Essence Of Change

SKU: GEPCD1047
Label:
Giant Electric Pea
Category:
Fusion
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Fourth album from this outstanding jazz metal band from Hungary getting outside exposure with their signing to IQ's Giant Electric Pea label.  Special Providence started out their career as a pure fusion band - not unlike Tribal Tech and Return To Forever.  With their third album, Soul Alert, the band injected a heavier metal presence primarily in the guitarwork.  Essence Of Change carries on from Soul Alert in terms of heaviness and the use of distortion but at the same time there is clearly more of a jazz/fusion emphasis in the writing.  This gives us a nicely balanced sound that has a lot of cross over appeal.  Liquid Tension Experiment and Morglbl fans will love this and I expect open minded fans of RTF and Mahavishnu will enjoy hearing the young kats update the sound they developed in the 70s.  Expect a non-stop assault of laser beam synth solos and blistering distortion laced guitar solos.  Yeah this one hits the sweet spot and after many future spins I suspect this will sit at the top of their already impressive discography.  BUY OR DIE!!

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  • New edition of the band's album from 1991. Contains the bonus track "Sister Bluebird".
    $13.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $25.00
  • "To avoid any lingering confusion right from the outset,  you may already be aware of this band because AudioPlastik began life under a different name or names to be more precise. Both Alpha Flood and Brave New Sky were trialled before the trio settled on the name AudioPlastik. Whatever the name though, it’s a musical collaboration which will more than prick the ears of fans of progressive rock or metal music. The trio is fronted none other than Dec Burke, the vocalist for Darwin’s Radio and Frost* as well as being a well thought of solo artist in his own right. Dec also plays the guitar and is joined by the impressive duo of Simon Andersson (Darkwater, ex-Pain Of Salvation) and Threshold’s keyboardist Richard West. Being a fan of all of the names mentioned in the preceding sentences, I have naturally been very excited to hear the final product ever since a debut album was announced to see the light of day early this year.The album is due out in the very near future and goes by the title of ‘In The Head Of A Maniac’. With a title like this, you’d be forgiven for thinking that the content of this record might be a bizarre, challenging or even a wild schizophrenic beast. However, you’d be wrong, at least to a certain extent anyway. This is progressive music and as such, it does blend many ideas into its collective whole. But it is far from being impenetrable or a difficult listen.To be honest, the most difficult thing is to accurately describe the musical direction on ‘In The Head of a Maniac’. In itself it’s an absorbing listen full of wondrous aspects, one that is instantly likeable but ever more addictive as the number of spins increases. But to be more exact in order to offer a worthwhile review? Ok…If I was to try and sum this album up in a few words, I’d say it’s an absorbing blend of melodic progressive rock, metal and pop with rich cinematic overtones.Dealing with the latter aspect first, the cinematic, symphonic flavour can be heard right from the outset via the relatively brief instrumental opening. This is Richard West at his best, creating a piece of music which is subtly dramatic, emotive and pure film soundtrack fodder. In fact, much the same can be said of the even more dramatic ‘Traveller’ which is equally as enthralling and which could easily fit a suspense or action thriller.That said, West’s stamp is all over each of the thirteen compositions, bringing a rich elegance to proceedings just like he does with Threshold. Whether it’s via more subtle layers of atmospheric synths or more in-your-face modern-sounding embellishments, of which there are several (‘John Doe’) it always fits the song perfectly, providing a foundation of real depth and richness upon which all else is built.Next there’s the guitar playing of Burke and Andersson which is actually surprisingly heavy. Occasionally it is reminiscent in tone of numerous djent artists, particularly when the riffs chug in step with a rumbling bass (also courtesy of Andersson) and powerful drumming. ‘It Matters So Much’ illustrates this perfectly and is also a track that also greatly benefits from a rare and decadent lead guitar solo. This being prog, naturally many of the riffs play around with interesting, complicated tempos and time signatures but they are never complex for the sake of it and never detract from the essence of the songs. A prime example being ‘The Sound Of Isolation’ which contains a riff which befuddles my brain but which works in and around the simpler aspects of the song.One of the biggest strengths on this record however is its melodic sensibility. I mentioned earlier about the pop influences and its in the choruses that this is most noticeable. Just about every song has a hook or a melody that’s memorable. Some are immediate and others take a bit longer to work into the psyche. Regardless, they are there and many of them, alongside those modern programmed