Green (Remaster)

SKU: 094637345627
Label:
Virgin Records
Category:
Progressive Rock
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Produced by Nick Mason, 1978's Green didn't see any significant changes in direction. It's a solid follow up to Motivation Radio and an easy recommendation. This remastered edition features four bonus tracks.

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  • A couple of years ago I scored some of these in a warehouse find and they blew out of here immediately.  Some more turned up but how long they will last is anyone's guess.Dadawa is the stage name of Chinese singer Zhu Zheqin.  Think of her as China's answer to Enya.  No Celtic influences here - its purely Asian.  She collaborated with producer/composer He Xuntian on Sister Drum (and later titles) and he knows what he's doing.  The music builds and builds and draws you in.  Her voice is purely hypnotic.  The production is such that it unfolds in layers and layers - of vocals and instrumentation.I have to make a point of discussing the audio aspects of this set.  Its simply unbelievable.  While compatible with standard Redbook CD, the dynamics on this album are utterly insance.  If you crank this one up you are in danger of smoking your woofers - the bottom end on this recording is cavernous but tight as can be.  This is an XRCD24 disc.  It is a special pressing utilizing JVC's proprietary mastering process.  You want to be a show off?  This is the disc to play.  A total lease breaker and gorgeous music to boot.  BUY OR DIE!
    $5.00
  • Over a year ago we offered a limited edition version of this and its been out of print for some time.  This is a beautiful 2LP 180g vinyl gatefold edition with gorgeous new Roger Dean artwork.To celebrate the 40th anniversary of Journey To The Centre Of The Earth, Rick Wakeman recorded a studio version (remember it was a live album back in 1973).  Its shockingly great!  The new version includes 20 minutes of music that was originally written for the piece but never performed or recorded.  The album is recorded with a symphony orchestra as well as his usual cast of musicians.  Wakeman seems to be playing all analogue keyboards, or at least a hell of a lot of them.  Its a very faithful approximation of the performance you remember but with some new music, new vocalists.  Wrapping the whole thing up is a stellar, audiophile production.  Thankfully Mr. Wakeman understands the proper use of compression.  This album will blow the roof off your house.  Highly recommended.
    $29.00
  • "A never before released full length concert album from one of the greatest undiscovered gems of 70s rock, Captain Beyond!Formed in 1971 by members of Deep Purple, Iron Butterfly & Johnny Winter s band, Captain Beyond is heavy, spacey and most definitely FAR OUT!This show was recorded just after the release of the band s second album, Sufficiently Breathless, during the their tour with King Crimson!Liner notes by noted rock historian Dave Thompson!"
    $15.00
  • "The first Mahavishnu Orchestra's original very slim catalog was padded out somewhat by this live album (recorded in New York's Central Park) on which the five jazz/rock virtuosos can be heard stretching out at greater length than in the studio. There are only three selections on the disc, all of which were to have been on the group's then-unissued third album -- two of them, guitarist John McLaughlin's "Trilogy: Sunlit Path/La Merede la Mer" and keyboardist Jan Hammer's "Sister Andrea," are proportioned roughly as they were in their studio renditions, while the third, McLaughlin's "Dream," is stretched to nearly double its 11-minute studio length. Each develops organically through a number of sections, and there are fewer lockstep unison passages than on the earlier recordings. McLaughlin is as flashy and noisy as ever on double-necked electric guitar, and Hammer and violinist Jerry Goodman are a match for him in the speed department, with drummer Billy Cobham displaying a compelling, raw power and dexterity to his work as well, especially on the CD edition, which also gives bassist Rich Laird a showcase for his slightly subtler work. Yet for all of the superb playing, one really doesn't hear much music on this album; electricity and competitive empathy are clearly not enough, particularly on the 21-minute "Dream," which left a lot of fans feeling let down at the end of its side-two-filling run on the LP. In the decades since this album was released, the studio versions of these three pieces, along with other tracks being worked up for their third album, have appeared as The Lost Trident Sessions -- dating from May and June of 1973 -- thus giving fans a means of comparing this repertory to what the band had worked out (or not worked out) in the studio; and Between Nothingness and Eternity has come up a bit in estimation as a result, benefiting as it does from the spontaneity and energy of a live performance, though even that can only carry this work so far -- beyond the personality conflicts that broke up the band, they seem to have been approaching, though not quite reaching, a musical dead end as well." - Allmusic
    $5.00
  • Essential third album from the Mwandishi band. A pure kosmigroov classic in which the ensemble touches on African based rhythms and electric fusion. Hancock and Patrick Gleeson somehow integrate a battery of electric keyboards into the jazz realm but in a way that was organic and seems just about right. A must own.
