Beyond Daylight

SKU: IO0501302
Label:
Inside Out Music
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Superb return to form from these German masters of melodic progressive metal. Beyond Daylight exhibits many similarities to The God Thing and may well prove out to be their best effort yet.

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  • "This double album is a great testament to all the musical journeys and experiences that Nolan and Swita enjoyed as they spread the word about ‘She’ with their many ‘two-man’ shows. ‘Journey’s End’ features over 130 minutes of acoustic live performances from around the world, as well as a selection of never before heard demos, bonus tracks and interview footage. These live tracks also feature some great guest appearances: familiar ‘She’ faces such as Mark Westwood (guitar) and Christina Booth (voice), as well as new friends like Claudio Momberg from ‘SETI’ (keyboards) in Chile and Sebastian Medina from ‘William Gray’ (guitar) in Argentina."
    $20.00
  • Reissue of classic Bay Area thrash.  4 live bonus tracks.
    $8.00
  • "This fifth album for the underground Norwegian Prog / Power Metal kings starts with a short Flamenco guitar and compass handclap pattern intro named “Esperanto”, luckily DIVIDED MULTITUDE will quickly manage to change everything soon with a real Metal riff and a double kick onslaught, they set the power to maximum heaviness mixed with sheer elegance, indeed since then the remaining 10 tracks on the album are pretty sharp with furious drums and almost Thrashy rhythmic guitars but moderated with ultra-catchy vocals in the real Scandinavian method. I like to think of them about as an heaviest version of CIRCUS MAXIMUS (“What I See”), applicant of a few hyper challenging Melodic motifs with a stunning Schizophrenic vocal rendition, indeed Mr. Sindre Antonsen alternates brilliantly between "testo-tenroic" multi layered singing like Jekyll & Hyde, in the great PRETTY MAIDS & Ronnie Atkins tradition with a two-faced styled that switch from velvet to sandpaper in the same sentence.Of course all the players are ultra-competent, Christer Harøy (PS: his other band with his brother Rayner called TEODOR TUFF is also warmly recommended by yours truly) is a solid guitar player but stay quite discrete leaving much room to another essential strong element in their sound: the fantastic yet subtle Eskild Kløften, who provides some fine effective performance in multipl(a)ying synthetic ambient waves & Progressive Rock keyboards.In this genre the songwriting should be uselessly complicated, well it’s not exactly the case with “Feed On Your Misery”, but don’t get me wrong please, there is plenty of weird or cerebral moments as some strange structures mixed with passionate and luxurious arrangements quite rich in complexity with an average over six minutes in length without never sounding hermetic or rigid.The smartest cuts like the title track “Feed On Your Misery”, the delicious “Crimson Sunset” or the dark “Vicious By Heart” are also pretty much influenced by early QUEENSRYCHE or CRIMSON GLORY with some modernized vocals taken from the inherent omnipresent obvious reference while speaking about Prog Metal singer, the soulful, the one, the only: Sir Russell Allen (SYMPHONY X / ADRENALINE MOB) himself (“Scars”).Finally, the best comparison could have been PAGAN’S MIND meets ANUBIS GATE meets CONCEPTION. I already said it, I will say it again: “Feed On Your Misery” by DIVIDED MULTITUDE, that’s Scandinavian Melodic Prog at its Best." - Metal Temple
    $14.00
  • "Sabotage is the final release of Black Sabbath's legendary First Six, and it's also the least celebrated of the bunch, though most die-hard fans would consider it criminally underrated. The band continues further down the proto-prog metal road of Sabbath Bloody Sabbath, and this time around, the synthesizers feel more organically integrated into the arrangements. What's more, the song structures generally feel less conventional and more challenging. There's one significant exception in the blatant pop tune "Am I Going Insane (Radio)," which rivals "Changes" as the most fan-loathed song of the glory years, thanks to its synth-driven arrangement (there isn't even a guitar riff!) and oft-repeated one-line chorus. But other than that song and the terrific album opener, "Hole in the Sky," the band largely eschews the standard verse-chorus format, sticking to one or two melody lines per riffed section and changing up the feel before things get too repetitive. The prevalence of this writing approach means that Sabotage rivals Vol. 4 as the least accessible record of Sabbath's glory years. However, given time, the compositional logic reveals itself, and most of the record will burn itself into the listener's brain just fine. The faster than usual "Symptom of the Universe" is a stone-cold classic, its sinister main riff sounding like the first seed from which the New Wave of British Heavy Metal would sprout (not to mention an obvious blueprint for Diamond Head's "Am I Evil?"). Like several songs on the record, "Symptom" features unexpected acoustic breaks and softer dynamics, yet never loses its drive or focus, and always feels like Sabbath. Less immediate but still rewarding are "Thrill of It All," with its triumphant final section, and the murky, sullen "Megalomania," which never feels as long as its nearly nine and a half minutes. But more than the compositions, the real revelation on Sabotage is Ozzy Osbourne, who turns in his finest vocal performance as a member of Black Sabbath. Really for the first time, this is the Ozzy we all know, displaying enough range, power, and confidence to foreshadow his hugely successful solo career. He saves the best for last with album closer "The Writ," one of the few Sabbath songs where his vocal lines are more memorable than Tony Iommi's guitar parts; running through several moods over the course of the song's eight minutes, it's one of the best performances of his career, bar none. Unfortunately, after Sabotage, the wheels of confusion came off entirely. Yes, there were technically two more albums, but for the non-obsessive, the story of Osbourne-era Sabbath effectively ends here." - Allmusic
