Mindrevolutions

SKU: IOMACD208
Label:
Inside Out Music
Category:
Progressive Rock
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Third album since the resurrection of this Swedish symphonic band led by keyboardist Hans Lundin and guitarist Roine Stolt. No major surprises here - symphonic rock perhaps a bit in the vein of Flower Kings. FK bassist Jonas Reingold is here as is Ritual vocalist Patrick Lundstrom. Female vocals are quite prominent and supplied by the single-named Aleena. Mats & Morgan monster drummer Morgan Agren holds down the fort. The 26 minute title track is clearly the standout.

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  • What needs to be said about this album? It's a complete masterpiece. This is the typical US Warner Bros pressing that's been kicking around for years.  CHEAP!
    $5.00
  • Ready to get your Symphony X jones on? Anthriel are a new band from Finland that play traditional progressive power metal with plenty of neoclassical flash. The debut album is based on the first part of R.A. Salvatore's The Dark Elf Trilogy. There are lots and lots of great musicians out there so the make or break for a band like this is the vocalist. Luckily Simo Silvan brings the goods. I'm reminded a bit of Gary Belian of Stride in the way he delivers his vocal lines. The Pathway features nice ornate keyboards through out and that big epic sound that this style of music warrants. I expect we will be hearing a lot from Anthriel as the story line progresses. Highly recommended to the neoclassically minded.
    $14.00
  • Sixth studio album from this Finnish symphonic power metal band now fronted by Annette Olzon. In 2005, the band had an acrimonious split with Tarja Turunen, their incredible operatic vocalist. The band didn't try to find a singer with a similar range. Olzon is a solid singer with no operatic aspirations. With the changeover, band leader Tuomas Holopainen has tailored the music to fit her range. This is reportedly the most expensive Finnish album ever recorded due to the use of the London Philharmonic. Pure epic symphonic metal is Nightwish's calling card and it's here in spades - bigger than ever.
    $8.00
  • "“Oblivion” is the early episode of a conceptual saga set to be released in a trilogy format by this Multinational band called EXXILES, the man behind all that is the former REIGN OF THE ARCHITECT’s drummer Mauricio Bustamante (EVANGELIUM) from Mexico, he started working on his new production right after his departure from R.O.T.A. with a new goal in mind : Created a new entity under a variable geometry size, working as a band with a core of fellow Mexicain players, like guitar player Sergio Aguilar (AGORA), on Bass the talented Simon Rojas , Noel Martinez on keyboards or axeman Antonio Rivera (from the Death Metal band SOLITUDE) and a bunch of illustrious guests coming from every corner of the Prog Metal Universe, in order to form a community around a musical project with a strong focus on the human relationship notion.Of course the renowned musicians around Mauricio are coming from different area of the world and some are quite popular, as their original bands are among the most respected in the whole genre : namely SYMPHONY X / SAVATAGE / T.S.O./ REVOLUTION RENAISSANCE or CIRCUS MAXIMUS but also more underground but quite highly regarded such as COMMUNIC /AGORA or STREAM OF PASSION and to complete the team, some less known musicians yet hyper talented from the fertile Scandinavian ground, with members from LOST IN THOUGHTS/SPIRAL ARCHITECTS…Indeed, Øyvind Hægeland is brilliantly taking the Lead Vocal role on the odd timing driven pace of “Hopelessness”…Generous in circonvolutions and complex to the max!Musically very rich, it’s not easy to understand it at the first encounter, but I immediately discerned some obvious qualities, notably in the vocal department… Indeed the performances by Zak Stevens (CIRCLE II CIRCLE/ ex SAVATAGE) in the opening cut “A Better Legacy ” is convincing in his traditional majestic mode, but most of all the sonic enlightement comes from the great vocals provided by the Brazilian citizen Gus Monsanto (SYMBOLICA/ex ADAGIO /ex REVOLUTION RENAISSANCE / HUMAN FORTRESS) which are uppar with the most exigeant taste or in total coherence with the excessive perfectionism of some HM bloggers!This album will expand its qualities later, in a precise and clever way little by little, a long process to fully enjoy it in its fullness, the tagged identity is based around a Dark classy sound with some Melodic method and some intricate harmonic arrangements, more dramatic in the ambiances than it seems, while the smartness and the complex shape of their creative ways are updated by an evolutive style in a thick schema of Heaviness, and this intrepid proof of their capacity to created some unexpected ideas in a fresh theory and a regenerated light!Another great surprise is the Wilmer Waarbroek (already known from AYREON) vocal input at the end of the album in the duet of song “Awakening Part I (Dark Renaissance)”& “The Messenger”, ultra rewarding numbers, those songs along with Marcela Bovio in the Spanish song “Llorona” is another persuasive addition and a good alternative to the superb cast of vocalist!However, the superb singer Gus Monsanto is quite omnipresent while singing on 50% of the songs, this man is holding a serious set of pipes, giving a demonstration of his great polyvalency and contrast (“Page of the Night”), each