Scenes From A Memory

SKU: 7559-62448-2
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Elecktra
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For my money this is the band's most consistent and best album. Conceptual work that is a continuation of "Metropolis - Part 1" which appeared on the seminal "Images & World" album. The band is at their progified best with Jordan Rudess really making his presence felt. At times it reminds me of a metal version of Pink Floyd's "The Wall". Some monumental riffs that will shatter the foundation of your house (check out "Home") and more complexity than you deserve. Blowtorch album at a pretty reasonably price (if I must say so myself). If you've never actually heard Dream Theater this is a great one to start with.

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  • Limited edition digipak of the new Evergrey album includes 2 booklets and one bonus track."Reformed and rejuvenated may best describe Evergrey 2.0 and their eighth studio album Glorious Collision After dissolving the band in the Spring of 2010, founder, guitarist, and vocalist Tom Englund immediately began recreating Evergrey, writing several songs with remaining keyboard player Rikard Zander. Englund then filled out the band with the incoming talent of Marcus Jidell (guitar), Hannes Van Dahl (drums) and Johan Niemann (bass).A cursory listen to Glorious Collision finds Evergrey revitalized and seeming to draw from a well of new sources. In the past, both lyrically and musically, Englund/Evergrey was almost uniformly heavy, bleak, and often discomforting. I don't think Englund has lost any of his somber, near depressive, edge, but musically Glorious Collision certainly has a more lively feel to it. Leave It Behind, You, and It Comes From Within find Evergrey drawing on a more classic melodic rock feel wrapped in pure heavy metal. Wrong brings back some of Evergrey/Englund's melancholy while sounding like a Swedish version of current, and commercial, modern hard rock. Others, like Frozen, thunder along with a well-paced and invigorating melodic power metal style. Generally, with the depth and variety of the arrangements, Evergrey hasn't lost it's progressive edge either. But I'm not ready to call this work pure progressive metal. Ultimately, when listening to Wrong, I'm Drowning Alone, or the wonderful To Fit the Mold, Glorious Collision has a sweeping near epic quality to it thanks to the aforementioned melodic rock character wrapped in some serious heavy metal.If Glorious Collision is the future of a re-emergent and revitalized Evergrey, then we are in for some grand days ahead. Glorious Collision is impressive: heavy, melodic, thick with groove, and quite entertaining. Maybe more bands should reboot." - dangerdog.com
    $15.00
  • "Although it's tempting to succumb to retroactive reevaluation, most critics agree that Sepultura's earliest efforts consisted of rather undercooked, unspectacular black metal, hardly foreshadowing their world-conquering output in the death metal field, just a few years ahead. Both 1985's Bestial Devastation EP and the band's first LP, 1986's Morbid Visions, were recorded with minimal time or money, and revealed a band of teenagers more preoccupied with shocking their parents than creating great music, and clearly still learning their craft. In fact, original lead guitarist Jairo T. was the only semi-decent musician of the bunch, but vocalist/guitarist Max Cavalera, drummer Igor Cavalera, and bassist Paulo Jr. nevertheless contributed a mighty spirited racket on blackened thrashers like "Antichrist" and "Warriors of Death." Venom would have been proud. And yet Sepultura still showed early flashes of death metal inspiration on "Crucifixion" and "Show Me the Wrath," even though "Troops of Doom" (later re-recorded) is the only obvious standout on hand. Thankfully, Roadrunner has conveniently reissued Morbid Visions and Bestial Devastation on one CD, lowering the price of admission for uncertain metalheads wishing to hear what all the fuss was about." - Allmusic Guide
    $8.00
  • Obviously the band was feeling a ton of pressure to follow up Dead Winter Dead and the result, The Wake Of Magellan, more or less holds up. For some people the album was a bit flat but the way I see it Dead Winter Dead is a masterpiece and perhaps an insurmountable summit for the band. Taken for itself, Magellan is a fine disc with the classic Savatage sound. The production is simply flawless...bordering on audiophile. This new digipak remastered version comes with 2 bonus tracks and new liner notes.
    $12.00
  • “Crazy French phenomenon Christophe Godin applies his nothing short of bonkers rock guitar abilities to this ferocious yet tongue-in-cheek display of post-Vai/Zappa composition and musicianship. Jazzy it ain’t, but full of immense playing technique and cool tones it most definitely is. Be afraid.” – Guitarist Magazine Brutal Romance is the fifth release from this intense French instrumental trio. Through extensive gigging in the US, this Morglbl has developed an ever expanding fanbase addicted to their crazy blend of jazz and metal. The band consists of Christophe Godin (guitars), Ivan Rougny (bass), and Aurelian Ouzoulias. All three members of the band are known around the world not just from Morglbl but as clinicians as well. Morglbl injects a dose of tongue in cheek humor into jazz rock laced with crushing power chords. They have a strong cross over appeal between fans of progressive rock, fusion, and metal. Morglbl has performed at festivals alongside Liquid Tension Experiment and Umphrey’s McGee. They have most recently toured the US as co-headliners with Sweden’s Freak Kitchen. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias Eklundh will find this essential.
