Soul Temptation

SKU: 144372
Label:
Metal Blade
Category:
Power Metal
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Fine new release from this German power metal band featuring Andy Franck on vocals. The music is heavy but extremely melodic. This is real power metal but not in a slick Euro-way....it has an US power metal feel. So I guess the way to differentiate between Andy's two bands are this - Brainstorm heavy as hell, Symphorce melodic as hell.

Metal Blade is trying something new, pricing this full length release at a mid-price point.

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  • Remastered edition with two bonus tracks."After the failed experiment of Turbo, Judas Priest toned down the synths and returned to the basics, delivering a straight-ahead, much more typical Priest album with Ram It Down. The band's fan base was still devoted enough to consistently push each new album past the platinum sales mark, and perhaps that's part of the reason Ram It Down generally sounds like it's on autopilot. While there are some well-constructed songs, they tend toward the generic, and the songwriting is pretty lackluster overall, with the up-tempo title track easily standing out as the best tune here. And even though Ram It Down backed away from the territory explored on Turbo, much of the album still has a too-polished, mechanical-sounding production, especially the drums. Lyrically, Ram It Down is firmly entrenched in adolescent theatrics that lack the personality or toughness of Priest's best anthems, which -- coupled with the lack of much truly memorable music -- makes the record sound cynical and insincere, the lowest point in the Rob Halford era. Further debits are given for the cover of "Johnny B. Goode."" - All Music Guide
    $5.00
  • Second in the series from this project band put together by guitarist Lars Eric Mattson. For this outing he brings aboard two accomplished vocalists - Bj√∂rn Jansson of Tears of Anger and Martin LeMar of Tomorrows Eve. Sphere of Souls guitarist Anand Mahangoe ups the shred factor. Mattson plays most of the guitar parts and also provides bass and keys. The very busy session "drummer" Eddie Sledgehammer appears throughout - no doubt programmed by Mattson. The music is a mix of melodic, AOR-tinged, hard rock and progressive metal.
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  • Its been quite a long time since we've heard from Magic Pie.  They went through lots of trials and tribulations getting this album finished but now its finally arrived.  If you are not familiar with this band here's the deal: Magic Pie are a Norwegian band with a retro 70s sound.  The music is a bit of a high wire act balancing the neo-prog sounds of The Flower Kings with the heavier elements of classic Uriah Heep.  They also seem to be the darlings of Rosfest having played there multiple times."It's hard to believe it's been 10 years since these proggers from Norway released their promising debut "Motions of Desire". At that time, their music struck me as an enthusiastic combination of classic prog and classic hard rock. (Think Deep Purple for the hard rock side of that equation.) At their best, they offered memorable passages and pieces that sounded like they very well could have been long lost recordings from many years ago. At their worst, they sometimes fell short of filling the big shoes of the legendary bands whose music they strove to emulate. That's actually not bad for a debut album from a new prog band. I found much to like and looked forward to hearing from them again in the future.Checking back in on them a decade later, I must say that I am very impressed with how they have developed and matured. No longer do I get the feeling that certain sections of songs are direct homages to any particular band from any one particular decade of prog's illustrious history. Their influences, while still very present and valid, are now more varied, including a greater percentage of modern reference points. More importantly, their influences are just that--merely influences rather than templates or even primary reference points.The sound quality on "King for a Day" is superb thanks in large part to the enlistment of sonic genius Rich Mouser (whose resume includes similar work for prominent contemporaries like Spock's Beard, Transatlantic and Dream Theater).Keyboardist Erling Hananger is an excellent addition to Magic Pie's recipe. His keyboard parts are expressive, dynamic and integral to the music. When appropriate, his leads seamlessly blend, harmonize, and work synergistically with electric guitar.The lyrics have a melodramatic and somewhat tragic flair this time around, but this is prog so you should be accustomed to the musical ride including a few tragic tales from time to time by now, right?OK ' so it's time for the "magic" question... A decade after their debut album, how has my impression of Magic Pie changed?On "King for a Day", I now hear a band which has found "its own voice", one that resonates confidently in the space somewhere between classic arena rock of yesteryear (on prog-steroids of course) and modern melodic prog of the 21st Century (like Spock's Beard and The Flower Kings). Add a few dashes of modern prog-metal to taste and you, my friend, have baked up a very nice confection indeed... MAGIC PIE!If you love modern prog anthems with big harmonies and 'sing along' choruses, give "King for a Day" a listen! I'm glad I did!" - ProgArchives
