Away With Words

SKU: 142752
Label:
Metal Blade
Category:
Progressive Rock
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Fates Warning guitarist goes new age with the help of Michael Mannring, Mark Zonder, and Charles Bisharat.

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  • "Features guest appearance by Gentle Giant guitarist Gary Green on “Words and Miracles” (Electric Guitar, Guitar solos and backing vocals) and “Crush of Night” (Guitar solo) IZZ’s new studio album, Crush of Night serves as Part 2 of a 3-part series of thematic albums that began with The Darkened Room (TDR) in 2009.Crush of Night is a worthy successor to the well-received TDR and continues the exploration of one’s journey of self-knowledge, doubt and ultimately the search for meaning. IZZ brings their characteristic sense of melody to the fore on this album while at the same time fusing high reaching emotion with the driving impact that IZZ fans have come to identify with the band. From the opening vocal melody of You’ve Got a Time to the guitar-driven Words and Miracles featuring the distinctive guitar sound of Gary Green, to the stirring emotion of Half the Way culminating with the impressive 26 minute suite that shares ist name with the album title, Crush of Night delivers on all fronts by creating a sound and passion that belong to IZZ alone."
    $12.00
  • Exile is the long awaited third album from this British progmetal band.  To-Mera is fronted by Julie Kiss with the principal songwriting coming from guitarist (and her husband) Tom MacLean.  Some of you may recognize Tom's name from his membership in Haken as their bassist.  It gets slightly more confusing as Haken's main composer/guitarist/keyboardist is To-Mera's keyboardist Richard "Hen" Henshall.  Yes life can get complicated sometimes.The new album is a conceptual work about human existence.  Ms. Kiss' vocals flow like a constant river over some real bad ass and complex prog metal.  At times MacLean breaks out some incredible fusion leads taking the band in a whole different direction.  Hen's keys have a very specific sound.  At times you will be reminded for a moment of the Haken sound but in general this doesn't sound like a Haken album.  The album does feature some special guests...Marcela Bovio (Stream Of Passion), Stefan Forte (Adagio), and Ray Hearne (Haken) all make appearances.  An intricate and involving listen, this is easily going to be one of 2012's best metal releases.  Highly recommended.
    $14.00
  • "A while back I reviewed a “live” album that sounded like it was recorded in a pub in the middle of nowhere on a wet Tuesday, attended by one man and his dog.  It was awful.  If you’re going to produce a live album there are rules.  First, the sound has to be good, there’s no point if it isn’t studio quality.  Second, and this is vital, if you are recording an album in front of a live audience, the sound of that audience must make it onto the album.  If you can’t hear them cheering, clapping, singing along you’d have been as well staying in the studio.  After the disappointment of the aforementioned review, I was keeping everything crossed that Live With the Curse would reflect the electric atmosphere at Glasgow’s Classic Grand on that night back in November.  You see, I know the crowd was rocking that night, and I know the band sounded great, because I was there.So, I sat down today to listen to the album, hoping against hope that Eden’s Curse had got it right.  Man have they ever got it right.  I defy anyone to listen to this without feeling like they were actually there.  Mixed and mastered by Dennis Ward, who has worked with the band throughout their career, every bit of the live experience is included, from their onstage introduction by Tom Russell to the little chats with the crowd and the unholy racket the crowd made at every opportunity.Tom Russell, Godfather of Rock is a legend in these parts, he’s been presenting rock radio for longer than I’ve been alive (sorry Tom!) and having him announce you is quite an honour.  From that point on this album is relentless.  Nikola’s vocal never misses a note, Thorsten plays guitar like a man possessed and Paul, John and Steve bring it all together into something pretty close to perfection.  Nikola does a brilliant job of bringing the crowd into the show as well, introducing songs, explaining what they’re about and getting some crowd participation going.  It all adds to the atmosphere, which as I’ve already said is crucial to a live album.Highlights for me include opening track Symphony of Sin, which sets out the bands intentions from the very beginning.  This gig, this album is going to break you.  The pace and energy is non stop, as Nikola roars at the crowd and they roar back.  Covering tracks from all four Eden’s Curse albums the band powers through a set list which translates to a two disc album of over 100 minutes.  It’s long, but it never drags, as the energy refuses to drop.  Towards the end of disc one look out for an extended guitar solo from Thorsten.  Now, I don’t play guitar, but I know enough to know that this man is one of the best guitar players you will see.  