The Point Of You

SKU: SR3068
Label:
Sensory Records
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Withem is an up and coming Norwegian progressive metal band, inspired by the likes of Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus.

The band started to take shape in 2011 when Øyvind Voldmo Larsen (guitars) and Ketil Ronold (keyboards) met the gifted drummer Frank Nordeng Røe. Soon they were joined by the vocal talents of Ole Aleksander Wagenius and bass duties were taken care of by the special guest Andreas Blomqvist from Seventh Wonder.

Withem’s debut offers varied sonic landscapes for the listener to explore, ranging from guilty-pleasure choruses permeated with memorable vocal hooks, to symphonic epic themes.  The unique vocal range of Ole Aleksander Wagenius gives the band a distinctive touch to tackle the overcrowded progressive metal scene.

The passion and dedication put into the album is emphasized by the countless hours spent in studio perfecting each individual performance and making sure that the end result is a world class blend of progressive, symphonic and power metal.

The Point Of You was mastered by Markus Teske (Vanden Plas, Saga, Spock's Beard)

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  • "Coming to a new Edguy is always a good thing. Ten years ago this German melodic heavy metal band single-handedly brought me back to metal in the 21st century (helping to revive me from a decade lost to grunge in nu-metal). Age of the Joker is their ninth studio album, with the band offering both classic and new Edguy.For classic Edguy, tale-telling in epic melodic power metal form, look to Rock of Cashel, The Arcane Guild, and Behind the Gates to Midnight World as they all have that large ambitious Edguy sound. Rock of Cashel offers strong melodic metal with a smooth groove, piano segue half way, and then guitar solos with a celtic feel. The Arcane Guild finds the band echoing the VGO era with galloping power metal, but infused with some Hammond style organ. (Edguy seems to allow for more liberal and evident keyboard presence throughout this disc.) Typical Edguy, Behind the Gates to Midnight World is extravagant: epic melodic metal with varied movements of mixed tempos. The opener Robin Hood also fits this style but, of all the songs, is nearly too typical, almost caricature, of Edguy power metal. It would have been better to put it at the end or, at the very least, switched with Nobody's Feel (which would have been a better start).If bombastic power metal is characteristic of Edguy, so also is extremely catchy melodic metal. Edguy has an uncanny ability blur metal with a strong hard rock groove. Nobody's Hero, the radio friendly tunes Breathe and (vulgar) Two Out of Seven or, to a slightly lesser extent, Fire on the Downline allow the listener to tap his toe and band his head in a single romp. And what would an Edguy album be without a metal ballad? Incomplete, you answer. Every Night Without You is not quite as inspiring as Land of the Miracle, but follows the formula: passionate and soaring.However, the novelty of Age of the Joker is the unlikely and extremely enjoyable Pandora's Box. Beginning with some interesting acoustic/steel guitar work the song develops into that blur of accessible melodic hard rock and metal. Yet, the best part is the return of that steel guitar in blues fashion for the solo. Match this with the catchy melody and chorus, and the new Edguy becomes the surprising evolving Edguy. Age of the Joker is worth this song alone.With Age of the Joker, Edguy continues from strength to strength, another fine album of melodic heavy metal from a band who knows their craft, and keeps getting better at it. Strongly recommended." - Danger Dog
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  • Paper Charms' is a newly remastered 3 disc set gathering together all of PFM’s BBC Radio and TV appearances in a 2CD and DVD set, including two radio concerts for BBC Radio in 1975 and 1976 (at the BBC’s Paris Theatre in London) and their apperance on the classic BBC 2 TV series ‘The Old Grey Whistle Test’.DISC ONE - CDBBC RADIO ONE "IN CONCERT”21ST MAY 19751.    CELEBRATION2.    FOUR HOLES IN THE GROUND3.    DOVE…QUANDO4.    MR. NINE ‘TILL FIVE5.    ALTA LOMA FIVE ‘TILL NINEINCLUDING P.F.M.’S ARRANGEMENT OF ROSSINI’S WILLIAM TELL OVERTURE6.    LA CARROZZA DI HANSDISC TWO- CDBBC RADIO ONE "IN CONCERT”15TH APRIL 19761.    PAPER CHARMS2.    OUT OF THE ROUNDABOUT3.    FOUR HOLES IN THE GROUND4.    DOVE…QUANDO5.    ALTA LOMA 5 ‘TILL 96.    CHOCOLATE KINGS7.    ALTA LOMA FIVE ‘TILL NINE (REPRISE) INCLUDING P.F.M.’S ARRANGEMENT OF ROSSINI’S8.    WILLIAM TELL OVERTUREDISC THREE – DVD (NTSC – REGION 0)1.    FOUR HOLES IN THE GROUNDTHE OLD GREY WHISTLE TESTBROADCAST ON THE 22ND OCTOBER 19742.    CELEBRATION3.    MR. NINE ‘TILL FIVETHE OLD GREY WHISTLE TESTBROADCAST ON THE 23RD MAY 19754.    CHOCOLATE KINGSTHE OLD GREY WHISTLE TESTBROADCAST ON THE 13TH APRIL 1976
