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Mind Colours

SKU: MRC030
Label:
Maracash Records
Category:
Progressive Rock
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Mind Colours is the debut album from this instrumental Italian quartet.  The band features the former guitarist and keyboardist from The Watch - Ettore Salati and Fabio Mancini.  While there may be some traces of fusion around the perifery, Soulengine's stock in trade is symphonic progressive rock.  Salati's leads are very fluid, reminding a bit of Steve Hackett (not surprising).  Mancini contributes Hammond organ, analog synths and of course Mellotron.  There are stretches where you will feel transported back to the 70s listening to a Genesis jam session.  Very nicely done.  Highly recommended.

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  • "The UK progressive synth group known as Zoltan have been turning heads since arising in 2010 as one of the most interesting projects signed to a then-fledgling Austrian label by the name of Cineploit Records.Fast forwarding four years later, both Zoltan and Cineploit are hitting a creative stride in their partnership, as the Sixty Minute Zoom LP will strongly attest. This sophomore effort from Zoltan follows up an EP for famed British doom label Rise Above-an audio take on director Amando De Ossorio's classic Blind Dead series of horror films-as well as a Cineploit-released tribute to John Cameron's score to the equally iconic Seventies film Psychomania, while at the same time leaving nearly every prior release from the band in the proverbial dust, so epically addictive and immensely blissful is this sound.Sixty Minute Zoom takes the building blocks of influence carved from the likes of film composer Fabio Frizzi, Italian prog giants Goblin and Pittsburgh duo Zombi and erects here a monument to their own creativity and unique compositional eye. Indeed, every aspect of Sixty Minute Zoom sounds more focused, confident and actualized as keyboardist Andy Thompson, bassist/keyboardist/guitarist Matt Thompson and drummer Andrew Prestidge lock into each others' musical strengths and unleash what is most certainly the defining Zoltan release up until this point in the band's career.Highlight tracks such as "The Ossuary" pulse with a malevolent bass drone and swirling, atmospheric synth, while the album's epic, twenty minute closer "The Integral" moves effortlessly between horrifically mood-setting soundscapes and low key electronic experimentation, anchored by an absolutely amazing drum performance from Prestidge. The drummer's lock-tight groove at the thirteen minute mark through the track's sizzling finish is bested perhaps only by the subtly powerful groove Prestidge hits upon as the Thompson's growling synth stabs lift the opening movements of "The Integral" as the best soundtrack theme never featured for an Italian horror or giallo film.No hyperbole or exaggeration here: Sixty Minute Zoom demands immediate attention from electronic music fiends and Eurocult soundtrack buffs the world over, as it bucks the late year trend as one of the finest albums of 2014." - The Examiner
    $16.00
  • The last album from The Nice features some of their best work: Hang On To A Dream, My Back Pages, and the great version of America. Remastered edition comes with 2 bonus tracks - "Country Pie" and "Pathetique (Symphony No 6, 3rd Movement) from BBC Sounds Of The Seventies.
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  • "While Ki was a rambling, spacious and highly melodic trip through a futuristic world of transcendental art rock and Addicted was a sparkling, sugar-drenched turbo-riff glitter bomb, the final two parts of Townsend’s latest masterwork take both him and his legion of listeners on a far less expected and disorientating journey. Part three, Deconstruction, is arguably the most deranged, complex and extreme record that Devin has ever made. Fans of Strapping Young Lad will almost certainly feel at home with its bug-eyed maze of riffs and breathtaking dynamics. Fans of Devin’s more mellow work will have to grit their teeth and hold on for dear life."
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  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • Second album from the Finnish offshoot of Burning Point. Ghost Machinery are now fronted by Taage Laiho who was formerly with Altaria. The music veers more towards traditional speedy Helloween-ish power metal but the band throws some curve balls at you. The tune "Blood From Stone" has lots of hooks and the keys give it an 80s pop-metal vibe. Another cool thing about the album - they actually do a cover of a Blackfoot tune - "Send Me An Angel". I bet Ricky Medlocke is ready to cash those royalty checks!
