A Farewell To Kings ($5 Special)

SKU: 314534628
Label:
Mercury
Category:
Progressive Rock
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Everyone has their favorite Rush album...this one is mine. "A Farewell To Kings" is a pure masterpiece of progressive hard rock. Their use of dynamic shadings on this record are outstanding, most notably on "Xanadu". Essential prog.  Remastered edition.

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  • Next to last album finds the band with a new lineup and a more commercial direction. Still some good stuff here.
    $18.00
  • 2nd concept album is subtlely more straight ahead than their debut but is still light years beyond most bands in terms of originality and complexity. Compared by some to Faith No More.
    $15.00
  • Now here is a beautiful slice of contemporary progressive rock.  Anubis is an underrated band from Australia - bands down under don't seem to get the attention they deserve.  Hitchhiking is their third full length album.  2011's A Tower Of Silence was a big hit around here and frankly when it arrived it came as a huge surprise.  This long awaited follow up reinforces that the prog rock world needs to take notice.  The music has a cinematic Floyd-like feel.  Vocals from Robert James Moulding are emotion driven and have plenty of impact.  This is not a band who's music is filled with tons of soloing but what's here is solid.  In other words this is not old school prog - its very forward thinking but with a modern sound.  Highly recommended."I have long dreamt of an Australian progressive rock album that would inspire me to click the repeat button, in order to drift through its world all over again, and I am happy to declare that Hitchhiking to Byzantium has been on constant rotation for weeks at this point. Bringing an enchanting blend of Floydian melancholy and the energy of Rush to the table, Anubis have come to stake their claim as heavyweights in the Oz scene with their third opus.Whilst being equally impressed with their 2011 album A Tower of Silence (which I have only just heard recently also), I have found myself returning to Byzantium more to explore the subtle nuances contained within the album’s ten tracks. ‘Fadeout’ as an opening diddy is like riding a gentle breeze for just a short while before being swept up in all the drama and opulence of ‘A King with No Crown’, a reference quality track on every level, cinematic in scope and full of drama and tension and certainly an inspired choice as opening single for the album. ‘Dead Trees’ is a classic prog cut with all the bells and whistles sporting a vocal performance that harkens to a young James Labrie and a chorus that will have you by the balls from the first time you hear it.I mentioned a notable influence from Floyd and Rush earlier, but if I was to be honest, I would love to ask them if they are fans of American prog band Tiles and those wonderful Brits Anathema, because both bands are called to mind on this album amongst others like Sweden’s Anekdoten. The title track is a sublime centrepiece and features a plaintive aura that is sent soaring when spine-tingling female backing vocals lace the chorus. It’s so hard to choose a favourite song when they are all so filled with creamy goodness, but any of these three  - ‘Blood is Thicker than Common Sense’ (a seductive groover), ‘Tightening of the Screws’ (a majestic slice of melancholia reminiscent of early The Pineapple Thief) or ‘Partitionists’ (a lyrical and musical marvel) - could easily take the title for this humble listener.The final triptych features dark drama in ‘Crimson Stained Romance’, a song that reminded me most of a classic Floyd epic, the 15+ minute ‘A Room with a View’, which is nothing short of a sweeping symphony of moods and tones and the closing ‘Silent Wandering Ghosts’ sounds exactly like its title would suggest, haunting and transcendent with an outro to die for.These seven talented lads are a gifted lot, with every performance of outstanding quality, enhanced by a jaw-dropping production that let’s every instrument tell its own little story and play its part in this emotionally resonant work that as the band state themselves: "I feel that there's more of us in there - the hurdles that life throws at us and the only way to feel true inner peace - by examining the love around you. It's certainly an introspective record - but it's real life. It's about you, it's about me, it's about all of us. Hitchhiking to Byzantium. That journey is life."And somehow I believe them." - Loud Mag
    $15.00
  • "Klaus Schulze - the master of electronic music - will release with ""La Vie Electronique Vol. 14"" recordings from the years 1993 to 1999. In Klaus Schulze's music we each find what we're looking for. Today there is still the same intensity that first drew listeners in four decades ago. It's repetition without repetition and that is the art of what Schulze does, it's an arena in which he is second to none. His music continuing to strike a chord at the heart of what all the world's greatest music seeks to achieve, to uplift and affect the human soul. With the release of ""La Vie Electronique Vol. 14"" the widening collector community will be delighted again. We are coming to the end of a long journey - this series will end for the time being with the release of Vol. 15 in Spring 2014."
