Nightscapes

SKU: 7320470165782
Label:
Reingold Records
Category:
Fusion
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OK WE GOT A HOT ONE HERE!  Latest album from keyboard maestro Lalle Larsson is full-on balls to the wall fusion.  He's hooked up again with Richard Hallebeek, who is one of the great Holdsworth clones out there.  The rest of the band is Stefan Rosqvist (rhythm guitar), Jonas Reingold (bass), and Walle Wahlgren (drums).  Larsson lays down lethal synth leads and swaps back and forth with Hallebeek who matches him with dexterous legato runs.    Time will tell but I think this may be Lalle Larsson's best solo album yet!  Highly recommended.

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  • A tremendous album where they mix the avant-garde stuff in a bit with the tunes and it really works! Don't let this description drive you off. This is a powerful fusion band. Just one with a fervent imagination. I know several people that hate that squeaky stuff but love the tune Evaporazione from this disc. Fusion with accessible avant-guarde moments.-Rick Eddy
    $15.00
  • Long awaited 5.1 remix of the classic Rush album in a limited  "super deluxe" edition comes housed in a hardbound book.  Here is what you get...CD:1. Remastered edition2. 3 previously unreleased live tracksBLU-RAY:1 5.1 remix in 24/96 PCM and DTS-HD2. Stereo mix in 24/96 PCMEXTRAS:40 page comic book by story artist Tom Hodges (Star Wars "The Clone Wars," The Simpson's "Treehouse of Horrors #17") and a 24 page book with expanded artwork, liner notes, lyrics and unreleased photos. New liner notes written by David Fricke, Rolling Stone.
    $69.00
  • Maschine is a new British band led by guitarist Luke Machin.  You may know him from his work with The Tangent.  Maschine sounds nothing like that.  The music is contemporary prog rock with some heavy influences.  I would be hard pressed to call this metal.  The star of the band, front and center, is Machin himself.  He displays prodigious abilities as a guitarist...as a vocalist not so much.  That's pretty much the chink in the armour for this album.  Machin's vocals are not his strong suit.  He would be better off handing the job off to someone else and concentrate on what he does best - bringing the shred.  This isn't to say that this album is a wankfest.  Nothing of the sort.  Its actually quite tasteful and there is a good balance of keyboards and flute in support but I keep waiting for Machin to let loose with a solo and when he does he brings the goods.  His background as a graduate of Brighton Institute is apparent - the compositions reflect his knowledge of jazz, classical, and yeah metal.  Its all good stuff but the man needs to stay away from the mic.This is the US jewel box edition that has the same two bonus tracks as the German import digipak.  Other than the packaging the music is identical.
    $12.00
  • Ridiculous price...Keith's last solo album with Marc Bonilla was the best, and "proggiest" thing he had done in years - really great stuff. This gig is two hours long and features material drawn from that album as well as ELP material. While I find his guitar work a bit superfluous on the ELP tunes, Marc Bonilla does a fine job on vocals. YEAH!!!! 
    $6.00
  • Bjorn Riis isn't exactly a household name but if you are a fan of the Norwegian band Airbag he's more familiar than you realize.  Riis is the band's lead guitarist.  For his debut solo album he's enlisted members of Airbag in all aspects of the production.  Riis himself says that the sound doesn't stray too far from Airbag but its a more personal affair.  This is pretty accurate.  Riis is an avowed disciple of David Gilmour.  In fact he set up a website dedicated to Gilmour and his iconic (and easily recognizable) guitar sound.Many aspects of Airbag's three albums owe a heavy debt to Pink Floyd and Riis' solo album fits neatly into the same box.  The album consists of six tracks - three of which run 10+ minutes.  The easiest and most concise way to describe "Lullabies" is that it sounds like a head on collision between Wish You Were Here and The Division Bell.  Nothing wrong with that!  BUY OR DIE! 
    $16.00
  • The band's first album from 1974. At this point in time the music was this miasa of progressive rock and blues jams held together with pure emotion and raw energy. This one definitely needed to be cleaned up on CD since the original vinyl pressing was terrible.
