Dark Passion Play (Collector's Edition)

Special 2 CD collector's edition features an instrumental orchestral version of the album (DO I HEAR KARAOKE?) plus a bonus track.

Product Review

Tue, 2010-06-08 09:52
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Absolutely, and w/out a doubt, this will change Goth for the better. This is the best Nightwish has ever done. It will make you say Tara who? No more straining operetics. Buy this Cd, and enter the new realm of majesty in Metal. Ten Stars-jw
Tue, 2010-06-08 09:52
Rate: 
0
This album is phenominal! The new singer is a completely different sound than Tarja but the music is still classic Nightwish... and Holopainen is at the top of his game on this one. I have never been so assaulted (in a good way) by such a massive wall of sound... it is an experience listening to this album! The new singer gives them more of a pop sound (which isn't bad) than a "gothic metal" sound which I find interesting since they were such an inspiration to many of the top gothic metal bands (like my personal favorite Epica). I was also very pleased to see such a strong presence by Marco both in songwriting and vocals. I have always loved his voice, which manages to be both beautiful and manly at the same time. This album has everything, from their signature epic length soundtrack-like songs, to radio-friendly hits, even an instrumental that sounds a little like bluegrass gone metal. Interesting tidbit about this album - their use of the London Philharmonic made this the most expensive record ever to come out of Finland. It was worth the money though - there is nothing like a real orchestra backing up a metal band!
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Product Review

Tue, 2010-06-08 09:52
Rate: 
0
Absolutely, and w/out a doubt, this will change Goth for the better. This is the best Nightwish has ever done. It will make you say Tara who? No more straining operetics. Buy this Cd, and enter the new realm of majesty in Metal. Ten Stars-jw
Tue, 2010-06-08 09:52
Rate: 
0
This album is phenominal! The new singer is a completely different sound than Tarja but the music is still classic Nightwish... and Holopainen is at the top of his game on this one. I have never been so assaulted (in a good way) by such a massive wall of sound... it is an experience listening to this album! The new singer gives them more of a pop sound (which isn't bad) than a "gothic metal" sound which I find interesting since they were such an inspiration to many of the top gothic metal bands (like my personal favorite Epica). I was also very pleased to see such a strong presence by Marco both in songwriting and vocals. I have always loved his voice, which manages to be both beautiful and manly at the same time. This album has everything, from their signature epic length soundtrack-like songs, to radio-friendly hits, even an instrumental that sounds a little like bluegrass gone metal. Interesting tidbit about this album - their use of the London Philharmonic made this the most expensive record ever to come out of Finland. It was worth the money though - there is nothing like a real orchestra backing up a metal band!
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  • "In June 2013, Peter Hammill, Hugh Banton and Guy Evans took to the road in Europe to present a series of live concerts that featured a set list that excited devotees of Van Der Graaf Generator like no other for many years. The band had decided the time was right to present their epic classic piece "A Plague of Lighthouse Keepers” in its entirety on stage for the first time, along with Peter Hammill’s equally epic "Flight”. As the centrepieces of the band’s live set, a series of wonderful concerts took place, drawing on the classic material from the band’s past, as well as their more recent albums such as "A Grounding in Numbers”.Fortunately, some of these shows were recorded for posterity and have now been gathered together to form "Merlin Atmos”.  Arguably the finest live album in the history of the band, "Merlin Atmos” confirms Van Der Graaf Generator as a continuing musical force and explains the loyalty and respect they continue to receive from devotees the world over. "Merlin Atmos” is a stunning musical statement from a stunningly innovative band."
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  • "The sophomore effort from the extraordinary drummer Sebastiaan Cornelissen featuring an all-star lineup - guitarists Alex Machacek, Mike Otram, Susan Weinert, Richard Hallebeek; keyboardists Gary Husband, Scott Kinsey, and Steve Hunt; and bassists Hadrien Feraud, Jimmy Earl, Gary Willis, and Tom Kennedy among others. Since first coming on the scene in the early 2000s, composer and drummer Sebastiaan Cornelissen has emerged as one of the most distinctive new voices on the European fusion scene. Whether acting as a leader, sideman, or group member, Cornelissen's playing combines a sharp sense of empathy and staggering technique with impressive improvisational grace and intensity."