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  • Limited ediiton with O-card slipcase.  Comes with multitrack versions of 3 songs that you can remix on your own."I have an odd history with this band, first being introduced to them through their debut album Sanctus Ignis, which was described to me as Symphony X, only not quite as good. I agree with that statement, but the next material I heard from this band was this, Archangels In Black, which is so dramatically different from their debut album that I was wondering what the hell happened to them. So I went on a journey through the rest of their discography in order to discover what had happened. The style in this album is very heavy. Much heavier than their first two albums, and maybe just a bit more so than their previous recording, Dominate. It has more death metal growling and dark, crunchy riffs, whereas their first two albums were very neo-classical, symphonic, and progressive with lots of piano usage and more progressive elements. Previously, it may have sounded like Symphony X, but now they have turned in a whole new direction, towards what I would consider to be progressive/power metal with melodic death elements thrown in for effect.What really entrances me about this album – and make no mistake, it’s a great album – is how the softer bits and orchestral parts are woven so tightly around the raw power of the rest of it. The atmosphere of this album is really dark, gothic, and creepy; the orchestral arrangements really enhance that atmosphere and provide an excellent balance between heavy and light while still maintaining that atmosphere. This, my friends, is some top-notch song writing. I’ve heard a lot of people knocking this album, saying it should have been better, but I really don’t agree with that. It’s a great improvement over Dominate, though I suppose it could be longer.Of course, albums are judged by their songs rather than their overall sound. “Vamphyri” is the explosive opener as well as the chosen single for this particular album which you’ll understand the moment you hear this song; it begins with a very heavy riff building up into a scream/growl from Christian Palin (whom incidently is my favorite Adagio singer so far) that immediately tells you this is some seriously heavy metal and not for the faint of heart. Vamphyri is definitely one of the better songs from this with a great melody and chorus that is sooo much fun to sing; this song should be very pleasing to power metal fans.“Fear Circus” is another noteworthy track, as it is the only music video from this album. It’s got a very cool groove that makes it easy to fall in love with. Actually the part of this song that captivated me the most was the middle section when the metal backs off and the orchestra comes in with a rather haunting melody that leads into a fantastic keyboard/guitar solo. “Undead” is also a great song, with a very well done piano solo introduction which is actually kind of misleading, because when the metal part kicks in it does so with an immediate and not even remotely subtle bang. The melo-death growls are very prevalent in this song, more so than most of the other songs; while I’m not a huge fan of melodic death metal, I don’t mind it as much when they are used sparingly in collaboration with normal vocals mostly for effect; Adagio has really managed to find a good balance in this album. “Codex Oscura” is the epic here, and it’s quite good, combining an orchestral opening with creepy atmospheric effects, memorable melodies, and exciting dynamic changes.For the most part, all but one song is great: “Twilight at Dawn”. It starts off well enough, but around the two minute mark it introduces the chorus, which is the least melodic chorus and the least enjoyable of the album. It’s not bad, but it repeats over and over again more than any chorus really should. With all the repetition of death grunting, it just gets old (though I think a melo – death metal fan would be able to appreciate it more).Overall, Archangels In Black is a great album, and the band’s finest to date. Adagio has managed to create a unique sound and make it their own. The orchestrations they use are some of the best I have heard on any metal album (Blind Guardian’s At The Edge Of Time might have a slight edge), and with it, they’ve managed to produce something special. Honestly, with the constant vocal lineup changes (three singers in four albums), I’m amazed they have managed to stay as consistent as they have. This is one incredibly talented group of Frenchmen, and I can’t wait to see what they bring out next." - Black Wind Metal
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  • Fourth album from this Swedish power metal band finds them with a new lineup and new label. The music emphasizes melody and crunch with a good amount of galloping rhythms as well.
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