    $14.00
  • "Every month that passes seems to bring more evidence that the NWOBHM revival continues to gather pace, with a plethora of bands using the up and at 'em riffage and soaring twin guitars to create albums that firmly nod towards the movement made most famous by the likes of Iron Maiden and Saxon.Newest New Wavers on the block this month are Sweden's Katana, who not only sound like they were raised on a diet of Maiden, Priest and Accept, but who also rather worryingly would appear to have raided the wardrobe of these bands, as well as the slightly less leather obsessed acts of the era with red trousers and stripey jackets (along with a nice perm) giving the band's promo shots a genuinely retro feel. As with nearly all metal and progressive acts coming out of Scandinavia these days, Katana are a tight unit that manage to show a great deal of musical skill and talent across what is a rip roaring, if predictable set of songs. Dip into this debut album at any point and twin lead howls of mid period Maiden, or the crunching blasts of Judas Priest abound from the speakers with an audible enthusiasm. That more than anything else makes it hard not to smile as these well tread themes are given a rigorous polish by Katana and while it may be impossible not to suggest that there is absolutely zero in the way of imagination or originality on show on Heads Will Roll, the songs are actually irresistibly enjoyable.Yes singer Johan Bernspang does fire out too many Dickinson like "Ooohhh Ohhhh Ohhhhhh's" and the sprawling bass in the intro of "Quest For Hades" screams Steve Harris, but that doesn't stop the likes of humungously riffed "Rebel Ride", or the galloping romp of "Livin' Without Fear" being great slabs of rollickingly heavy metal.Nothing new, but an impressive start none the less." - Sea Of Tranquility
    $14.00
  • "It takes a certain talent for bands to satisfy both diehard fans and those seeking something different. In 2008, Stratovarius underwent a transformation after the critically destroyed self-titled release from 2005 and the subsequent "Revolution Renaissance" demo. Then there was the departure of founder/guitarist Timo Tolkki and the series of bizarre events that followed, including the infamous internet letter relinquishing the band and its back catalog to singer Timo Kotipelto, keyboardist Jens Johansson, then bassist Jari Kainulainen, and then drummer Jorg Michael.From the point the band finally regrouped, it sought to quickly reinstate past glory with a vengeance, releasing “Polaris” followed by the stunning “Elysium,” which would prove tough to beat. However, "Nemesis" is a "black diamond" of pristine perfection in every way and the band's best effort since 1997's “Visions."When the new release was announced, the band commented about being more mature in the song writing and the tracks having a “darker and more modern" edge. The guitar sound is noticeably crunchier and the album scores a complete victory in the song writing. To the non-symphonic metal fan, my incessant glorification of the genre may result in the combination of eye rolling and the nondescript "whaa-whaa" of any adult in a Peanuts cartoon. To Stratovarius fans, “Nemesis” is a collection of the band's greatest hits that you never heard until now. The soaring and emotionally charged choruses are more fetching than ever and the guitar work has more hooks than Kim Kardashian’s closets. You have to admire guitarist Matias Kupiainen, who has stepped in, stepped up, and has outshined Timo Tolkki in every aspect (no disrespect to Timo). At the time of “Polaris,” I had no worries about how vocal great Kotipelto or key legend Johansson would fare, but Matias came in and elevated their play to a levels unheard especially with “Nemesis.”The most noticeable difference on this album is Johansson’s brilliant and refreshing key work. The album is filled with keyboard pops and over the top bombastic finger play shown in “One Must Fall,” “Fantasy,” and especially “Halcyon Days.” Many fans have been lulled into the prototypical Stratovarius sound from Johansson over many years, and now he has raised the bar. There is a jolt of excitement to every song, sort of an amalgamation of Olof Morck’s work in Amaranthe and a splash of “Rage for Order” era Queensryche. This shouldn’t scare away any longtime fans of the group, it’s the most upbeat and exciting that I have ever heard the band.Tracks that rise above include the speedy opener “Abandon,” which sets the perfect tone for the entire album, “Unbreakable,” the perfect choice for a first single,” and the three tracks with the most glorious choruses in Stratovarius’ illustrious history: “Out of the Fog,” “Castles In the Air,” and personal favorite “Stand My Ground.” However, these tracks do not overshadow any of the others; there simply is no filler, no boredom, and no mistakes.With effortless delivery, “Nemesis” is markedly superior to “Elysium” and makes the great “Polaris” look like a demo. Stratovarius has stormed out to an early and big lead in the race to the best of the year, one that on paper appears to be filled with so many potential winners. There is little doubt that an album that instantly ranks among this Finnish band’s all-time best should be able to withstand much of the competition.Highs: Simply put, one of the finest releases in the band's history.Lows: Really none, but it may not appeal to non-symphonic metal fans.Bottom line: Stratovarius takes back the throne by evoking the divine goddess of retribution." - Metal Underground
    $11.00
  • You dig church organ? How about when Keith hammers on one during "The Three Fates"? Goblin your thing? Have I got a disc for you! Three Monks is an instrumental trio from Italy led by organist/composer Paolo Lazzeri. The title of the album says it all. This is a marriage of classical composition with a progressive rock rhythm section. Lazzeri only plays pipe organ and is accompanied by electric bass and drums. Kind of a twisted dark album that is filled with menace. This one will surely wake up the neighbors.
