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  • New 2 CD set features the audio tracks of the already out of print DVD as well as bonus tracks recorded in the US and Germany. An excellent cross selection of material drawn from their three studio albums as well as some cool covers like "21st Century Schizoid Man" and "America".
    $15.00
  • Long overdue album from one of the best bands in the prog metal genre and they deliver the goods.  With Damian Wilson out front it can't be bad - can it?  Threshold has shuffled vocalists over the years but there are constants - melodic based songs with stellar musicianship and more than enough complexity.  Always loved the keys in this band.  Highly recommended.
    $13.00
  • Finally - an official pro-shot DVD of the band's performance in Sao Paolo, Brazil from 2006. You also get a documentary filmed on the band's Rocket Ride world tour and 4 video clips. The 2 CDs feature the audio soundtrack of the Sao Paolo performance. Yup...expensive but it's a German import.
    $30.00
  • Incredible warehouse find.  Scored a small horde of these and I can pass them on to you at an amazing price."Gamma Ray! Undoubtedly one of the most important names in contemporary, classic Heavy Metal, and thee most respected and influential German band in the genre. Fronted by Kai Hansen, following his departure from Helloween, Gamma Ray has become one of the most prominent bands in European Heavy Metal. "To The Metal" is the 10th studio album in 21 years of worldwide success and a new diamond in their never-ending experimental creativity. The Special Edition contains a bonus DVD in HD with interview, rehearsals, live studio sessions and 3 videoclips."
    $3.00
  • Ok let's cut to the chase...this is the same band but with a different sound. Being realistic you can't expect "Feel Euphoria" to sound like "V" or "Snow" when the primary songwriter is no longer involved. First off Nick's vocals are exemplary - he's a great singer and I don't feel the band is diminished in any way by have him out in front. The key here is the songwriting and it''s just...different. Overall the music seems a bit heavier and more immediate. A few of the tunes are bit less proggy but they all seem to have the right progified embellishments - Ryo's mellotron and organ bits seem to cover the bases well. My favorite tune is the long epic track "A Guy Named Sid" which captures some of the past's magic. Overall I think of this as a transitional release as the band redefines their sound.Limited edition contains two bonus tracks and an expanded booklet with extra text and pictures
    $8.00
  • James LaBrie once again that there is life outside of Dream Theater.  His solo band features a stable lineup consisting of Matt Guillory (keyboards), Marco Sfogli (guitars), Ray Riendeau (bass), Peter Wildoer (drums, death vox).  Jens Bogren once again mixed. An interesting twist to the mix is the inclusion of Soilwork's Peter Wichers who contributes some guitarwork and also collaborated on songwriting with LaBrie.While the music is square on prog metal and all in all not too dissimilar to Dream Theater its different enough to have its own vibe.  Wildoer's coarse vocal approach offers an interesting counterbalance to LaBrie's upper midrange clean voice.  The limited digipak edition comes with two bonus tracks.  Highly recommended.
    $13.00
  • "Sporting some of singer Warrel Dane's most extreme vocal workouts, In Memory is an impressive musical display of neo-progressive yet heavy melodic metal. With an identical band lineup and producer Neil Kernon returning to helm the console, the results on this follow-up to 1995's eponymous debut are predictably similar. The bombastic medley of Bauhaus cuts, "Silent Hedges/Double Dares," is representative of the continuing evolution of the band and its heavy rhythmic reworkings. While the melodies are commercial, Nevermore refuses to get bogged down in technique and, in so doing, avoids the sterility and weakness that some associate with a certain other Seattle melodic metal band. With subtle, clean performances mixed with all-out metal hollering, Dane sounds like a doctorate-level student of Geoff Tate's vocal style ("The Sorrowed Man" being his thesis). Perhaps borrowing a little too heavily from Queensrÿche, Dane and his bandmates still infuse enough of their own passions and personality to make the music on In Memory their own." - AllmusicTheir first effort following the breakup of Sanctuary.
