Sweetnighter

SKU: CK64976
Label:
Columbia
Category:
Jazz Rock
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"Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines." - All Music Guide

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  • "After some high profile releases and particularly impressive ubiquity, the ex-DREAM THEATER / A7X drums God Mike Portnoy is back again with his new musical partner the magnificent Bass Maestro Billy Sheehan (NIACIN / TALAS / DAVID LEE ROTH / MR BIG / STEVE VAI / PSMS), under a power trio format, completed by none other than one of the most gifted Guitarist of his generation once Sharpnel Records alumni Richie Kotzen but this time no instrumental trickery, no instrumental knitting, because Kotzen beside his absolute skilled six strings wizardry is also indeed an hell of a fantastic soulful singer and a very underrated vocalist of the best brand. This is a  supergroup, a Dream Team hell yeah…but mostly a great band.With such a busy time schedule for both workaholics Portnoy & Sheehan, we could have feared a fast almost sloppy affair, luckily with this first album is exactly the opposite. Sheehan & Kotzen were working many years together with MR BIG and in fact the sound of THE WINERY DOGS isn’t that far from what Sheehan, Paul Gilbert , Pat Torpey and Eric Martin have magnificently achieved.The album start with groovy 70s infused blast of “Elevate” and followed by the heavy Funk flavor of “Desire” each track feature an intense rhythmic groove with short but impressive unison synchronized lead bass / lead guitar whirlwind licks of exuberant virtuosity, some unexpected harmonies that coming out of the Jazz-Rock / Rhythm N' Blues recipe book owned by Kotzen, but every song carries most of all a strong focus both on the catchy melodies and on the sing-along hooks which are everywhere boosted by rich Backing vocals (“The Other Side” or “The Dying”) really magnetic & irresistible. Those who are familiar with the prolific superb Kotzen’s discography knows that he’s an hugely skilled songwriter with a lot of style in his arsenal, so THE WINERY DOGS debut album is out of the same tradition as THE MOTHER HEAD'S FAMILLY REUNION, “Not Hopeless” contains however some over the top sharing duo between Richie & Billy, in the real MR BIG's shredding frenzy fashion, like a modern day GRAND FUNK RAILROAD with full injection of high tech dexterity.Cuts like “One More Time” or “Six Feet Deeper” seems to be outtakes from the breath taking 1990s “Fever Dream”, with furious playing and great musicality concentrated for an even more efficiency. The Japan only bonus track, “Criminal” is strangely one of the most commercial song with an almost AOR chorus, a syncopated bridge and another outstanding lead guitar solo spot in two parts with a tasty sound. The closing number “Regret” is the sole composition handled exclusively by Mr. Kotzen: it’s a soul music track with slight Hammond layers and a real harmonious balanced to finish this album in a positive way. The pristine production is powerful and crystal clear, still organic with a strong vintage feel but not muddy, in fact it sounds like how Classic Rock in its purest form should sound in 2013. Just unadulterated genuine Rock played by an exemplary bunch of extremely talented musicians and it’s an understatement.After an imposing huge list of albums and projects under his belt, Mike Portnoy with the help of another all-star lineup show to the incredulous crowd of jealous fellows, how his playing field is broad and how he can multiply in an almost monthly omnipresence the recording with the same prestige and the same success as FLYING COLORS / NEAL MORSE / PSMS / ADRENALINE MOB and the forthcoming BIGELF." - Metal Temple
    $14.00
  • Second solo album from the legendary RTF bassist, originally released in 1974. Its a burning set featuring Jan Hammer and Tony Williams. Oh yeah...a guy name Bill Connors is playing guitar and going off his nut.