    $5.00
  • A handful of these emerged from a warehouse grab and what a gorgeous album it is.  This is an XRCD24, featuring a proprietary mastering process from JVC.  These XRCD24s are targeted towards audiophiles and they certainly couldn't have picked a better release than this one.Kate Purcell is an Irish folk singer who bears a strong similarity to Alison Krauss.  Nice spacious and simple recording that will show off your sound system.  "This Ennis-based singer completely enthralls with her first album, Shadows Of You. What a voice! And, she is a gifted writer. The whole package was on offer and what a deal! She is a major, major new talent who will only get more famous as more people hear her magic. It is on Dream Records. Find it. Wow!Kate is a native of Feakle in east Clare; she now resides in Tulla with her husband and son. Anyone who has lived in these areas would inevitably be influenced by traditional music and on this album Kate is very much going back to her roots.She also has a deep love of contemporary music, which blends blues, and American artists such as Jackson Browne, Gordon Lightfoot, James Taylor and more recently, Alison Krauss and Patty Loveless.Kate started her musical career straight from school, playing around Clare for a while; she was offered a residency at the prestigious Dreamland Castle hotel, where she still performs.Her albums have followed her decision to broaden her horizons and reach an international audience.Her first album, A Dream Unfolds met with great critical acclaim. It won her 2 awards from Irish Music Mag. 2 singles from the album were play listed by 2FM. Hot Press nominated Savannah as best single. You Never Said Goodbye spent 5 weeks in the Irish charts.Following the success of the album she appeared on TV’s Kenny Live, PM Live, Open House, Limelight, Sib and Bernie Bo.She performed all over Ireland alongside Jimmy McCarthy; Donal Lunny’s Coolfin and this April with Tommy Fleming on his national tour.She has also performed with Lunasa in Hong Kong and has appeared at festivals as far afield as Clifden Arts Fest, Cork Folk Fest, The Rose of Tralee, Omagh Bluegrass, and Milwaukee Irish Fest.Kate has been planning this album for three years and is joined by Tommy Fleming on Dan Seals beautiful, Lullaby. Also Clare fiddle sensation, Martin Hays on Goodbye Johnny Dear. The outstanding rendition of Mary Greene’s, Dress of Green.Ted Ponsonby, long time sideman of Delores and Sean Keane, has produced the album.Copperplate is very proud to have this title on our roster and hope to help it achieve its full potential will be supporting this release with a full-scale promotional mail out to media and retail.“This is wonderful. Music of the heart, intuition, ability, understanding and beauty”.  LiveIreland.com August 02 
    $9.00
  • New album from Guy LeBlanc finds Nathan Mahl with a new lineup and a bit of a new direction as well. The first thing that strikes you is that the overall soundscape is much heavier. Guitars have real CRUNCH. This isn't at all a metal album but its clear that he has been listening a bit to Dream Theater. He lets loose with some devastating keyboard solos that reminds you that this soft spoken guy can play like the devil. There is also a slight AOR sheen to the proceedings but never in a particularly offensive way. Curiously this is a concept album based on Exodus - the story of the Jews exodus from Egypt. Given the subject matter and this reworking of the formula I've of the mind to annoint Nathan Mahl as the Canadian version of Glass Hammer. Lots of similarities the more you dig it. To these ears this is much better than the Heretic trilogy and is highly recommended.
    $8.00
  • Fourth album from this outstanding jazz metal band from Hungary getting outside exposure with their signing to IQ's Giant Electric Pea label.  Special Providence started out their career as a pure fusion band - not unlike Tribal Tech and Return To Forever.  With their third album, Soul Alert, the band injected a heavier metal presence primarily in the guitarwork.  Essence Of Change carries on from Soul Alert in terms of heaviness and the use of distortion but at the same time there is clearly more of a jazz/fusion emphasis in the writing.  This gives us a nicely balanced sound that has a lot of cross over appeal.  Liquid Tension Experiment and Morglbl fans will love this and I expect open minded fans of RTF and Mahavishnu will enjoy hearing the young kats update the sound they developed in the 70s.  Expect a non-stop assault of laser beam synth solos and blistering distortion laced guitar solos.  Yeah this one hits the sweet spot and after many future spins I suspect this will sit at the top of their already impressive discography.  BUY OR DIE!!
    $15.00
  • Live album with Kenny Dennard on drums. This one burns beginning to end.
