Expresso II

Expresso II

BY Gong

(Customer Reviews)
$10.00
$ 6.00
SKU: CDV2099
Label:
Virgin Records
Category:
Jazz Rock
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The musical sequel to Gazeuse! features A. Holdsworth, Mick Taylor, Darryl Way, and others.

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  • In recent times there has been very little new music coming from the Magma camp.  "Slag Tanz" is a new composition that the band has been performing and its finally been recorded in the studio.  Its got the classic Magma sound and if you are a zeuhl fan this is indispensable.Funny that their new label is referring to this as jazz metal.  Perhaps they should try a different marketing ploy."Powerful, hypnotic, unclassifiable, incomparables. MAGMA are in a class of their own. Finally, music to set the cat among the pigeons... Magma are the dynamite that will explode the conventions of a music scene that is becoming rather too self-satisfied with its own beauty... Magma are unlike anything that has gone before...So people were saying in 1970.In 2015, nearly half a century later, this is truer than ever and the new mini-album Slag Tanz (pronounced schlag tanz), this veritable symphony of jazz metal that has erupted from nowhere, radiates with all Magma s singular intensity!"Slünd AImëhntösz - Alerte ! (2:19)Slag (3:03)Dümb (2:57)Vers la nuit (3:30)Slünd BDümblaë - Le silence des mondes (2:58)Zü Zaïn ! (2:16)Slag Tanz (2:29)Wohldünt (1:23)Lyrics & Music : Christian VanderStella VANDER : voiceIsabelle FEUILLEBOIS : voiceHervé AKNIN : voiceBenoît ALZIARY : vibraphoneJames MAC GAW : guitarJérémie TERNOY : pianoPhilippe BUSSONNET : bassChristian VANDER : drums, piano, voice on "Wohldünt"Recorded and mixed between september 2013 and september 2014 at UZ Studio by Francis LINON
    $13.00
  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hardly be called fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.  More will follow in the near future.By the mid-70s Three Blind Mice was loosening up just a little bit in terms of the label's scope.  Ako's Dream is an interesting set that was released in 1977.  Suzuki is a bassist and cellist - on this album he is playing cello.  The lineup features two guitarists - one of which is the incredible Kazumi Watanabe.  Lots of electric piano and (gas) even some synthesizer.  The album consists of four long tracks that really hit a groove particularly on a reworking of Gene McDaniel's "Feel Like Makin' Love" which almost has a funky vibe to it with synth washes that take it into a spacey direction.  Its always fun to hear Watanabe on these jazz sessions, lurking in background and then coming to the fore and tearing it up.  Highly recommended.
    $29.00
  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hard card fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.  More will follow in the near future.Green Caterpillar has long been a favorite of audiophiles and now fans of kosmigroov have caught on to it.  As a result prices have soared over the years.  Even the old CD reissue goes for $$.The album features Masaru Imada, a jazz pianist of some reknown in Japan.  This features his trio expanded into a quintet with the addition of guitarist Kazumi Watanabe and percussionist Yuji Imamura (see Air).  Typically Imada worked in a standard piano, bass, drum configuration but on this one he really lets his hair down.  Parts of this album feature Imada playing electric keyboards and he's wonderful but the real spice to this lineup is guitarist Watanabe.  The album consists of 4 long tracks.  The title track is the show stopper.  It settles into a funky electric rhythm and then Kazumi lets it rip.  Easily one of the best albums on Three Blind Mice and essential.
    $29.00
  • A lifetime ago The Laser's Edge reissued this fine offshoot from Circus.  Its been out of print for years and has now been resurrected by Belle Antique.Blue Motion consisted of Fritz Hauser (drums/percussion), Stephan Greider (keys), and Stephan Ammann (keys).  This was one of the first (if not the first) digital recordings made in Switzerland.  With little to no overdubs, the recording has a live, spacious feel.  The two keyboardists play off of one another in dizzying fashion - it can become hypnotic at times.  Bosendorfer Imperial grand piano, ARP Quadra, Hammond C3, Fender Rhodes, and Hohner Clavinet was their arsenal and they played the hell out of them.  Hauser is an exemplary percussionist and he never gets lost in the fray.  Parts of this may actually remind you of ELP a little bit...but just a little bit.  Highly recommended.
    $34.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00
  • Second part of the English Electric concept dealing with life across the UK landscape.  What a beautiful album.  First off lets make it clear - Tony Banks and Mike Rutherford made a huge mistake.  Vocalist David Longdon should have been Phil Collins replacement in Genesis.  He would have fit like hand in glove.  The album features the band augmented by a variety of guest musicians including Andy Tillison of The Tangent who contributes organ, Moog, and Mellotron parts.  Its all very British sounding and once again a wonderful mix of old school prog and a more contemporary neoprog sound.  Highly recommended.
    $13.00
