Storie Fuori Dal Tempo

SKU: MRC006
Label:
Maracash
Category:
Progressive Rock
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Beautiful sounding symphonic prog from Italy. The music has a very laid back refined quality that touches on folk elements at times. Female vocals (in Italian), flute, keys, electric guitar, bass and drums fill the soundspace in a way that lets the compositions develop and breath. The 31 minute epic "Morgana" features long languid instrumental passages in which the flute weaves around the keyboards and guitar to mesmerizing effect. The music never gets too heavy but there is an ever present ebb and flow that is appealing. Very impressive - these guys need to find a real label.

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  • "The first Mahavishnu Orchestra's original very slim catalog was padded out somewhat by this live album (recorded in New York's Central Park) on which the five jazz/rock virtuosos can be heard stretching out at greater length than in the studio. There are only three selections on the disc, all of which were to have been on the group's then-unissued third album -- two of them, guitarist John McLaughlin's "Trilogy: Sunlit Path/La Merede la Mer" and keyboardist Jan Hammer's "Sister Andrea," are proportioned roughly as they were in their studio renditions, while the third, McLaughlin's "Dream," is stretched to nearly double its 11-minute studio length. Each develops organically through a number of sections, and there are fewer lockstep unison passages than on the earlier recordings. McLaughlin is as flashy and noisy as ever on double-necked electric guitar, and Hammer and violinist Jerry Goodman are a match for him in the speed department, with drummer Billy Cobham displaying a compelling, raw power and dexterity to his work as well, especially on the CD edition, which also gives bassist Rich Laird a showcase for his slightly subtler work. Yet for all of the superb playing, one really doesn't hear much music on this album; electricity and competitive empathy are clearly not enough, particularly on the 21-minute "Dream," which left a lot of fans feeling let down at the end of its side-two-filling run on the LP. In the decades since this album was released, the studio versions of these three pieces, along with other tracks being worked up for their third album, have appeared as The Lost Trident Sessions -- dating from May and June of 1973 -- thus giving fans a means of comparing this repertory to what the band had worked out (or not worked out) in the studio; and Between Nothingness and Eternity has come up a bit in estimation as a result, benefiting as it does from the spontaneity and energy of a live performance, though even that can only carry this work so far -- beyond the personality conflicts that broke up the band, they seem to have been approaching, though not quite reaching, a musical dead end as well." - Allmusic
    $5.00
  • "Downtime doesn’t appear to be in this Swedish traditional group’s mindset, at least in this point of their career. Striking while the iron’s hot from their 2011 Heads Will Roll debut and touring with the legendary Lizzy Borden across mainland Europe, the quintet from Gothenburg set about writing the follow up, Storms of War rather quickly. With King Diamond guitarist Andy Larocque behind the production chair, Storms of War will either make Katana another worthy Swedish contender to the Wolf/Enforcer new brigade throne or may cast them into the land of bargain bins forevermore.The opening salvo of riff peeling from guitarists Patrik Essen and Tobias Karlsson on “Reaper” rivals the best 80’s Judas Priest with Accept for good measure- and the trade-off solos are pure ecstasy for all air guitarists worldwide. Sometimes the reference points get a tad obvious: Iron Maiden on “Wrath of the Emerald Witch,” Loudness on “The Samurai Returns,” but Anders Persson’s poised drumming and the multi-octave, high-octane melodies from Johan Bernspang more than make up for any similarities.Bernspang even shows off a lighter, lower playful side to his voice ala Bruce Dickinson during the shorter, gallop-worthy “City on the Edge of Forever.” The swirling wind effects and a slow moving bass line signal the start of the eight-minute epic “In the Land of the Sun,” the verse melody mirroring the open clean plucking before the tempo moves upward and you feel like you are experiencing another NWOBHM journey with a series of Egyptian point-counterpoint guitar refrains. And how about the Omen up and down guitar harmonies throughout “Modesty Blaise” circa Warning Of Danger?Since Iron Maiden feel that their fans desire more progressive rock-length arrangements over the classics they rendered on the first seven studio albums, Katana could fit that missing niche in your collection with Storms of War. Thank you gentlemen for bringing me back to my teenage years with this one. " - Blistering,com
    $14.00
  • Fourth album from this seminal US band. Deluxe remastered reissue also features detailed liner notes, 2 bonus tracks, original artwork and unseen photos.