flourishes, lend the music that more mainstream feel. ‘Leave Me Here’ and the beautiful ‘Now’ for example, might not be out of place on mainstream popular radio. Elsewhere, ‘Bulletproof’ offers one of the most gorgeous choruses I’ve heard in recent times, ironic given that it’s also one of the heavier, busier tracks that packs a lot of light and shade as well as apparently disparate elements into its relatively short length. Oh and then there’s the stunning closer, ‘Distant Skies’ which pushes ‘Bulletproof’ very close, almost beating it depending on my mood when I listen.Then, to top things off, you’ve got the vocals of Burke. Those familiar with his other work with Frost* or Darwin’s Radio will know exactly what to expect and he doesn’t disappoint. Burke has a tone that’s very melodic and almost soothing but which also has a slightly rough, gritty edge to it that I really like. It means that the vocal delivery can fit both the softer, more introspective parts but which can also do justice to the heavier moments that require something a bit edgier vocally.As you can probably tell, I’m completely enamoured by this album. Almost imperceptibly, it has burrowed into my head and my heart and it refuses to let go. If your tastes dictate that you enjoy music that is rich and varied, deep and thoughtful, beautiful and genuinely unique, look no further than ‘In The Mind Of A Maniac’ by AudioPlastic. You won’t be disappointed." - Man Of Much Metal  
    $16.00
  • German import digibook comes with 3 exclusive bonus tracks. "All eyes are on Gus G., especially from the casual mainstream heavy music follower who probably just discovered this axe-slinger’s skill set taking over for Zakk Wylde as Ozzy Osbourne’s guitar man. Those of us stalwart metal maniacs know Gus from his work in Mystic Prophecy, Nightrage, and Dream Evil through the years, but Firewind has always been his main original productive act, releasing five power metal albums prior to Days of Defiance. Does this latest album deserve wider adulation and popularity? I would safely say that following the 35-second acoustic opening to “The Ark of Lies”, Gus comes out of the gates with a fireball riff attack and vocalist Apollo Papathanasio delivers the complementary blues based melodic metal pipes you expect much like the old Dio/Blackmore or Coverdale/Sykes days. As a band, Firewind prefer to keep the emphasis on catchy verse/chorus oriented material, leaving most of the shake and bake instrumental flexing for the solos or brief interludes like the keyboard galaxy event “The Departure” or the 5-minute plus sans vocals “SKG” where keyboardist/guitarist Bob Katsionis puts on a speed finger play clinic of the neo-classical kind. Those who love faster numbers that showcase drum work fueled by hurricane arm/leg movement, a firm keyboard underpinning and the back and forth chemistry that classic singers and guitarists feed off of should delight in the Rainbow-like “Heading For the Dawn” and “When All Is Said.” Contrasting that material you can count on a few tracks with definite commercial potential- such as the Riot-meets-Maiden dynamic within “Chariot” or the quieter power ballad “Broken” where Apollo’s bluesy charm shines. Days of Defiance contains the desired balance between the average Firewind follower’s expectations and the five piece’s insistence to challenge themselves in terms of technique and songwriting ability. If pushed correctly, Gus G and Firewind could get used to a hefty touring cycle and bigger sales as this clearly is their most accomplished album to date. - Matt Coe/blistering.com
    $17.00
  • Exit one guitarist - enter one female singer resulting in a new avant garde direction. While the first album had a quiet classical side this is far more experimental. One can hear an influence from minimalist composers creeping in."Three years passed before Pierrot Lunaire recorded and released the follow-up to their debut album. They returned as a totally refurbished act, with guitarist Caporaletti out and mezzo-soprano extraordinaire Jacqueline Darby in. "Gudrun" is an album that drifts apart from the realms of bucolic melodic prog with a slight dissonant twist; now, the repertoire is design to defy structure and convention, in order to create a sonic journey led by the volatile ruling hands of surprise, radical experimentation, and free form. The link between all tracks is marked by the clicking of a photographic camera, as if each number of the repertoire was some kind of scenario immortalized by the machine and turned into a permanent reminder. If Pierrot Lunaire's previous album was some a catalogue of reflections about the inner world, now Stalteri, Chiocchio and Darby turn their eyes and look at the world in its splendorous chaos and multicolored facets. The 11-minute long title track kicks off the album with a great deal of synth layers and sequenced ornaments, over which Darby's singing, piano lines, stormy guitar leads, and some other occasional stuff lays its print in a daring amalgam. If you can mentally picture a mixture of Klaus Schulze, drumless RIO and Brecht's operettas, then you may have an idea about what I'm trying to describe here (perhaps not too successfully). In sharp contrast, now comes a subtle piano nocturne titled 'Dietro il Silenzio', which sounds quite Satie-inspired to me: a really beautiful piece where the silent voids are as important as the actual piano sounds. The following number is a two part chanting displayed upon disturbing guitar and synth soundscapes: in the middle, a piano and conga drums revisit Darby's line with an air of simplicity that seems to portray some sort of high-spirited joy. 