    $4.00
  • "Another album---another vocalist. I feel badly for bands that just cannot seem to retain a lead vocalist. Italy's Soul Secret started out with a guest singer, progressed to Fabio Manda's amazing voice on their sophomore album, and now have turned to Lino Di Pietrantonio to lead them. This choice, much like the album, is a solid one, though flawed in some ways.Soul Secret's third album is called "4", and, yes, that is confusing as hell. It represents a slight change in sound for Soul Secret, due not only to the change of singer, but also to the maturity of these guys as musicians. Indeed, I hear stylistic changes across the board. Soul Secret, if you are not familiar, are definitely a progressive metal band in the vein of Dream Theater, though I'm sure that's a shadow they don't want. Either way, though, it is the truth, as they rely on strong guitars from Antonio Vittozzi, sizzling keys from Luca Di Gennaro, foundational bass from Claudio Casaburi, and the ever present structure of Antonio Mocerino's drums.Their styles have changed somewhat, though. I am a huge fan of their previous album "Closer to Daylight", and the band as a whole has moved on from shorter, more structured tracks to longer and more varied concepts. This is both good and bad, as you won't really find much to sing along to here, but you will certainly find incredible instrumentals to admire (something Soul Secret has always done well). In fact, it seems like each and every track has a noteworthy instrumental, and some, like "Traces on the Seaside", "On the Ledge", and "Our Horizon", have multiple sections that are incredibly sublime. This is partially due to the new sounds for this band, especially Luca's wonderful keys. He has moved on from the standard atmospherics so often found in prog metal to new heights of solos, even leading the music many times. Needless to say, I'm very impressed with the large range of key tones used, too. Besides this, I sense a change for Mocerino's drums, too, as he has opted for a more delicate touch than his blast beating past. In addition, Vittozzi's guitars seem much more deliberate and inspired in composition.Thus far, we have a great third album called "4" that features some notable changes in sound. This is where my slight issues with the album appear. First of all, I do feel that it is a bit long. At 72+ minutes long, I feel like some of the incredible effectiveness of the first half of the album wears off by the end. Indeed, I feel like they realize it, too, as most of the really amazing rhythms are found in the first half. This is not to say that the latter half is bad. It's actually great, especially songs like the instrumental "Silence" or the addictive ending to "My Lighthouse". Heck, "Downfall" might be my favorite song on the album! The first few tracks, however, just gel so well that you barely notice the time pass.My other issue with this album is the Dream Theater sound. This is primarily because of Lino's vocal performance. Indeed, I think the band actively tries to avoid the DT sound by including plenty of small oddities, like harsh vox, crazy synth, and a notable lack of overpowering guitar. Lino's voice, however, sounds SO much like Labrie's vox on "Images & Words". This isn't a bad thing, as I don't think Labrie has ever sounded better. Lino does avoid the pretentious wailing (thank God), but there are definitely a few times where I could have imagined that I was listening to DT.Overall, though, this is another solid album from Soul Secret, and they really show their instrumental chops. Indeed, the ending epic "The White Stairs" opens with a fantastic groove that always makes me stop everything else I'm doing. For progressive metal fans, then, I don't think there has been a better offering so far this year. Be sure to get your hands on this album!" - ProgArchives
    $14.00
  • Second album from this Italian band that actually goes back to the 70s although they didn't record until recently.The roots of the band's sound is quite obvious.  Il Cerchio D'Oro are proponents of "Rock Progressive Italiano".  With the necessary Italian vocals in place, the music has a nice balance of keys and guitar but there are plenty of guests introducing flute, sax, mandolin.  It should be noted that these guests are sourced from classic bands The Trip, PFM, and Delirium.  Dig the 'tron?  Its here!  The synth work in particular is going to remind you of Flavio Premoli.  
    $16.00
  • "Elf was an American rock/blues band formed in the late 60's and early 70's. One member who stood out from the rest was Ronnie James Dio. The band's music is a somewhat mish-mash of honky tonk mixed with basic rock riffs. The band made 3 albums: Elf, Trying to Burn the Sun, and Carolina County Ball. During some of Elf's songs, you can hear the beginnings of Dio's interest in other types of music such as his later work with Rainbow, Black Sabbath, and on his own with the band, Dio. Elf used to open for Deep Purple. They were on the same label as them and would tour together from time to time. Eventually, Ronnie James Dio and Ritchie Blackmore became good friends and would later form the band Rainbow in 1975"
    $5.00
  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • Prospekt are a British Progressive Metal band influenced by bands such as Dream Theater, Symphony X, Opeth and Circus Maximus, as well as film scores and fusion. Prospekt combine the fierce technicality of progressive metal with the symphonic elements of contemporary prog.From brutal riffs coupled with odd time-signatures, to majestic melodies, the principle of Prospekt’s music is to create an intelligent and atmospheric mix of melodic, modern progressive metal. Incorporating passionate higher ranged vocals, frenetic guitar work, haunting orchestration and solid grooves, every composition remains both interesting and original.The Colourless Sunrise was mixed by  Adam "Nolly" Getgood of Periphery and mastered by Jens Bogren at Fascination Street.
