Celebration Day (2CD/DVD BLOW OUT PRICE!)

Found a warehouse cache of these at a phenomenal price.  Check out Amazon and compare.  Only twist and its a minor one.  The DVD is PAL format but its region 0.  I don't expect anyone in North America to have any issues with it.

"On December 10, 2007, Led Zeppelin took the stage at London’s O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. What followed was a two-hour-plus tour de force of the band’s signature blues-infused rock ’n’ roll that instantly became part of the legend of Led Zeppelin. Founding members Robert Plant, Jimmy Page and John Paul Jones were joined by Jason Bonham, the son of their late drummer John Bonham, to perform 17 songs from their celebrated catalog.

A film of the show, "Celebration Day", is an incredible document of the now legendary concert, which has been described as possibly the greatest rock and roll concert ever. The two hour feature length film is presented in beautiful high definition video, and stunning audio quality. The aspect ratio is 16x9. This set includes the entire concert on two CDs, as well as on DVD in 5.1 sound!"

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Klaus Schulze - the master of electronic music - will release with ""La Vie Electronique Vol. 15"" recordings from the years 1997 to 2000. With this edition the series 'La Vie Electronique"" comes to an end for the present. On CD 1 is the last of the 25 CDs in the JUBILEE EDITION set in 1997. Klaus recorded it during April 1997 in his studio. This long track is, as Klaus puts it: ""...for playing along to. The listeners and fans can add their own melodies and sounds. Harmony is in C. They can play to it in c minor, g minor and f minor"". Disc 2: The first two tracks (L'opera aperta & La tolleranza) are the second part and the encore of Klaus' solo concert in Bologna, Italy, on the 15th of December 1998 at the ""Teatro delle Celebrazioni"". The third track was especially recorded by Klaus for the ULTIMATE EDITION box in late October 1999. Disc 3: These three tracks are a collaboration with an old friend, the cello player Wolfgang Tiepold. Most of the Schulze aficionados know (and love) Schulze's vintage albums with Wolfgang. He visited Klaus in his studio again in summer 1999, twenty years after the two did some good things in concerts and on some albums (mainly ""X"" on which Tiepold also conducted the small orchestra for the famous Ludwig track)."
    $21.00
  • "The year 2013 has proven to be a very, very busy one for Metallica. From playing sold-out shows all across the globe to just a few nights ago rocking a packed house at the intimate and legendary Apollo Theater in New York City, the legendary metal band is showing no signs of slowing down any time soon. This is most obvious in the simple fact that within the same week, they are celebrating the release of their first ever full-length feature film and its official soundtrack. ‘Metallica Through The Never’ is a live disc fans need to add to their ‘Tallica collection as soon as possible.Recorded over the course of five nights in 2012 – two in Edmonton, Alberta and three in Vancouver, British Columbia – ‘Metallica Through The Never’ features the best of the best from those performances, while packing a few punches fans won’t be expecting. Diving into the soundtrack, it’s easy to think that you’re just listening to a standard recording of Metallica, but don’t be fooled: this is a movie soundtrack and it has several surprises scattered throughout the 16 tracks.Taking a look at the track listing, the first surprise that will jump out to hardcore fans is the fact that the band played ‘…And Justice For All.’ For the uninitiated, this is one of the most complex songs written by Metallica, and because of that they rarely play it live. In fact, it’s only been played a little more than 230 times since it first debuted on-stage in Budapest, Hungary on Sept. 11, 1988.Other surprises on the album come in the form of technical glitches. While it might sound strange, the surprises are actually very cool and add to the experience of ‘Metallica Through The Never’ being a movie soundtrack, rather than just a live album. The technical mishaps you hear on ‘Ride the Lightning’ and ‘Enter Sandman’ play significant roles in the plot of the film. During the latter song, frontman James Hetfield talks to the crowd and explains what is going on. “Two people got hurt up here but they will be OK,” he tells the crowd. “Can we get some lights up here to assess the damage, please? Should we keep playing?” And with that, the crowd goes nuts as Metallica tear into ‘Hit the Lights.’The last song on the two-disc soundtrack is the instrumental, ‘Orion.’ Played in an empty arena with no crowd cheering the band along, the song has a powerful, yet haunting feel to it. It’s the perfect performance to wrap up the soundtrack as it’s the same song that the band plays during the closing credits of the movie.Full of classic tracks like ‘Creeping Death’ and ‘Master of Puppets,’ with a few more recent tunes like ‘Fuel,’ ‘The Memory Remains’ and ‘Cyanide,’ the ‘Metallica Through The Never’ soundtrack is one of the best sounding live albums released in a long time, and might be the best ever released by Metallica. The only thing that might have taken this album to a new level is the inclusion of a new song; something to get fans ready for the next Metallica album, whenever that might be.Lars Ulrich‘s drums have never sounded better on a live recording, Kirk Hammett‘s solos pierce through your speakers and Robert Trujillo‘s thunderous bass hits you in your chest. All of that is complimented by Hetfield’s signature vocals and heavy guitar riffs. It’s mixed perfectly by Metallica soundman Greg Fidelman and is the essential companion to the movie.‘Metallica Through The Never’ is a fiery compilation that is full of heavy metal and a few surprises (don’t worry – we didn’t spoil all of them for you). Fans shouldn’t expect anything less from one of metal’s greatest bands." - Loudwire
    $7.00
  • Archival release on Long Hair Music of a German prog duo that never recorded a proper album.  Interesting that the lineup consisted solely of organ and drums.  Gunter Kuhlwein takes a Brian Auger meets Keith Emerson approach to his playing and drummer Walter Helbig has a bit of a jazz leaning.  Kuhlwein sings a bit as well but this is mostly instrumental.  If you are fan of early ELP, The Nice, Hardin & York, or even a very obscure German band called Sixty-Nine (anyone remember Circle Of The Crayfish?) you need to check these two kats out.  They rip it up!
    $18.00
  • "Building from the jazz fusion foundation of Pretzel Logic, Steely Dan created an alluringly sophisticated album of jazzy pop with Katy Lied. With this record, Walter Becker and Donald Fagen began relying solely on studio musicians, which is evident from the immaculate sound of the album. Usually, such a studied recording method would drain the life out of each song, but that's not the case with Katy Lied, which actually benefits from the duo's perfectionist tendencies. Each song is given a glossy sheen, one that accentuates not only the stronger pop hooks, but also the precise technical skill of the professional musicians drafted to play the solos. Essentially, Katy Lied is a smoother version of Pretzel Logic, featuring the same cross-section of jazz-pop and blues-rock. The lack of innovations doesn't hurt the record, since the songs are uniformly brilliant. Less overtly cynical than previous Dan albums, the album still has its share of lyrical stingers, but what's really notable are the melodies, from the seductive jazzy soul of "Doctor Wu" and the lazy blues of "Chain Lightning" to the terse "Black Friday" and mock calypso of "Everyone's Gone to the Movies." It's another excellent record in one of the most distinguished rock & roll catalogs of the '70s." - All Music Guide
    $5.00
  • "If you consider that most of the prog rock in the last 20 years has gone either the progressive metal path (Dream Theater, etc.) or the revival path (Transatlantic, etc.), North Atlantic Oscillation offers real freshness. A curious blend of electronics, ethereal melodies and Beach Boys/Simon & Garfunkel (or even Yes) vocals, but also reminiscent of Radiohead post "Ok Computer" or those lunatics called Sigur Rós. So, nothing to do with Genesis, King Crimson or ELP here, buy maybe some Pink Floyd flavour. NAO are, with Anathema, the best representatives of the so-called "post-progressive" genre (both of them under the umbrella of the K-Scope label). After their very recommendable "Fog Electric", "The Third Day" follows this unique sound that may be catalogued as "easy-listening" in the first place, but there's really more than meets the ear, and their tunes, although being catchy, are not easy at all. There's something addictive in the music of this Scottish combo, a strange beauty in songs like "Elsewhere", "August", "Penrose" or "Wires". Like watching clouds and figuring out their vaporous forms, this is what NAO music is about." - ProgArchives
    $15.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • New electric band effort from Mr. Hackett was long overdue. Wild Orchids marks the return of keyboardist Nick Magnus to the fold. The rest of the band are the cats that Steve has been recording and touring with for years now but there are augmented by the "Underworld Orchestra". The music has a subdued laid back vibe but of course we get those trademark withering solos that are unmistakably pure Hackett. Some world music influences creep into the mix in spots reminding of Peter Gabriel's solo work, while other tracks evoke the feel of Please Don't Touch. One curious inclusion is a cover of Bob Dylan's "The Man In The Long Black Coat" - Steve slays on it but...