    $21.00
  • AdC is the third album from this incendiary Italian fusion quartet.  The previous two albums were a bit more off the wall, bearing some overtones of Deus Ex Machina.  They've toned that aspect of their sound way down.  Mahavishnu Orchestra is an obvious influence but it seems that this time around the band has crafted something that is more of an individual sound - not a copycat band.  The album seems to have just the slightest bit more agression than in the past ie. more energy - not metal.  Cool proggy vibe throughout as well as beatiful frenetic soloing and interplay.  Highly recommended.
    $15.00
  • Great late 70s fusion album originally release on the short lived Egg label. Francois Breant is a talented keyboardist that surrounded himself with some top notch musicians including Didier Lockwood on violin. One of my favs from the scene now comes with two bonus tracks of recent recordings from Breant. Easily recommended.
    $14.00
  • Album number 14 from the premier American symphonic rock band.  Steve Babb and Fred Shendel mix up the deck a bit with different cast of characters but the core sound remains intact.  If you are unfamiliar with Glass Hammer what you need to know is that Steve and Fred have assimilated the best elements of 70s US and Euro prog and melded it into something fresh.  Vocalist Jon Davison sounds so much like Jon Anderson that he was actually poached by Yes!  This is lush symphonic rock with killer keys.  Think in terms of Yes, Kansas, ELP, and Gentle Giant and toss 'em in a blender.  That's the Glass Hammer sound.  Lots of interesting guests this time around.  Old GH alumni Walter Moore and Michelle Young make and appearance.  Higher profile guests include Randy Jackson (Zebra - not American Idol!), David Ragsdale (Kansas), and Rob Reed (Magenta).  Another triumph from the good old southern boys of prog.  Highly recommended.
    $12.00
  • "HELSTAR was formed in Texas, way back in 1982, and were one of the first power metal bands hailing from the US. Stylistically, their new (and ninth) album 'This Wicked Nest' is in the same vein as the band's classic albums from the 80's, with the same high quality as albums from their 'classic' era."
    $15.00
  • The band's second album now remastered and featuring two bonus tracks.
    $8.00
  • This is the album where I had a hard time telling these guys apart from The Police. A fall off in quality from Moving Pictures - the tunes are shorter and more radio friendly.  Remastered edition.
    $5.00
  • "There have been those times in man’s life where he tells himself that he had enough with everything that had been going on surrounding his ordinary environment. Aside from the warmth of family life or even by choosing, the soothing loneliness, there are the proceedings of the society such as the corrupt politics and fragmentary feast for power that seemed to be endless without a care for future consequences. So how one can escape such a world where everything seemed to be blackened, not like a starless night, but by mankind itself that commences various of actions without thinking first? The answer might be running away but to where? The only answer is to the far reaches of space by cunningly stealing a spaceship. Though it sounds like a story from the far future when space travel is available, but it has a sense it in and can also be inferred to the spiritual form of the works of the mind and how it can escape reality while submerging into an altered universe of hopes and dreams about better life. Well, I will stop here with the philosophical debate with myself, though it is rather intriguing. The purpose of my gibbering your thinking patterns is because it highly relates to the new concept album by the Italian Power Metal band, VISION DIVINE. “Destination Set To Nowhere”, released via earMUSIC / Armoury Records, is the Metal journey and your new Star Trek across the vast space in finding new fortunes and ideologies without forgetting where the warmth of home lies.I have to tell you that it has been really difficult to not keep on discussing VISION DIVINE’s ideas regarding this fascinating story that though sounds pretty simple it harbours so many standpoints that a whole article can be written on top of their basis. However, there is also the Metal behind the philosophical mind that created this story. Nearly like every Power Metal band coming from Europe, VISION DIVINE has been storming in high speeds without letting of the so important melodic touch, an element that has been chief for the large majority of European Metal bands of the kind. Olaf Thorsen(nickname of Carlo Andrea Magnani), guitarist of the veteran Power Metal band LABYRINTH, created this beast as a side project but it got into something more. While along the years massing some of the greatest talents of the Italian scene, including the special recruitment of RHAPSODY OF FIRE’s top notch frontman, Fabio Lione, VISION