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  • 2LP vinyl edition featuring the remixed and remastered version of the unexpurgated Voyage 34. Originally released as a now OOP single in '92, Voyage 34 is the ultimate psychedelic space rock head trip.
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  • "Released in 1988, Guitar may be the most important and ironically one of the least-known entries in Frank Zappa's voluminous discography -- which spans over seven-dozen LPs as of this writing. His proficiencies as a composer and instrumentalist have long been lauded. However, anthologies of this nature provide an outlet for the remarkable breadth and depth of Zappa's manual dexterity and improvisational scope, which can now be enjoyed on a myriad of levels. The casual enthusiast can revel in the seemingly endless personas and sounds summoned from the soloist and band alike. Devotees of the artist and/or instrument are presented with example upon example of Zappa's ability to create masterworks on the fly and often in the context of larger pieces. For example, "Which One Is It?" is an extraction from "The Black Page" in Munich, Germany, on June 26, 1982. Compare it to the likes of "Move It or Park It," which was likewise lifted from "The Black Page" two weeks earlier in Frankfurt, Germany, on June 11, 1982. Caveat emptor to those following the liner notes, as they are wrought with inaccurate dates. Interestingly, whenGuitar was prepped for CD, several of the mixes were altered. So, the original two-LP set -- despite containing 13 fewer cuts -- is preferred by some. That minutia aside, simply listening to Zappa as a primary player is always a treat for inclined parties and there are a few exceptional selections scattered throughout. "For Duane" -- a nod to fellow stringman Duane Allman -- is made all the more poignant for having been played before a (kinda) hometown crowd in Atlanta, GA, November 25, 1984. Other standouts include a pair of Joe's Garage-related cuts: "Outside Now" -- dating back to March of 1979 -- and the emotional immediacy infused into "Watermelon in Easter Hay," the latter taken from a Jones Beach show on August 16, 1984. On the whole, Guitar joins the Shut Up 'N Play Yer Guitar trilogy as a key component in unraveling the endless enigma of Frank Zappa as a major fretmeister." - Allmusic
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  • "I’ve been waiting for the release of “Endgame” for some time now, this is honestly the first time I have been excited about a Megadeth album in years and this is due partially to the hiring of the incredible Chris Broderick, but mainly due to Dave Mustaine’s change of attitude toward the writing process with the album. Dave has been quite open during the recording process regularly updating his fans on the Megadeth forums and his latest venture TheLiveLine where he has been posting audio messages. I’m not sure if this was a conscious effort to restore some respect but it seems to have worked, there has been a lot of praise for Mustaine and the new Megadeth lineup over the last few months and has helped elevate not only Megadeth’s public profile but apparently Dave Mustaine’s songwriting abilities back to a level we haven’t experienced for some time. Before I go any further I want to point out that I have managed to avoid reading any reviews of this album as I wanted to approach Endgame without any kind of outside influence before writing about it.Dave Mustaine has always made good choices when it comes to hiring new talent and although he is probably sick of hearing it the appointment of Chris Broderick was the most exciting news since Marty Friedman joined the band. Don’t get me wrong though, Chris certainly won’t be taking all the glory, Dave’s brutal rhythm playing is as crisp and perfectly timed as ever. There is a lot of texture on this album such as the excellent “44 Minutes” with its machine gun verse riffs and layered guitar melodies over the chorus and trademark Megadeth solo trading. The outro on this track has some jaw droppingly terrifying playing from Chris Broderick.The first track on Endgame is an instrumental which I was surprised about but it is almost like Dave is saying, check out how awesome my band are! It is a great double-bass pedal thumping track with solos galore, a nice way to introduce Chris as the new Mega-Shredder™.