track is well arranged, the succession of different pace is salvatory sharing some subtle progressive moments with some more Heavy spark in a very dense manners (the fantastic pair “Dictator of Trust”/”Anthem Of Lies”), some epic bombastic instrumental parts like in the unvocalized track “Entropy”,  a few piece of Prog Symphonic Metal with weird structure and some experimental orchestral sounds to create an impressive outcome, very well written with some incredible talented writing and utmost playing skills in every area, notably in the soloing sector, thanks to the guest appearances of some terrific players such as Mats Haugen (CIRCUS MAXIMUS) or David Grey (LOST IN THOUGHT) is the icing on the cake, the ultimate uplifting details to complete the whole .After the overflowing of essential releases in this genre, the ambitious EXXILES “Oblivion” first chapter is another good advice for the Smart-Metal-music avid fanatics and a tip for those who already missed PANTOMMIND ,,Searching For Eternity” or SOUL SECRET ,,4”…This time I hope my reminder will not fall into oblivion." - Metal Temple
    $12.00
  • " 'The Naked Truth' by Ureas is a weird album. Most remarkable would be the combination of different vocals that are set to work with the lyrics, that are in itself are interesting to say the least. Ranging from a lovely, childish second voice through the well-known power metal shouts to a screaming level that is not often found in power metal.At times it sounds like this would be the result of Marilyn Manson making power metal. The rest of the musicians knows reasonably well what they're doing and the songs itself are full of variation. Because of the fact that the songs are not very complicated, there is a lot of focus on the vocals, but that seems to be exactly what Ureas is aiming for, considering the complexity and versatility of exactly that. Here and there 'The Naked Truth' is reserved and melodic. At other moments the composition is bombastic and it appears as if they want to make their lyrics carry over the entire face of the earth. Because of the diversity of the songs it's sometimes hard to keep your attention focused to the music. It's impossible to link the album to a specific mood and it's even hard to capture it with the term power metal. But I can definitely recommend it to those who wish to try out something new." - Lords Of Metal 'zine
    $14.00
  • "Two legendary prog-rock albums of the seventies, completely re-mixed and digitally remastered by the man who conceived, recorded, produced and wrote most of the material, David Rohl. This 2CD digipack edition comprises Mandalaband, the 1975 album which featured most of the musicians who would go on to form Sad Café, plus vocalist David Durant, plus The Eye Of Wendor - Prophecies, a concept album with contributions from a host of stars, with musical and vocal contributions from Barclay James Harvest, 10cc, Justin Hayward (The Moody Blues), Maddy Prior (Steeleye Span), Noel Redding (Jimi Hendrix Experience), Sad Café and the Hallé Orchestra. The digipack edition includes previously unreleased bonus material on both CDs, plus a 16-page booklet."
    $24.00
  • Well Opeth went and did it.  They gave prog rock fans the album they've been waiting for - the one that Heritage alluded to and came close to delivering.  Pale Communion is a full on prog album.  All clean vocals, tons of gorgeous keyboard sounds that will conjure up images of the 70s.  In fact if this album arrived with a Vertigo swirl on it I wouldn't have been surprised.  Some heavy riffing but no real metal elements within earshot.  The album was mixed by Steven Wilson and if anyone knows "the sound" its him.  By the way the album was recorded at Rockfield Studios which is holy ground for prog fans.  Prog rock album of the year?  You bet!  BUY OR DIE!! 
    $14.00
  • This was formerly known as the Full Power release.At the moment Big Big Train are one of the best prog bands going.  This English crew take some of the best elements of old school Genesis and their ilk and marry it with something very contemporary and relevant.  The band was started years ago by Greg Spawton and Andy Poole.  There were a variety of iterations of the band and as the years went on they got better and better.  If you don't know, their vocalist Dave Longdon was a finalist to replaced Phil Collins in Genesis.  Rutherford and Banks obviously made the wrong choice, going with Ray Wilson instead.  Longdon's vocals remind very much of Gabriela and Collins making the Genesis connection quite easy.  Further on the band added Nick D'Virgilio on drums.  These guys totally grok prog.The band's most recent work was epic in nature.  English Electric was released about six months apart as two separate releases.  Further to this, there were 4 additional tracks which were left off and just released as the Make Some Noise EP."Originally released as two separate albums in 2012 and 2013, the English Electric CD's were subsequently brought together as a limited edition (and now out of print) double album called English Electric Full Power, a release which included four additional songs and a revised track listing from the separate album versions.This new double album version of the English Electric CD's retains the extended track listing of the Full Power release and has been remastered by Rob Aubrey to ensure the songs benefit from even greater dynamic range. It is presented in a softpack with a 40 page booklet."
