Boi

Boi

BY 3rd Ear Experience

(Customer Reviews)
$16.00
$ 9.60
SKU: 020286213925
Label:
Private Release
Category:
Psychedelic
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Second album from this US psychedelic band features Dug Pinnick on bass and vocals.  If you like space rock/psych jams along the lines of Ozric Tentacles, Quantum Fantay, and Gong you need to these guys.  Wicked stuff.

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  • "I actually found Carving an Icon quite the retroactively blind purchase, suspiciously ironic since I had been tracking this project for quite a while and assumed I knew what to expect from Morfeus in regards to his avant-garde songwriting and abstruse, distinctive approach to the axes. From this isolated point of view, his sonic handprint is indeed all over Viper Solfa, making the unreasonably long wait for Dimension F3H’s This Mechanical World somewhat easier to mitigate since the dude has at least kept the old creative mind juiced as ever. What I wasn’t quite able to ready myself for was the remaining contributions, hardly something to just gloss over, as Viper Solfa is presented as something of a “supergroup” after all as opposed to a mere side-project.Ronny Thorsen supposedly leads Viper Solfa for all formal intents and purposes, the proclivity for many a conflagration granted by his burly speaking timbre and rousing death roars is a concerted force to be reckoned with. It can be argued that he is just another head in the pack, hardly boasting the standalone merit to turn one’s knees to jelly, but Viper Solfa isn’t done yet. The centrepiece of the band isn’t actually Thorsen, but Miriam Renvåg, whose swaying, affecting timbre opens doors unexpected for the band both conceptually and stylistically. So while I can’t feign shock now, I do recall bemused skepticism at the introduction of such audaciously disparate factors. Renvåg’s voice is very sleek and refined, with an almost pop-caliber cadre of appeals that land Viper Solfa closer to bands such as earlier Sirenia once the vocal trade-off between Thorsen is taken into account. It isn’t what I expected, having come into this project for Morfeus alone, but I certainly applaud Viper Solfa for attempting to merge sodden, opaque, death growls with avant-garde female vocal idiosyncrasy.With nearly all preconceptions espoused by this point, and with Renvåg’s quivering and psychedelic banshee wails taking their mental toll, I realized that there are plenty of parallels that can be drawn between Dimension F3H and Viper Solfa. Symphonics are used sparingly and as punctuation as opposed to the primary arsenal. Morfeus is basically the main songwriter here, and he is still shipping out crunchers of high order in the modern black/death format he began employing in earnest on Legacy of Evil during his waning years with Limbonic Art. In fact, the hard-lined, basal distortion sounds very similar to that record, and as the rollicking, flighty webbing of tremolos grow thicker and denser, Carving an Icon hammers out a welcoming mat to the most unexpected clientele.This ends up being the album’s tripping point, however, as far too much time is spent grooming vocal melodies that sound almost shoehorned in just for the sake of keeping the singers occupied. Thorsen’s petulant rasp gets one-upped by Renvåg’s (sometimes sorely overacted) caterwauling, and the end result borders on the monotonous more often than it should. The band still makes a good show of their missteps, what with a dense, abysmal grandeur pervading the nether reaches of what is honestly a relatively compact and easy listen on the whole, but these shortcomings remain. Carving an Icon may not be a masterpiece, or even the best outlet for all of the talents involved, but I can promise that it sounds like absolutely nothing you have heard lately, or likely will in the near future. At the end of the day, a neat project that delivered at least a few truly lethal numbers like “Whispers and Storms,” “Deranged” and most notably the floods of choppy, aggrandized viscera that embody the aptly-titled “Vulture Kingdom.” My expectations are not in line with the norm due to my familiarity with Morfeus’ back-catalogue, so take of this what you will, but Carving an Icon got more than a few spins out of me."
    $7.00
  • Nicely done third album from this Spanish band. The main man behind Kotebel is keyboardist Carlos Plaza but he frequently defers to guitarist Cesar Garcia Forero. The female vocals of Carlonia Prieto has a light ethereal quality which joins with the flute of Omar Acosta to create a balance or counterpoint to the fiery keyboard/guitar interplay. A nice mixture of classical, traditional prog and Spanish influences. This 71 minute effort is a real class affair.