'Gallia' is a Darby-penned number, mostly a showcase for her well crafted dissonant operatic stuff, while her fellow men once again indulge themselves in a background of random dissonances on electric guitar and synthesizer. 'Giovane Madre' is the most symphonic (or should I say the least anti-symphonic) number. It basically consists of a recurring attractive motif on organ and synth, solidly founded on a 6/8 pattern laid by Chiocchio's bass and guest drummer Massimo Buzzi; somewhere in the middle, a gentle, joyful Renaissance-like motif enters abruptly, creating a weird tension that directly defies its own delicate beauty. Simultaneously, you can hear Darby whispering or laughing in some places. Many times I've found myself listening to this particular track three or four times in a row only to take pleasure in the challenging effect that the structure of this track causes in me as a listener. The weirdness never ends. 'Sonde in Profonditá' starts with the sound of an old radio speech, accompanied by a tenuous, evocative organ theme, with sitar, synth and acoustic guitar providing some additional colours until it all disappears under crashing waves. 'Morellia' begins with a Baroque-inspired piano solo, alternating with a Renaissance-like zither melodic line: then comes Darby, together with the piano, string synth, bass and drums (once again, guest Buzzi makes an appearance), delivering the most moving passage in the album. This same structure is reiterated, until a Cabaret-piano motif accompanies Darby's dramatic laughter. This piece is inscrutable, yet it manages to move the listener's heart in a way that they can't fully understand. Finally, 'Mein Armer Italiener' closes down the album with a successive combination of parody military march, psychedelic rock, pastoral stuff, slogan chanting - all comprised in an ambience of radical dadaist humour that may somehow remind us of Zappa's most theatrical pieces. An excellent but not recommendable prog recording due to its massively cryptic nature: anyway, "Gudrun" deserves to be regarded as a classic of the most experimental side of 70s progressive rock." - ProgArchives
    $15.00
  • "With 1985's Metal Heart, German metal institution Accept attempted to add catchier choruses and melodies to their high-octane guitar riffing in a clear ploy to crack the American market. Not that this move in any way upset the balance of their thus-far smooth-running metal machine, which had been gaining momentum with every release since the start of the decade. No, Metal Heart was certainly a step toward accessibility, but a cautious one at that -- and, frankly, there was no toning down when it came to the lacerated larynx of gifted lead screamer Udo Dirkschneider. You gotta hand it to Accept, they sure knew how to make an entrance by now, and the apocalyptic title track is about as dramatic as it gets (the operatic "Bound to Fail" comes close), with guitarist Wolf Hoffman taking the helm on a long, mid-song solo excursion containing equal nods to Beethoven (very nice) and Edward Van Halen (get real). First single "Midnight Mover" is next, and along with the even more melodic "Screaming for a Love-Bite," it places obvious emphasis on hooks and melodies (and proved to be the toughest to stomach for the band's more hardcore fans). But despite another strange detour into jazz territory with the bizarre "Teach Us to Survive," Accept still packed amazing power, heaping on their Teutonic background vocals for the ultraheavy "Dogs on Leads" and gleefully pile-driving their way through relentless moshers like "Up to the Limit" and "Wrong Is Right." The brilliantly over-the-top "Too High to Get It Right" finds Dirkschneider screeching like never before, and to cap things off, the band really cooks on "Living for Tonight" -- arguably the best track all around. A winning set." - Allmusic Guide
    $5.00
  • This release is part of the "Deep Jazz Reality" series that explores obscure jazz titles.  Often the music touches on modal, spiritual, and even psychedelic jazz.  While Japanese artists are often featured, the series is a bit wide open, touching on musicians from all over the globe.  These CD reissues are limited releases in mini-lp sleeves and often go out of print, at which point they sell for ridiculous prices.Toshiaki Yokota is a legendary jazz flautist in Japan that is apparently still going strong.  He was involved in four 1970 albums, three of which he was the leader.  All of his early albums sell in the "if you have to ask you can't afford it" range.  While Exciting Flute is the most conventional of them all it still has quite a bit of charm.  Its a fully plugged in set, in which his Beat Generation ensemble run through their interpretations of the current pop hits of the day - with Yokota's flute work at the fore.  Its all a bit campy now, listening to beat psych/big band interpretations of "Venus", and "Born To Be Wild" but still fun.
