Land Of The Midnight Sun

SKU: CK34074
Label:
Columbia
Category:
Fusion
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Al DiMeola's solo debut from 1976, was released right around the time of RTF's Romantic Warrior. Stellar lineup includes the other three members of Return To Forever, Mingo Lewis, Steve Gadd, Anthony Jackson, Barry Miles, Jaco Pastorius, and Alphonse Mouzon.

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  • This young Swedish band's trademark is their glorious harmonies (everyone in the band sings). The more I listen to their third album, the more I pick up vocal references to other bands like The Hollies and 10cc. Its this sweet, mellifluous quality that really sets them apart. The band's compositions have a strong positive vibe. Nothing dark or too heavy. No overt hyper-complexity but still makes plenty of the right prog moves. File under "neo-prog".
    $14.00
  • "The allure of This Misery Garden might be found in their name. A garden is a place of beginnings and endings, of life and death, with the eternal element of hope also fixed upon it. Yet, misery can describe any of these appointments as well. On their debut work, Another Great Day on Earth, This Misery Garden explores both hope and despair with each swelling and rising within the progressive compositions. The title itself is also reflective of their musical and lyrical tone even as it bends in upon it's own cynicism. This Misery Garden's atmosphere and content is dark, deep, and often foreboding layers of melancholy with songs such as Swan Song, Rejection Song, the carefully betraying Instant Recoil and Dirty Playground being disturbing representatives. Between the eerie and introspective movements, This Misery Garden weaves thick threads of bleak chords over a dark rock resonance. If visions of Katatonia or Perfect Circle, possibly even Tool, invade your audio experience as you listen, then you will have a sense of Another Great Day on Earth foundations. For some, myself included, Another Great Day on Earth may be too despondent for an immediate repeat listen, but it does require significant and repeat attention to plumb the depths of its sophisticated portrait of hope and despair." - Dangerdog
    $3.00
  • "It's a bit surprising that Pantera waited until 1997 to release a live album, considering how brutal and powerful the band had been in concert. At an average Pantera show, it would not be unusual to see security evicting overzealous fans, and club bathrooms filled with bloody wads of paper towels from mosh pit injuries. Official Live 101 Proof captures the group in its natural, violent element, combining abrupt, barbed riffs with pulse-pounding beats and furious vocals. The record spans Pantera's career, from the classic guitar lick of "Cowboys from Hell" to the fuzzbomb fury of "Suicide Note Pt. 2" (from album The Great Southern Trendkill). As an encore, the band offers album buyers two new studio tracks, the bluesy bonecrusher "Where You Come From" and the grinding piledriver "I Can't Hide." As the fortress of alternative rock continues to crumble, Pantera stomp vindictively through the rubble, their metallic legacy intact."--Jon Wiederhorn
    $6.00
  • Special 2CD tour edition comes with a bonus Acoustic Sessions CD featuring 4 new interpretations, plus "Anathema" recorded at Liverpool Cathedral."It’s been quite a past few years for the incredible Anathema. Honors have been bestowed upon them, they’ve released an instant classic album in “Weather Systems”, and last year they released one of the best live concert films I’ve ever seen, “Universal”. Anathema is on top of the world, and they are only getting bigger. With all of this on their shoulders, they approach the world once again with their new album, “Distant Satellites”, a fitting name for a massive album. Again, with all of their recent success creating huge expectations, can this band meet such critical reception? Needless to say, Vincent Cavanagh on vocals, Danny Cavanagh on guitar, Jamie Cavanagh on bass, John Douglas on percussion, Daniel Cardoso on drums, and Lee Douglas with her wonderful vocals were all up to the challenge.