DIVINE, the way I see it, has been able to assert itself as the Italian STRATOVARIOUS, but in a much higher level, while when it came down to musical quality and tenacity topping their own local mother bands as RHAPSODY OF FIRE and LABYRINTH. Right from its foundation, while perfecting their style year after year, including this here release, that for me is the band’s greatest achievement, VISION DIVINE spread their high regard for melodic Power Metal but with such musical sophistication that took them into towering altitudes and even into the world of Progressive Metal with slight similarities to DREAM THEATER and ANUBIS GATE.As far as the diverse course of “Destination Set To Nowhere”, I believe that VISION DIVINE were able to entice with such profound technical abilities and incredible skills to create wonderful tracks that seem to be endless. Throughout the entire release I was trying to relive the lives of that men and women on that spaceship running away from the frustrations of Earth. The intense and clever riffing, rhythms, great keyboards layers and miscellaneous drumming, like fast paced heart beats of hundreds of people, aided on understanding what went on through the stages of the story, where is the next destination in the land of nowhere. On top of those all there is the magnificent vocal line by a voice that is so smooth and clear but also has its own deadly Hyde creeping from its cage from time to time. I can’t really break this tracklist into lone tracks because I believe that this entire release is something that you ought to experience in full. Of course that I have my personal choices regarding preferred tracks, and I am used to provide clear cuts, yet for the sake of the story and the effort that was spent on the material, I will leave you to decide which part of this journey suits you more. Generally, VISION DIVINE is offering you an accessible showcase of musical prowess and utter creativity to step into what could be in the not so far future, and maybe help you to think to who or what idea do you mark your ballot for. “Destination Set To Nowhere” certainly became one of my candidates for the album of year for 2012." - METAL TEMPLE
    $13.00
  • "Danish rockers Volbeat have always been extremely popular in their home country, and with each album they’ve gained more momentum and fans. However, 2010‘s ‘Beyond Hell/Above Heaven’ was their true breakthrough in North America, spawning hit singles such as ‘Heaven nor Hell’ and ‘A Warrior’s Call,’ which both topped the Billboard Active Rock chart.For Volbeat’s follow-up disc, Rob Caggiano was brought aboard to produce ‘Outlaw Gentlemen & Shady Ladies.’ The collaboration went so well that Caggiano ended up joining Volbeat as their permanent lead guitarist shortly after exiting Anthrax.Anticipation has been high for ‘Outlaw Gentlemen & Shady Ladies,’ and Volbeat deliver. Their sound has always drawn on many different influences, from classic rock to punk to metal to rockabilly. Those influences and more are evident on this album, perhaps their most diverse to-date.After the acoustic western-tinged intro “Let’s Shake Some Dust,” the album kicks off with the ultra-catchy ‘Pearl Hart.’ The rock charts are packed with sound-alike bands that are good, but lack a unique identity. That’s not a problem with Volbeat. In addition to their diverse influences, singer Michael Poulsen’s voice is very distinctive.Volbeat have the ability to morph from accessible rock to heavy but melodic metal like ‘Dead But Rising’ without missing a beat. They may not be ‘metal enough’ for some fans that like their music more extreme, but they bring aboard a guest singer who is undeniably metal. The legendary King Diamond lends his world-class pipes to ‘Room 24.’The song has heavy riffs, creepy female backing vocals and plenty of vocal acrobatics from King Diamond. Poulsen’s melodic singing contrasts nicely with Diamond’s falsetto. King isn’t the only guest on the album. Sarah Blackwood from the Canadian band Walk off the Earth duets with Poulsen on ‘Lonesome Rider,’ which has some steel guitar and a rockabilly vibe.There’s a cover song on the album as well. Volbeat does ‘My Body,’ originally recorded by Young the Giant on their 2010 self-titled album. The track did well on both the Alternative and Rock charts, and many will recognize it.‘Outlaw Gentlemen & Shady Ladies’ has something for fans of numerous genres. It includes a Western theme with a little twang, lots of radio-friendly cuts, harder edged tracks, the aforementioned guest vocalists and a lot of variety. It’s an impressive effort that’s both credible and commercial." - Loudwire
    $12.00
  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • New remastered edition of the expanded version of Art & Illusion. Previously available on Cyclops but out of print for some time. There is also a bonus disc with 12 live tracks taken from various gigs in 1984.
    $18.00