Revisions

SKU: 398414785-2
Label:
Metal Blade
Category:
Progressive Rock
Add to wishlist 

Interesting new concept from this visionary prog band from NY. 3 revisits and reinterprets some of their oldest material - some of which only appeared on bootlegs.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "The second live DVD release by the outstanding art-rock band from Poland. Believe's music appeals to the lovers of Collage, Satellite, Porcupine Tree or Pink Floyd. This concert was recorded in November 2011 in Wyspianski Theater in Poland. The DVD also includes over 100 minutes of additional video material: 2 bootleg videos, an interview with Mirek Gil and Karol Wr+Ýblewski, and "Music for One Leg" documentary!"
    $18.00
  • Magnus Karlsson's name might not be that familiar to you but if you are a fan of melodic metal you probably own an album or two he was involved in.  The Swedish guitarist's original band was Last Tribe.  After a number of albums for Frontiers he was the man behind the curtain for the two Allen/Lande albums as well as a bunch of other projects for the label.  Ultimately he became a member of Primal Fear and toured with this.Freefall is his first solo album under his own name.  He plays all the instruments except drums which are handled by Danny Flores of Mind's Eye.  Calling in favors, Karlsson has enlisted a who's who of vocalists from the melodic metal realm: Russell Allen (Symphony X), Ralf Scheepers (Primal Fear), Tony Harnell (TNT), Rick Altzi (Masterplan), David Readman (PC69), Mark Boals (Malmsteen), Michael Andersson (Cloudscape), Rikard Bengsston (Last Tribe), and Herman Saming (A.C.T).  That's a lot of good pipes!
    $13.00
  • Arena return after a 6 year hiatus. New lineup includes new vocalist Paul Manzi, John Jowitt is back replacing Ian Salmon, Clive Nolan, John Mitchell, and Mick Pointer. Its a conceptual work focusing on the last hour of life and the following hour in the afterlife. High concept indeed! 
    $11.00
  • Of The I is an excellent new contemporary progressive rock band from the UK. The music is primarily guitar driven (there are keys). Balance Instars is a conceptual work featuring long tracks linked together by shorter instrumental passages. The obvious cop out reference would be to compare the band to Porcupine Tree but there is also a bit of a Tool vibe going on as well. Lead vocalist Jordan Davis has the appropriate amount of angst - definitely a bit of Maynard going on here. This was self released by the band. The band is starting to get some attention in the UK (saw a review of one of their gigs in Classic Prog) so I suspect there is going to be a band that draws a lot of attention quickly. Get in on the ground floor - highly recommended.
    $10.00
  • Lethal German underground hard rock band led by guitarist Frank Diez. Originally released on Kuck Kuck back in 1970, its always been a high priced rarity and with good reason.
    $29.00
  • This is where the progressive elements really start to coalesce ie. the 20 minute "The Fountain Of Lamneth".  Remastered edition.
    $5.00
  • "2012 Blu-Ray live release. The Tea Party is a Canadian rock band with blues, progressive rock, Indian and Middle Eastern influences, dubbed "Moroccan roll" by the media. Active throughout the 1990s up until 2005 when the band broke up, The Tea Party released eight albums on EMI Music Canada, selling 2 million records worldwide, and achieving a #1 Canadian single "Heaven Coming Down" in 1999. The Tea Party toured Canada on twenty-one occasions and Australia on twelve. In November 2002, The Tea Party toured Canada with symphony orchestras reinterpreting a decade's worth of shared songwriting. The band broke up in 2005 due to creative differences, but re-united in 2011 to play several Canadian tour dates during the summer. During the tour it was decided to continue and the band has now reformed. Live From Australia: The Reformation Tour was recorded in 2012 during The Tea Party's Australian tour and showcases the band bursting with renewed energy."
    $17.00
  • "If Metallica and Slayer invented speed metal, Anthrax brought it to the East Coast and imbued it with the attitude and excitement of New York hardcore. Among the Living is, without a doubt, their finest hour--a roaring, adrenaline-pumped collection of flailing beats, precise, razor-edged riffs and shout-along refrains. Unlike most full-throttle metal vocalists of the era, Joey Belladonna chose to sing as well as shout, giving songs like "Among the Living," "Indians" and "Efilnikcufecin" ("nice fuckin' life" spelled backwards) a decided melodic edge. Yet Scott Ian and Dan Spitz's buzzsaw guitar flurries, and Charlie Benante's insistent drumming, prevented the songs from ever degenerating into the run-of-the-mill heavy metal they so despised. "
    $5.00
  • Pink Floyd influenced doom.