    $15.00
  • Legendary first album comes with 4 unreleased bonus tracks. Now available at a great price.
    $5.00
  • Third brilliant album of eclectic prog metal. Quirky time signatures, crushing riffs topped by extraordinary vocals. Awesome stuff. 
    $15.00
  • "It only seems like a couple of weeks since Caravan announced in August 2013 that they were to record a new album that would be financed by money pledged by fans, and yet here it is already!What should have been a joyous time for the band and fans alike was sadly marred by the death of long-time drummer Richard Coughlan on December , however it is fitting that the digital download of the album was released to fans who had pledged on December 20, the day of Richard’s funeral!Musically this has classic Caravan stamped all over it. It is not, however, a hark back to the halcyon days of the 70′s and In the Land of Grey and Pink or For Girls Who Grow Plump in the Night, there are not anywhere near as many long instrumental sections in there for a start and the longest song I’ll Be There For You clocks in at a mere 6:14. What we do have here is a stripped down, and updated 2013 version of everything that Caravan fans look for. The classic songwriting is there, as is the excellent musicianship and whimsical lyrics, and let’s face it, with that instantly recognisable, trademark voice, Pye Hastings could re-record Never Mind The Bollocks and it would probably still sound like Caravan.All This Could Be Yours is a belter of an opener, and despite what I said above, this is one track that would not have been out of place on Grey and Pink or Girls Who Grow Plump! With an excellent, albeit short, viola solo from Geoffrey Richardson, and a great hook in the chorus, it skips along merrily in classic Caravan style.One of the ways of financing the album was to get people to pledge extra to go to the studio and get involved in the recording, I don’t want to pour cold water on anything but sadly I think this is where the band have shot themselves ever so slightly in the foot. Despite being a great song, I’m On My Way, has some awful, flat backing vocals in the chorus which almost ruin the song. The same applies to This Is What We Are where a slightly naff chorus comes close to ruining what is otherwise a very strong song, being slightly heavier than we are used to from Caravan including an infectious piano motif and an excellent, soaring guitar solo towards the end.The slower Dead Man Walking is the perfect pacer, leading into the very emotive Farewell My Old Friend. As an ode to the passing of a close friend, this song is made all the more poignant following the death of Richard Coughlan and brings a lump to the throat!In typical Caravan style, no-one is allowed to get too maudlin, as the next two songs Pain in the Arse with the vitriolic closing line ‘I don’t care if you sue me now, you are insane’, and Trust Me I Am A Doctor put the collective tongues firmly back in the cheek. Doctor takes an irreverent stab at a GP, who I’m quite sure, given the amount of names dropped in the song is a real person and should have no difficulty in identifying himself! But it is all done in good fun and I’m sure no umbrage will be taken!The album finishes on a mellow note with the wistful I’ll Be There For You and the title song Paradise Filter which kicks off  really slow and  melancholy with a late night jazz feel, before breaking out into a middle section that is very reminiscent of the instrumental break in The Dog, The Dog, He’s At It Again!Overall this is an excellent return for a band that has been absent from the recording studio for too long (it is ten years since the release of The Unauthorised Breakfast Item in 2003). Not that they have been resting on their laurels as they have still been playing live gigs, but it is nice to know that they can still cut it and write well crafted, catchy and extremely listenable songs.It also proves that the pledging route is a very viable way of financing studio time and album releases, sadly, however, I doubt very much that would work for new bands as you would have to have a name for yourself in order to create the initial interest. Maybe extensive gigging and as the old saying goes ‘paying your dues’ would help. Now there’s an idea (take note potential XFactor and The Voice contestants)!" - jonb52
    $20.00
  • We manufactured Delain t-shirts for the band's gig at ProgPower USA. We sold out of men's shirts and came back with some women's shirts. They are fitted women's shirts - not like in the image shown which are boxy. High quality Gildan 100% cotton shirt.