    $30.00
  • Atmospheric and mysterious. Those were the key words that Arjen Anthony Lucassen had in mind when he started his ambient rock project Ambeon back in 2001. For this, the multi-instrumentalist started a co-operation with singer Astrid van der Veen, a 14 year old super talent that Lucassen had discovered shortly before, and the later Within Temptation drummer Stephen van Haestregt. Ten years after the first release, Ambeon’s only album Fate of a Dreamer is now being released as a digipack with remastered original recordings, some single-edits/remixes and an extra track. The big surprise is a bonus-cd with acoustic versions of various Ambeon songs and many Ayreon classics, which has been Lucassen's flag ship for almost two decades.DeLuxe 2CD Set in Digipack, Original Album, Extensive Booklet,27 Remastered Tracks = 10 tracks Original Album + 17 Bonus Tracks,over 115 minutes of music.Liner notes by Arjen Lucassen.Track listingTMD-070 AMBEON – Fate Of A Dreamer: The Album – The Unplugged RecordingsCHAPTER 1: THE ALBUM1. Estranged 2:512. Ashes 5:293. High 4:154. Cold Metal 6:505. Fate 7:456. Sick Ceremony 3:447. Lost Message 4:338. Surreal 4:389. Sweet Little Brother 6:0810. Dreamer 5:17Bonus Tracks11. Cold Metal 3:48 – Single Version12. Merry-Go-Round 4:4513. High 3:29 – RemixCHAPTER 2: THE UNPLUGGED RECORDINGS1. Actual Fantasy 1:252. Valley of the Queens 2:393. Ashes 3:154. Charm of the Seer 3:295. Castle Hall 4:336. Estranged 2:497. Temple of the Cat 3:328. Isis and Osiris 6:099. High 3:4310. Garden of Emotions 4:3111. Sick Ceremony 3:0212. House on Mars 5:2213. Lost Message 3:4214. Into the Black Hole / Cold Metal 5:10REMASTERED IN THE 24-BIT DOMAIN FROM THE ORIGINAL MASTERS
    $22.00
  • CD/DVD digibook.  The DVD includes a 5.1 and DTS surround mix."Prog is, at times, a strangely divided world. On one side are the true progressives, fiercely determined to push music forward into the future. On the other side stand the stuck-in-the-mud individuals whose primary objective is to cling tenaciously to the ways of the past.Cheating the Polygraph is guaranteed to ruffle the latter camp’s feathers. A collection of Porcupine Tree songs reworked using big-band instrumentation and a modern-minded approach to arrangement, calling this album quirky would be something of an understatement.Some are likely to struggle to get past the superficial level of instrumentation, timbre, and tone – but beneath it can be felt the pounding pulse of pure creativity. On Cheating the Polygraph, timeless prog-rock tunes such as The Sound of Muzak, Heartattack in a Layby, Futile, and this long-player’s title track are all given superficially jazzy makeovers that actually owe as much to the influence of Frank Zappa as they do to less batshit-crazy genius bandleaders of decades past.For me, the band-falling-down-a-spiral-staircase groove of The Pills I’m Taking is a definite highlight – but that does nothing to take away from the masterful musicianship on display throughout every last microsecond of Cheating the Polygraph‘s running time. This eight-track album took five years to make, and the labours and love that have been poured into its creation are as tangible as they could possibly be when communicated through ones, zeroes, and soundwaves. Unsurprisingly flawless, but also unexpectedly addictive and moreish." - The Musical Melting Pot
    $20.00
  • Third album from this Swedish ensemble that features Reine Fiske as a member.  It has a soft and gentle vibe that touches on psych, folk, and pop with undercurrents of prog creeping in (thanks to Reine).  Beautiful stuff."On Picture You, The Amazing incorporates traces of psychedelic rock, ’60s pop, and even twee, mostly in the soft-spoken, accented vocals of lead singer Christoffer Gunrup. If that all sounds like chaos, it isn’t. The Amazing has a plan, and they’re rewarded for following it to its furthest conclusion.Almost every track on the band’s third album finds itself on the far side of the five-minute mark, and that’s because no one in The Amazing is in any kind of rush. Their ability to combine all of the aforementioned disparate elements not only into one album but into one song is jaw-dropping.Even though Gunrup rejects terms like “prog” for his band’s work, that doesn’t mean they don’t apply. The seven-and-a-half-minute “Fryshusfunk” screeches over from hazy summer nap music into something much more complex and challenging in a moment of disruption that’s unparalleled throughout the rest of Picture You. The song is as easy to slip into as a dream, but once you’re inside it’s nearly impossible to extract yourself.The nine-minute title track forms the record’s gooey center, shimmering and changing shape from an airy hymn to lush, free-form instrumentation. The song’s ethereal qualities belie its muscle; about halfway in, the tone shifts to a faster pace, propelled by a swift, driving beat. It’s a song that unfolds as it goes, demanding that you spend more time with it only because it’s a hard piece of music to map after only a few listens.The languid, easy “Circles” and “Safe Island”, the former sliding into the latter, create a kind of tropical hurricane eye in the album’s first half, invoking a high-energy euphoria that could just as easily wash over listeners or whip them into a frenzy. This is big music, meant to be played over a quality sound system or, even better, live; tinny laptop speakers can’t possibly do it justice.Maybe due to the nature of its formation — the band’s lineup features members of Swedish-language bands Dungen and Granada — the band has never struggled to define its sound like other nascent bands do. It sprung forth fully formed, like Athena from Zeus’ forehead: powerful, lovely, hard to wrap your mind around sometimes, but all the more intriguing because of it." - Consequence Of Sound