“Distant Satellites” is a very different album from “Weather Systems”, or anything else they’ve done, for that matter. It is different, yet somehow instantly familiar. It includes everything that makes them Anathema, but adds new and exciting elements to their already excellent formula. If you’ve never heard Anathema, their formula (in their last few albums, anyways) includes soaring guitars, amazingly catchy melodies, spiritual lyrics, and emotional flow both vocally and structurally. They are the masters of melody, and they remain complex and progressive even while being simple and accessible. They are truly masters of their craft.This new album, then, is no different in those terms. The melodies return in force, such as the serene beauty of “The Lost Song” parts 1-3. And, yet, there is something different here. The melodic lines are somewhat more complex, less in-your-face, and more organic. This especially shows in the song lengths, most of them being over five minutes. This allows for more growth and more progression. Indeed, then, the melodies on “Distant Satellites”, while not being as instantly lovable or recognizable, are certainly more difficult and possibly will have a longer “shelf life” in my mind. Yes, the orchestrations seem to be lower key, as well, allowing the vocalists to express themselves more personally then ever.There are other improvements, too. I feel that the musicianship is more fervent and on a higher plateau of difficulty than Anathema has tried. Drummer John Douglas, especially, plays amazingly well from start to finish, accenting the music with awesome pounding and fills. The rest of the band are at their peak, too, with Vincent and Lee being especially great with emotional and meaningful vocal performances.“Distant Satellites” is different in more meaningful ways, too. Utilizing post-rock/metal structures is nothing new for Anathema, but they really do perfect them here, as on “Dusk”, a dark, climactic song. Yet, there is a sense of continuity between tracks, too. This is obviously the case between the three parts of “The Lost Song”, but it’s also apparent throughout the album, as if Anathema is telling us a story, convincing us of our true selves and our connection with the universe and with each other.This album is wonderful in the first half, but my excitement reached new heights in the second half. Anathema has taken it upon themselves to change things up a bit. They wanted to progress their sound, but make it all seem so natural. So, in the second half, the album climaxes with one of the best songs, simply called “Anathema”. But then, we are thrown for a loop somewhat, as “You’re Not Alone” features a hefty portion of electronic vibe. It’s great, but the best is still to come.Next, “Firelight”, a darkly ethereal instrumental track that is completely electronic, is thrust upon us, and is followed up by what may possibly be the best song Anathema has ever produced, “Distant Satellites”. This track combines everything that has ever made Anathema great: soaring melodies, climactic structure, gentle spirituality, amazing vocals, and now an electronic beat that is both complex and catchy. Vibrant, mesmerizing, and pure, this track elates me every time I hear it. It takes this album, and my heart, to new heights. The album finishes with a gentle ballad that just seems so fitting, yet it still has the strong electronic influence.So, is “Distant Satellites” a winner? In every way! Is it their best album? I don’t know; it has the potential, but it might take time, just like “Weather Systems” did. What I can tell you is that this new album is more mature, more progressive, more interesting and eclectic, and less formulaic then anything Anathema has crafted yet. It does sacrifice some accessibility and some instant likability for these things, but I respect their decision massively, and I fully expect to see “Distant Satellites” at the tops of many lists at the end of 2014." - Progulator
    $14.00
  • "Symphonic rock icon Lana Lane proudly announces her new studio album, Red Planet Boulevard. The new album follows Lana's 2005 art rock masterpiece, Lady Macbeth, and her highly acclaimed 2006 classic rock covers album, Gemini. Red Planet Boulevard is a melodic rock album that showcases Lana's legendary vocals with timeless songwriting all produced in a modern symphonic rock environment. The atmosphere of the album is both spacious and grand, soaring melodies and intimate phrases play against lush arrangements of guitar and keyboards, all intertwining in a compelling tango of orchestration that is pure Lana Lane.Recorded in The Netherlands and in San