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  • Ultra-technical, futuristic instrumental jazz/metal is the order of the day, served with a side of kick-ass. Fans of Gordion Knot and Spiral Architect will rejoice, but fans of Don Caballero, Dysrhythmia, Cynic, and even Coprofago will all probably find something to sink their teeth into. -Deadtide.com “Cortical Tectonics” is the third full length release from this Georgia based instrumental tech-metal trio. The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris’ music resonated equally with fans of technical metal co-horts Spiral Architect and Cynic as well as bands like Don Caballero and Dillinger Escape Plan. “Cortical Tectonics” demonstrates continued growth from three musicians who are not content to retread old ideas. Now drawing inspiration from progressive Gods like King Crimson, Voivod and Mr. Bungle, they have added more textural elements, with keyboards and acoustic instruments playing a more prominent role in the music. The music now has a more expansive sound but still retaining their trademark technical elements. Tracks like the 17 minute epic “Reticular Consciousness” is an example of how the Canvas Solaris sound has evolved. It’s a composition that draws on space and quiet interludes making the transitions to hyper-technical passages all the more effective. This is the REAL progressive music!
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  • Fourth album from this incendiary Swedish trio finds them hooking up with Landberk/Paatos/Dungen guitarist Reine Fiske and chaos ensues.This heavy organ dominated trio are modeled around Tony William's Lifetime but the prog rock influence of ELP is undeniable.  Keyboardist Ståle Storløkken really rips it up.  I found Fiske's playing complements the band well, adding another dimension to their sound.  This is music that is immersed in the 70s but it has extreme vitality and doesn't sound dated at all.  Highly recommended.
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  • "Sometimes, a band faces some adversities that delay the chance to release its hard work to the public. Not many, anyway, can "boast" what progressive rock dinosaurs Spettri have experienced. Founded in the Florence of 1964, the band's self titled and concept debut album was recorded in a single take, in 1972. Sadly, the album was frozen due to the decaying of the desire for this kind of music. That was, until 2011. 40 years later, Black Widow Records gave new life to Spettri, and the band began touring to support the album.What came from it, was the desire to make new music. Flash forward to 2015, 2973 La Nemica dei Ricordi picks up right where Spettri ended. The debut told the story of a protagonist struggling to find an answer to wars and hatred by connecting to the afterlife... only to give in to madness due to the enigmatic replies of the dead. Now, 1001 years later, that same person is still wandering. His new journey, beautifully depicted on the cover artwork, begins with the encounter of a giant ghost ship. Sailing on, the protagonist's destination is nothing but his inner self.Such an outlandish story is accompanied by equally crazy sounding compositions. Heavy Black Sabbath-like riff driven guitar work, haunting Hammond organ lines and piano sections, triumphant saxophone incursions, choirs and fittingly rough vocals make the perfect complement to the band's horror-esque image. Lending a hand are also two special guests. Elisa Montaldo (Il Tempio delle Clessidre), often requested as a keyboardist, is presented here as the lead vocalist for the ballad "Il Delfino Bianco", while Stefano Corsi plays some Celtic harp and harmonica in "L'Approdo". In addition, the album flows excellently in its theatrical nature. Everything leads to 2973 feeling way shorter than its actual length of almost 50 minutes, gaining in replayability.It has to be noted that 2973 does not seem to be made with the objective of being as accessible as possible. The song structures are far from predictable, and the guitar work is far from flashy. Instead, the electric guitar, while not discarding emotional solos, is used mainly to create an atmospheric road of tight riffing, while sax -for which the band has a stand-alone member- and keys often function as the main attraction. Besides, while fitting, the main (really) rough vocals and accent may not appeal to everyone and it is easy to see how the understanding of the language is likely to be a key factor for their appreciation. What also hinders the album a bit is a sense of repetition in the middle, where the title track can sound a little too similar to the latter part of the previous "Onda Di Fuoco". Still, 2973 proves to be a solid and coherent listen from beginning to end, with the gentle sound of the waves opening and closing the journey.Physically speaking, save for the shift to a more progressive songwriting leaving the psychedelic influence (and more prominent guitar playing) behind, nothing has changed since the debut album. Literally, the band decided to use the same instruments used for Spettri when recording 2973, de facto making it sound like the direct continuation of the former. The main difference is the production, this time not as raw and definitely more polished. Everything has been made to sound like it comes from the first half of the 70s, using analogue technologies and so releasing a real AAA LP.Unluckily, the moment of glory for Spettri arrived late. Still, the band does not seem to be worried. As stated in an interview, they want to recover the time they lost and are already setting the foundations for 'Spettri 3', while touring to support 2973. All in all, this album is not 'only' another promising gem for Italian progressive rock in 2015, it is also a testament of how time cannot stop the passion for writing and playing your music, without jumping on trends." - Sputnikmusic.com
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  • We manufactured Delain t-shirts for the band's gig at ProgPower USA. We sold out of men's shirts and came back with some women's shirts. They are fitted women's shirts - not like in the image shown which are boxy. High quality Gildan 100% cotton shirt.