    $9.00
  • "San Francisco has produced countless acts that have defined, and even created, entire genres of music from the psychedelic movement to some band named METALLICA. On “The Zodiac Sessions”, Stoner Metal darlings ORCHID, somehow manage to add their name to the list with a seedy, grooving, bong hit ripping trip through the dark side. Poster children of the Stoner-hipster-Metal phenomenon, ORCHID has released a mess of music since forming in 2007. “Zodiac” is a collection of the bands earlier work, the “Through the Devils Doorway” EP and the killer full-length, “Capricorn”. Newly re-mastered, both records sound excitedly crisp and full, begging to be played at full volume with no remorse.If you really stretch your chemically altered imagination, you can see ORCHID onstage at the Fillmore ruining every ones buzz with their hemorging wall of sound and message of absolute Doom. Maybe that trippy vision is a little too heavy for your current state of mind but these guys are making retro sound progressive, conjuring the very best of classic BLACK SABBATH, PENTAGRAM and DUST while burning a path all their own. “Capricorn” is just plain creepy as the boogie virtually drips off Mark Thomas Baker’s guitar. It’s almost impossible to understand how the refrain gets so heavy with one guitar player but Keith Nickel hammers the bass strings so hard it shakes the ice in your glass. Carter Kennedy handles the back end nicely with deeply body shaking drum work, the perfect complement to the classic crushing being done by Baker and Nickel. Theo Mindell leads the charge with a howling voice resembling Bobby Liebling at his evilest.Baker throws the black cloak of doom gently over the listeners head with “Black Funeral”, the perfect late night graveyard hang out song, Mindell sounding like he is trying to raise the old souls of San Francisco’s past for an undead freak out. On “Eastern Women” we hear the marching guitar rhythm that has lead Orchid to the head of the stoner rock pact. It’s raw and unrelenting, showing a hint of what was to come as the band grew into their already legendary “The Mouths of Madness” record. It all comes to a crashing conclusion with “No One Makes a Sound”. Mindell lays it out on the line, letting us know that ‘they ain’t going to listen now, until no one makes a sound’. Eye opening stuff reminding us that heavy licks and heavy lyrics are how this whole San Fran thing got started.While a double re-packaging of not one but two records, neither one a decade old, is a little pretentious, original ORCHID vinyl is already fetching a pretty penny online. Sporting some groovy new art from multi-tasker Theo Mindell, “Zodiac Sessions” gives first time listeners a chance to pick up some old ORCHID on the cheap (for now) and gives those who were there the first time a second hit off the good stuff." - Metal Temple
    $14.00
  • Second solo album from Porcupine Tree keyboardist Richard Barbieri. The album is all an all instrumental collage of proggy soundscapes and trip-hop. Former Japan co-hort Steve Jansen mixed the album and Steven Wilson mastered it. P-Tree drummer Gavin Harrison, No-Man's Time Bowness and double bass monster Danny Thompson are prominent through out.
    $16.00
  • New progressive rock supergroup consisting of Roine Stolt (Flower Kings), Neal Morse (Spock's Beard), Mike Portnoy (Dream Theater), and Pete Trewavas (Marillion). Sounding somewhat like the missing link between the first and second Spock's Beard albums, SMPT:E locks in on epic track theme opening with the 31 minute(!) "All Of The Above". The standout is a cover version of Procul Harum's "In Held (Twas) In I. A blind purchase for any fan of the above bands.
    $10.00
  • Latest release from this German band still bears the sound of a David Gilmour project, betraying their origins as a Pink Floyd cover band.  This time around the band has come up with a concept album.  "Germany's outstanding art rock act RPWL was recently confronted with a rather difficult question: how do you follow up an epic and highly celebrated album as the Nietzsche-themed 'Beyond Man And Time'? Here's the answer: you tackle the really, really huge topic on your new record 'Wanted' - the ultimate liberation of the spirit.But... How does an idea like that spring to the minds of an art rock band in the first place?RPWL tell of the hero of two worlds, Giuseppe Garibaldi - who, being a tremendous admirer of the Greek antiquity, became aware of a scroll of Plato's in which he analyzes the work of Hippocrates. It can be read in Garibaldi s diaries that Hippocrates had in fact found the formula for a medicine that leads the spirit into a real and absolute world, free of all illusion and invisible ghost worlds. The question, however, that inevitably arises at that point is the following: is the human race ready for what Plato called the gift of absolute freedom ?On 'Wanted', RPWL bring the principle of the concept album to a new level. That is how this gigantic piece of art evolves into a true explosion of creativity. Furthermore, the intellectual firepower of the content is in every way matched by the artistic and emotional depth of the music. More than ever, a sharp artistic edge and the hunger for discovery is what drives this record forward. Despite more than fifteen years in the scene, Yogi Lang (vocals, keyboard), Kalle Wallner (guitar), Marc Turiaux (drums), Markus Jehle (keyboard, piano) and Werner Taus (bass) brilliantly avoid playing it safe."