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  • Their last album for a major label, Azure D'Or finds the band still creating their unique brand of classically influenced progressive rock. Unfortunately, perhaps because of changing tastes, record company pressure, or even their own success...the music is a bit more produced and the songs are more concise. Still a track like The Flood At Lyon captures all their magic. A conditional recommendation.• NEW 3CD CLAMSHELL BOXED SET OF THE CLASSIC 1979 ALBUM BY RENAISSANCE.• NEWLY REMASTERED FROM THE ORIGINAL MASTER TAPES.• FEATURING NEW 5.1 SURROUND SOUND AND STEREO MIXES PLUS PREVIOUSLY UNRELEASED SESSION OUT-TAKES MIXED BY STEPHEN W TAYLER.• WITH ADDITIONAL VIDEO CONTENT FILMED AT THE MILL HOUSE AND BRAY STUDIOS IN 1979.• INCLUDES AN ILLUSTRATED BOOKLET FEATURING AN ESSAY WITH EXCLUSIVE INTERVIEWS.An expanded edition of the classic Renaissance album ‘Azure D’Or’. Issued in April 1979, the album followed the successful ‘A Song For All Seasons’ and the hit single ‘Northern Lights’ released the previous year. The line-up of highly gifted vocalist Annie Haslam, Michael Dunford (acoustic and electric guitars), John Tout (keyboards, vocals), Jon Camp (bass, acoustic and electric guitars, vocals) and Terry Sullivan (drums, percussion) had recorded a series of acclaimed albums that fused classical music influences with progressive rock and had earned a loyal following in Europe and had enjoyed wider success in the United States and Japan.Working once again with David Hentschel (who had also produced the albums ‘A Trick Of The Tail’ and ‘Wind And Wuthering’ for Genesis), the record featured excellent material such as ‘Jekyll And Hyde’, ‘Kalynda’ and ‘The Flood At Lyons’ and would be the last album by the band’s classic line-up and their last to chart in the UK.This expanded edition comprises two CDs and a region-free Blu-ray disc featuring a newly remastered original stereo mix from the original master tapes and also includes stunning 5.1 Surround Sound and stereo mixes by Stephen W Tayler (which add new depth to the recordings) and additional unreleased bonus material from the album sessions. The Blu-ray disc also includes bonus visual content from a promotional film made at The Mill House and Bray Studios in 1979 plus an illustrated booklet with a re-production of the band’s 1979 UK tour programme and new essay with exclusive interviews.Track Listing:DISC ONEAZURE D’OR REMASTERED1 Jekyll And Hyde2 The Winter Tree3 Only Angels Have Wings4 Golden Key5 Forever Changing6 Secret Mission7 Kalynda (A Magical Isle)8 The Discovery9 Friends10 The Flood at LyonsBonus Tracks11 Island of Avalon (B-side of single)12 Jekyll and Hyde (single version) (previously unreleased on CD)DISC TWOAZURE D’ORNEW STEREO MIXES1 Jekyll and Hyde2 The Winter Tree3 Only Angels Have Wings4 Golden Key5 Forever Changing6 Secret Mission7 Kalynda (A Magical Isle)8 The Discovery9 Friends10 The Flood at LyonsBonus Tracks11 Island of Avalon12 Friends (extended version)13 Jekyll and Hyde (single version)14 Kalynda (A Magical Isle) (early version)15 Forever Changing (acoustic demo)DISC THREEAZURE D’ORNEW 5.1 SURROUND SOUND MIXNEW STEREO MIX / ORIGINAL STEREO MIX (96 KHZ / 24- BIT)1 Jekyll and Hyde2 The Winter Tree3 Only Angels Have Wings4 Golden Key5 Forever Changing6 Secret Mission7 Kalynda (A Magical Isle)8 The Discovery9 Friends10 The Flood at LyonsBonus Tracks11 Island of Avalon12 Friends (extended version)13 Jekyll and Hyde (single version)VISUAL CONTENT: THE MILL HOUSE & BRAY STUDIOS PROMOTIONAL FILM 19791 Jekyll and Hyde2 Forever Changing3 The Winter Tree4 Carpet of the Sun5 Secret Mission
    $29.00
  • New Steven Wilson remix of the band's fourth album. So far I think he's done an outstanding job."The fifth release in King Crimson's 40th Anniversary series featuring new stereo and 5.1 surround mixes (by Steven Wilson and Robert Fripp), Sid Smith sleeve notes and copious extra tracks and alternative versions. The CD presents a complete stereo remix by Steven Wilson & Robert Fripp alongside a group of additional tracks representing a near complete alternate album of studio takes, run-throughs and mixes. The DVD-A presents a complete 5.1 surround sound mix by Steven Wilson, a hi-res stereo version of the 2010 mix, a hi-res stereo version of the original album mix taken from the 30th anniversary master source and almost 90 minutes of additional material, the vast majority of it previously unreleased, including many studio takes mixed from the original recording sessions specifically for this release. The material covers everything from early rehearsals of Pictures of a City (one of the final new songs performed by the 1969 lineup) to the previously unheard A Peacemaking Stint Unrolls (showcasing early ideas & elements that would appear in fully realised form on later KC albums), a fragment of Fripp playing the tune of Islands on a mellotron, a blistering live Sailor's Tale from the Zoom Club & much more."