“1,320” is another classic sounding Megadeth song, the lyrics are a bit cheesy (is it about drag racing?) but the riffs are brutal, the solos are harmonised, Dave sounds angry and the ending is double-time, always a winner!Other highlights including the chugging rhythms of “Bodies“, the fierce audio assualt that is “Head Crusher” which was released as a teaser track a while back. This was a great marketing idea to get people interested because it is probably the most “Thrash” sounding track on the album with “Holy Wars…” kind of punch you in the face riff except with much bigger and better sounding production.The production on this album is up there with United Abominations (which takes some beating) for quality. Everything has a lot more space compared to United Abominations, although I did like the in-your-face dry guitar sounds on that album, the reverb on Endgame does push the solos into the background a little more.The only part of this album that I don’t like is the ballad “The hardest part of letting go – sealed with a kiss“… ballads on a Megadeth album? Dave singing a love song really sounds wrong to me, especially the whispered “goodbye” toward the end of the track. The only thing that saves this song is that after 1:40 the acoustic love song turns into a galloping metal riff for 1 1/2 minutes where the song is much more Megadeth and less Def Leppard, then it returns back to the power ballad. A small blemish on an otherwise brilliant album.If you are an old school Megadeth fan you are going to love this album, I actually finished listening to it the first time wanting more tracks. If you are new to Megadeth you couldn’t have discovered them at a better time, Dave Mustaine has firmly taken hold of the reigns in order to re-establish Megadeth as one of the greatest Metal bands in history with an album that will be talked about for years to come." - Guitar Noize
    $10.00
  • "There have been those times in man’s life where he tells himself that he had enough with everything that had been going on surrounding his ordinary environment. Aside from the warmth of family life or even by choosing, the soothing loneliness, there are the proceedings of the society such as the corrupt politics and fragmentary feast for power that seemed to be endless without a care for future consequences. So how one can escape such a world where everything seemed to be blackened, not like a starless night, but by mankind itself that commences various of actions without thinking first? The answer might be running away but to where? The only answer is to the far reaches of space by cunningly stealing a spaceship. Though it sounds like a story from the far future when space travel is available, but it has a sense it in and can also be inferred to the spiritual form of the works of the mind and how it can escape reality while submerging into an altered universe of hopes and dreams about better life. Well, I will stop here with the philosophical debate with myself, though it is rather intriguing. The purpose of my gibbering your thinking patterns is because it highly relates to the new concept album by the Italian Power Metal band, VISION DIVINE. “Destination Set To Nowhere”, released via earMUSIC / Armoury Records, is the Metal journey and your new Star Trek across the vast space in finding new fortunes and ideologies without forgetting where the warmth of home lies.I have to tell you that it has been really difficult to not keep on discussing VISION DIVINE’s ideas regarding this fascinating story that though sounds pretty simple it harbours so many standpoints that a whole article can be written on top of their basis. However, there is also the Metal behind the philosophical mind that created this story. Nearly like every Power Metal band coming from Europe, VISION DIVINE has been storming in high speeds without letting of the so important melodic touch, an element that has been chief for the large majority of European Metal bands of the kind. Olaf Thorsen(nickname of Carlo Andrea Magnani), guitarist of the veteran Power Metal band LABYRINTH, created this beast as a side project but it got into something more. While along the years massing some of the greatest talents of the Italian scene, including the special recruitment of RHAPSODY OF FIRE’s top notch frontman, Fabio Lione, VISION DIVINE, the way I see it, has been able to assert itself as the Italian STRATOVARIOUS, but in a much higher level, while when it came down to musical quality and tenacity topping their own local mother bands as RHAPSODY OF FIRE and LABYRINTH. Right from its foundation, while