    $15.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
    $13.00
  • Get yer puffy shirts on matey! Alestorm are a Scottish power metal band who play "pirate metal", the likes that you haven't heard since the glory days of Running Wild. This is the limited edition that comes with a bonus DVD (PAL Region 0) of the band's performance at the Wacken Festival in 2008.
    $18.00
  • "My first introduction to Brazil's Hibria came with last year's DVD/CD live package Blinded By Tokyo. It seems, besides their popularity in South America, they've been a hit in Japan from earlier on in their career. The live set was good showcase for their power metal skills. Now seeking more international recognition, Hibria releases Silent Revenge through AFM Records.I'll admit I was almost put off by Silent Revenge from the start, thanks to the first, and title, cut. Silent Revenge features Andre Meyer of death metal act Distraught offering competing death vocals. I get the addition, but it's still annoying. Later, with Walking to Death, Hibria vocalist Iuri Sanson nears hardcore screamo vocals. All this makes me wonder if, in attempt to be edgier or more commercial, Hibria wants to move more towards modern metal.Alternatively, listening to Silence Will Make You Suffer, Lonely Fight, or the powerful anthem Shall I Keep on Burning (unplugged version is even better), you find both Sanson and Hibria straying little from their traditional heavy power metal roots, with emphasis on heavy. However, sometimes they get a little over ambitious as with The Way It Is. It's decent power metal, just too long. One thing Hibria has always been known for is powerful guitar leads, and there's a truck load of ripping leads all over this album. This simple, but necessary element, puts Silent Revenge beyond a better than average album. Their traditional South American and Japanese fans should enjoy this album, and the band will probably collect more fans in Europe as well. Recommended." - Danger Dog
    $15.00
  • SpiRitual is the brand-new ethno metal project of Stefan Hertrich, vocalist/songwriter for the long running German gothic metal band Darkseed, and sound track composer for PC games. Supported by international guest musicians, the 29 year old artist hits the road again to explore distant cultures and alternative ways of thinking, as he did in 1999 (Betray My Secrets) and 2004 (Shiva in Exile, awarded with the American Just Plain Folks Music Award in the category "best new age/world album 2004"). Combining distant melancholic aesthetics with hard metal elements, the first release entitled "Pulse" offers 8 epic ethno metal tracks. Brutal metal vocals and mercilessly down-tuned guitars are mixed with warm ethnic instruments and female vocals, creating a dynamic and energetic listening experience.In his role as a writer, Hertrich as usual sees the world critically, but instead of observing the outer grievances under social and political viewpoints, he dips directly into the listener to show him his worst enemy on his way to growth and self-realization: doubts and fears. The lyrics of "Pulse" don´t focus on hopelessness but motivate the listener/reader to recognize and establish positive character attributes slumbering in every human soul: courage, inner strength, sensibility, respect.In cooperation with the German author and scientist D. Ph. Christian Rätsch and the Russian video team Deviant Creations, a multimedia section was created, including a video clip as well as text material of the author and Stefan himself. Being a world-renowned anthropologist and ethnopharmacologist Rätsch spent three years of fieldwork among the Lacandone Indians in Chiapas, Mexico, being the only European fluent in their language. His numerous fieldworks also have included research in Thailand, Bali, the Seychelles, and a long-term study (18 years) on shamanism in Nepal combined with expeditions to Korea and the Peruvian and Columbian Amazon. Atmospheric flutes and percussion insets were arranged by the Columbian Shaman Kajuyali Tsamani.Also appearing: female vocals by Gaby Koss (former Haggard, Germany) and Yana Veva (Theodor Bastard, Russia), drums by Maurizio Guolo (Darkseed, Germany) and guitar solos by the German artists Christian Bystron (Megaherz), René Berthiaume (Equilibrium) and Markus Glanz (Koyaanisqatsy).
    $5.00
  • Second album from this Danish band that blends European and US power metal influences all whipped together at a breakneck pace.
    $10.00
  • Second album from this Belgian band fronted by guitarist Dusan Petrossi. This is extremely similar to his other band Iron Mask. Exceptionally well executed neoclassical metal that is a slavish imitation of Malmsteen with just a touch of Rhapsody tossed in for good measure. Not one original note or move but still quite enjoyable if you gravitate towards this style of power metal. Former At Vance vocalist Oliver Hartmann guests on two tracks.
    $15.00