    $14.00
  • Excellent US neoprog that will appeal to fans of Marillion and Iluvatar.
    $3.00
  • "After releasing two albums during 1978, Heart waited until February of 1980 to issue their fifth studio album. Bebe le Strange was their highest charting album to date, reaching number 5 on the Billboard Magazine album charts.It was their first album without lead guitarist Jeff Fisher, and he was missed. Nancy Wilson and Howard Leese were a competent guitar duo as their electric work together is very good. What was missed, though, was Fisher’s acoustic playing which was always a highlight of Heart’s music.The Wilson sisters moved front and center. They co-wrote all ten tracks. Songwriter Sue Ennis was back as the co-author of seven songs. She also contributed some guitar and piano work as well. These three women lyricists produced an album of more personal songs, continuing Heart’s transformation toward a female-dominated rock band.Bebe le Strange may not have yielded any big and memorable hits but it was a very solid release. It was also their last true all-rock album as they soon began moving in a more polished pop/rock direction.The title song was the first track and set the tone for what was to follow. It was a hard-rocking song with lyrics telling a story from a groupie’s perspective. It was followed by what may be the album’s strongest track, “Down On Me,” which is a nice and slow blues tune.There are a number of other very good tracks. “Even It Up,” the only single from the album to crack the American Top 40, is a female rock song about a woman who wants more effort from her male partner. “Rockin’ Heaven Down” is a powerful rocker and a fun-filled romp. “Strange Night” has a jam feel which is different from most of Heart's precisely constructed material. “Sweet Darlin’” is a nice ballad with another brilliant vocal by Ann Wilson.Bebe le Strange remains a very good if not one of their best albums. It may not be one of their essential albums but it is still a good listen thirty years after its initial release." - Blogcritics.orgRemastered edition with two bonus tracks.
    $8.00
  • "Santana's fourth album, Caravanserai, finally being reissued and remastered by Columbia Legacy/Sony, is a landmark recording for the band. Originally released in 1973, this album marked a change for the band, as they were moving away from the Latin tinged psychedelic pop rock of their earlier recordings to a more ethereal, jazz fusion based sound. Change also brought about line-up shuffles, as after this album second guitarist Neal Schon and keyboard player/singer Gregg Rolie left the band to form Journey. Famed keyboard virtuoso Tom Coster made his first appearance on this release, and he later spent many years alongside Carlos Santana in various incarnations of the band. The influence of groups such as Weather Report, Mahavishnu Orchestra, Lifetime, Miles Davis, Larry Coryell's Eleventh House, and John Coltrane are heard all throughout this CD. Latin percussion mixes with swirling organ while Santana and Schon's guitar licks run rampant on each track. While the bands signature melody on "Song of the Wind" still remains a classic, it's the extended breakouts on tunes like "La Fuente Del Ritmo" , complete with an amazing electric piano solo from Coster, and the energetic "Just in Time to See the Sun" that really shine. Drummer Mike Shrieve comes into his own on this albums more jazzy context, and the percussive tandem of Jose "Chepito" Areas, Mingo Lewis, and the legendary Armando Peraza provide the perfect Latin rhythms. "Every Step of the Way" features some wicked guitar work from Schon and Santana, supported by manic percussion and raging organ from Rolie, and stands out as a classic example of Latin jazz fusion.My advice to you all, don't walk, but run to your local CD shop and indulge yourself in this timeless classic. The remaster job is superb, with every instrument crisp and clear, and you get a nice booklet that goes into the history behind the album. A must have!" - Sea Of Tranquility
    $5.00
  • "The musical transition that seemed to have just begun with Fear of Music came to fruition on Talking Heads' fourth album, Remain in Light. "I Zimbra" and "Life During Wartime" from the earlier album served as the blueprints for a disc on which the group explored African polyrhythms on a series of driving groove tracks, over which David Byrne chanted and sang his typically disconnected lyrics. Remain in Light had more words than any previous Heads record, but they counted for less than ever in the sweep of the music. The album's single, "Once in a Lifetime," flopped upon release, but over the years it became an audience favorite due to a striking video, its inclusion in the band's 1984 concert film Stop Making Sense, and its second single release (in the live version) because of its use in the 1986 movie Down and Out in Beverly Hills, when it became a minor chart entry. Byrne sounded typically uncomfortable in the verses ("And you may find yourself in a beautiful house, with a beautiful wife/And you may ask yourself, well, how did I get here?"), which were undercut by the reassuring chorus ("Letting the days go by"). Even without a single, Remain in Light was a hit, indicating that Talking Heads were connecting with an audience ready to follow their musical evolution, and the album was so inventive and influential, it was no wonder. As it turned out, however, it marked the end of one aspect of the group's development and was their last new music for three years." - Allmusic Guide