    $13.00
  • 2CD edition comes with a bonus live disc recorded at the Loud Park 2010 festival."Taking a cue from where post-psychedelic and hard rock left off in the seventies before our hard rock heroes either went disco or into questionable directions, Spiritual Beggars’ picks up the pieces, just like Grunge did in its heyday; but adding a little more balls to the mix as an authentic force to be reckoned with. A supergroup featuring members of Arch Enemy, Opeth, Firewind, Carcass, and other extensions, the amped up sound of this Swedish powerhouse throws the pretentious mannerisms of out of the mix, gaining them a status that has created a solid dichotomy between them and many other stoner rock bands.Even as these guys are native to extreme and symphonic metal bands, the tunage gets to the point, reflecting Black Sabbath, Deep Purple, Blue Oyster Cult and early-Priest, as the heavy blues & R&B flavored upbeat moods have always raised the roof. Inflamed by grinding riffage and screaming Hammond organ, Earth Blues again sees Spiritual Beggars taking no retreat from their enigmatic rock and roll feast. The opening track “Wise as a Serpent” immediately spurs the dark groove into power pop territories, yet more intricate sides are heard on the multi-faceted “Sweet Magic Pain” & the dark 1-2 punch of “Kingmaker,” both offering up a salvo of to a Sabotage-meets-Agents of Fortune attitude. Without reckless abandon, these guys also explore a psych/funk mindset on “Turn the Tide,” plus you have “One Man’s Curse” which could have been a long last tune from Come Taste the Band.Even on the ballad “Dreamer” and the low key rocker “Dead End Town,” the band flexes their ideology the same way Zeppelin did at times; and that ideology is further expressed by way of  a set of live tracks on a bonus disc, proving they can hit the road with the attitude to kick ass. Still, whatever way you hear Spiritual Beggars, there will be no denying that their solid foundation of hard rock possesses intrigue, forgoing all the poser musicianship and letting the songs, the true grit of emotion, and the conviction to simply rock out speak loud for Earth Blues. Heavy, commanding, & sophisticated, Spiritual Beggars continue to map out their presence with bold, sharp, & gripping, metallic grandeur, affording no shame whatsoever." - Ytsejam.com
    $14.00
  • New album featuring Mike Mangini replacing the thought-to-be-irreplaceable Mike Portnoy on drums. No changes in direction - still the prog metal leaders that other bands follow.
    $17.00
  • Remastered edition."Straight Between the Eyes undoubtedly has one of the worst album covers in rock history, but the record is an unexpected return to form from the journeyman hard rockers. Just a record before, Rainbow sounded as if they were verging on Billy Squier territory, but here, they reverse course and deliver a solid, no-frills hard rock record. It isn't just that the material is stronger, though it certainly is, it's that Roger Glover abandoned his smoothed-out, radio-ready production that marred Difficult to Cure. That's not to say that Straight Between the Eyes doesn't sound dated -- Rainbow was a band that was forever tied to its era -- but the album does have a harder-hitting, muscular sound that is more appropriate for the band. Similarly, vocalist Joe Lynn Turner sounds more comfortable with the group, and the entire band just seems to gel, turning even the generic numbers on the album into enjoyable, straight-ahead hard rock. There may not be any specific showcases for Ritchie Blackmore, but his playing is better heard in this setting, where he's not only soloing, he's propelling the band with his powerful riffs. As always, he's the driving force behind the band, but this is truly a band effort, which is one of the reasons why Straight Between the Eyes is one of the strongest albums the group ever cut." - All Music Guide
    $5.00
  • THIS ONE IS HOT HOT HOT!!!!Long awaited second album from this astounding San Diego based prog/space band. Astra expertly mix progressive rock with deep space sounds - interchangeably within a song. Like their debut, there is a strong kosmische musik feel. Think in terms of Far East Family Band and Pink Floyd but when they turn on the prog rock burners you get a healthy dose of old school Genesis VDGG and Yes. Epic length tracks with sparse amounts of vocals. Tons of Mellotron and vintage analogue keyboards give us that sound we all cherish. Occasional use of flute spices everything up in the right way. If everything sounded this good in 1975 I would have never left my bedroom. I would have just had my parents slide some pizza under the door. Album of the year candidate - BUY OR DIE!