Francisco, California, Red Planet Boulevard combines the feeling of European precision and old world mystery with the Bay Area's legendary style and mood that is pure Northern California magic. The melange of locations shows in the album's production that is both bombastic and moody, clear and heavy, intimate and extroverted. Producer / keyboardist Erik Norlander took on bass guitar duties as well for this release continuing in the role he played on the 2007 Lady Macbeth tour. Long time collaborators, Dutchmen Peer Verschuren (guitar) and Ernst Van Ee (drums), complete the instrumental trio in what Norlander calls "a sort of 'Led Zeppelin' instrumentation where we have guitar, drums and a bass playing keyboardist."The Red Planet Boulevard musician lineup is indeed the most compact to appear on a Lana Lane album, but the trio does not falter in creating the massive symphonic rock sound for which Lana Lane is so well known. Walls of guitars, landscapes of keyboards and tectonic plates of bass and drums drive the arrangements with the energy and exuberance of a band that indeed went straight from the road into the studio. That touring seasoning shows in the subtle complexities of Red Planet Boulevard. This is a band that is experienced and skilled in their craft all supporting a legendary vocalist who is at the top of her game.Twelve all original songs compose Red Planet Boulevard. The heavy rockers "Into the Fire", "Capture the Sun" and "Angels and Magicians" along with the power ballad "Jessica" harken back to Lana's 1995 debut release, Love is an Illusion, while in contrast, the anthemic "Shine", "The Frozen Sea" and "No Tears Left" have a distinctly 21st century sound that fits perfectly with today's iPod generation. The uptempo "Stepford, USA" re-tells the story of the quiet rural town with a dark secret, while "The Sheltering Sorrow" is a heart wrenching ballad that is epic in scale with links back to the late 60s majesty of early symphonic rock. The album concludes with the finale and title track, "Red Planet Boulevard", where themes from each of the album's songs is reprised in a grand orchestral rock style.Artwork is once again provided by Polish surrealist Jacek Yerka who has painted the covers for Lana's many past masterworks. Photos for the album were shot by noted San Francisco photographer Mark Leialoha who brings his own style and vision to the Lana Lane production team. Fans of melodic rock, symphonic style and the amazing female rock voice, your light is green: Make the turn onto Red Planet Boulevard!"
    $6.00
  • Remastered edition with bonus tracks."This is the first of Irish guitar virtuoso Gary Moore's true heavy metal albums. Boasting a crisp, aggressive sound, Corridors of Power kicks off with the foot-stomping "Don't Take Me for a Loser," delivers the token power ballad in "Always Gonna Love You," and floors the gas pedal on "Rockin' Every Night." However, the album's climax has to be the epic "End of the World," with it's two-minute long guitar solo intro and vocals courtesy of Cream's Jack Bruce." - Allmusic Guide
    $9.00
  • "Following their independent leap from the music industry in 1980, the band's audience continued to grow with the release of 'Something Wicked This Way Comes' which far outsold it's predecessors. For the first time in Enid history some of the tracks are vocal lead, producing anthems still chanted by fans today."
    $16.00
  • 6CD remastered box set containing the band's first six cassette releases.  This also comes with new liner notes, photos, and memorabilia in a 40 page book.
    $55.00
  • Dark, ominous, symphonic, theatrical...and very compelling is the best way to describe this concept work. Put together by guys using the names David Grimoire and Adrian de Crow, Opera Diabolicus is a project embracing the darker side of metal. Featured performers include Snowy Shaw (KING DIAMOND, MERCYFUL FATE, MEMENTO MORI, THERION), Mats Leven ( (KRUX, THERION, YNGWIE MALMSTEEN) Jake E (AMARANTHE),and Niklas Isfeldt (DREAM EVIL) on vocals. Camilla Alisander-Ason provides all the female vocal parts. Andy LaRocque produced and mixed the album and given the direction of the music, he's the perfect man for the job. Big sounding production that craftily blends doom, black, gothic, and orchestral metal together. Think Phantom Of The Opera meets King Diamond meets After Forever. Highly recommended.