    $13.00
  • Guitarist/vocalist Clay Withrow is the heart and soul behind Vangough.  He's made some fine albums in the past but this is clearly his best as you can tell that he's exerting more of his own vision.  The previous albums were fine slices of progressive metal, bu they were clearly influenced heavily by Pain Of Salvation.  While there is some of that early PoS feel, Between The Madness has more of Clay than Daniel.  Its very angst driven music - from the vocals to the grinding guitar solos.  This is one pissed off band.  Its a non-stop prog metal roller coaster ride.  BUY OR DIE!"Over the last two full-length albums leading up to this, the band’s most important release, one thing is strikingly clear: Vangough has been eating their Wheaties. Whereas the last album couldn't find its center of gravity despite merits and high replay value, "Between The Madness" bridges the gap between Vangough's left brain and right brain. Moreover, the band feels much more balanced with the addition of drummer Kyle Haws. Further, it sounds like mastermind Clay Withrow had pushed himself beyond his limits to expand the Vangough tone palate.On the “Acoustic Scars” EP, Withrow developed a vocal technique that finds full maturation on "Between The Madness:” the rage-sing. Almost a yell, but neither a scream nor a simple vocal fry and free of any pitch interference, Withrow's rage-sing makes the lyrical intent as clear as it can be. The album offers bile to many parties, lyrically, and puts the listener behind a sometimes uncomfortable but necessary first-person perspective: any other perspective simply would not do justice to the intent. Vangough has always been more effective at conveying feelings than telling stories, but never before had the songs had such a natural novel-like flow to them. All the while, Withrow peppers his versatile clean singing with elaborate layers of harmony and polyphony, making for subtly different listening experiences each time.The overall sound hasn't drastically changed, and even shows some musical nods to prior songs. In "Vaudeville Nation," a scathing condemnation of a track, a clever link is established with "Mannikin Parade" around 4:28. The main melody of the latter is re-introduced on guitars in a straight-played manner. Later in the song, a similar "Mannikin Parade" vocal melody emerges in the line "...and burn the circus to the ground," and up through the yell following it. Further, continuing the storyline started with "Road To Blighttown" on the “Acoustic Scars” EP, "Depths of Blighttown" adds a fitting dark and ominous chapter to the story.The added input from Haws and bassist Jeren Martin have made the songs seem more logical, acting as balancing forces. The drumming style of Haws is noticeably organized, nuanced, and thought-out and could be accurately categorized as a blend of the styles of Lamb of God's Chris Adler, Opeth-era Martin Lopez, and Pain of Salvation-era Johan Langell. The mixing job by Sterling Winfield is a stunning step forward for the band as well, and the drum sound is particularly remarkable for its bright, punchy, but balanced character. Lead guitarist Jay Gleason makes several shred-tastic appearances to accentuate the technicality of Vangough's instrumentation, while Justus Johnston and Jose Palacios make appearances on strings to further amplify the feeling of the songs and add a superb creep factor touching on Resident Evil levels at times.No song feels out of place or unessential, with "Infestation," "Schizophrenia," "Vaudeville Nation," "Useless," and "Corporatocracy" as highlights. The dynamic growth between “Kingdom of Ruin” and “Between The Madness” makes this album out to be Vangough's “Blackwater Park,” what many will no doubt cite as the band’s seminal record. Put simply, there has never been a better time to jump off of whatever progressive metal train you've been on and ride with Vangough. "Into the dark I take you," Withrow jabs at us. Make sure your seatbelts are securely fastened." - Metal Underground
    $11.00
  • Third album from a band that is essentially a mash up of members from Sieges Even, Sun Caged and Dreamscape.  Their music carries on very much in the style of the later Sieges Even albums.  In other words progressive rock that leans towards the heavier side of the spectrum.  Rush, Rabin-era Yes, Saga, and Dream Theater come to mind as influences.  Quite melodic and if you are so inclined you'll hear some incredible chops from guitarist Markus Steffen.  The band corraled Stream Of Passion's Marcela Bovio for a guest vocal appearance, dueting with Arno Menses.This is the deluxe 2CD edition.  It sports a really cool looking 3D cover.  The bonus CD is a live concert recorded in Mannheim in 2012.
    $19.00