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  • New 2CD edition features the 2007 Charlie Bauerfiend remix as well as the 2011 master of the original mix.
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  • "With 1985's Metal Heart, German metal institution Accept attempted to add catchier choruses and melodies to their high-octane guitar riffing in a clear ploy to crack the American market. Not that this move in any way upset the balance of their thus-far smooth-running metal machine, which had been gaining momentum with every release since the start of the decade. No, Metal Heart was certainly a step toward accessibility, but a cautious one at that -- and, frankly, there was no toning down when it came to the lacerated larynx of gifted lead screamer Udo Dirkschneider. You gotta hand it to Accept, they sure knew how to make an entrance by now, and the apocalyptic title track is about as dramatic as it gets (the operatic "Bound to Fail" comes close), with guitarist Wolf Hoffman taking the helm on a long, mid-song solo excursion containing equal nods to Beethoven (very nice) and Edward Van Halen (get real). First single "Midnight Mover" is next, and along with the even more melodic "Screaming for a Love-Bite," it places obvious emphasis on hooks and melodies (and proved to be the toughest to stomach for the band's more hardcore fans). But despite another strange detour into jazz territory with the bizarre "Teach Us to Survive," Accept still packed amazing power, heaping on their Teutonic background vocals for the ultraheavy "Dogs on Leads" and gleefully pile-driving their way through relentless moshers like "Up to the Limit" and "Wrong Is Right." The brilliantly over-the-top "Too High to Get It Right" finds Dirkschneider screeching like never before, and to cap things off, the band really cooks on "Living for Tonight" -- arguably the best track all around. A winning set." - Allmusic Guide
    $7.50
  • Digipak edition with one bonus track."Tasting The Tears in the ninth studio offering from Italian prog metal masters Eldritch. For those who are unfamiliar with the band, that is what we here at Lady Obscure are here to do! We shine the spotlight on bands that may have flown under the music fans radar. Eldritch perform a technical form of melodic progressive metal with elements of thrash metal thrown in to create a style that is instantly recognizable as Eldritch. Following up on the success of the bands previous album Gaia’s Legacy (which included an invitation to perform a powerful set at the famous ProgPower USA festival in 2011) is no easy task, but after several listens of Tasting The Tears, I can safely say that Eldritch are up for the challenge. After the global warming concept of Gaia’s Legacy, the band turns to more personal subject matter. The lyrics on Tasting The Tears share a common theme: love in all its different forms. Not exactly progressive metal forte but Eldritch pull it off thanks to vocalist Terence Holler’s emotive delivery and some excellent songwriting.Tasting the Tears was produced by Eugene Simone at ES Studios in Livorno, Italy. and mixing and mastering duties have been handled by Simone Mularoni (DGM) at Domination Studios in San Marino, Italy. The album combines melody, complexity, and dark compositions to create a cohesive album. The production is crisp and all the individual instruments are given a clear representation in the mix. The album kicks off with Inside You, a moody and catchy headbanger with a soaring melodic chorus, and lots of tasty riffs courtesy of the guitar duo of Eugene Simone and Rudj Ginanneschi. The title track features the keyboard wizardy of Gabriele Caselli overlapping the thrash metal machine gun drumming of Rafahell Dridge with melody. The mood takes on a melancholy and darker tone with Alone Again. The band combines the clean guitar tones with keyboards and Holler’s melodic voice combined with superb vocal harmonies. Based on the lyrical content, Waiting For Someone is a song about loneliness and the search for love. The music is heavy and progressive with plenty of melody and guitar crunch. Seeds of Love has a driving intense drums and chugging guitar rhythms. A piano intro starts of The Trade, a song of betrayal and the tone relects the seriously dark subject matter. The thrashing mad Something Strong is filled with brutal riffs, technical drumwork, and impassioned vocals. Don’t Listen the trash influence is apparent but Caselis keyboards and Hollers vocals add the perfect melodic touch. The band shows their diversity and takes a chance with the moody piano ballad Iris. The song is well done although personally I would rather hear the band rock