    $5.00
  • CD/DVD digipak version.  The DVD contains a "making of" documentary."It feels like it’s been longer than two years since Lacuna Coil’s last release, Dark Adrenaline, but where that album fell a little short, Broken Crown Halo feels like a true return to form for the band and this is perhaps one of the band’s strongest releases to date.Broken Crown Halo begins with Nothing Stands In Our Way, which slowly builds up into an absolute earworm of a tune and it’s no wonder that this was the track chosen to represent the album because it just has everything – fantastic vocal performances from both singers with a small hint of heaviness amongst the melody, and this wonderful heavy tone to the guitars atop of crushing drums.It’s not just the opener that will get stuck in your head however; with this album it really does feel that Lacuna Coil have crafted a whole collection of wholly memorable tracks. There’s Zombie, which features one of the best vocal performances from Andrea to date, with him seamlessly blending harsh and clean vocals together, and then there’s Die And Rise which begins with an introduction so catchy it’ll be stuck in your head for days. In all honesty, there isn’t a single track on the album that stands out as being bad.In essence, Broken Crown Halo is an exceedingly strong release from the band. It’s adventurous and fresh, whilst still retaining the classic Lacuna Coil ‘sound’ – and it’s excellent." - Soundscape
    $6.00
  • The beauty and the beast wars are over and Epica has won. Until Floor Jansen comes through with her new project we have to consider Simone Simons the last woman standing. This is the band's fifth studio album and probably their most bombastic. Stunning female vocals mixed with death growls and a wall of synthesized orchestrations and power chords. You all know the drill by now. These guys are the masters of the genre.
    $14.00
  • New album clocks in near 80 minutes. No insanely long epics and the album is probably all the better for it. About as proggy as these guys have ever gotten.
    $9.00
  • ONE OF A KIND TITLE FROM THE LASER'S EDGE ARCHIVEThis is a live recording of the band's reunion gig from 1980, recorded in Fredrikstad, Norway.  These guys really can blow - lethal guitarwork.  Aunt Mary were an interesting band.  They skirted the margins between prog rock, hard rock, and psychedelia - they touch on them all but don't reside comfortably in one.  Out of print and I understand its quite rare.
    $15.00
  • New 2CD edition includes both Home and NY Suite resequenced into their originally intended order. Comes with a slipcase.
    $18.00
  • What a great singer Ian Parry is. This guy simply doesn't get the recognition he deserves. He's the prototypical metal singer - great control and range. This is his fourth Consortium Project album. The lineup eschews the previous three's all-star approach. The core band is Ian Parry on vocals, plus Joshua Dutrieux on guitars as well as Ivar De Graaf on drums. There is an assortment of singers and musicians filling in the musical nooks and crannys. Dutrieux and De Graaf are the primary songwriters as well. Children Of Tomorrow is a futuristic concept album. The music is pure melodic metal/AOR. It has a real epic feel. Stick Parry's voice in front a choir and you can't help but get a big sound.
    $3.00
  • "When one thinks of countries that are a hotbed of prog metal bands, places such as Norway, Sweden, and Finland come to mind. However the Land Down Undah’ otherwise known as Australia has been churning out amazing prog metal bands for the past decade. Bands such as Hemina, Voyager, Lord, Carnivool, Caligula’s Horse, Teramaze and Melbourne’s Vanishing Point have been wowing the prog metal scene for the past decade. It’s been seven long years since the release of Vanishing Point’s The Fourth Season, but the melodic metal quintet consisting of Silvio Massaro (Vocals), Chris Porcianko and James Maier (Guitars), Simon Best (Bass), and Christian Nativo (Drums) have finally returned with their fifth studio album Distant Is The Sun on AFM Records. The band has stayed true to their unique blend of progressive, power, AOR metal and have secured the talents of Sebastian “Seeb” Levermann of Ordan Ogen for mixing duites on Distant Is The Sun. Picking up right where The Fourth Season left off, the musicianship and songwriting on Distant Is The Sun is exceptional.The album kicks off with the short instrumental track Beyond Redemption and powers right into the first song King of Empty Promises. The double bass drum attack from Nativo and melodic keyboards lead the way and the harmonious soaring vocals during the chorus are a perfect way to officially start the album.The title track is next and begins with a heavy groove and transforms into a light piano tinged verses with Massaro’s impressive vocals leading to a catchy and melodic chorus. The twin guitar