    $15.00
  • Special edition of the 18th studio album from these British melodic hard rock stalwarts.  Comes with a bonus disc with unreleased acoustic and live tracks from the band's vault. "There are some bands who just seem incapable of making bad albums, the odd inconsistent one maybe, the odd ill advised departure, but never bad. Well step up with pride those Brummie boys Magnum, who over the last 34 years (admittedly with a 5 or 6 year break) have regaled us with some of the best British pomp you could ever care to hear. Which judging by studio album number 17, is something that isn't liable to stop anytime soon!To be fair, On The Thirteenth Day isn't the sort of album that is going to change any minds, I doubt very much that was intention. Instead it builds and ever so slightly expands upon the impressive catalogue Magnum have amassed over the decades and stands tall and proud alongside their most revered releases. Only nostalgia will stop long term fans of the band proclaiming that this release is as good as On A Storyteller's Night, or Wings Of Heaven (or whichever is their fave reminisce), but it is. Yes the formula runs pretty close to the last three Magnum offerings, Princess Alice And The Broken Arrow, Into The Valley Of The Moonking and The Visitation, but considering how pleasing on the ear they all were, the fact that On The Thirteenth Day betters them is recommendation enough.Ease into the uplifting "Shadow Town", the ever building and instantly memorable "So Let It Rain" (the stick in your head song of the album), the wonderfully titled and welcomingly familiar "Blood Red Laughter", or stomping, melancholy intent of "From Within" for confirmation that this is a vintage motor still running at full tilt. Pleasingly there are a couple of curve-balls, with "Dance Of The Black Tattoo" having a chunkier riff than this band are known for, while "Broken Promises" follows a similar path, but with a bluesier edge.The voice of the band, Bob Catley, maybe sounds a little lived in these days, but few frontmen can offer up the warmth and emotion of his delivery, while long standing (someone get him a seat please!) keyboard player Mark Stanway adds the layers of atmosphere that mark out the Magnum signature sound. The new (a decade of service still denotes newbies in this band!) lads also stack up well, with Harry James on drums and bassist Al Barrow proving once again that having the most solid of rhythm sections is priceless in any band of any genre. However without guitar player and songwriter Tony Clarkin, this band simply wouldn't be, so let's all doff our caps to "The Hat" and pay reverence to yet another cracking set of songs and another stunning six string performance.On The Thirteenth Day is a fantastic blend of all of the elements with which Magnum have impressed, seduced and won our affection for almost as long as we can remember now and is an impressive statement from a band that would have every right to be sitting with their feet up and living off past glories at this stage of their careers. The fact that they are not is a reason to rejoice and so is On The Thirteenth Day!" - Sea Of Tranquility
    $16.00
  • Man when they talk about "Mellotron drenched" albums they mean this one. The band's second album is loaded with great organ/'tron passages and Ms. Kaagman sounds more and more like Annie Haslam. The album is capped off with the side long title track. This new edition from Esoteric gets all their normal love and attention and features 6 bonus tracks.
    $18.00
  • "When Whitesnake broke into the spotlight with Slide It In (1984), a battalion of cynical critics predicted the band's success couldn't last, but Coverdale and company silenced all the naysayers with 1987's self-titled album, which rocketed to No. 2 on the Billboard album chart. The record was driven by the pumping rocker "Here I Go Again" and the tender power ballad "Is This Love," but the band's mainstream appeal might have had as much to do with their unabashedly sexual videos as with their bubblegum metal. The clips, which seemed to splash across MTV every 20 minutes, starred Coverdale's girlfriend and B-movie actress Tawny Kitaen, and highlighted her busty, scantily clad body in various provocative poses. Volume and T&A--a metalhead's wet dream."
    $5.00
  • "Oh Italy, will you ever stop delivering kick ass metal? Now don’t get me wrong folks, I love the San Francisco Bay Area I’ve called home for the majority of my life, and am very pleased with the area’s contributions to heavy metal, namely the thrash era of the 1980’s, but at the present moment, no country has been consistently delivering like Italy has, especially when it comes to just buckling down and busting out some no holds barred, guitar crunching, drum smashing, vocal chord tearing heavy metal. And when it comes to metal that is blunt and to the point, Astra pretty much nails it on their album Broken Balance.Astra began their journey in Rome in 2001 as a four piece instrumental band, three of which are still in the band today, Andrea Casali (vocals and bass), Silvio D’Onorio De Meo (lead guitar), and Emanuele Casali (keyboard and rhythm guitar), and after a few changes, settled on drummer Filippo Berlini. According to their bio, they cut their chops on Dream Theater covers, and managed to win the first Italian Dream Theater Tribute Contest, leading them to a show with the Wizard Rudess himself for the Italian fan club’s 10 year party. From that point, they followed the tried and true path of releasing albums and touring. In 2005 they released About Me: Through Life and Beyond, and followed that with the 2007 release of From Within. Now, it’s time for that ever crucial third album, so let’s take a look at Broken Balance….Now, unlike a lot of the music I’ve been reviewing in recent days, there is no genre bending, no quirks or hidden aural agendas. From note one of the opening track, Losing Your Ego, Astra makes it crystal clear that they just want to rock the fuck out. The song, and the whole album for that matter, is a catchy riff fest with a strong hard rock/metal vibe. It’s the type of music that would have taken a very high place in the annals of late eighties metal, with the searing high vocals of Casali, the constant double bass of Berlini, and the relentless guitar riffs and solos. They do mix it up a bit, throwing in a few time changes here and there, some subdued moments, and a growl or two, just to add some flare and color to the overall product. Hole in the Silence picks up right where the opener drops off, without skipping a step. The third track, Sunrise to Sunset, has a slightly balladesque touch to it, with a soaring and catchy chorus that really showcases the vocals of Casali. Buried in the midst of the soaring vocal work is a brilliant instrumental section and a jaw dropping solo. It’s surely my favorite on the album, a song that will be listened to many times, me singing at the top of my severely under qualified lungs.From there they go right back to the metal. Song after song they are relentless, one of those albums that screams “LIVE SHOW PLEASE!!!!!!”