He rarely lifts his head, lost in the music but he plays as if he has two pairs of hands.  One of my favourite things about Eden’s Curse is the storytelling in each song, from Masquerade Ball to Rock Bottom.  It means that the songs improve with each listen, as you move from listening to the tune to actually taking in the lyrics.  I have to also mention my personal favourite Eden’s Curse track Evil and Divine.  I don’t know why I love it, I just do.  And that’s what it’s all about.As final track Angels and Demons ends the crowd begin to chant, “Eden’s Curse, Eden’s Curse, Eden’s Curse,” and I sit here straining my ears because if I just listen hard enough I might hear myself.  I cheered them that night, and I’ll be cheering this album from the rooftops.  It’s out on Friday, March 13th and I will personally Curse any of you who don’t buy it!" - Planet Mosh
    $15.00
  • "My first experience with Edge Of Paradise dates to 2011. I've listened to a lot of music since then, so my recollection is a little cloudy. That may be a good thing as I approach the band's first full-length album, Immortal Waltz, now signed to Germany's Pure Rock Records.Largely what I do recall is that the focus of Edge Of Paradise revolves around guitarist Dave Bates and vocalist Margarita Monet. He works with layers of dense sharp riffs coupled with leads that vary from neo-classical to pure rock. Monet has a nearly Olympic vocal approach. She's not one of those operatic singers. Yet she can voice the same, along with rock to something more atmospheric and ethereal. For the music EoP works from the base melodic heavy metal infused with a rock groove, and then adds the former elements for this large bombastic presentation. To be fair, four of the songs are from the Perfect Shade of Black EP released in October 2014: the title track, In A Dream, Ghost, and Break Away. But unless you have that EP, this tidbit matters little. The band also covers the Sabbath song, Children of the Sea, with some success.There's a lot to like about this album, simply because of the Bates/Monet approach to songwriting. I can honestly say I enjoyed every song here, thanks to the ease which heaviness and groove are blended together. Yet several songs stood out more than others. First, there's the pair of It's My Show and Immortal Waltz where EoP brings this feeling of theater, possibly some side show, and a little burlesque to their sound. The latter song may even suggest a waltz theme or motif to your ears. Another fine tune is In A Dream, which has this combination of riff density and soaring atmosphere thanks to the vocals.Also, a favorite was Ghost; it's not unlike In A Dream, but more ethereal at the start, only to become massive in riffage in crescendo. Finally, Rise For The Fallen, an anthem of sorts, seemed the song with most groove with Bates' riffs blasting throughout. But this song, like so many others here, displays the chink in the EoP's armor. For all her vocal calisthenics, Monet is difficult to understand. Her voice and style certainly compliment the EoP sound, but you'll want to have the lyrics handy if you want do understand anything she sings. Nevertheless, and overall, Edge Of Paradise's Immortal Waltz is interesting and entertaining melodic heavy metal that will keep you listening. Recommended." - Dangerdog.com
    $15.00
  • "For their fourth album (the first I’ve heard), Finland’s Five Fifteen continue their tradition of long psychedelic titles. Gong fans don’t be fooled, the mention of the French cheese does not bode any resemblance. Five Fifteen are a hard rock band with progressive and psychedelic leanings, not really of the metal variety. Obvious referents might include Deep Purple and Golden Earring, but the presence of two lead vocalists, male and female, really sets the band apart from any comparison I can think of. The lyrics are all in English, sung with slight accents, and a bit on the goofy side, though not embarrassingly so. Lyricist Mika Järvinen has a strange sense of reality. Perhaps he sums it up best himself in “I Don’t Remember”: “I’m the psychedelic redneck, a progressive punk / A bebopalula with a freaky funk / .. / I’m a second generation of the electric warriors / A flowerblues child of the space cowboys.” What really strikes me are the band’s arrangements, going from a delicate acoustic section with flanged singing into a blues stomp with a killer electric riff, then a guitar solo over a tricky 11/8 rhythm. Very inventive and full of surprises. The disc ends with an strange uncredited story about a guy who meets three Martians and takes them to Las Vegas." - Expose
    $7.00
  • The band's second album, originally released on Brain in 1973, is another stone cold killer. You have to love this - a disc filled with long jamming tracks of frenetic sax, guitar and organ soloing. The 14 minute "Trash Man" picks up speed as it moves through the track and totally blasts off with undercurrents of Santana-esque percussion driving it along. Monster stuff long over due. Now it comes to us with great sound, a 12 minute unreleased bonus track, liner notes, etc. Highly recommended. Essential listening.