harmony lead attack from Porcianko and Maier is a thing of beauty during the solo section.Symphonic keys signify the start of When Truth Lies, an epic slab of energetic melodic progressive metal with a driving headbanging beat. Sonata Arctica frontman Tony Kaako lends his melodic pipes to the fast and furious power metal of Circle of Fire. Kaako and Massaro’s vocals compliment each other extremely well and create an amazing metal duet.The keyboard prominence on Denied Deliverance is pronounced in the mix but never overshadows the heaviness of the track, it just adds to the overall melody of the song. A blazing guitar solo section highlights the middle portion of another stellar song. Let the River Run has an impeccable acappella vocal harmony section that begins this mid tempo metal gem. The beautiful vocals during the chorus will be stuck in your head for days after listening.The album slows down for the piano based Story of Misery but don’t be fooled into thinking this is a traditional power ballad. The emphasis is on POWER with a emotive vocal performance from Massaro. Era Zero speeds things right back up with a frenzied double kick attack with plenty of soaring melodic vocals throughout and a shredding guitar solo from the tandem of Porcianko/Maier and culminates in a symphonic ending and bursts right into Pillars of Sand which keeps the hard and fast metal flowing.The eerie keyboard intro of As December Fades melds into a Maiden-esque guitar harmony and a glorious AOR sounding chorus with a symphonic element that is reminiscent of Within Temptation. A bright piano melody signals the beginning of Handful of Hope. Once again Massaro gets his chance to shine with an impressive vocal performance filled with passion and emotion. The bands penchant for writing catchy power metal is on display on Walls of Silence. The brilliant symphonic melodies and heavy guitar compliment each other perfectly. The album closes with the acoustic guitar tinged instrument titled April, an understated yet effective piece of music with a keyboard accompaniment underneath in the mix. It is a curious choice to end the album, but well done nonetheless.After a seven-year absence, the world of melodic prog welcomes back Vanishing Point with open arms and hopefully Distant Is The Sun will shoot the band to the next level of popularity outside their native Australia. This goes to show that like a fine wine, Vanishing Point only improves with age!" - Lady Obscure
    $15.00
  • You dig church organ? How about when Keith hammers on one during "The Three Fates"? Goblin your thing? Have I got a disc for you! Three Monks is an instrumental trio from Italy led by organist/composer Paolo Lazzeri. The title of the album says it all. This is a marriage of classical composition with a progressive rock rhythm section. Lazzeri only plays pipe organ and is accompanied by electric bass and drums. Kind of a twisted dark album that is filled with menace. This one will surely wake up the neighbors.
    $16.00
  • German reissue packages the two albums from this now defunct band at a budget price.  Superb progressive metal from Eastern Europe....
    $5.00
  • The official title of this amazing Spanish quartet is actually One Of These Days & Thee Heavy Random Tone Colour Lab.  This is the band's debut release and is only available on vinyl.  It arrives on 180 gram vinyl in a numbered limited edition of 500 copies.  Gorgeous artwork form Iria Rodriguez.  You also get a download code for mp3s of the album.This is pure retro/prog/psych plain and simple.  Beyond the tip of the cap with their name, the band draws some musical influence from Atom Heart Mother era Pink Floyd.  The album consists of 4 long tracks.  When the band stretches out I'm also reminded very much of early Nektar - say Tab In The Ocean.  Organ, 'tron, analogue synths - all the good stuff is here.  Guitars have the right sound.  Its not like metal guitars grafted onto an old school sound (some of the new Italian retro bands seem to get this wrong).  This album reeks of the early 70s.Quite a stunning release.  If you can play vinyl you have no choice...BUY OR DIE!
    $30.00
  • Quite fine new album from Ritchie Blackmore and Candice Knight. If you haven't heard Blackmore's Night before, essentially it's Blackmore's English folk/Renaissance meets rock band with his wife's gorgeous vocals on top. There are a few cover tunes sprinkled through out including a cover of Deep Purple's "Child In Time", Ralph McTell's "Streets Of London" but my fav is their reworking of Rainbow's "Street Of Dreams". This is the US edition which basically takes the bonus tracks from the more expensive Euro deluxe edition and includes them as well. One of the 3 bonus cuts is yet another version of "Street Of Dreams" but with Joe Lynn Turner. I'm a Blackmore fan and really enjoyed the disc - highly recommended to the similarly inclined.
    $7.00