    $6.00
  • Special edition arrives with a bonus DVD of the band performing material from Concrete Gardens filmed at EMGTV."Sound: Tony MacAlpine was one of the Shrapnel label guitarists of the '80s, and also played keyboards for the debut releases of Vinnie Moore and other Shrapnel artists. Tony's debut solo album, "Edge of Insanity," came iout in 1986 - the same year as his first side project, M.A.R.S., with release of the album "Project: Driver." Since that time Tony MacAlpine has released numerous solo albums, participated in collaborations, made live guest appearances, and even acted as part of Steve Vai's backing band. "Concrete Gardens" is Tony's twelfth solo studio album, and is entirely instrumental like the vast majority of Tony's solo work. The album has been in the works since 2013, but took a while to release due to Tony's numerous collaborations and other projects. Jeff Loomis provides a guest guitar solo on the album on the track, "Square Circles." The album contains 12 tracks with a total runtime of just under sixty minutes. The album differs from Tony's previous work by having more of a progressive metal flavor to it, while I think of most of his previous releases as just being straight instrumental rock.The album opens up with the track "Exhibitionist Blvd," with some seriously flanged guitar and a major key melody that builds into something a little different as the track goes on. There is a specific passage that shows the influence that Vai has had on MacAlpine, though I would rank them close to equal in the virtuoso racket. "The King's Rhapsody" opens up with a keyboard intro, played by Tony, of course. Heavy guitars come in and takes the song to a few unexpected places, and actually gets my foot tapping, too - which is an accomplishment for instrumental rock! "Man in a Metal Cage" has some interesting note choices, with some mildly middle-eastern sounds for a few brief moments in the track mixed in with some obligatory sweep tapping. Otherwise, there are several passages working to create several moments of extreme tension. There are a few arpeggiated parts that are reminiscent of some other song that I can't quite place. "Poison Cookies" has a weird jazz-fusion funk feeling going on with it that I definitely appreciated - if for nothing else it changed gears long enough to shake off any monotony I thought the album might be working towards."Epic" was both a more laid back song, but also was very cerebral - the keyboard and guitar parts built on each other in a weird/cool way. "Napoleon's Puppet" very briefly reminded me of some material written by Brendan Small for his album, "Galaktikon," but it had that rhythm part to it that definitely separated it by giving it some incredibly strong groove. "Sierra Morena" is played on piano/keyboard in the intro but guitar, bass and drums come in pretty quickly. The song is named after a mountain range in Spain with the same name. I can't quite connect the music as being descriptive of a mountain range unless they're being written about the context of flying over them. "Square Circles" has some moments in the track that remind me a little bit of King Crimson, though the sense of melody is still a tad more traditional. Jeff Loomis guests on this track for a guitar solo, and it is a fairly outstanding solo in the context of the song, having a good balance of being emotive and twisted."Red Giant" is a pretty intense track, with some more middle-eastern vibes going on, and one of the most engaging and vocal-like melodies from the album, to my ears. "Confessions of a Medieval Monument" definitely grabs a certain type of vibe from the opening, with a cool (but fairly simple) bassline running behind it. This is definitely one of those songs that creates a fertile atmosphere for a little mind movie to play along to it. The way the dynamics are used on this song, as well as the recurring melodic theme, make this easily one of the strongest tracks on the album. The title track, "Concrete Gardens," is interesting with a heavy rhythm guitar and a (initially) much cleaner lead part. Something about this track reminds me of Frank Zappa, which is absolutely a good thing. The album closes out with a song called "Maiden's Wish," which is played on keyboard/piano as a solo piece. It is a fairly light-hearted song to end the album with, and I enjoyed it. If you just listen for the crazy guitar, then you can stop short of "Maiden's Wish." // 8Lyrics: There are none. // 8Overall Impression: I have always been extremely impressed with Tony MacAlpine, and this album just reinforces my opinion. While he may not be quite at the technical/speed level of some other virtuoso guitarists, especially the whole Shrapnel bunch, he makes up for it in a strong sense of feel and musicality. I especially enjoy the melodies he uses as recurring themes in many of his songs. I highly recommend this album to anyone who's a fan of instrumental rock or metal. // 8" - Ultimate-Guitar.com
    $15.00