Livestock

SKU: CLACD5
Label:
Virgin Records
Category:
Fusion
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Live album with Kenny Dennard on drums. This one burns beginning to end.

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  • "Justin Hayward, lead guitarist and vocalist of the legendary rock band, The Moody Blues, is one of the most prolific singer-songwriters in music. Winner of four ASCAP Awards, Justin's Nights In White Satin, Tuesday Afternoon, Question, The Voice, Your Wildest Dreams and I Know You're Out There Somewhere, name just a few of his worldwide hits. Performing and recording for more than 40 years with the band, during which the group has sold more than a phenomenal 60 million albums, Justin Hayward has been a driving force in the band's success.Spirits of the Western Sky, Justin's first solo album since 1996's The View From The Hill, features his trademark vocals & guitar work on tracks such as One Day, Someday, On The Road To Love & the lead off track In Your Blue Eyes. "
    $11.00
  • Limited edition 2LP black vinyl - almost out of print already.  Cut at 45rpm from the original 24 bit files.  Artwork design courtesy of the band.So I finally get to tell the tale of Exivious....Many years ago I was in touch with a Dutch guitarist named Tymon Kruidenier who was working on a new progressive metal band called Exivious. The music was extremely reminiscent of Cynic. At that point in time he was looking for a vocalist. We kicked around a possible collaboration but it never bore fruit. Ultimately Tymon shelved Exivious. Many years later, Cynic reformed and Mr. Kruidenier became the new guitarist, more or less as the replacement for Jason Gobel. With the success of the Cynic reunion, Exivious was resurrected. It would be difficult to think of Exivious as anything other than the instrumental sister band to Cynic. The influences are incredibly strong but the band tends to play up the fusion aspect more. The compositions have that technicality that will send your brain spinning and this quartet has the chops to pull it. Paul Masvidal contributes a guest solo driving the Cynic connection home. Overall its a band stands on its own and will probably top many year end "best of" lists. A brilliant disc - I hope these guys play live. Highest recommendation.
    $26.00
  • Incendiary trio led by guitarist Hedvig Mollestad Thomassen. This is a tough album to categorize. Its a mind bending instrumental mix of stoner rock and fusion. Ms. Thomassen channels her inner-Hendrix and Iommi in counterpoint to the acoustic upright bass of Ellen Breken and drummer Ivar Loe Bjørnstad. Pure raw guitar driven power that is aggressive but melodic. Highly recommended."Debut album from very exciting new trio led by guitarist Hedvig Mollestad Thomassen. With one foot in heavy rock and one in jazz they effortlessly manage to combine monster riffs and high energy rock´n´roll with progressive and lyrical modern jazz. Fully instrumental apart from the distant shouting in a Melvins cover, "Shoot!" is more song structured than other guitar led trios such as Bushman´s Revenge or Scorch Trio. Ellen Brekken plays electric and acoustic bass and Ivar Loe Bjørnstad is the drummer. The album has a lovely vintage, classic analog feel that surely has something to do with it being recorded live in the studio with the musicians actually playing together. It was mixed by Kai Andersen in Athletic Studio and mastered at Dave Collins Mastering in Los Angeles. We love this band and the album comes highly recommended."
    $18.00
  • "Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects." - All Music Guide
    $5.00
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $13.00
  • Recorded out in Los Angeles. Not one of their better albums.
    $10.00
  • Its been quite some time since we've heard from Guy LeBlance and Nathan Mahl.  He's been busy touring with Camel and now having to deal with some serious health related issues.Justify finds Nathan Mahl with a reconstituted lineup.  Guy displays his prodigious keyboard abilities once again but this time he's also playing drums.  The new lineup features a twin guitar attack and bass.  For a keyboard player he sure as hell gives a lot of room for the two guitarists to stretch out and shred.  The album is split about 50/50 between instrumental and vocal oriented tracks.  You can tell his time in Camel has rubbed off on him - just check out the albums finale "Infinite Light".  It features a guest appearance on guitar and keys from none other than Andy Latimer!  Highly recommended.