    $21.00
  • German edition (with Taiwanese OBI) of the band's latest album. Supreme symphonic gothic metal.
    $13.00
  • Aardvark was a one and done band that recorded for Deram/Nova in 1970. Originally a vehicle for Simon Kirk and Paul Kossoff before they split to form Free, Aardvark evolved into a guitarless quartet. Led by the organ led keyboards of Steve Milliner, the band bore similarities to Egg and The Nice. Milliner owed a bit more to Jon Lord than say Keith Emerson but when he put his organ through a fuzz box it definitely will remind you of Dave Stewart. This reissue has been given the usual gold standard treatment from Esoteric.
    $17.00
  • Sezione Frenante are not young guys.  Apparently they've been kicking around since the first half of the 70s but with no recorded output.  They opened for some of the Italian prog bands of the day and then went on hiatus...until now.  This is a concept album based on the life of poet Dante Alighieri and the material was conceived back in the early days of the band.  Sonically it doesn't have the 70s imprint that a lot of the retro bands go for but compositionally it fits squarely in the "Rock Italiano Progressivo" mold.  So we are talking about music composed in the 70s and recorded today.  To my ears the production is quite excellent - it almost has a live in the studio feel.  The closest comparison would be to Le Orme which is not surprising given the band's long friendship with Aldo Tagliapietra.  All of the musicians in the band are quite good and have plenty of room to solo.  The star for me is vocalist Francesco Nardo.  He has good range and fits neatly in with the music.  Nothing operatic - just right.  Highly recommended.
    $18.00
  • Despite a fracture between Andy Powell and Martin Turner, Wishbone Ash carries on - now in two different iterations. I guess Andy Powell retained the rights to the pure Wishbone Ash name and he's helming the ship on this release. Its just what any Ash fan would want - blues driven prog from a twin axe attack. That's the Wishbone Ash signature sound and if you are a fan you won't be disappointed.
    $15.00
  • When seven Greek charlatans get together, the musical visions that springs from their minds, can only be described as a true freakshow.Back in late 2004 the idea of a band that could develop a theatrical attitude and combine different musical elements with the dynamics of metal and rock sound, brought DAKRYA to life ....Following the usual demos and local live shows, the band released its debut album "Monumento" in the spring of 2008. Receiving great reviews and good support from both the media and the fans in and around Greece, DAKRYA started touring on a broader scale, supporting such bands as MOONSPELL.In 2009 the band began to work on new material; the main goal was to put even more emphasis on the 'theatrical' style of DAKRYA, and in January 2010 the band entered the studio with engineer George Bokos (Rotting Christ) to record their sophomore album, "Crime Scene".Come March 2010 the band find themselves sitting in a studio in Sweden mixing the album together with Pelle Saether (Diablo Swing Orchestra, Draconian, Madder Morten), followed by a trip to other Swedish sound-guru Göran Finnberg (Opeth, Dark Tranquillity, In Flames, Arch Enemy) for the mastering of the disc.CRIME SCENE is actually a metaphor about the world we live in. So simple and so complicated at the same time. A person has to change so many faces in order to obtain a “socialized” and “normal” image, that if you think about it a little bit… we all look psychotic. In CRIME SCENE we improvise against reality! Snapshots taken from our everyday lives.From the opener "The Charlatans", over the obvious hit of "The Urban Tribe" to the final notes of the closing soundscape "A Dreadful Sidescene", the album is a one-of-a-kind musical experience. Ranging from the psychotic and cinematic melodrama heard in bands like Diablo Swing Orchestra and Unexpect to the orchestrated gothic metal comparable to Therion and Theatre Of Tragedy, DAKRYA paints their mark all over the canvas.