    $15.00
  • "A while back I reviewed a “live” album that sounded like it was recorded in a pub in the middle of nowhere on a wet Tuesday, attended by one man and his dog.  It was awful.  If you’re going to produce a live album there are rules.  First, the sound has to be good, there’s no point if it isn’t studio quality.  Second, and this is vital, if you are recording an album in front of a live audience, the sound of that audience must make it onto the album.  If you can’t hear them cheering, clapping, singing along you’d have been as well staying in the studio.  After the disappointment of the aforementioned review, I was keeping everything crossed that Live With the Curse would reflect the electric atmosphere at Glasgow’s Classic Grand on that night back in November.  You see, I know the crowd was rocking that night, and I know the band sounded great, because I was there.So, I sat down today to listen to the album, hoping against hope that Eden’s Curse had got it right.  Man have they ever got it right.  I defy anyone to listen to this without feeling like they were actually there.  Mixed and mastered by Dennis Ward, who has worked with the band throughout their career, every bit of the live experience is included, from their onstage introduction by Tom Russell to the little chats with the crowd and the unholy racket the crowd made at every opportunity.Tom Russell, Godfather of Rock is a legend in these parts, he’s been presenting rock radio for longer than I’ve been alive (sorry Tom!) and having him announce you is quite an honour.  From that point on this album is relentless.  Nikola’s vocal never misses a note, Thorsten plays guitar like a man possessed and Paul, John and Steve bring it all together into something pretty close to perfection.  Nikola does a brilliant job of bringing the crowd into the show as well, introducing songs, explaining what they’re about and getting some crowd participation going.  It all adds to the atmosphere, which as I’ve already said is crucial to a live album.Highlights for me include opening track Symphony of Sin, which sets out the bands intentions from the very beginning.  This gig, this album is going to break you.  The pace and energy is non stop, as Nikola roars at the crowd and they roar back.  Covering tracks from all four Eden’s Curse albums the band powers through a set list which translates to a two disc album of over 100 minutes.  It’s long, but it never drags, as the energy refuses to drop.  Towards the end of disc one look out for an extended guitar solo from Thorsten.  Now, I don’t play guitar, but I know enough to know that this man is one of the best guitar players you will see.  He rarely lifts his head, lost in the music but he plays as if he has two pairs of hands.  One of my favourite things about Eden’s Curse is the storytelling in each song, from Masquerade Ball to Rock Bottom.  It means that the songs improve with each listen, as you move from listening to the tune to actually taking in the lyrics.  I have to also mention my personal favourite Eden’s Curse track Evil and Divine.  I don’t know why I love it, I just do.  And that’s what it’s all about.As final track Angels and Demons ends the crowd begin to chant, “Eden’s Curse, Eden’s Curse, Eden’s Curse,” and I sit here straining my ears because if I just listen hard enough I might hear myself.  I cheered them that night, and I’ll be cheering this album from the rooftops.  It’s out on Friday, March 13th and I will personally Curse any of you who don’t buy it!" - Planet Mosh
    $15.00
  • "Early 2012 the Welsh progressive rock band Karnataka embarked on a fifteen- date tour across the UK. Under the name New Light Tour 2012, the band reached as many areas of the country as possible; in particular those towns and villages they missed on previous tours. The band performed at some of the most unique and beautiful venues in the country, from traditional theatres and art centres to a stunning fourteenth century converted barn. Yet they couldn't perform in all places and therefore many fans − especially those from abroad − couldn't see how the new line-up managed to perform the band's back catalogue. So New Light Live In Concert, Karnataka's latest double album and DVD has been recorded for those people who missed them live on stage. However, it's by all means a great souvenir for people who attended their live shows as well. On this almost two-hour live album, DVD and Blu-ray you can witness and listen to an entire live performance.The live performance has been recorded at the start of their New Light Tour at the Met Theatre in Bury, England on February 23, 2012. This tour marked the first live show for a line-up featuring the new lead singer Hayley Griffiths. For those who aren't familiar with the band's third female singer an introduction is in place. She's a classically trained soprano who has achieved global recognition and critical acclaim