.  Too Late has yet another catchy chorus, something of a standard throughout the album actually. The title track, Broken Balance, opens with a sultry tone, something else they are rather adept at, and delivers a fairly complex song afterwards, teasing at exploding out multiple times before restraining themselves, working the listener into a furious sense of expectation as to what’s going to come about. Then comes the instrumental, where they let loose in a fury of notes scattered around before the guitars take control. Six more tracks follow, delivering a good variety on their version of solid metal. Another ballad comes in the form of Mirror of Your Soul. Risk and Dare is a crushing and rather dark number on an album that is overall fairly uplifting. Three more rockers lead into the closing track, You Make Me Better. This one opens on the heavy notes, and then settles into ballad zone. It’s a love song of course, with all the requisite cheesiness lyrically and the solid climactic moments.Astra gives at the core of this album a polished sound for sure. Though there are very few mistakes on it, they also don’t break down any barriers. It is altogether a good, fun rocking album, the kind that is meant for cranking up and punishing your neck and your neighbors. Their tightness as a band is clear on every song, and the catchiness of the album should ensure a good deal of longevity for yet another addition to the growing pantheon of Italian metal." - Lady Obscure
    $15.00
  • Esoteric Recordings is going to do an overhaul on the Rick Wakeman catalog.  They are kicking it off with a very good one.  Out There is a concept album and one of Rick's most overtly proggy albums (meaning its sounds like the good stuff from the 70s).  Its been out of print for years now (never understood why).  It features Damien Wilson on vocals which is a huge bonus.  This new edition features remastered sound and an illustrated booklet with essay.  Highly recommended.
    $17.00
  • New remastered edition in a mini-lp style sleeve. RRR was one of the great one-off bands that proliferated in the Italian prog landscape during the 70's. Gorgeous delicate flute and sax work is juxtaposed with heavy guitar and keys to immaculate effect. This is one of the essential ones...
    $19.00
  • Dream Theater began their mammoth A Dramatic Tour Of Events world trek in July 2011 with the final leg in South America taking place in August 2012. It was here at the Luna Park arena in Buenos Aires, Argentina that they decided to film the two nights that go to make up this DVD release. It was Dream Theater's first tour with new drummer Mike Mangini and all the tracks from their first album together A Dramatic Turn Of Events are included in either the main show or the bonus performances. Dream Theater are rock s supreme virtuosos with many awards to their name and here in concert they bring all the power and drama of their music to life with breathtaking performances of classic tracks from across their career.Features many of their classic tracks including: Metropolis Pt. 1 , The Silent Man , Pull Me Under , The Root Of All Evil , The Test That Stumped Them All , The Spirit Carries On and the recent On The Backs Of Angels .Bonus FeaturesDocumentary / Trailer / Behind The Scenes / Cartoon IntroBlu-Ray1) Bridges In The Sky 2) 6:00 3) The Dark Eternal Night 4) This Is The Life 5) The Root Of All Evil 6) Lost Not Forgotten 7) Drum Solo 8) A Fortune In Lies 9) The Silent Man 10) Beneath The Surface 11) Outcry 12) Piano Solo 13) Surrounded 14) On The Backs Of Angels 15) War Inside My Head 16) The Test That Stumped Them All 17) Guitar Solo 18) The Spirit Carries On 19) Breaking All Illusions 20) Metropolis Pt. 1Bonus Tracks1) These Walls 2) Build Me Up, Break Me Down 3) Caught In A Web 4) Wait For Sleep 5) Far From Heaven 6) Pull Me Under
    $15.00
  • One of the classic Italian prog albums comes across as a cross between Jethro Tull and Led Zeppelin. Flute monster accentuated by the great keyboard work of Baffo Banfi.
    $19.00
  • "Rafał Paluszek, band’s keyboardist comments: “Our new album, just like it was with Particles (2013), is not a concept album. We abandoned that as a creative method. And when we came up with the title ‘The After-Effect’, it was partly as a joke. An after-effect is a consequence, the result of all that's going on in our lives. Every album sums up a certain episode in your life. It crowns a certain creative process, which is, after all, brought about by something, and which is a lasting phenomenon. We experience certain things, every event has some influence on what we do. Why shouldn't that apply to the music we create? In a relatively short period of time, 2/5 of Osada Vida's lineup has changed. Such changes are like a tsunami - there are losses, but there's also a reason to build something new, something we wouldn't dare to build back in the untroubled days. We don't know what effects today's events will have. Looking at it from a mathematical perspective, there's an infinite number of paths, each branching out into an infinite number of paths as well, and so on. That's what The After-Effect (2014) is.”"
    $15.00
  • Autographed 4 song EP is a calling card for the upcoming full length release from this new band put together by Dave Kerzner (Sound Of Contact) and Heather Findlay (Mostly Autumn).  The music has more of a classic rock feel but Kerzner injects plenty of vintage keyboard sounds. 
    $13.00