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  • Third album from this Swedish stoner rock band takes equal parts Mastodon, Pink Floyd, and Baroness and jumbles it together.  Toss in a touch of retro-folk in places (I guess that would make it unequal).  It can get a bit sludgy at times and then turns around and blasts off into space.  All I know is I want what they're smoking!"New Keepers Of The Water Towers are a Stoner Metal Band who have been going since 2006 and have a loyal following within the Stoner Metal scene. They have released two well-received albums – 2009’s Chronicles and 2011’s The Calydonian Hunt.Their blend of high voltage Stoner Metal riffs mixed with Fuzz and a slight hint of Sludge Rock made these hugely talented Swedes a band to look out for. Well things are about to change big time for the band thanks to their stunning new album – Cosmic Child.For the 3rd album – the band have went under a spacey transformation of sorts. Cosmic Child sees the band incorporating huge elements of Progressive Rock and Space Rock into their already set great sound.So if you’re a fan of Pink Floyd and Mastodon then your surely going to dig this like I did. Cosmic Child is the band’s creative and most daring work to date. They are a band reborn. This is New Keepers Of The Water Towers like you have never heard before. The band has reflected this in the 47 minute running time. An almost epic length by their standards.First track – The Great Leveller – is the perfect 6-minute introduction to show you the bands new sound and outlook on all things Stoner Metal. Blending Progressive Rock riffs with Space Rock shows you this band have taken a more direct Sci-Fi vibe to their music. What else would you expect with the excellent album cover and cool title?Imagine if NASA wanted the world’s finest Stoner Metal bands to record an album about Space Exploration then The Cosmic Child would be that awesome result. New Keepers have created an astonishing album that will take you to different galaxies and dimensions without ever leaving the comforts of your own home.2nd track – Visions Of Death – might start as a cheerful Space Rock opera but listen to the lyrics and you find something dark and mysterious lurking in the background. Before the album takes you off for an epic journey into the cosmos. 9 mins on show here feel like light-years instead of mins. However, you will not know the difference as you will be enjoying the ride too much. Just more action-packed riffs to show you that New Keepers Of The Water Towers have evolved as musicians and writers since their last release. Wait until the 5:30 minute mark before an amazing Space infused Stoner Rock riff comes out of nowhere.3rd Track – Pyre For The Red Sage – is another magical epic journey through Time and Space. Well 12 minute to be precise but you get another outstanding track, which takes time building the listeners emotions before letting rip with more top-notch Space Rock riffs. Throw in great vocals and lyrics and this album is now firmly in the realm of brilliance. This is a love letter to Pink Floyd as it contains some highly recognisable rock passages that legendary band were known for.I had the feeling when listening to the album that the band had been reading or watching 2001 – A Space Odyssey or other philosophical sci-fi classics as some of their ideas on the album might actually need a degree of some sort to fully understand. However, the riffs contained on the album will keep fans happy for many years to come.The last 3 songs follow the same path as the first 3 songs. More epic progressive space rock riffs blended with sublime Stoner Metal riffs. 18 more mins to keep you transfixed from start to finish.Best track of the remaining 3 is the 12:32 minute instrumental epic – Lapse – which showcases some of the bands finest instrumental work to date. Ambient noises have been beautifully added to create a world that is unnerving as it is exciting. Damn – this track is a work of art at times. Moods and atmospheres collide with intent and purpose. Just close your eyes and let the riffs take you on another great journey into the vastness of space.All in all – The Cosmic Child – is a wonderful album for everyone to experience. It has soul and heart like you would never imagine. It’s expertly produced and played by all involved.The Cosmic Child is going to launch New Keepers Of The Water Tower onto another level within the Stoner Metal scene.Excellent and Highly Recommended." - The Sludgelord Blogspot