hard. Luckily the next song Love From A Stone shows the band doing what they do best and that is playing intense and melodic prog metal.The energy is ramped up on Clouds, an intense heavy progressive song with some fantastic keyboard work and a fantastic memorable chorus. As with Gaia’s Legacy, the albums closing song is a cover song, this time of the Queensrÿche classic I Will Remember from Rage for Order. The song is given the Eldritch treatment with added piano and Holler’s voice which is drastically different from vintage Geoff Tate, but he adds his own unique spin to the song and make it his own. Is it better than the original? Of course not, but it is a faithful rendition and tribute to one of the bands influences and I commend the band for taking a chance on recording a song of this stature in the metal world.Although it is not a perfect album, s a fan of Eldritch, I can highly recommend Tasting the Tears. It’s not as heavy and lively as Gaia’s legacy or Blackenday, but being one of the lucky fans to catch their last U.S. performance, I can say that the band puts on a highly energetic show and one can only hope that they return to U.S. shores soon. Fans of melodic progressive metal with a touch of thrash will appreciate the latest Eldritch offering." - Lady Obscure
    $15.00
  • Quatermass were a killer "one and done" prog trio from the UK.  Consisting of John Gustafson (bass, vocals), Peter Robinson (keys), Mick Underwood (drums), Quatermass' music had a heaviness about it that could almost (but not quite) classify it as hard rock.  In fact Gustafson and Underwood went on to play with Ian Gillan.  Of course the star of the show is Peter Robinson, who you are probably more familiar with his later work with Brand X.  Hammond organ is the focus here and Robinson rips the hell out of it.  If you are a fan of ELP you should probably be checking this one out.The previous CD incarnation was released on Repertoire and has been unavailable for years.  This is a new CD/DVD edition.  It features a new stereo mix by Peter Robinson and includes 2 singles tracks as well as 2 previously unreleased tunes.  The DVD features the album in a 5.1 mix.  Highly recommended.
    $17.00
  • "Clive Nolan (Pendragon, Arena) returns with his new solo project - ‘Alchemy – a musical”, a Victorian adventure set in 1842. Next to Clive Nolan himself, the album feature the artists well known in the world of progressive rock including Tracy Hitchings (Landmarq, Strangers on a Train), Andy Sears (Twelfth Night), Paul Manzi (Arena), Damian Wilson (Threshold), Paul Menel (ex-IQ), David Clifford (Red Jasper) as well as the leading lady of Nolan's previous musical 'SHE', Agnieszka Świta and Noel Calcaterra - a Uruguayan singer/actress and the voice of Clive Nolan South American 'Otra Vida' project from 2010. The Caamora Company musicians - Clive Nolan (keyboards), Mark Westwood (guitars), Scott Higham (drums), Claudio Momberg (keyboards) and Kylan Amos (bass) will once more take charge of the instrumental part of the project. The core members of the company will be joined by special guests and a chorus. This release will be preceded by the world premiere of 'Alchemy' show at the famous Wyspianski Theatre in Katowice, Poland on February 22, 2013, where it will be recorded and released on a DVD by Metal Mind Productions in Autumn 2013."
    $17.00
  • "A singular and rare neogothic concept album combining the sound of a grand pipe organ with the typical progressive rhythm section: “The Legend of the Holy Circle” is the second concept album from the italian band Three Monks after their debut album “Neogothic Progressive Toccatas” published in 2011. The project is centered around the incredible pipe organ playing of Paolo Lazzeri supported by a thundering bass/drums rhythm sections and little else. This album is a church organ purist's dream. The various tracks are inspired by baroque composers and stories of cathedrals and their huge, historic pipe organs.. The music is incredibly heavy, vast, formal, and tinged with centuries of age. You feel as if you are walking into one of those centuries old European cathedrals and hearing the bombast of the ancient organ, yet it is swirled into often dizzying progressive rock pieces.It is right compared to the bombast of EL&P, Areknames, Jacula, Van Der Graaf Generator and Il Balletto di Bronzo, but with 100% pipe organ rather than varying kinds of keys or synths, vocals, or guitar. Most of the music is in the heavy vein with eccentric and baroque aesthetics. Three Monks is a band who should be heard by Heavy Prog fans and fans of serious organ and classically influenced prog....do not hesitate..."
    $26.00