also includes Mike Portnoy's cameo appearance on gong, as well as all of the official videos from the 'Affinity' album."
    $20.00
  • DISCIPLINE has performed and recorded together since 1987, and remains one of the top bands in the American progressive rock scene. The band’s current lineup, including drummer Paul Dzendzel, bassist Mathew Kennedy, lead guitarist Chris Herin (Tiles), and vocalist/keyboardist Matthew Parmenter, worked with veteran music producer Terry Brown (Rush, Fate’s Warning) for the mixing of their newest opus, Captives Of The Wine Dark Sea, which Parmenter describes as, “an escape to ameliorate the workaday world.”“DISCIPLINE weaves a wicked web of lush, whimsical melodies, cynical stories and melancholy theatrics — so disturbing some fans have pegged lead-man Matthew Parmenter as ‘unstable,'” writes Heidi Olmac in Detroit’s Orbit newspaper. New Zealand rock critic Kev Rowland describes DISCIPLINE as “one of the most important bands to come out of America in the last twenty-five years.” The band’s earliest live shows were memorable for unusual theatrics. Parmenter (a.k.a. the Magic Acid Mime) would wear different costumes and act out the songs. Though the costumes have long since gone away, spontaneity remains a hallmark of DISCIPLINE‘s stage presence. “I think most of it comes from playing live,” says Parmenter in The Observer and Eccentric newspaper. “If something goes wrong, it’s kind of interesting how you will get out of it.”Jeff Milo of Ferndale Friends newspaper writes, “Go online and you’ll find various zines, blogs, and sites devoted to ‘prog’ music sending some substantial love toward Detroit’s DISCIPLINE.” The band’s previous album To Shatter All Accord (2011) includes the twenty-five-minute song suite “Rogue.” John Collinge, publisher of Progression Magazine, acknowledged To Shatter All Accord with the publication’s highest marks in his review (16 out of 16 stars). The band may be best known for its album Unfolded Like Staircase (1997). With four sprawling epics, including “Canto IV (Limbo)” and “Crutches,” Unfolded Like Staircase is considered by some to be one of the best progressive rock albums of the 1990s. In the Dutch Progressive Rock Pages, Brian Watson goes further: “Unfolded is my favourite progressive rock album of all time. In over thirty years of listening, and out of a collection touching fifteen hundred albums, Unfolded Like Staircase is ‘the one.’” The CD Push & Profit (1993) introduced Discipline to an international audience supported by a tour of Norway. The band also recorded a virtually unknown first album Chaos Out of Order (1988) that remained out of print for twenty-five years until the band’s indie label, Strung Out Records, reissued the recording in 2013. DISCIPLINE has also released three live albums; the This One’s for England (2014, 2xCD), Live Days (2010 2xCD on Cyclops/GFT), and Into The Dream (1999 on Syzygy/SOR).DISCIPLINE has appeared at numerous progressive rock festivals In 2012 the band appeared at RoSfest, the Rites Of Spring progressive rock festival in Gettysburg, Pennsylvania. That performance can be viewed as an Amazon Instant video. The band has also performed at NEARfest (Northeast Art Rock Festival), Terra Incognita, ProgScape, Orion Studios, and six separate performances at ProgDay in Chapel Hill, North Carolina. The band drew praise at UK’s Summers End festival in 2015 with reviews declaring Discipline “the band of the weekend.”. 
    $14.00
  • "You might know Rikard Sjöblom as the mutli-instrumentalist madman behind the microphone of the now-legendary Beardfish, who sang about everything from personal loss to dreams of sneaking into the backstreets of some sleazy '70s disco club. Wielding his keyboard like an 88-key progressive rock machine gun and a shoulder-slung guitar much in the same manner, Sjöblom truly was the face of the band. Beardfish came to an end in 2016, leaving room for new solo endeavors for Sjöblom.With the same array of musical appendages, Sjöblom has carried on as a solo artist under the moniker “Gungfly” once more with his 2016 album “The Unbendable Sleep”, now followed by the new 2017 release “On Her Journey To The Sun, to be released on InsideOutMusic on May 19th. Just like “The Unbendable Sleep” before, “On Her Journey To The Sun” features Sjo¨blom's incredible vocal range, intensely personal lyrics, signature sense of complex-yet-catchy keyboard melodies, and guitar work that spans the spectrum of folksy to downright face melting.Sjöblom comments:“Gungfly was born out of necessity; songs came to life whenever there was downtime with Beardfish or if a song didn't quite fit within Beardfish’s (otherwise quite broad and eclectic) frame of styles. I basically started recording songs, mainly pop-oriented material, but being the type of songwriter and musician I am some prog slipped through under the radar as well. With the break-up of Beardfish all of the prog-related material I write needed to go somewhere and Gungfly was ready and able for this step!Some background: I recorded what was to become the first Gungfly album between 2007-2008 and it was released in 2009. The name Gungfly is a Swedish word meaning unsecure ground, it came from a novel I read where it was used to describe that someone didn't have grounds to back up their statements, so I liked it and chose to call the project that! I've always been writing and recording lots of music and when I formed the live band to perform these songs for the first time I got to pick some of my oldest friends to play with and thankfully they wanted to be part of it! Petter and Rasmus Diamant (yes, they're brothers) on drums and bass have always been the backbone foundation in this line-up and sometimes we actually do gigs as the Gungfly trio. Sverker Magnusson has been behind the keys since the start and was recently joined by Martin Borgh