Fly By Night ($5 Special)

SKU: 314534624
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Progressive Rock
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The band's second album. At this point the progressive elements were just starting to be displayed.  Remastered edition.

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  • I would have to guess (purely a guess) that this was the band's most successful album in terms of sales. It's the album that got me into their music. Fantastic orchestral metal loaded with awesome melodies and great playing. Simply a stunning album that should be in every progmetal collection. This is the remastered version that comes with 2 bonus tracks and new liner notes. Highest recommendation.
    $15.00
  • Four mammoth length drugged out tracks that will blast you off to the deepest part of the cosmos."The fifth instalment of the Cosmic odyssey on Paradigms. As as you will surely now expect, it's a potent kraut mammoth of the highest order. Four towering psych beasts inhabit this album, commanding 74 blissful minutes. You can hear one of them below.Only previously available on cassette, 'The Inner Sanctum' is now available as a luscious, limited digi-pak album, laden with glorious artwork and some of the band's hardest cuts. Only 500 of these wonders are available. THE COSMIC DEAD on top of their freak-out game, right here.."
    $16.00
  • In 1991 Banco Del Mutuo Soccorso inexplicably decided to revisit their first two albums. The band completely re-recorded the albums and in fact expanded on some of the earlier versions of some of the songs. Shockingly it worked really well. There wasn't an attempt to do radical rearrangements or modernize anything other than the instruments they used. Perhaps just for sentiment I prefer the warmth and nostalgia of the original version but this an interesting attempt to revisit the material and add a bit of polish. Highly recommended - even if you have the original.
    $11.00
  • Excellent full length from this up and coming German band. Effloresce fits within the realm of progressive metal but not neatly. Effloresce is fronted by female vocalist Nicki Weber. She has a solid midrange voice. Curiously she also adds harsh black metal vocals in spots as an embellishment...and she also plays flute. Keyboards have a bit of an old school feel (I might even be hearing some Mellotron samples mixed in). In general there is a dark spirit to the music that touches on Opeth territory. Dan Swano mixed and mastered the album so I can understand that angle. The album is filled with epic tracks and while not really solo crazy there are lengthy instrumental passages that demonstrate these guys can certainly play. I'm definitely enjoying the prog rock aspects that keep turning up in unexpected places. Be forewarned, some of you may be turned off by Nicki's use of raspy vocals in spots but its not done in a heavy handed way.
    $15.00
  • Latest from Germany's melodic metal Gods.
    $13.00
  • One of the best US prog metal. Firmly rooted in the Dream Theater sound.
    $5.00
  • "Dimension is a progressive metal band, based in Denver, CO, USA. It was founded in 1999 by David Quicho (guitars and vocals) & Mane Cabrales (drums) . They play a heavy yet melodic brand of progressive metal, and Revolution is a double disc with over 90 minutes of music.With The Source, it begins with a haunting piano, with Quicho's vocals coming in shortly after. His vocals use an almost phaser like effect, which can sound a little weird to someone not used to it. Though soon afterwards he shows his strong vocal range. Ranging from a John Arch(ex-Fates Warning) Or Charlie Dominici(ex-Dream Theater, Dominici) high to a more aggressive mid range, ala Harry Conklin(ex-Jag Panzer). The next two songs offer something a little bit different, with a huge melodic chorus during Pale Horse that showcases some great drumming from Cabrales and vocals from Quicho. With a little title like The Waltz Of Death you might expect a symphonic intro, and it does, with a waltz to boot! After that intro, the song is a big melodic song with some nice guitar solos, and tempo changes as well. New Day is a haunting slower melodic song, that really highlights Quicho song. This song you will either love or hate his vocals, but the vocal melody matches the song perfectly. Some great instrumentation as well mid song, and an added heaviness heard midway adds a dynamic to the song. Tears of Blood and The Resistance are two mid to faster paced songs, with the latter having a great straight-ahead guitar riff, that easily induces headbanging. The added keyboards in the beginning of The Resistance definitely gives the song a progressive feel to it. Some great drumming, with certain notes being accented more than others, gives the song an aggressive feeling, though the song itself is very melodic. Welcome To America is a song you will want to listen to the lyrics for, especially if you live in America. The last song on