    $15.00
  • We have some customers who collect digipaks. This is the import version of +4626 Comfortzone.  The content is identical to the much less expensive domestic jewel box version.  If you need to have a digi version jump on it as this is a limited edition and will definitely go out of print.Latest studio album from this outstanding band from Sweden.  The best thing about Beardfish is their ability to be contemporary but they blend in just enough old school sounds to appeal to the entrenched prog fan base.  The band never quite sounds retro yet they incorporate vintage keys and guitar sounds. Chalk this up to great songwriting. On their previous album, The Void, something went amiss and it didn't sit well with their fans.  The band had taken on a heavier edge touching on metal.  Well have no fear - the band has jettisoned all metal trappings and have returned to the sound of the earlier albums.  Swirls of organ and Mellotron are everywhere and the unmistakeable sound of the Rickenbacker bass will slam you in the gut.  Are you are fan of Anekdoten, Gentle Giant, King Crimson, or even The Flower Kings?  You need to hear this.With regards to the bizarre album title here is a clue from the band:“The comfort zone is the invisible protective suit of negative thinking, almost like an entity of itself. It’s been with you since birth: your parents and your teachers and your friends and your neighbours all teaching you the way the world works – this is how it is and will be and there’s nothing you can do about it. The negative vibe is like a voice living inside of you, a companion through life. With time you start to like that voice and the place it takes you to: your comfort zone. I’m so sick and tired of it and I want to address it and maybe in that way start to work my way out of it”+4626 Comfortzone comes with a bonus CD featuring 13 previously unreleased demo and outtake tracks spanning 2002-2008.BUY OR DIE!
    $17.00
  • Lots of changes in the Mangala Vallis camp with this new release.  Bernardo Lanzetti is out, replaced by the great Rob Tiranti aka Rob Tyrant.  Many of you know Rob from his work in the metal world with Labyrinth but he has alway worked with New Trolls so he knows how to dial it back.  Great, great set of pipes.  The music has changed a bit too.  Its not as overtly retro although at times the keyboard sounds harken back to the 70s.  Definitely more of a contemporary neo feel.  Its a concept album about a hacker who infects the world with a virus that will destroy all the digital files on the planet.  Good times!
    $16.00
  • One of my personal favorite prog albums of all time. Stunning and mysterious compositions filled with dark ominous moods, spacey Floydian keyboards, and dramatic impassioned vocals. Total masterpiece from the first to last note.
    $15.00
  • Sanhedrin is an instrumental symphonic rock quintet from Israel. They started out as a Camel cover band (can't imagine that as a good career move). Their music definitely bears underpinnings of the Camel imprint but with Middle Eastern influences tossed in you are reminded more of Asia Minor. Flute dominates but keys and guitar have an early Genesis and Gentle Giant feel. Some of the spacier interludes evoke Eloy's Floating but this is much more grounded on land. Highly recommended.
