Angling Feelings

SKU: SPV794723
Label:
Inside Out Music
Category:
Progressive Rock
Add to wishlist 

Latest from the resurrected Swedish symphonic band continues to sound perilously close to The Flower Kings but with Patrick Lundstrom (Ritual) and Aleena Gibson sharing vocals. A surprising new member is guitarist Per Nilsson from Swedish death/trash metal band Scar Symmetry. He seems quite comfortable hanging with the decidedly softer nature of this music. The great Morgan Agren plays drums and FK/Karmakanic bassist Jonas Reingold is here as well. Keyboardist/leader Hans Lundin holds the whole thing together with as much vintage sounds as you could possibly want.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • German import digibook comes with 3 exclusive bonus tracks. "All eyes are on Gus G., especially from the casual mainstream heavy music follower who probably just discovered this axe-slinger’s skill set taking over for Zakk Wylde as Ozzy Osbourne’s guitar man. Those of us stalwart metal maniacs know Gus from his work in Mystic Prophecy, Nightrage, and Dream Evil through the years, but Firewind has always been his main original productive act, releasing five power metal albums prior to Days of Defiance. Does this latest album deserve wider adulation and popularity? I would safely say that following the 35-second acoustic opening to “The Ark of Lies”, Gus comes out of the gates with a fireball riff attack and vocalist Apollo Papathanasio delivers the complementary blues based melodic metal pipes you expect much like the old Dio/Blackmore or Coverdale/Sykes days. As a band, Firewind prefer to keep the emphasis on catchy verse/chorus oriented material, leaving most of the shake and bake instrumental flexing for the solos or brief interludes like the keyboard galaxy event “The Departure” or the 5-minute plus sans vocals “SKG” where keyboardist/guitarist Bob Katsionis puts on a speed finger play clinic of the neo-classical kind. Those who love faster numbers that showcase drum work fueled by hurricane arm/leg movement, a firm keyboard underpinning and the back and forth chemistry that classic singers and guitarists feed off of should delight in the Rainbow-like “Heading For the Dawn” and “When All Is Said.” Contrasting that material you can count on a few tracks with definite commercial potential- such as the Riot-meets-Maiden dynamic within “Chariot” or the quieter power ballad “Broken” where Apollo’s bluesy charm shines. Days of Defiance contains the desired balance between the average Firewind follower’s expectations and the five piece’s insistence to challenge themselves in terms of technique and songwriting ability. If pushed correctly, Gus G and Firewind could get used to a hefty touring cycle and bigger sales as this clearly is their most accomplished album to date. - Matt Coe/blistering.com
    $17.00
  • Mutum is a phenomenal gothic metal band from Monterrey, Mexico.  Fronted by Myrthala Bray, the band creates an epic, symphonic metal sound very much from the same mold as Epica, After Forever, and Delain. Ms. Bray has a great voice (and looks to match) for this style of music.  The music has a bit of speed to it and there are some nice orchestrations that gives the music a larger than life feel.  Apparently 60 musicians were involved in the recording and it sounds it!  In an oversaturated female fronted metal scene, Mutum has immediately rises above the pack with their debut.  Highly recommended.
    $13.00
  • The Laser’s Edge is pleased to announce a release campaign of the entire Freak Kitchen back catalog, beginning with 2009’s Land Of The Freaks. Although extremely popular around the world, access to Freak Kitchen’s music in North America has previously been limited to expensive imports through specialist dealers. Europe’s best kept musical secret is a secret no more! Freak Kitchen is a progressive power trio consisting of three renowned virtuoso musicians: Mattias “IA” Eklundh (guitar/vocals), Christer Ortefors (bass), and Bjorn Fryklund (drums). The band was formed by IA in 1992 and since then they have conquered audiences around the world with their high energy performances. The members of the band are road dogs, performing constantly as Freak Kitchen and individually as clinicians. Freak Kitchen’s music is an amalgam of styles – equal parts hard rock, heavy metal, and progressive rock blended together with a healthy dose of Zappa-esque humor. Land Of The Freaks finds the Indian influence of the Art Metal project crop up in a couple of tunes due to the participation of V. Selvaganesh and Neyveli S Radhakrishna. Strings also come into play at times just adding another dimension to the band's usual craziness. It goes without saying that you can expect stellar playing through out. Land Of The Freaks is cerebral guitar driven progressive music that is essential for fans of Frank Zappa, Bumblefoot, and Steve Vai.
    $14.00
  • Solo piano improvisations inspired by the tragedy of September 11, 2001. A portion of this is from a live benefit concert that Jordan performed for the benefit of the victims' families. Magna Carta and Jordan are donating a portion of the proceeds from the sales of this disc to charitable organizations.