too to be able to cover all of the keyboard work on the albums, so sometimes we do three keyboard players on stage at the same time! This is made possible by the fact that guitarist David Zackrisson (Beardfish) is in the band as well. Me then? I do what I've always done; sing, play guitars and a bunch of vintage keyboards (mainly Hammond organ) - and I have lots of fun :)”In addition to his solo work, Sjöblom is the most recent addition to English progressive titans Big Big Train, having performed keyboards, guitars, accordion, and backing vocals on the band's 2016 album “Folklore”.SOME MORE BIOGRAPHICAL BACKGROUND INFORikard Sjo¨blom was born in 1982 in Gävle, Sweden, and at the age of 5 began playing accordion. At 10, he added guitar to his repertoire, and by 11 he'd sent a demo of Beatles covers to Sonet Records. It was rejected.From 1994 to 1998, Sjöblom formed bands based on his love of skate punk, grunge, and eventually death metal. More fitting to the musician known today, Sjöblom became infatuated by the likes of King Crimson and Gentle Giant in 1999 and bought an L-100 organ.With the new millennium came the organ and drum duo of Bootcut, which still consists of Sjo¨blom on organ and Petter Diamant behind the kit to this day. While Bootcut remained its own entity, the duo also became Beardfish in 2001, with the addition of bassist Gabriel Olsson and guitarist David Zackrisson. Drummer Magnus Östgren and bassist Robert Hansen replaced Petter and Gabriel in 2002, forming Beardfish's unshakable core line-up that held true until the band's demise in 2016.In 2002, Beardfish wrote its 35-minute progressive epic "Sleeping In Traffic", though the song wouldn't see the light of day until 2008. Instead, the band released “Från En Plats Du Ej Kan Se” in 2003, which was the only Beardfish release to feature flautist Stefan Aronsson. During this time, Sjo¨blom also wrote and recorded Bootcut's albums “Hammond VS Drums” and “De Fluff”, as well as what would become his 2006 debut solo effort “Cyklonmannen”.Sjöblom's career took a turn for the international in 2005, when Beardfish's “The Sane Day” was released. The album garnered enough attention for Beardfish to play a handful of festivals, including ProgDay in North Carolina. The band also caught the eye of InsideOut Music, who would go on to release “Sleeping In Traffic, Pt. 1” in 2007, an album hailed by then-Dream Theater drummer Mike Portnoy as one of the best albums of the year.During this time, Sjöblom penned material that would become his solo project- turned band Gungfly.Beardfish's fourth album “Sleeping In Traffic, Pt. 2” was released in 2008 and landed the band a tour with The Tangent and Ritual, as well as a slew of European festivals. Sjo¨blom's incessant need to write post-tour resulted in both the 2009 Gungfly album “Please Be Quiet”, as well as his favorite Beardfish record, 2009's “Destined Solitaire”.2010 and 2011 brought about Beardfish's “Mammoth” record and Gungfly’s second album “Lamentations”. More Beardfish touring ensued, this time with Pain Of Salvation and Mike Portnoy's Flying Colors, as well as one-off festivals in France and French Guiana.While things were going swimmingly for Beardfish, Sjo¨blom struck personal tragedy when he and his girlfriend went through a pregnancy that ended in the stillbirth of twin boys, Ludvig and Sverker. His heartbreak would later be chronicled in a song of the same name on Beardfish's 2012 album “The Void”, its heaviest and most abrasive to date. Sjo¨blom later became a father to his daughter Villemo that same year.Beardfish toured with Spock’s Beard and Sound of Contact in 2013, and in his down time, Sjöblom recorded an album with a mystery line-up including Petter and Rasmus Diamant that has yet to be released.In 2014, Sjöblom became a father to his son Tage, and began working with singer/songwriters Ulf Nilsson and Linda Varg. At this time, English progressive rock titans Big Big Train contacted Sjöblom to play guitar and keyboards live at the band's first gigs in 17 years. In his downtime, Sjo¨blom began work on what would become 2016's “The Unbendable Sleep”.2015 proved fruitful for Beardfish and Sjöblom, with the release of its final album, “+4626-COMFORTZONE”, and a tour with the Neal Morse Band in Europe. Sjöblom continued his work as a guitarist and backing vocalist for singer/songwriter Linda Varg, and played three shows at King’s Place in London with Big Big Train.Beardfish came to an end in 2016, leaving room for a new Bootcut album and future solo endeavors for Sjöblom aka Gungfly."
    $16.00
  • Riverside's fifth studio album finds them in a continuing state of refinement of their sound.  While they continue to touch on the bands that were the original foundation of their sound (Porcupine Tree, Pink Floyd, Opeth) the music seems to take on a more atmospheric feel.  At the same time 70s style keyboards creep in more and more.  Michal Lapaj's use of Hammond organ lends a Lord-ian flair when the band ramps up the heaviness.  The spacey flavors of Eloy that appears on Out Of Myself reappear just at the right time.  It seems that Marius Duda's Lunatic Soul side project has cross polinated a bit with the mothership.  His emotion driven vocals once again prove why he is one of the best frontmen in the entire progressive music scene.  This is one of those albums that will take many spins to really allow it to divulge all its secrets.  
    $14.00
  • “Devolution Series #2 - Galactic Quarantine” was recorded between July and September 2020 in various places around the world. Originally streamed on September 5th, 2020 on StageIt.com as a replacement show for the COVID affected “Empath Vol 2 European Tour” and various cancelled Summer festivals. The show features Devin on vocals and guitars, Samus Paulicelli III on drums, Wes Hauch on guitars and Diego Tejeida on keys. 
    $15.00