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  • Debut album from this Czech technical death metal band very much influenced by Cynic. As is typical of the genre its a mix of clean and death/thrash vocals. Real tight playing. Not a lot of fresh meat in this genre - this one is quite welcome."Czech Mindwork is one of those rare bands who seek to channel the later career of Death, and in many ways this debut album mirrors that style of philosphic attunement. I was also reminded in spots of bands such as Spiral Architect, Watchtower and Psychotic Waltz through the band's rather circular, acrobatic riffing tendencies. The title is an apt one, as I found myself further along the record's playtime I became more engrossed in the compositions, which are genuinely riff-tastic, moreso than Death albums like Human or Individual Though Patterns.The band is characterized by their melodic, infectious hooks, busy bass playing and adventurous leads. The vocals can take a little getting used to, they have a filthy thrash tone to them which sounds a little crisp and unpolished in the mix (a little like older Voivod or Deceased), but you'll be paying so much attention to their riffs you will hardly notice. The band is not afraid to traverse a wide distance within a single track, for example "Parasite" is all over the place, part cerebral nightmare and part precision jam session. Other tracks are a little more reigned in, like "Inner Consciousness" and the melodic "Twisted Priorities". You will find very few bands that walk this path in recent years, and Mindwork has a great deal untapped promise even beyond what you hear on this debut. It's all in the name." - From The Dust Returned" blog.
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  • This was the second album with this lineup assembled by Chick Corea - the first one being released on ECM. Members consisted of Corea (electric piano), Joe Farrell (tenor sax, flute), Stanley Clarke (bass), Airto (drums), Flora Purim (vocals, percussion). This is not the high intensity electric fusion to come. Instead this fits more into the kosmigroov jazz realm. It's electric but without the rock elements instead relying more on Corea's latin heritage.
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  • "Esoteric Recordings are pleased to announce the release of the first ever boxed set celebrating the solo work of Genesis founding member Tony Banks. A CHORD TOO FAR is a deluxe 4 CD set comprising 48 songs and pieces, all personally selected by Tony. Many tracks have been remixed exclusively for this collection and have been drawn from his seven solo and two orchestral albums; A CURIOUS FEELING, THE FUGITIVE, THE WICKED LADY (film score), SOUNDTRACKS , BANKSTATEMENT, STILL, STRICTLY INC. and his orchestral albums SEVEN – A SUITE FOR ORCHESTRA and SIX PIECES FOR ORCHESTRA.A CHORD TOO FAR also includes four previously unreleased tracks, three of which are keyboard demos of his orchestral suites. The fourth is a piece originally written for the album STILL. Inducted into the Rock and Roll Hall of Fame in 2010 as a member of Genesis, Tony is one of the most respected songwriters and keyboardists in the world. His career spans almost 50 years and has seen him sell in excess of 130 million albums . His body of work is as innovative as it is eclectic. Genesis’ avant-garde style made them one of progressive rock’s founding fathers in the 1970s, creating an experimental style of rock music never before seen. They went on to produce music with a greater pop sensibility in the 1980s that saw them become one of the biggest selling bands of the decade, and play stadiums throughout the world.Tony Banks’ solo work has continued in the same vein. His rock albums have included collaborations with some of the world’s most respected musicians including singers Toyah Wilcox, Fish and Nick Kershaw , bassist Pino Pallodino , and drummers Steve Gadd and Vinnie Colaiuta , as well as long time Genesis collaborators Daryl Stuermer and Chester Thompson . He has composed original scores for four films The Shout (1978), The Wicked Lady (1983), Starship (1985) and Quicksilver (1986) and most recently his orchestral albums, Seven: A Suite for Orchestra and Six Pieces for Orchestra, that were performed by the London Philharmonic Orchestra and City of Prague Philharmonic Orchestra."
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