    $8.00
  • We've had a hell of a time getting our hands on this album but its finally here and more than worthy of your attention.  In fact this is an album that is going to ride high on many 2014 top 10 album lists.This is the first full length release from this six piece band based out of Bergen, Norway.  The core sound of the band is rooted in classic progressive rock.  Think in terms of the aggressive side of Van Der Graaf Generator and King Crimson.  But there is more at play here.  A strong jazz element is at play as well.  I'm reminded of Jaga Jazzist and perhaps a bit of Frank Zappa and Mr. Bungle.  There is no doubt we are going to hear quite a bit from this band in the future.  BUY OR DIE!"An impressive album of refreshingly unique music that crosses many sub genres, including space-psychedelia, symphonic, heavy prog, avant-jazz and experimental/post metal. Wonderful vocals, very tight interplay among all band members with no one member or instrument really standing above any other--though the presence and performance of the saxophone is highly notable. This is complex music played so tightly. And the astonishing 14- minute epic, "God Left Us for A Black Dressed Woman," must be heard to be believed.1. "Oh My Gravity" (9:49) starts as a jazzy stop-and-start piece that picks up in intensity in the second minute before shifting to a melodic ballad in the vein of the heavier side of FROGG CAFÉ. The male vocalist sounds to me like something between RADIOHEAD's THOM YORKE and TODD RUNDGREN. Around the six minute mark the spiraling, swooning music sounds a lot like some of the louder stuff from MOTORPSYCHO's The Death Defying Unicorn. This feel continues into the seventh minute when organ and horns take turns embellishing the staccato music. The bare-bones, bluesy final 45 seconds is bizarre but so cool! A powerful and surprising opener to this unusual album. Very high marks for compositional prowess and instrumental performance. (9/10)2. "Wind Shears" (6:32) opens in a very psychedelia/spacey 1960s way. Then at the one minute mark it settles into a jazz groove with first sax and then jazzy guitar and Hammond organ filling the lanes over the rhythm section. Clavinet is added for a GentleGiant-like bridge before a polyrhythmic KING CRIMSON "Discipline"-like weave appears to support a brief ghost-like vocal. At 3:20 the sound gets much heavier over the same arpeggiated weave, nearly drowning out the still-soloing sax and organ. This is just like TOBY DRIVER (Kayo Dot/Maudlin of the Well)! At 4:05 things get quiet and sparse again, with the music vacillating from soft and delicate to heavy and abrasive. A very melodic kind of psychedelic big band section plays out for the final minute. Again, bizarre but so cool! (9/10)3. "Eschaton Hero" (8:29) opens with some guitar, keys & sax riffs repeated over latin percussion. At 1:00 everything settles down into another quiet section with a delicate vocal in Stian Økland's upper register. Beautiful chorus/bridge at 1:47 gives way to an unpretentious bass solo before settling back into the delicate vocal music. Same awesome bridge at 2:49 leads into a heavy section into jazzy chaos--all performed over the most simple, calm drum play. At 4:52 it gets even heavier as it plods along for a minute in support of a fuzz guitar solo. Finally the drums start to play--to match the frenzy of the rest of the band--then everything stops so the band can yell "Yay!" Then a variation on the previous frenzy picks back up until 7:05 when everything settles back down into the soft groove of the initial vocal section for a dirty sax solo before letting Stian finish the song out in his high voice. Well conceived and performed, just not my favorite. (7/10)4. "Extraction" (6:34) begins with another odd intro of two or three parts before settling into the vocal support section--which begins heavily before falling into another RADIOHEAD-like bluesy section. At 2:20 a neat Hammond section leads back into the heavy full band section that opened the vocals, then, again, drops off for the beautiful support of a multi-voice- supported section. At 3:45 a very smooth, stripped down electric guitar solos, until there is a full return to explosiveness at 4:20. A bouncy "O Yo Como Va"-like Hammond section at 4:40 gives way to a kind of Latin weave before falling back into the heavier rock weave from the first vocal section to end. (8/10)5. "God Left Us for A Black Dressed Woman" (14:12) opens with another KC "Discipline"-like weave that morphs and flows, polymorphs and grooves for two and a half minutes before decaying into a simplified form for a bluesy ROBERT PLANT-like vocal section. This song's amazing vocal performance could also be compared to some of the finest MATTHEW PARMENTER/DISCIPLINE works. Some incredibly powerful sections in this song--especially the multi-voice vocals in the eleventh minute and the following heavy full-band part. A very DISCIPLINE-like soft section then ensues with a slow build to an awesome crescendo and frizzed finish. The song evolves, shifts, twists and turns and surprises throughout. Again there are several parts that remind me of MOTORPSYCHO's Unicorn. Without question this is one of the best prog "epics" of the year! (10/10)Aside from the above references to Motorpsycho, King Crimson, Radiohead, Toby Driver, Matthew Parmenter/Discipline, the overall impression this album leaves me with is similar to that of DIAGONAL's eponymously titled debut album from 2008. SEVEN IMPALE's City of the Sun is a wonderful collection of masterfully composed, executed and recorded songs.A 4.5 star album that I can't see giving anything less than five in that it is a treasure for the ages!" - Prog Archives