    $15.00
  • "‘Les Fleurs du Mal’ is a conceptual album by Swedish band THERION that features only French lyrics and consists of cover versions of old French pop songs from 60-70s. THERION celebrates by "a special art project", headlining by the material, its 25 anniversary. It was also said that the album is available only during the tour and from THERION online store; it is sponsored by the only founding member, Christofer Johnsson. But you can buy it i.e. on Amazon as well. I am not going to go at length comparing THERION old and new and trying to rationalise things. The reason is simple, as this album was actually the first that caught my full attention. I start from the cover: it's full of topless females. Obviously, Charles Baudelaire's legacy is quite reminiscent there. The cover is made of a quite rich artwork of Saturno Butto, themed mainly erotic and varying from matte painting to charcoal sketches.Most of the songs here are quite short, yet powerful. Why these songs? I have at hand some lengthy explanations from the press kit, but in fact it boils to one single thing: the overall direction of French songs that are dark and telling some quite grim stories. Yet we all aware of a largely poetic language and melodic music background of French culture. Christofer has a great, fluent knowledge of musical styles and approaches, so he claims influences from King Diamond, Candlemass to folk music and ABBA. The album is beating with energy, in carries you along with its set of 15 songs performed mainly by the lead opera singer, soprano Lori Lewis.Of course I was curious about how exactly the original songs were altered. It's too much of effort to get past all these tracks, so I picked few favourites. ‘Mon amour, mon ami’ by Marie Laforet is a playful pop song, performed originally in circus-like up-tempo, but THERION specialists worked closely in order bring about the "inner darkness", toned down tempo and timbre and added traditionally "darker" music instruments such as organ - so song became indeed heavier and more minor, yet more powerful and strong. ‘Polichinelle’, performed with a cute teenage girl's voice by France Gall, is initially a pretty love ballad that relates to a Commedia dell 'arte character (note that comedian masks are worn by the naked ladies on the album booklet. (Thumbs up for the throughout conceptual work!) THERION ended up with an operetta rendering of the song, making of it somewhat of an opera house hymn, this type of sound you would expect from contemporary French musicals. Despite being one of the most experimental pieces on the album, it would be, probably, one of the most noticeable tracks.Finally, Victoire Scott's ‘Une fleur dans le coeur’ - Christofer did not like very much a feature you can hear in original, the honky-tonk (tuned-off) piano that he only describes as "dreadful". Instead, THERION interpretation is deeply lyrical, with plenty of acoustic guitar and strong soprano of Lori multiplied by the riffs you might expect from Jann Tiersen, metal additions and whole lot of different styles changing one to another. One drawback that I see is that the vocal style often remains of the same across album, so if you listen to 15 songs in a row, you might be tired a bit with the similar style. Yet the band paid enough attention to insert pleasant breaks by quest vocalists. The album sounds sound, fresh, and original and there is additional fun to compare originals to the covers." - Reflections Of Darkness
    $11.00
  • Third album from this New Jersey symphonic rock band.  All of the band's albums are conceptual pieces based around literary works.  In fact the band's name is derived from a Ray Bradbury story.  On A Dark And Stormy Night is based on Madeleine L'Engle's fantasy novel of the same name.  The album is a wet dream for any fan of symphonic prog.  As I make my way through the album I'm frequently reminded of some similarities to Glass Hammer.  This is very keyboard driven music with a healthy amount of guitar leads.  There are even some nice Mellotron sounds popping up now and then.  These guys dream big and hit the mark.  Highly recommended.
    $11.00
  • "First Alcoholocaust and now Narcotica. Sense a theme? No wonder the two members of Invisigoth — Cage on all instruments and Viggo Domino on all vocals — call this their "headphone record." And while hearing it under the influence of something might enhance the listening experience, it's already pretty potent.More melodic and less gothic than its predecessor, Narcotica presents nine songs that echo Peter Gabriel, Pink Floyd, Porcupine Tree and the Flower Kings while still retaining their originality. This is tough music to slot into any neat category, making for adventurous and rewarding listening. Five shorter pieces — including the groovy rocker "Scars and Dust" and the seductive, thought-provoking "Pornocopia" — allow Domino to stretch his voice and Cage to work within more structured musical settings. Those songs are sandwiched between a four-part epic called "Dark Highway." Two parts each begin and end the album, and they each average about 10 minutes, pulsing with Middle-Eastern swirls, symphonic elements and dramatic sonic imagery, The entire piece easily is this duo's most ambitious work, brought down only slightly by some strange spoken-word passages.Taken as a whole, Narcotica emerges as a moody and textured album. It's at once complex and accessible, dense and sparse at the same time, and wholly intoxicating." - Sea Of Tranquility
    $3.00