for her role in the international phenomenon Riverdance and Michael Flatley's  Lord Of The Dance. She has sung for the emperor of Japan in Tokyo, at the Kremlin Palace in Moscow and for an audience of 20,000 people in Taipei Arena. Moreover, in 2010 her debut album Silver Screen won the Best Classical Crossover Artist Award. Her second album Celtic Rose was released in 2011; it's her first complete Celtic album composed of traditional and contemporary Irish and Scottish songs.Other new members in the band are the Turkish keyboard player Cagri Tozluoglu from Istanbul and the talented multi-instrumentalist Colin Mold, who was the driving force behind the folk rock band Kara. During the tour Mold played additional lead, rhythm and acoustic guitars, violin and he did some backing vocals. The fourth new member is drummer Matt McDonough. Last but not least Karnataka's new line-up still consist of founding member Ian Jones on bass and bass pedals and Enrico Pinna on guitars and backing vocals. The latter made his debut on the band's latest studio album The Gathering Light (2010, see review).When you watch and listen to New Light Live In Concert you'll soon notice that the performed songs differ from the original album versions. This is mainly due to the fact that Hayley Griffith's vocals strongly differ from Karnataka's prior singers Rachel Jones (pre-1998-2004) and Lisa Fury (2008-2010). Her soprano voice provides the music a rather new sound that I like a lot. In my opinion a live album shouldn't be a copy of a studio album. I think it should sound differently and this is something in which Karnataka succeeded very well. However, not only the vocals differ from the original versions. Take for example The Calling, an instrumental piece from their latest studio album. It featured the Uillean pipes played by guest musician Troy Donockley. Since he wasn't available during the New Light Tour, the electric violin replaced the pipes. This worked perfectly and made the song still very enjoyable. The addition of several new violin parts on the older songs suited these songs quite well.Also the addition of twin guitar parts throughout the concert is a real treat to the ears. The combination of Enrico Pinna and Colin Mold playing both the same guitar parts makes the music sound very melodic. However, it's mostly Pinna who steals the show with his great electric guitar playing. His talent for playing excellent solos can be especially heard on the superb piece Forsaken. The band must have known that  Hayley's voice couldn't always shine during the songs from their back catalogue. Therefore she got a special solo spot. This way she got the chance to show all of her vocal talents on tracks that aren't original Karnataka songs. So they also included two Hayley Griffith's tracks on this album that demonstrate her vocal talents. Lagan Love from her Celtic Rose album was performed brilliantly. She sings it wholeheartedly and only accompanied by some beautiful string synthesizer parts. It's followed by Our Love from her Silver Screen album. This time her voice sounds rather operatically. It fits in perfectly to Karnataka's new arrangement which includes fine playing on the violin as well. Besides Griffith's skills as an amazing singer she also proves to be a real entertainer who can keep the audience focussed during a concert. To mention any highlights is rather difficult, because in my opinion the entire concert is just one highlight.Both the CD and the DVD versions benefit from a tremendous production and capture the details of the vocal performances as well as the arrangements without one musician over-powering the other. Also the camera work has been done well capturing the musicians at close range and from a distance showing the whole band in action. They perform material from The Storm (2000), Delicate Flame Of Desire (2003) and The Gathering Light in the best possible way and in 5.1 surround. In addition to the concert they included interviews with all musicians. They were asked about their background and musical influences and about the future and the past of the band. Finally a tour photo gallery can be enjoyed. New Light Live In Concert is a real must to listen to and to watch. Especially people who like bands as Iona, Mostly Autumn and Clannad are advised to check out this great new live release of Karnataka! " - Background Magazine
    $18.00
  • One of the great hard rock albums of the 70s.  After Uli Jon Roth left the band he was replaced by Matthias Jabs.  His guitar technique was far removed from the neoclassical stylings of Roth, taking a more traditional hard rock/melodic metal approach.  Returning to the fold is Rudi's brother Michael Schenker.  With streamlined songwriting it all comes together.  A non-stop killer.
    $5.00
  • Double disc set recorded live in Montreal from the Three Of A Perfect Pair tour in 1984. Complete show runs 100 minutes.
    $17.00