    $16.00
  • Stunning reissue of the first Et Cetera album, originally released on the Global Music label. Et Cetera sported quite a lineup - Wolfgang Dauner (keyboards), Sigi Schwab (guitar, sitar, flute, etc), Eberhard Weber (bass, cello), Fred Braceful (percussion), and Roland Wittich (percussion). The music could almost be described as psychedelic jazz. Many of these members had backgrounds in free jazz/experimental music. This is a cohesive effort but their past as improv players shines through from time to time. Dauner and Schwab love to use a ring modulator and everyone seems to figure out a way to invent some freaked out noises. In fact Dauner's use of the ring modulator reminds a bit of Dave Stewart in National Health. Schwab's use of various stringed instruments brings a different dimension to jazz rock that you never hear. When was the last time you heard a fusion album with sitar, lute, tamubra, and kalimba? While this first effort doesn't hit the heights that they would attain on later albums like Rischka's Soul and Knirsch, its a pretty interesting foreshadowing of things to come. Essential!"This special limited edition contains the original Et Cetera's eponymous "silver cover" album (1980 reissue on Brain titled "Lady Blue"), originally released in 1971 on Global Records and another complete LP of recordings from the same recording session. This is an extraordinary album of weirdly trippy fusion that rides somewhere between instrumental Amon Duul II, Embryo and Dauners own earlier classic "Output". Full of ethnic (Arabic and Indian) spice with lots of the ethnic colour added by legendary guitar and sitar (et. al.) player Sigi Schwab (Embryo), oddly keyboard sounds by Wolfgang Dauner, dreamy bass patterns by Eberhard Weber and driving percussions by Fred Braceful and Roland Wittich, this is spacy, crazy, Krautrock and - a bit jazzy. Alan and Steven Freeman (The Crack In The Cosmic Egg) present this album in their "The Krautrock Top 100". Maybe the album was originally planned as a double-album because there are 4 more titles from the same recording session, which really knock you out. "Kabul" (08:56) (title-name is program) is a killer, especially because of Schwabs exploding electric guitar and Webers driving bass. "Tau Ceti" (07:15) is a wonderful dreamy delight presenting Schwabs gorgeous acoustic guitar playing. Further bonus track "Behind The Stage" (06:35) connects Schwabs special electric guitar with a band atmospheric but rhythmic fundamental play. "An Open Cans" (not an the CD-Version, for the first time ever released) is a 12:35 minute piece full of experimentation and reminds sometimes to album track "Lady Blue". This album will be a masterpiece for all time. Its unique. Remastered from the original master tapes. The sound is brilliant. Double Album comes with informative four-sided insert and a reproduction of the original album (silver cover) sleeve art. Limited edition of 1000."
    $49.00
  • The last album from The Nice features some of their best work: Hang On To A Dream, My Back Pages, and the great version of America. Remastered edition comes with 2 bonus tracks - "Country Pie" and "Pathetique (Symphony No 6, 3rd Movement) from BBC Sounds Of The Seventies.
    $10.00
  • The beauty and the beast wars are over and Epica has won. Until Floor Jansen comes through with her new project we have to consider Simone Simons the last woman standing. This is the band's fifth studio album and probably their most bombastic. Stunning female vocals mixed with death growls and a wall of synthesized orchestrations and power chords. You all know the drill by now. These guys are the masters of the genre.
    $13.00
  • Digital remaster of one of the greatest live progressive rock albums of all time. Stunning renditions of material culled from Inside through Ocean. The 21 minute version of "Atlantis' Agony at June 5- 8498, 13 P.M. Gregorian Earthtime" is worth the price of the disc alone. They all play their stones off particularly drummer Jurgen Rosenthal who in imbued with manical fury. I bow down in reverence...
    $15.00