    $13.00
  • "The shady stretch of land that exists somewhere between the crossroads of rock, metal, prog, and alternative is one that generates discussion, but not necessarily sales. Fans of Dredg, Oceansize, Cog, and the like have watched countless inspired dissenters of the rock norm leave their mark on music boards and venue bathrooms, only to fizzle into obscurity when radio deemed their playful idiosyncrasies just a little too off-putting. There is a certain burden any group that shakes off standard typecasts faces, yet, with the Australian music scene abuzz with newly recognized talent, and the current popularity of all things delay-driven, it’s an interesting time to be a band like Brisbane’s Dead Letter Circus.In a recent editorial Vince wrote about Tesseract, he echoed a sentiment I’ve long held: the current line of alternative progressive bands might just be the perfect “something for everyone” presence heavy music has needed to escape the rigid confines of the underground.It is difficult to shake the sense, in listening to Dead Letter Circus’s sophomore album, The Catalyst Fire, that the term “alternative rock” does no justice to them, and that there are a whole lot of people who could conceivably enjoy the crap out of this work.Dead Letter Circus already proved that touring with significantly heavier bands (the likes of which include Animals as Leaders, Intronaut, Last Chance to Reason, and Monuments) posed no challenge to winning over fans who would normally avoid anything quite so digestible, and with the impeccable song craft and memorable hooks on display in The Catalyst Fire, I think it’s only a matter of time before the people standing on the other side of the aisle also take notice.The first things that standout on any number of these tunes are Kim Benzie’s explosive tenor vocals and the big, shimmering walls of sound his band mates house them in. Benzie has the kind of voice that is perfect for this style of music—familiar, but never readily traceable to a sum of affected influences. His range alone is impressive, but his ability to weave it into inescapably catchy melodic motifs with intelligent messaging behind them is paramount to DLC’s universal appeal.Of course vocals alone are not the full package; this is passionate, high-energy music, and the band behind Benzie just kills it. As with This is The Warning, the group’s instrumental voice consists of delay-blasted, tremolo-heavy guitar leads jousting with one of the growliest bass tones in rock music and an ever-stimulating rhythmic presence that never feels “in the way.” Luke Williams shows off more than a little of [The Mars Volta's] Jon Theodore’s influence in his nutty patterns, but by keeping them within the architecture of 4/4 time he never detracts from the immediacy of his surroundings.This package is all further elevated by Australian production ace Forrester Savell (Karnivool, The Butterfly Effect), who returns for his second project with the band. His distinctive mix style of “rhythm guitar in the background— everything else upfront” plays a pivotal role in what makes Dead Letter Circus sound so friggin’ huge and heavy without sounding like a metal band.High praise aside, it’s worth acknowledging that very little has changed in the group’s formula. The Catalyst Fire is just another batch of very tightly written and memorable songs, with all of the group’s strengths made readily apparent. Despite having two new guitarists in the band’s ranks (following the departure of founding member Rob Maric), the aforementioned stylistic elements that made This is The Warning successful remain firmly in place.There does, however, seem to be more of an effort made to vary things up on this work. Where the group’s debut, at times, felt a little too consistent in its approach, The Catalyst Fire sees Dead Letter Circus shuffling out the constant adrenaline of songs like “Stand Apart” and the single “Lodestar” for contemplative slowburners to the tune of “The Veil” and “I Am.” One could argue that the group has become a little comfortable with the harmonic framework of their choosing, but it would be difficult to imagine them conveying the same feeling in their music outside of their beloved major-flavored-minor key progressions.As a whole, The Catalyst Fire, is darker and snappier in its execution than This is The Warning, making for a subtle evolution of an already very strong base. Also, the fact that Karnivool recently made a serious deviation from their relative norm makes a more immediate and urgent sounding release from the Dead Letter folks all too welcome in 2013. I have little doubt that those in the metal and prog worlds who dug the group’s first release will have no trouble rekindling the flame with The Catalyst Fire, but with a little marketing muscle, this could be the vehicle that makes Dead Letter Circus an “anybody band,” and a damn good one at that." - Metal Sucks
    $2.00
  • MY BROTHER THE WIND is an improvisational cosmic rock collective consisting of members of widely known Swedish acts Makajodama, Magnolia, Animal Daydream and most notably Anekdoten, one of the more widely recognized names in the 1990s prog rock revival.Recorded live in the studio with no overdubs during a single day in January 2013, Once There Was A Time When Time And Space Were One captures the collective's progressive soundscape qualities with incredible analogue studio production. The band utilized 6 and 12 string acoustic and electric guitars, Mellotron, flute, bass, drums, congas and more to complete the task. Expect 45 minutes of the band's most succinct material to date, recorded deep in the snowy, forested, Swedish wilderness.In 2013, MBTW expanded into an even wider fanbase, having been invited to play the mighty Roadburn Festival in Tilburg, Holland, as well as at Duna Jam in Sardinia.  