perfecting their style year after year, including this here release, that for me is the band’s greatest achievement, VISION DIVINE spread their high regard for melodic Power Metal but with such musical sophistication that took them into towering altitudes and even into the world of Progressive Metal with slight similarities to DREAM THEATER and ANUBIS GATE.As far as the diverse course of “Destination Set To Nowhere”, I believe that VISION DIVINE were able to entice with such profound technical abilities and incredible skills to create wonderful tracks that seem to be endless. Throughout the entire release I was trying to relive the lives of that men and women on that spaceship running away from the frustrations of Earth. The intense and clever riffing, rhythms, great keyboards layers and miscellaneous drumming, like fast paced heart beats of hundreds of people, aided on understanding what went on through the stages of the story, where is the next destination in the land of nowhere. On top of those all there is the magnificent vocal line by a voice that is so smooth and clear but also has its own deadly Hyde creeping from its cage from time to time. I can’t really break this tracklist into lone tracks because I believe that this entire release is something that you ought to experience in full. Of course that I have my personal choices regarding preferred tracks, and I am used to provide clear cuts, yet for the sake of the story and the effort that was spent on the material, I will leave you to decide which part of this journey suits you more. Generally, VISION DIVINE is offering you an accessible showcase of musical prowess and utter creativity to step into what could be in the not so far future, and maybe help you to think to who or what idea do you mark your ballot for. “Destination Set To Nowhere” certainly became one of my candidates for the album of year for 2012." - METAL TEMPLE
    $13.00
  • "As of late, at least with their previous album, and the current Pariah's Child, Finland's Sonata Arctica has been throwing their faithful some musical curve balls. Putting them in the category of traditional Scandi power metal is no longer fitting, although they do play the same and often.No, their sound is much more diverse, enterprising, these days. A good example is the song Half A Marathon Man. It's opening strokes of guitar, keyboards, then drums could lead to most any sound. But it delivers this huge rock grooved melodic metal monster, with hooks galore, from vocals to lyrics to riffs. Then there's the power metal romp of X Marks the Spot, disguised as a rock tune, and wrapped in the motif a religious revival. It's familiar, but strange; clever and a whole lot of fun. Also of note is What Did You Do In the War, Daddy which merges the feel of classic heavy metal anthem with the bluster of power metal in places.Yet something more familiar comes with the longest number, Larger Than Life, which sounds like old school Sonata Arctica, where they draw upon their symphonic progressive power metal roots. Perhaps still more straight forward Sonata Arctica is the first half of the album. Notably The Wolves Die Young or Take One Breath are classic Scandi melodic power metal tunes, straying little from the foundation from which the band was built. Yet, fans should know that it is no less interesting than the aforementioned more crafty pieces. Once more I think Pariah's Child represents Sonata Arctica as a band being carefully faithful to their roots, yet always moving forward in their creativity. Easily recommended." - Dangerdog.com
    $14.00
  • When was the last time you heard a good neoclassical album? Symphony X doesn't do it any more...even Artension has moved on to a variant of this long running style. Artension guitarist Roger Staffelbach has returned to his neoclassical roots with this new band Angel of Eden. He's put together a solid band as well - Evidence One's Carsten "Lizard" Schulz is on vocals, keyboardist Mistheria, and Evidence One drummer Rami Ali is on board as well. Plenty of interesting guests crop up including Steve DiGiorgio (Testament ao), John West (Royal Hunt), David Shankle (Manowar), and Ferdy Doernberg (Royal Silk). Lots and lots of crunch here but Staffelbach constantly returns to familiar territory evoking the spirit of those great early Artension discs. Schulz is a great singer - it seems inevitable that eventually he's going to wind up with a major band. Probably because I haven't heard a solid album in this vein in some time I was more amenable to the discs charms. While the originality police may be on red alert I can still enjoy the vibe.
    $14.00