disc one is a cover of The Beatles classic, Eleanor Rigby. While this song has been covered numerous times, I really did enjoy this progressive metal take on it. At just barely over two minutes long, it definitely is short and sweet.Angel starts off disc two, and much like what was heard on disc one is a mixture of heavier parts and melodic parts lead by Quicho's unique vocals. The song has a great instrumental section just after the three minute mark. The next song Human Device shares a lot of the same ideas presented in Angel without sounding like the same song. The instrumental, The End Of All Things is next, and it takes its time building up into one massive piece of precise musicianship. Unlike a lot of their contemporaries, Dimension does not over do it with the instrumentation. Yes there is definite technical skill from all three members, but they don't stray too far away into wankery-land where the song ends up sounding like one long jam section. There is definitely a well thought out song structure here. The epic not only in length, but in melodies, time signatures, and everything else you would expect from a solid progressive metal band, can be found in the nineteen minute plus, War Dream. A heavily melodic song with great instrumental passages, weaves back and forth between melody, technical prowess, and heavier parts of the song. I could write a review about this one song. Much like Eleanor Rigby ended the first disc, the classic Led Zeppelin, Immigrant Song ends disc two. Maintaining the Page riff, and the Plant vocal melodies, the song does not stray too far from its source material, but has a personal and welcomed Dimension touch to it.Reviewing a double disc from a band I don't know, has been daunting, but definitely a welcomed challenge. I researched the band's previous releases to find that Marty on this site had reviewed their 2007 disc, Ego. From the samples of Ego I have heard, I honestly believe the band has taken the next step in their evolution. Dimension is definitely a solid band, and one that should be on the radar for fans of the genre. Most songs have complex song structures, yet are accessible to those who enjoy melodic music as well." - Metal Reviews
    $14.00
  • "EXPEDITION DELTA is a project from Srdjan Brankovic, one of the founders of ALOGIA, the biggest selling progmetal band in Serbia. After the huge success of their 2 albums and tours opening for Whitesnake, Apocalyptica, Savatage and Paul Di Anno, Srdjan decided to do a no holds barred progrock/metal album in English, assembling some of the worlds finest players and EXPEDITION DELTA is the result.Together with Srdjan Brankovic, many famous and great musicians are involved with the \"Expedition Delta\" album. Some of them are Gary Wehrkamp (Shadow Gallery), Andrea De Paoli (Labyrinth), Richard Andersson (Time Requiem), Erik Norlander (Rocket Scientists), Joost van den Broek (Sfter Forever), Sabine Edelsbacher (Edenbridge), Torsten Roehre (Silent Force), Santiago Dobles (Aghora) and many others...The whole album is sung by Nikola Mijic with the exception of 3 songs that include the appearance of Sabine Edelsbacher, Irina Kapetanovic and Aleksandra Jankovic in a duet with Nikola.The album was recorded and produced by Srdjan in his Paradox Music studio where he works with many other Serbian bands. The cast of the album includes:Srdjan Brankovic (Alogia)Nikola Mijic (Alogia)Gary Wehrkamp (Shadow Gallery, Amaran's Plight)Sabine Edelsbacher (Edenbridge)Erik Norlander (Rocket Scientists, Lana Lane)Vladimir Djedovic (Alogia)Richard Andersson (Time Requiem, Space Odyssey)Andrea De Paoli (Labyrinth)Joost van den Broek (After Forever)Santiago Dobles (Aghora)Alex ArgentoTorsten Roehre (Silent Force)Rene Merkelbach (Ayreon)Borislav MiticVivien Lalu (Lalu)Miroslav Brankovic (Alogia) Ivan Vasic (Alogia) Irina Kapetanovic (Irina & Storm) Mikkel Henderson (Evil Masquerade, Circusmind) Alexandra Jankovic
    $3.00
  • Mind Colours is the debut album from this instrumental Italian quartet.  The band features the former guitarist and keyboardist from The Watch - Ettore Salati and Fabio Mancini.  While there may be some traces of fusion around the perifery, Soulengine's stock in trade is symphonic progressive rock.  Salati's leads are very fluid, reminding a bit of Steve Hackett (not surprising).  Mancini contributes Hammond organ, analog synths and of course Mellotron.  There are stretches where you will feel transported back to the 70s listening to a Genesis jam session.  Very nicely done.  Highly recommended.
    $15.00
  • This is the new 40th anniversary edition.  The CD features the expanded set and given a new mix courtesy of Robert Fripp, Tony Arnold, and David Singleton.  The DVD-A features a hi-rez (24/96) stereo mix and hi-rez (24/48) versions of the 2005 mix as well as the 30th anniversary remaster.  You also get a 24/96 vinyl transfer.  I think Robert has definitely beaten this one to death.  Once you have this version there isn't anything left.
