Test For Echo (Remaster)

SKU: 7567-83739
Label:
Atlantic
Category:
Progressive Rock
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Remastered edition.

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  • "Labyrinth released one great prog power metal album that everyone talks about in Return to Heaven Denied, and yes, it was awesome. I'm not very familiar with their career in between that album and this one, but I like this one a lot. 6 Days to Nowhere is one of the more extreme examples of a former power metal band going in an entirely new, strange direction, as this is basically a cross between subdued melodic metal and Radiohead-esque mellow coffee shop soft rock, and it's great.I know, I know – that probably doesn't sound good. But the band really sells it, and they do the style up with genuine emotional and heartfelt songwriting. There are a lot of songs on here and they're all fairly simple, with little adornments outside of rhythmic guitars and cool, light keyboard sprinklings and catchy vocal lines – they're very to-the-point and it works, because it takes talent to make simplistic songs this engaging. Vocalist Rob Tiranti reins in his high pitched wailing for a more controlled performance, which is fitting for the album – not every singer needs to wail his head off to sound great.So really there's no obstacles between the listener and the raw emotion on display – the raw feelings of loneliness and isolation and being trapped; no boundaries of technicality and musical adornments to distract from the outpouring sorrow and unrest from Tiranti's silky vocal cords and those svelte, slick guitar riffs. On songs like “Crossroads” and “Just One Day” they sound the most metal, with rattling guitar riffing and galloping tempos – albeit with a much more pensive attitude than most of their contemporaries would go for. “Lost” is a brilliant song, transitioning much better than anyone could rightfully expect between charging speed and mellow, jazzy despair and “What???” is a bizarre slice of chugging, idiosyncratic prog that ends up one of the album's more deft, clever moments overall.Most of the album foregoes the metal in favor of more laid back rock music. “Mother Earth” is a bluesy old school 70s rock track with mellow leads and a wailing vocal set and songs like “Waiting Tomorrow,” “Coldness” and “Rusted Nail,” which see the band embracing stodgy rock riffs and plain, amiable vocals perhaps more friendly to the inside of an indie rock show. “Wolves'n'Lambs” is perhaps one of the album's weirdest moments with a lurching chorus section bookended by electronic rhythms, and closing ballad “Smoke and Dreams” is a perfect soundtrack to wandering the city streets under the moon in a city you've never been to before.Despite the variety on display, lyrically is where the album really comes together, as all these songs are tied together with themes of feeling displaced and out of touch and alone. It's not happy music, and the vibe is a very detached and chilled kind of malaise, which makes it unique compared to the angst you might expect upon reading some of the lyrics with no music. But it works, and I think it's really relatable and easy to get into. Who can't remember a time they felt that way – alone and scared and shut off from humanity? The band sells the lyrics with a genuine honesty, and the album comes out affecting and personal as a real artistic statement. I dig this and you should check it out if you like individual, emotionally resonant music – very highly recommended." - The Metal Archives
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