Four & More ($5 Special)

SKU: CK93595
Label:
Columbia Legacy
Category:
Jazz
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"In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards." - Allmusic

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  • Official (?) release of a live performance that has been circulating among tape traders for decades.  This was a live in the studio performance recorded for the BBC in 1973 in front of an invited audience.  Its a classic gig that features Wishbone Ash's Andy Powell on Ashes Are Burning along with Al Stewart.
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  • After releasing a lengthy EP a few years ago, this eclectic French jazz rock band have returned with a full length release. I say eclectic only in that the instrumentation is a bit unusual: harp, vibes, electric guitar, bass, drums, trumpet, ao. The band's music is very melodic with a lot of energy. There is an obvious influence from Frank Zappa at his instrumental best (and they manage to leave Frank's humorous aspect behind). The band's name also gives away their affectation for the music of Gong - but of the later period when Pierre Moerlen was at the helm. The music of Forgas Band Phenomena also comes to mind. Very highly recommended.
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  • Killer price - check around!Recorded September 24th, 1969 at London's Royal Albert Hall, Jon Lord's Concerto For Group and Orchestra really was a meeting of two different worlds, combining rock and classical modes. The first album to feature the classic Mk2 line-up of Deep Purple, it was originally released on Harvest Records in 1970 as a single LP. Now across six sides of vinyl, this is the very first time that the night's entire performance, starting with Sir Malcolm Arnold conducting The Royal Philharmonic Orchestra for his Symphony No. 6, Op. 95, and ending with the encore of the Third Movement: Vivace-Presto, has appeared on LP.Deep Purple survived a seemingly endless series of lineup changes and a dramatic mid-career shift from grandiose progressive rock to ear-shattering heavy metal to emerge as a true institution of the British hard rock community; once credited in The Guinness Book of World Records as the globe's loudest band. Their revolving-door roster launched the careers of performers including Ritchie Blackmore, David Coverdale, and Ian Gillan."Ritchie Blackmore sounds great and plays his heart out, and you can tell this band is going to go somewhere, just by virtue of the energy that they put into these extended pieces." -Bruce Eder, allmusic.comFeatures:• 180g Vinyl• Triple LP• 2002 remix & remasterMusicians:Jon Lord, keyboardsRitchie Blackmore, guitarIan Gillan, vocalsRoger Glover, bassIan Paice, drumsThe Royal Philharmonic OrchestraMalcolm Arnold, conductorSelections:LP 1 - Side 1:Sir Malcolm Arnold's Symphony No.6, Op.951. 1st Movement: Energico2. 2nd Movement: Lento3. 3rd Movement: Con FuocoLP 1 - Side 2:1. Hush2. Wring That NeckLP 2 - Side 3:1. Child In TimeLP 2 - Side 4:Concerto for Group and Orchestra1. First Movement: Moderato - AllegroLP 3 - Side 5:Concerto for Group and Orchestra1. Second Movement: AndanteLP 3 - Side 6:Concerto for Group and Orchestra1. Third Movement: Vivaco - Presto2. Encore 
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  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hard card fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.  More will follow in the near future.Unicorn is a hot set recorded by noted Japanese bassist Teruo Nakamura.  It features killer players like George Cables (electric piano), Steve Grossman (soprano sax), Lenny White and Alphonse Mouzon (drums) among others.  Recorded in 1973 in NYC, its a wonder example of "spiritual" or "soul" jazz."Unicorn was bassist Teruo Nakamura's first date as a leader. Recorded and issued in Japan on the legendary Three Blind Mice imprint in 1973, Nakamura had been working in New York since 1964. He'd done a lot of hardscrabble work before 1969 when he landed the gig as bassist in Roy Haynes' fine group of the time. During that year he formed a band with Steve Grossman and Lenny White, who both appear here. This is an interesting date because it is equally divided between very electric fusion tracks and more modal acoustic numbers. Grossman plays on all but one cut; White appears on three. Other players include Alphonse Mouzon on three cuts (instead of White), George Cables on Rhodes, John Miller on acoustic piano, a young percussionist named Ronald Jackson (born Ronald Shannon Jackson), pianist Hubert Eaves III (later of D Train fame), trumpeter Charles Sullivan, vocalist Sandy Hewitt (on Eaves' "Understanding" and "Umma Be Me"). Nakamura plays acoustic upright bass on four tracks and electric on two others. The music is very much of its time, and though it is a session players gig, with rotating lineups, there is plenty of fire here. Grossman had already done his stint with Miles Davis and is in fine form on soprano (especially on the opening title cut), and tenor on John Coltrane's "Some Other Blues." White and Mouzon are both outstanding, so the drum chair is killer throughout, no matter who's playing, and Cables' Rhodes work on the Trane cut and "Derrick's Dance," written by Miller, is stellar. Nakamura, for his part, is more than an able bassist; he leads by guiding the rhythm and not standing out as a soloist." - Allmusic Guide
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