    $12.00
  • German import arrives in a mediabook with a patch."Our anticipation levels had maxed, as four years passed by since Sanctuary announced that they were releasing a new record. It is easy to imagine that the only going through their fans' minds was whether their new material will resemble the work they did 25 years ago. I was rather reluctant and ultimately, I was right.First things first, let's get some things straight. Is "The Year The Sun Died" close to the feel of their two emblematic records? Nope. Does it sound like Nevermore? Yeah, as Dane's vocals are closer to that type of delivery, without that being a bad thing. He wouldn't risk going back to his old type of delivery, even if he could achieve such levels with pro tools magic. Modern production trends have also played a significant role to the final cut of this album. On the other hand, the composition approach is quite different to that witnessed on Nevermore albums, as musical themes are much more approachable. On the other hand, even though we don't have the outbursts we were used to, there are a number of theme and tempo changes in many of the tracks which make them very interesting indeed.In general, if we were to analyse its style, we would conclude that we are dealing with a rather heavy record that incorporates bulky guitars in mid-tempo layouts, without that meaning that there are no tracks with a faster pace. Lyrically, it is quite dark and a constant claustrophobic atmosphere is always present, as there is no abundance of melodic guitar themes. It's multifaceted compositions do provide a rather "proggy" feeling, but nothing more than that. Sheppard and Budbill's rhythm section is poignant and to the point, but lacks the ingenuity we were used to them providing.Opening tack "Arise And Purify" is clear evidence of the two contradicting elements that comprise this record. The intro riff is heavy and modern, whereas the chorus uses backing vocals that reminds us of their past. Solos by Rutledge and Hull are unleashed from the get go, and are as precise and technical as required. "Let The Serpent Follow Me" is on the up-tempo side of things but winds down during the chorus, followed by a wonderful, nostalgic bridge. The first slow track is "Exitium (Anthem Of The Living)", which starts off with a calm intro and follows with an awesome riff. Dane also performs really well in this track. "Question Existence Fading" follows a similar path of interchanging musical themes. It sets off with a fast, edgy and fierce riff, includes great solos, awesome vocals and thrilling drumming."I Am Low" is one of the calmer moments of the record, which slowly builds up to a rather heartfelt climax. Another highlight would be "Frozen" which again starts off strong and dials things down during the chorus whilst guitar solos are flying around left, right and centre. The weakest moment of the album would be "One Final Day (Sworn To Believe)", whilst "The World Is Wired", which at first won me over with its groovy attitude, ultimately let me down after multiple listens. The strongest moment is definitely the self-titled track (introduced by the wonderfully acoustic "Ad Vitam Aeternam") which concludes the record. Words don't really give it justice. It is slow, heavy and very memorable. Everything from the Latin chants in the beginning of the track to the despair in Warrel's vocals during the chorus and inspiring guitar work makes this song great. A truly great composition.With this release, Sanctuary did what they had to do. They evolved. Now, because it took them 25 years to do so might not go down well with many people who were expecting a second "Into The Mirror Black", which is totally understandable. Having Nevermore in the meantime might have substantially reduced the shock factor anyway. Let us not forget though that one of the reasons why we loved this band is because of their progressiveness (for lack of a better word). It would be silly to assume that they would not have changed tones even if they hadn't disbanded in 1992." - Noisefull