    $21.00
  • Originally released in 1970 this one features classic material like "Question", "And The Tide Rushes In" and "Melancholy Man".
    $10.00
  • Perhaps we all burnt out on this album some time ago - I know I played it to death. Released in the US as "Security". In retrospect it may well be Gabriel's solo album that held up the best and could be considered the pinnacle of his solo career. Gabriel explored world music tribal rhythms and sampled sounds The whole album has lots of electronic processing courtesy of Larry Fast which lend an otherworldly quality to the production (which is of audiophile standards). It's an extremely dynamic recording that will tax your audio system and your brain. This one is filled with classics like "San Jacinto" and "Lay Your Hands On Me". Not prog rock per se - but progressive for sure. Very forward thinking thought provoking intense music. A classic.
    $12.00
  • Jettisoning the spacey sounding keys used on Venus or Fantasma, Germany's Everon still whip up a hard edged neo-progressive rock sound. Still plenty of keys used but there is a more direct immediacy to the music than before.
    $16.00
  • "I’ve been waiting for the release of “Endgame” for some time now, this is honestly the first time I have been excited about a Megadeth album in years and this is due partially to the hiring of the incredible Chris Broderick, but mainly due to Dave Mustaine’s change of attitude toward the writing process with the album. Dave has been quite open during the recording process regularly updating his fans on the Megadeth forums and his latest venture TheLiveLine where he has been posting audio messages. I’m not sure if this was a conscious effort to restore some respect but it seems to have worked, there has been a lot of praise for Mustaine and the new Megadeth lineup over the last few months and has helped elevate not only Megadeth’s public profile but apparently Dave Mustaine’s songwriting abilities back to a level we haven’t experienced for some time. Before I go any further I want to point out that I have managed to avoid reading any reviews of this album as I wanted to approach Endgame without any kind of outside influence before writing about it.Dave Mustaine has always made good choices when it comes to hiring new talent and although he is probably sick of hearing it the appointment of Chris Broderick was the most exciting news since Marty Friedman joined the band. Don’t get me wrong though, Chris certainly won’t be taking all the glory, Dave’s brutal rhythm playing is as crisp and perfectly timed as ever. There is a lot of texture on this album such as the excellent “44 Minutes” with its machine gun verse riffs and layered guitar melodies over the chorus and trademark Megadeth solo trading. The outro on this track has some jaw droppingly terrifying playing from Chris Broderick.The first track on Endgame is an instrumental which I was surprised about but it is almost like Dave is saying, check out how awesome my band are! It is a great double-bass pedal thumping track with solos galore, a nice way to introduce Chris as the new Mega-Shredder™.“1,320” is another classic sounding Megadeth song, the lyrics are a bit cheesy (is it about drag racing?) but the riffs are brutal, the solos are harmonised, Dave sounds angry and the ending is double-time, always a winner!Other highlights including the chugging rhythms of “Bodies“, the fierce audio assualt that is “Head Crusher” which was released as a teaser track a while back. This was a great marketing idea to get people interested because it is probably the most “Thrash” sounding track on the album with “Holy Wars…” kind of punch you in the face riff except with much bigger and better sounding production.The production on this album is up there with United Abominations (which takes some beating) for quality. Everything has a lot more space compared to United Abominations, although I did like the in-your-face dry guitar sounds on that album, the reverb on Endgame does push the solos into the background a little more.The only part of this album that I don’t like is the ballad “The hardest part of letting go – sealed with a kiss“… ballads on a Megadeth album? Dave singing a love song really sounds wrong to me, especially the whispered “goodbye” toward the end of the track. The only thing that saves this song is that after 1:40 the acoustic love song turns into a galloping metal riff for 1 1/2 minutes where the song is much more Megadeth and less Def Leppard, then it returns back to the power ballad. A small blemish on an otherwise brilliant album.If you are an old school Megadeth fan you are going to love this album, I actually finished listening to it the first time wanting more tracks. If you are new to Megadeth you couldn’t have discovered them at a better time, Dave Mustaine has firmly taken hold of the reigns in order to re-establish Megadeth as one of the greatest Metal bands in history with an album that will be talked about for years to come." - Guitar Noize
    $10.00