    $16.00
  • This new EP is a stop gap until the new full length release from the German symphonic metal band but its an interesting one.  Xandria present 3 new studio tracks, re-recordings of two vintage Xandria tunes, and covers of tracks by Sonata Arctica and Meatloaf (!)."Three brand new songs will be featured on the EP: "Voyage Of The Fallen", "Unembraced" and "In Remembrance". In addition, XANDRIA has re-recorded two all-time favorites of the band's fans, "Ravenheart" (originally recorded for the album "Ravenheart" in 2004) and "Now & Forever" ("India", 2005). Cover versions of SONATA ARCTICA's "Don't Say A Word" and Meat Loaf's "I Would Do Anything For Love (But I Won't Do That)" will also be included on the effort.Regarding the decision to cover "I Would Do Anything For Love (But I Won't Do That)", XANDRIA said: "During the photo shoot for the 'Sacrificium' record, we were digging through our music libraries to find something appropriate for getting us in the right mood. At some point we got stuck with an artist every one of us had a crush on someone with and a story to tell about back then from our teenager days in the earlier '90s. We straight away started joking about doing a XANDRIA version of this particular song, but really forgot about it until the discussion of doing some remake for an EP came up again. With the biggest respect we started this operation of transforming one of our all-time faves, a real classic, into a XANDRIA hymn. Well, we think we quite did an 'okay' job and on July the 31st, it's your turn to decide whether you've got a favorite song or not.""
    $9.00
  • Perhaps because of the timing, but I always considered this to be their "Foxtrot". "Pawn Hearts" features the epic masterpiece "A Plague Of LIghthouse Keepers" which for lack of a better comparison is the band's "Supper's Ready". This remastered edition comes with extensive liner notes, photos and a host of bonus tracks. Originally conceived as a double album, there were a number of tracks still sitting on the shelf, unreleased. They are: "Theme One" (original mix), "W" (original version), "Angle Of Incidents", "Ponker's Theme", and "Diminutions". Absolutely essential.
    $10.00
  • Mini gatefold lp sleeve recreating the orignal release from these brilliant prog one hit wonders.
    $19.00
  • Kit Watkins runs wild!! Comes with 2 live bonus tracks.
    $17.00
  • "My first introduction to Brazil's Hibria came with last year's DVD/CD live package Blinded By Tokyo. It seems, besides their popularity in South America, they've been a hit in Japan from earlier on in their career. The live set was good showcase for their power metal skills. Now seeking more international recognition, Hibria releases Silent Revenge through AFM Records.I'll admit I was almost put off by Silent Revenge from the start, thanks to the first, and title, cut. Silent Revenge features Andre Meyer of death metal act Distraught offering competing death vocals. I get the addition, but it's still annoying. Later, with Walking to Death, Hibria vocalist Iuri Sanson nears hardcore screamo vocals. All this makes me wonder if, in attempt to be edgier or more commercial, Hibria wants to move more towards modern metal.Alternatively, listening to Silence Will Make You Suffer, Lonely Fight, or the powerful anthem Shall I Keep on Burning (unplugged version is even better), you find both Sanson and Hibria straying little from their traditional heavy power metal roots, with emphasis on heavy. However, sometimes they get a little over ambitious as with The Way It Is. It's decent power metal, just too long. One thing Hibria has always been known for is powerful guitar leads, and there's a truck load of ripping leads all over this album. This simple, but necessary element, puts Silent Revenge beyond a better than average album. Their traditional South American and Japanese fans should enjoy this album, and the band will probably collect more fans in Europe as well. Recommended." - Danger Dog
    $15.00