    $10.00
  • Deluxe 5CD overview of Anthony Phillips catalog."His extensive back catalogue is celebrated with the release of "HARVEST OF THE HEART” a 5CD deluxe boxed set, which celebrates Anthony’s rich musical heritage by featuring recordings made between 1969 and the present day, drawn from his many albums. In addition the set will include ten previously unreleased tracks, the unreleased 1973 recording "Silver Song” (featuring Phil Collins as vocalist) and the rare track "Compression” by Mike Rutherford, (previously unreleased on CD) which features Anthony and was the B-side to Mike’s 1980 single "Working in Line”."TRACK LIST:DISC ONE1.    F SHARP2.    SILVER SONG (1973 SINGLE VERSION) – WITH PHIL COLLINS3.    FIELD OF ETERNITY4.    WIND – TALES5.    WHICH WAY THE WIND BLOWS6.    HENRY – PORTRAITS FROM TUDOR TIMESi.    FANFAREii.    LUTE’S CHORUSiii.    MISTY BATTLEMENTSiv.    LUTE’S CHORUS REPRISEv.    HENRY GOES TO WARvi.    DEATH OF A KNIGHTvii.    TRIUMPHANT RETURN7.    GOD IF I SAW HER NOW8.    OLD WIVES TALES9.    SCOTTISH SUITE - I. SALMON LEAP10.    SCOTTISH SUITE – II. PARTING THISTLE11.    SCOTTISH SUITE – III. ELECTRIC REAPER12.    SCOTTISH SUITE – IV. AMORPHOUS, CADAVEROUS AND NEBULOUS13.    SCOTTISH SUITE – V. SALMON’S LAST SLEEPWALK14.    WE ARE ALL AS WE LIE15.    NOW WHAT (ARE THEY DOING TO MY LITTLE FRIENDS)?16.    PAPER CHASEDISC TWO1.    WISE AFTER THE EVENT2.    UM & AARGH3.    SISTERS OF REMINDUM4.    BLEAK HOUSE5.    NIGHTMARE6.    LUCY WILL (ORIGINAL MIX)7.    COMPRESSION – MIKE RUTHERFORD8.    POLY PIECE9.    ARBORETUM SUITE: IV. LIGHTS ON THE HILL10.    FROSTED WINDOWS (VARIATION I)11.    PRELUDE ‘8412.    ANTHEM 1984DISC THREE1.    FALLING FOR LOVE2.    THE BALLAD OF PENLEE3.    EXOCET4.    SISTINE5.    APRIL6.    SHE’LL BE WAITING7.    LET US NOW MAKE LOVE8.    PROMENADE9.    SUITE: SEA DOGS MOTORING: III. SEA AIR10.    TEARS ON A RAINY DAY11.    EXILE12.    CARNIVAL13.    ELEVENSES14.    TARKA – MOVEMENT I: THE FIRST YEAR15.    TARKA – POSTLUDE: THE ANTHEM16.    LUCY – AN ILLUSIONDISC FOUR1.    STRANGER2.    SLOW DANCE ("HARVEST OF THE HEART” EDITED VERSION)3.    UNHEARD CRY4.    AUBADE5.    SARAH BLAKELEY’S EVENING6.    CREATION7.    LA DOLOROSA8.    CATHEDRAL WOODS9.    SERENITA10.    LIFEBOAT SUITE11.    LAST GOODBYES (FROM "THE LIVING ROOM CONCERT”)12.    COLLECTIONS (FROM "THE LIVING ROOM CONCERT”)13.    SLEEPFALL (FROM "THE LIVING ROOM CONCERT”)14.    GYPSY SUITE – MOVEMENT I: FIRST LIGHT15.    GYPSY SUITE – MOVEMENT III: EVENING CIRCLE16.    CREATURES OF THE MAGIC WATER – OPENING THEME17.    ISLAND OF STONEDISC FIVE1.    MIDWAY: ISLAND OF LIFE OPENING THEME2.    ONZA – EATER OF SOULS3.    JURASSIC SHARK – OPENING THEME4.    FIGHT TO THE DEATH5.    FROM THE JAWS OF DEATH – TOUCHING THE FACE OF GOD6.    RAY’S SONG7.    I WISH THIS WOULD NEVER END8.    MAJESTIC WHALES9.    WILDLIFE FLOTILLA10.    WHITE SPIDER11.    KISSING GATE12.    NOCTURNE13.    KING OF THE MOUNTAINS14.    CIRCLE OF LIGHT15.    THE GOLDEN LEAVES OF FALL16.    COURTESAN17.    SPEAK OF REMARKABLE THINGS18.    RIVER OF LIFEPREVIOUSLY UNRELEASED TRACKS19.    CITY OF LIGHT20.    NIGHTJAR21.    SLOW ROLLER22.    IMPERIUM23.    A SIMPLE TRUTH24.    VESPERTINE25.    FORGET-ME-NOT26.    THE STORM OF THE WINDHOVER27.    PAS DE DEUX28.    RINGER
    $65.00
  • "Marked by an evident Crimso vein, both in the harmonical geometries and in general for the sound, the band proposes an instrumental formula that ranges over ethereal atmospheres and granitic tangles, a perfect synthesis of electric and electronic, in an ongoing game of references between guitars, keyboards and the sax of Leo Aries (Akinetón Retard, from Chile as well). Thanks to a solid technic and solo skills, Abrete Gandul shows the possibility of a genuinely eclectic and perfectly recognizable approach." References: King Crimson, Magma, Akineton Retard
    $18.00
  • "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." - All Music Guide
    $5.00