    $12.00
  • At this point with The Flower Kings on hiatus, Jonas Reingold's "other" band Karmakanic has stepped up to the plate and assumed the mantle of Swedish neo kings. Highly melodic - dare I say catchy? - with chops from hell. Goran Edman is a great vocalist that is chameleon-like in his ability to fit in with a prog rock or metal band. When will Lalle Larsson get acknowledged as one of the best keyboardists in progressive music? This guy continues to amaze. Reingold sounds like he's strapped on a Rickenbacker and is out-Squiring the old man. Fans of The Flower Kings and Spock's Beard need to get on board if they already haven't. These guys throw it down with the best of 'em. Highly recommended.
    $12.00
  • "When the 'Big Four,' Metallica, Slayer, Megadeth and Anthrax shared a stage together on June 22nd, 2010, in Sofia, Bulgaria, it was the moment their fans had waited decades for. That monumental show was beamed live into over 1000 theaters worldwide via satellite in a special HD cinematic event.On November 2nd, 2010, this legendary concert will be available on DVD and Blu-ray through Warner Bros. Records. 'The Big Four Live From Sofia' includes full shows from all four bands on a two-disc set as well as behind the scenes and interview footage.In addition to the two DVD set and the corresponding Blu-ray, there will be a limited edition 'Super Deluxe' Box Set including the 2 DVD set, five CD's with ALL 5 HOURS of music, a 24 page booklet, a two-sided poster, photos of each band, and a collectable Big 4 guitar pick.These four acts broke out of the underground thrash movement in the 1980's to dominate the metal world, selling millions of records and packing arenas across the globe. Despite huge demand, these musical giants had never shared the same stage. The legendary June 22nd, 2010, concert from the tour's stop of the Sonisphere Festival in Sofia, Bulgaria aired the same day in 79 movie theaters in the U.K, over 450 theaters in over 140 markets in the US, as well as being beamed intotheaters in Europe, Canada, Latin America, Australia, South Africa and New Zealand.In December 2009, the bands announced that they would be joining forces to take part in the traveling Sonisphere Festival for only 7 shows across Europe. This one-time only event, from the Sofia show, made it possible for fans far and wide to participate in what otherwise was a very limited run of dates.Lars Ulrich of Metallica says of this historic show, 'Who would have thought that more than 25 years after its inception, thrash metal's Big Four would not only still be around, be more popular than ever, playing shows together at stadiums all over Europe, and on top of that, coming to a movie theater near you in High Definition (for better or worse??!!). Bring it on!'Anthrax guitarist Scott Ian says, 'Damn, as if this Big 4 tour wasn't exciting enough, now we get to be on the big screen worldwide! Metal at the movies, two big horns up! It is unbelievably gratifying that this means so much to the metal community around the globe. Get your tix, grab some popcorn and get ready to bang your head!'Declares Slayer's Kerry King, 'I can't believe someone didn't make this happen 15 years ago! The fans finally get what they want. I think it's awesome!'Says Megadeth's Dave Mustaine, 'The magnitude of this event hasn't really sunk in yet, and I am thrilled to know that people around the planet will be able to walk into a movie theatre and experience the greatest line up of Heavy Metal in the history of the world!'"
    $8.00
  • New edition comes with a bonus DVD filled with videos and documentaries. Same price as before!!Amaranthe are a new Swedish/Danish band signed to Spinefarm. The band is fronted by Elize, who you will know from her touring with Kamelot. To say Elize is hot is an understatement. The band don't take the expected gothic metal route. Their order of business is a mix of poppy-melodic metal laced with death metal. Curiously the band features three vocalists. Elize is front and center but she shares the spotlight with the death growls of Dreamland's Jake E and the clean vocals of Andy Solvestrom. At times there is a similarity to some of Delain's poppier tunes but the death growls add a heavier aspect. There was a buzz developing on this disc before it hit here - I have to say I was quite surprised.
    $12.00