    $4.00
  • Fifth album from the Polish prog band led by former Collage guitarist Mirek Gil.  The band clearly goes for a contemporary sound.  There are overt similarities to Riverside but the music has a more symphonic rock side.  I've always enjoyed Gil's guitar tone.  He plays with quite an expressive style.  In this case its nicely augmented by violin and keys.  Lots of prog coming from Poland.  Believe is one of the better bands to emerge from that scene.
    $15.00
  • Third Ion is a Canadian quartet who's music is squarely in the prog metal domain with a bit of a tech edge.  Oh yeah - I should mention that they have a bizarre obsession with video games.  With a background of playing in Into Eternity and The Devin Townsend Band you know straight away these guys have chops from hell.  This is one of those albums that can leave you off kilter as its constantly shifting directions but it has a melodic base to work from.  Vocals are totally clean and quite good - maybe a bit of a Maynard influence crops up here and there.  Keys are mainly used for texture but its important as a bed for the sick fretwork.  The insertion of "chiptune" sounds add an oddball factor - luckily they don't over do it.  So far 2015 has been a solid year for prog metal.  I expect Third Ion's debut to sit highly on top 10 lists at years end.  Highly recommended."Where to begin? Introducing the band Third Ion or my blatant skepticism about them? Actually both converge. Third Ion is a progressive metal band consisting of former members of Devin Townsend Project and Into Eternity. Their common interests revolve around prog, science, video games, which informs their music. So much so that lyrically the songs consider physics and metaphysics and, musically, the title track is written in 13/8 time signature. Moreover, all the songs will be released in 8-bit as an homage to early video games.And that's where my skepticism reared it's ugly head. Cripes. Chiptunes meets metal. Nintendo and Super Mario and their sparkle and glitter music invading my ear drums. And MIDI too. I hate that shit. And then to think of the players' former band background. No, not death vocals, too.But. Behold. My fears were unnecessary. 13/8Bit is some pretty classy and inventive melodic progressive metal, and there's no death metal vocals. Yeah, in the title track they do some of that Nintendo wonkery, but it's a rather cool and entertaining song, even playful. The songs are large on massive, but not deathly technical, riffs, inherent melody and harmony, and sufficient intrigue in arrangements. Then they're spiced by Justin Bender's spry and fierce guitar solos. Even bass player Mike Young gets to do so as within the second half of Particle Displacement Mechanism or Capitol Spill, by example. You'll also find Young's keyboards in the mix, notably within Time Lapse Beta, varying between simple piano to ethereal synths. Underneath, yet also nearly ubiquitous, are Aaron Edgar's drums, providing beat and rhythm, but also offering some flurries of poly-rhythms. Things do get slightly weird with the only instrumental, Van Halien. It sounds like chiptune, metal, and jazz fusion but, in the end, it's strangely convincing, even appealing. So my skepticism and fears were largely unfounded. Third Ion's 13/8Bit is creative and intriguing progressive metal, defintely worth your time and consideration. Recommended." - Dangerdog.com
    $10.00
  • New edition of this wonderful third album from one of Canada's best progressive bands. Originally released in 1976, Ni Vent...Ni Nouvelle is classic Maneige - a sumptuous blend of keys, reeds, guitar, bass and percussion. The instrumental sextet is augmented by a string section. The music is a bit reminiscent of Camel and Gentle Giant with more than a touch of jazz rock thrown in. This new version features four bonus live tracks. Highly recommended.
    $12.00