  • Setna is a superb French ensemble whose style of progressive rock firmly falls within the zeuhl framework.  Their 2007 debut was a bit controversial.  There was quite a bit of anticipation for the release as fans of the genre were anticipating a full on Magma assault.  What they got was something that smoldered and didn't explode but it did so consistently.  So for some fans their expectations fell short.  For more wide eared listeners they recognized a band that was influenced by Magma but didn't slavishly imitate them.Guerison is the follow up and finds them stretching out a little bit more.  Magma is still the prime influence but there are equal influences from the Canterbury sphere.  The band employs a dual keyboardist configuration.  Florent Gac's overdriven organ will definitely remind you of David Sinclair.  There are some Mellotron bits scattered about and among the many guest musicians you will find Magma alumnus Benoit Widemann on Mini-Moog.Outstanding stuff.  Highly recommended.
    $16.00
  • Finally available on CD is this near mythic album that Zeuhl/Magma fans have been lusting after for so many years. Part of the cult like following is because the main guy in the band - drummer/composer Michel Le Bars - is supposedly bats**t crazy and has disowned the album for myriad of reasons. Some of it might even be true. The album came out in 1981 and was only released in an edition of 300 lps. Its rare and now you can hear how great it really is. Oh yeah - its an (believe it or not) authorized edition and comes with a 10 minute bonus track. Highly recommended.
    $18.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • The second album of a projected 4 disc series. This one is heavier than Ki and also features Anneke Van Giersbergen (ex-The Gathering) as guest vocalist.
    $13.00
  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hard card fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.This was Masaru Imada’s first album for Three Blind Mice and only the second release for the label.  Its an all acoustic album – not like Green Caterpillar.  The music consists of four beautiful modal jazz pieces.  It has long been an audiophile reference album.  The music is stunning and you can also dazzle your friends with the sound.“Side 1 gets us under way in languid late-night mood, with Nostalgia, a stately ballad that gives Mimori a chance to open up on tenor. Next up is Alter, which opens with the spotlight on Ozu and Mizuhashi before developing into free exploration with plenty more good work by Mimori. But it's Side 2 that really delivers, two fantastic tracks, the mighty modal Gehi Dorian, which really cuts loose with a righteous groove. To close Imada and his crew dial it back a bit, and go out in lyrical style with The Shadow.”- Barbara Sounds blog 
    $29.00
  • The Japanese jazz scene is finally getting the attention it deserves.  Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being created there.  Some of the musicians like Terumasa Hino and Masabumi Kikuchi crossed over into the world jazz scene but for the most part many of the musicians there only gained popularity in Japan.  One of the most important Japanese jazz labels from the 70s was Three Blind Mice.  It was started in 1970 by producer Takeshi "Tee" Fuji.  The label adhered to strict audiophile standards and all of the releases on the label featured exemplary sonics.  The music of Three Blind Mice tended to fall into three facets of jazz (they would crossover from time to time).  Some of the artists play very traditional straight ahead jazz.  Frankly while this stuff appeals to audiophiles its not that appealing beyond the sonics.  There was also an experimental side to the label featuring a lot of free jazz blowing.  The third aspect, which to my ears is the most interesting, is the area where the label explored modal jazz, often with an electric element.  Very little of it would be hard card fusion, but a rock element would sometimes be present.  This falls into the realm that has been broadly tagged as "kosmigroov".The label only existed in the 70s and the rights to the catalog has now passed over to Sony Music.  Think Records in Japan has started a limited ediiton reissue campaign of the Three Blind Mice label.  They arrive in mini-LP sleeves and are manufactured using Sony's proprietary Blu-Spec process.  We are cherry picking titles we think should have your attention.  More will follow in the near future.This is the second part of a trilogy of albums coordinated by label founder Tee Fuji.  Its a bit of an all-star jam with members of the TBM roster.  The album consists of two side long groove laden tracks that give everyone a chance to blow.  Particularly notable is guitarist Masayuki Takayanagi.""The "Tee" here is Takashi Fujii – who doesn't play on the record, but instead arranged with the group – and produced the record with the really deep, complex sound we've come to love on 70s releases from the Three Blind Mice label! The group has a relatively spiritual approach right from the start – almost free, but more soulfully directed overall, and definitely with the sense of poetry you'd expect from the title! Takao Uematso serves up some great tenor sax, and Kenji Mori plays both soprano and tenor – in a group that also features Masaru Imada on electric and acoustic piano, Masayuki Takayanagi on guitar, and Hiroshi Murakomi on drums. Both tracks are long – and titles include "Combo 77" and "Sonnet"."
    $29.00
  • Import digipak edition!"2014 live album the King Crimson spin-off. Featuring the talents of Adrian Belew, Tony Levin, Pat Mastelotto, Markus Reuter, Julie Slick and Tobias Ralph; The Crimson ProjeKCT primarily focus on repertoire from the early 1980s through to the mid-90s. The band has a ''double trio'' line-up, as made popular by Crimson between 1994-1997. LIVE IN TOKYO finds the band performing a solid 12-song set." 
    $15.00
  • New 2CD live set recorded in North America 1998 and Japan 1999.
    $6.00