    $14.00
  • Latest effort from these Canterbury mainstays is a bit more towards their poppier side but their colors bleed through when needed. Long time members Pye Hastings, Richard Coughlan and Geoff Richardson welcome back Jan Schelhaas on keys as well as longtime bassist Jim Leverton and hot shot guitarist Doug Boyle. David Sinclair and Jimmy Hastings guest for old times sake.
    $11.00
  • "Daniel O'Sullivan's acclaimed Ulver has a tendency to traverse a truly abstract path between the realms of shoegaze, metal and black ambient, while his collaboration with Steve Moore, Miracle, remains firmly rooted in the universe of synth-pop. His solo Mothlite moniker makes eerily effective work of hybridising the disparate styles of these two projects, landing somewhere not far from the majestic highs and lows of Talk Talk's The Colour of Spring.With his second album under the guise, O'Sullivan makes a sustained effort to sing from the stomach out, minimally affecting his pitch, which is perfect for the overdubbed goth-pop harmonies that suit this type of music (nowhere are his warm choruses more prominent than on the title track). To imagine Tears for Fears' Roland Orzabal singing with The Big Pink could have been a suitable comparison, but would do a disservice to the lush layers of ambient beats, tribal drums and keyboard arpeggios that O'Sullivan uniquely fuses." - The Skinny
    $16.00
  • One of the great hard rock albums of the 70s.  After Uli Jon Roth left the band he was replaced by Matthias Jabs.  His guitar technique was far removed from the neoclassical stylings of Roth, taking a more traditional hard rock/melodic metal approach.  Returning to the fold is Rudi's brother Michael Schenker.  With streamlined songwriting it all comes together.  A non-stop killer.
    $5.00
  • "Fatal Fusion play in a prog style which remains rooted in the genre's 1970s roots (with a strong flavour of 1980s neo-prog on the side), but avoid turning themselves into a sterile nostalgia act by playing in a loose, wild style which feels like it could have blasted forth from the stage of prog venues of old. Avoiding the overprecise, fussy production which less interesting retro-prog outfits pursue in the name of sonic perfection, Fatal Fusion instead create an album whose imperfections are, in fact, part of its charm - the rest of its charm being taken up with its gloriously sincere embrace of its fantasy themes as expressed in its lyrics.This is one of those albums like Galadriel's Muttered Promises From an Ageless Pond where somehow it ends up sounding incredible even though in terms of originality and technical excellence it's nothing special - there's a magic to Fatal Fusion's compositions which drips from every second of the album. Great stuff." - ProgArchives
    $14.00
  • With new kid on the block, Mike Mangini, fully assimilated into the group, Dream Theater has come up with a stunning new album.  Expect nothing less than full on prog (with a nice tip of the cap to Rush in spots). Enigma Machine may be the best instrumental piece they've cooked up yet.  Highly recommended.
    $16.00
  • "With a shockingly tight performance and a handful of evil anthems, Glen Benton and company managed to craft a death metal classic with their eponymous debut. Taking their Satanism to a new level of seriousness, Benton was burning crosses into his forehead and desecrating churches to promote this album, something that didn't exactly endear them to the mainstream metal media. While similar (and even weaker) groups were getting hyped up as the leaders of the death metal underworld, this album struck a chord that would, for good or bad, instantly inspire legions of like-minded groups. The riffs are actually memorable, with insane blastbeat drums and an uncanny sense of timing guiding the songs as they charge through one by one. "Lunatic of God's Creation" may be one of the best death metal songs written in this period, taking all of these elements to their natural extreme and crafting an ugly Satanic epic. "Carnage in the Temple of the Damned" is a speed-happy chunk of blasphemy that borders on grindcore, while "Dead by Dawn" is another gem that survives on the creative riffing and horrible vocals. Benton's vocals are actually one of the main features, as his guttural growl is touched up by production tricks to sound absolutely hideous and tortured as he spews his Satanic nonsense. At the time it seemed quite evil, and the press surrounding him suggested that he was willingly possessed by demons that sang through him. On top of that, he also claimed that since he was the antithesis of Jesus Christ, that he would kill himself at the age of 32 to mimic Christ's death. Heady stuff for a death metal band, but even though the gimmick may have banished them from the cover of Hit Parader, it didn't take away from the effectiveness of the album. They would later go on to make questionable musical progress and strip away much of the brash suggestiveness of their image (for the record, Benton failed to commit suicide when he claimed he would), but before all of that they still managed to craft one truly great album in the death metal genre that will survive long after the gimmicks are gone." - Allmusic Guide
    $8.00