At the invitation of Opeth’s Mikael Okerfeldt, guitarist Nicklas Barker returned to Roadburn to perform an improv set with Dungen guitarist Reine Fiske.Those who frequent the works of Popol Vuh, Amon Duul, Sun Ra, Träd, Gräs Och Stenar, Albert Ayler, Ash Ra Tempel, Gong, Pink Floyd and other visionary, psychedelic rock artists are advised to investigate this act. "Lush and instrumental for its duration, My Brother the Wind‘s third full-length, Once There was a Time When Time and Space were One (released by Free Electric Sound/Laser’s Edge), rolls out of the speakers much easier than its title rolls off the tongue, though both title and the work itself satisfy rhythmically. The Swedish four-piece — they now seem to be a bass-less trio with Nicklas Barker (Anekdoten) and Mathias Danielsson (Makajodama) on electric/acoustic 12-strong guitar and Daniel Fridlund Brandt on drums, but Ronny Eriksson plays bass on the album — reportedly recorded live to two-inch tape on a vintage machine, and the passion they put in bleeds readily into the nine-song/45-minute outing, fleshed with liberal splashes of Mellotron courtesy of Barker to play up a ’70s prog feel in a piece like the 12-minute “Garden of Delights.” That’s hardly the only point at which those sensibilities emerge, but even more than that, the primary vibe here is one of gorgeous heavy psych exploration, the band adventuring and feeling their way through the material as they go.On peaceful moments like the title-track, which arrives as the penultimate movement before “Epilogue” leads the way back to reality — accordingly, “Prologue” brings us in at the start — that exploration is positively serene, the 12-string complemented by spacious electric tones spreading out across vast reaches, but Once There was a Time When Time and Space were One offers more than drone and psychedelic experiments. Subtly pushed forward by Brandt‘s drums, pieces like “Into the Cosmic Halo” and even “Epilogue” enact classic space rock thrust, and even “Song of Innocence Part 1,” the first part of the journey after the backward atmospherics of “Prologue” introduce, has some cosmic feel amid its echoing solos. Its subsequent complement, “Song of Innocence Part 2,” swells to life on an even more active roll, waves of amp noise up front while drums and bass groove out behind, waiting for the guitars to catch up, which they do in a suitably glorious payoff, relatively brief but masterfully engaging, setting a momentum that continues well into “Garden of Delights,” a focal point for more than its length.Because the songs flow so well one to the next, some directly bleeding, others giving a brief pause, and because later cuts like “Thomas Mera Gartz” — named in honor of the drummer for ’70s Swedish proggers Träd, Gräs och Stenar — and the title-track have a quieter take, it’s tempting to read some narrative into the shifts of Once There was a Time When Time and Space were One, but with the material not being premeditated, I’m not sure that’s the intention so much as a signal it’s well arranged. In any case, the album offers an immersive, resonant listen, with tonal richness to spare and the presence of mind to keep a sense of motion even in its stillest parts and a balance of organic elements — Danielsson‘s recorder and Brandt‘s percussion on “Misty Mountainside,” the 12-string, etc. — amid a wash of effects and swirling psychedelia. This attention to sonic detail makes Once There was a Time When Time and Space were One more than just a collection of jams, and adds further purpose to the already worthy cause of My Brother the Wind‘s thoughtful musings, wandering and not at all lost." - The Obelisk
    $13.00
  • Stumbled across a reference to this Italian band on a forum and really enjoyed what I heard.  Bloody things cost a fortune and I was disappointed to discover that they are in fact CD-Rs.  Caveat Emptor.  At  least the music is great.Castle Fusion is a six piece ensemble.  The band has phenomenal chops and are not afraid to show it off.  The music also has a real sense of maturity.  I don't know anything about these guys but they sound like seasoned veterans.  The music definitely falls in the realm of "Rock Progressivo Italiano".  Vocals are predominantly in English although there are a couple of tunes with Italian vocals (and two instrumentals).  Its a really nice blend of symphonic keys, flute, sax, jazz-inflected guitar leads and a killer rhythm section.  These guys can really blow.  Fans of Banco, PFM, and Osanna should check them out.  Highly recommended.
    $16.00
  • Chris Adler and Jason Bittner, Live at Modern Drummer Festival 2005 features the full length performances of these two incredible drummers, along with in-depth interviews that include demonstrations, discussions of technique and practice routines, and specific playing examples from their MD Festival performances. Included is almost 30 minutes additional performance and clinic footage not included on the Modern Drummer Festival 2005 DVD!Bonus Footage includes: Chris Adler On The Road - Chris discusses his drums and cymbals, talks to his drum tech, talks about his daily routine while on tour, about warming up, and what it's like to be on road. Also features live clips of Chris with the Lamb of God.Jason Bittner in Clinic - features excerpts of Jason in a great clinic from Ibben Germany shot with a Handycam. Also, an 18-minute lesson that includes Jason's actual, in-studio performance of The Light the Blinds and an explanation and demonstration from Jason of his drum part in that song.Exclusive interviews with Chris and Jason, backstage at the Modern Drummer Festival 05, at pad kits, during which they talk about technique, warming up, double bass, practicing and more. And at various points during each interview intersections with their on-stage performance can be accessed with the DVD remote.
    $24.00
  • Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.
    $14.00