    $15.00
  • "Transformation is a very apt title for Canadian Prog veterans FM, for not only has their music transformed numerous times over the years, so has their line-up. Joining bassist/keyboard player Cameron Hawkins this time round is drummer Paul DeLong (Roger Hodgson/Kim Mitchell), violinist/mandolin player Edward Bernard, who has performed with Druckfarben and violinist (yes, there are two violinists here) Aaron Solomon. The recording group being completed by legendary Rush, Dream Theater, Fates Warning producer/engineer Terry Brown, who does an excellent job.So you'll gather then that the first proper FM album since 1987's Tonight still follows in its predecessors footsteps of placing violin front and centre. Yet while that may sound risky in today's often sanitised Prog world, Transformation sounds remarkably contemporary and, at the same time, true to this band's 70s roots. More beautiful than punchy, in places the songs on this album feel like Yes with copious amounts of violin strung over it, the air being light, melodic and captivating. DeLong is stunning throughout, his rare ability to be ridiculously busy and intricate, underpinned by a solidity which fixes everything in place. Nary a second goes by where the percussionist isn't whispering a ghost beat, paradiddling the toms to within an inch of their lives, or alternating between snare, hi-hat and cymbals at break neck speed. However, amazingly, he never interrupts the beautiful flow of the vocals provided by Hawkins, Solomon and Bernard; the trio causing another reason for celebration in the process. However no album was built on drums and voice alone, so the stunning, varied violin, viola and mandolin work which weaves and dances across Hawkins deep resonant bass and darting, lilting, pointed synth contributions, are as impressive as they are vital to the unbridled success of this album.There's a real depth of sound and arrangement across the nine tracks on show, the likes of "Tour Of Duty" a journey from fragile art through fractured beauty, into controlled frenzy. "The Love Bomb (Universal Love)" and "Brave New Worlds" contrast this approach excellently, a sparse framework thriving on roaming bass, while gentle string stabs allow the vocals to express the emotions of melancholic introspection, but overriding hope and belief displayed in every one of the songs on this album. And it's that uplifting feeling which really infuses Transformation with the power to captivate and control your attention from start to finish, whether through the harsher attack of the bristling "Re-Boot, Reawaken", unsettling pulse of "Children Of Eve", the almost jauntily optimistic "Safe And Sound" or idyllic "Heaven On Earth".Often when a band reappears from the past, as if by magic to reclaim their past glories, the results are safe and deflating. Transformation however falls far from that trap, instead announcing itself with a triumphant confidence which never fades once as its beauties unfold, and vitally it just gets better with each and every luscious visit to the land of hope and understanding it creates." - Sea Of Tranquility
    $17.00
  • Live CD set with a bonus DVD of the performance. This was recorded at Metropolis Studios in London on 12/4/10. The DVD is PAL format (region 0) and also includes some interview footage. The CD features the audio from the entire performance.
    $16.00
  • This is another one of those classic Renaissance radio broadcasts that tape traders have circulated for years.  It gets an "official" release courtesy of Purple Pyramid.  It was recorded on the Turn Of The Cards tour at the Academy Of Music in NYC on May 17, 1974.  If you are fan and you don't have a cassette squirrelled away somewhere you need to own it.
    $17.00
  • First time on CD!.  Overlooked set from the late, great guitarist Volker Kriegel.  Originally released in 1978 on MPS, it finds Kriegel collaboarting with vibraphonist Wolfgang Schluter (see Michael Naura Quarett "Call").  Each musician gives the other plenty of space to operate and they are backed by members of Kriegel's Mild Manic Orchestra.  Keyboardist Thomas Bettermann throws down some Max Middleton-like funky synth lines here and there."In the 1978 liner notes to “House-Boat”, Volker Kriegel describes how difficult it was to set up a recording date. Vibraphonist Wolfgang Schlüter was to be featured, but had commitments with the NDR Big Band in Hamburg, Germany; Kriegel was one of Germany’s busiest jazz-rock musicians, as well as cartoonist, author, and radio moderator. It was pure luck that the album got recorded at all. Schlüter is still active – he won the prestigious German Echo award for jazz in 2013, but the younger Kriegel died in 2003. Born in Darmstadt, Kriegel was self-taught on guitar. He was influenced as much by the tasteful, subtle styles of Wes Montgomery and Jim Hall as by John McLaughlin’s rocking power. Schlüter’s influences were Lionel Hampton with his infectious swing, Milt Jackson from the Modern Jazz Quartet, and Gary Burton, who opted for four mallets instead of the normal two, and played the vibraphone like it was a piano. The two multi-talented musicians flaunt their quality during their studio encounter in Stuttgart. On the Kriegel composition “Memory Delay”, Schlüter changes to marimba and congas. The two soloists are accompanied by musicians from Kriegel’s “Mild Maniac Orchestra”; the jazz-rock band won the 1982 German Phonographic Academy’s award in the pop ensemble category."
    $15.00
  • 2CD live recording from the Paradise Theater in Boston.  Recorded on April 15, 1988.  If you don't know 3 was the one shot band that featured Keith Emerson, Carl Palmer, and Robert Berry.  Besides sporting mullets the band ran through a set list that relied heavily on their album as well as a little ELP, a little Emerson solo material, and even The Nice.  It seemed like a good idea at the time...
    $17.00
  • Pro-shot DVD filmed on the Passion tour at Wyspianski Theatre in Poland from April 2011.  Comes with some bonus video footage - Nick Barrett interview and other stuff.
    $20.00
  • Willowglass is the vehicle for British multi-instrumentalist Andrew Marshall.  He plays guitar, keys, and bass.  Accompaniment is courtesy of Hans Jorg Schmitz on drums and Steve Unruh on violin, flute, and guitars.The music is all instrumental and harkens back to the classic British progressive sounds of the 70s.  The album kicks off with the 20 minute "A House Of Cards Pt 1", which is a pure love letter to the Mellotron.  Reminds me a bit of King Crimson's Lizard.  The music never gets overly heavy.  Marshall tends to rely on acoustic guitar quite a bit and Unruh's violin figures quite prominently.  We always say they don't make 'em like they used to but apparently they still do.  If you miss the glory days of Genesis and Camel you need to fill that spot in your collection.  Highly recommended.
    $16.00