    $14.00
  • "ALLEN/LANDE (or ALLEN-LANDE) is a Melodic Hard Rock/Heavy Metal super group / band project formed in 2005 by guitarist Magnus Karlsson (PRIMAL FEAR, STARBREAKER) with two highly acclaimed metal vocalists - vocalist Russell Allen (SYMPHONY X) and former MASTERPLAN vocalist Jørn Lande. The band released such albums: "The Battle" (2005), "The Revenge" (2007), "The Showdown" (2010) and "The Great Divide" on 17th October 2014.Opening track “Come Dream With Me” takes listeners on the journey through the Melodic Rock & Metal world where you can find stronger melodic guitars with wonderful vocals, clear rhythmic section, catchy chorus with an impressive guitar solo which makes goose-flesh, and little PRIMAL FEAR echoes. Powerful drums and mega energetic guitar riffs in “Down from the Mountain” are truly kick-ass with amazing vocals in climate of BLACK SABBATH, AXEL RUDI PELL and memorable refrain in high style. All tracks have similar sounds to GAMMA RAY and TIMO TOLKKI songs. The energetic atmosphere of “Dream About Tomorrow” is caused by heavier riffs, SCORPIONS echoes, great solo, and keys in Power Metal style.My favourite song on the album is “Lady of Winter”, which has everything that is the best in Hard Rock and Metal music – so gentle piano opening, then heavy riffs, clear drums, fabulous memorable high chorus, and perfect worked guitars full of melody. Stunning track with rockin sounds, mid-tempo, perfect bass, slower climate, and totally in the style of JORN. Stronger riffs with gentle keys and massive JORN vocals in pathetic melodic refrain in track “Solid Ground” is perfect, also with a massive and brilliant guitar solo!The band proves that they are on high-class level in powerful “In the Hands of Time” where keys and melodic guitars have STRATOVARIUS echoes. The energetic “Reaching for the Stars” with gentle keys in the background with memorable refrain and massive sounding “Hymn to the Fallen” with mixing Heavy Metal sounds together with rockin style.Also I like very much the ballad titled track “The Great Divide” with beautiful strong voices of singers, calmer guitars, keyboards, and passionate guitar work and chorus in high style with choir in amazing slower tempo – what a wonderful sound! Another ballad “Bittersweet” has a slower rate, clear drums, piano, and brilliant singing together with climatic stronger high riffs. Sounds total perfect!ALLEN/LANDE, again, proved that they are Kings of Rock and Metal. They connect different kinds of sounds – Hard Rock, Heavy Metal with doses of melody. The band creates music with passion. Every track is a masterpiece and in each sound the experience of musicians is hear able. ALLEN/LANDE is simply a fantastic band, and their fresh CD “The Great Divide” is more than highly recommended to every lover of Melodic strong sound!" - Metal Temple
    $16.00
  • The third and final album of the Blackmore/Dio marriage was a fine one. "Gates Of Babylon" and "Kill The King" and the title track are now timeless classics of hard rock.
    $5.00
  • Beautiful Japanese SHM-CD in a gatefold mini-LP sleeve."Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974's I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for "Calvary Cross" and "It'll Be Me," which were included on Richard Thompson's 1976 compilation Guitar, Vocal, but which have been remixed for this album. The selections come mostly from the Thompsons' three albums, of course, with special emphasis on Pour Down Like Silver, and the performances are often stretched out with lengthy guitar solos. A nod to Richard Thompson's tenure in Fairport Convention is made with a version of "Now Be Thankful," and since the instrumental lineup mirrors that found on the album of traditional music Morris On, the players give Linda Thompson a break and perform a set of instrumental reels. The cover songs are all American country and country-rock numbers, Hank Williams' "Why Don't You Love Me" (with Linda Thompson on lead vocals), "Things You Gave Me" (learned from a Rick Nelson album), the Jerry Lee Lewis hit "It'll Be Me," and Buck Owens' "Together Again." This was a recording worth excavating from the vault, and it confirms Richard & Linda Thompson's reputation as a major folk-rock act of the ‘70s, making it all the more regrettable that they broke up, professionally and romantically, in the early ‘80s." - Allmusic
    $16.00
  • French female fronted band with an extreme metalcore sound similar to compatriots Kells. Vocalist Candice Clots mixes up the clean and harsh vocals with the former dominating. Produced by Fredrik Nordstrom (Arch Enemy, In Flames). This is the international English vocal version.
    $15.00
  • 2LP white vinyl edition.Stunning second solo effort from Riverside frontman Mariusz Duda. Lunatic Soul explores the quieter, introspective side of the progressive spectrum. Duda plays most of the instruments himself, but he is also helped out by Indukti's Wawrzyniec Dramowic on percussion, and flautist Maciej Szelenbaum. The music has a definite Asian influence with a wonderful melodic flow. Think in terms of Riverside's quieter moments or Opeth's Damnation. It does rock out but not HARD since (once again) there are no electric guitars. This fact doesn't make the album any less intense. Album of the year candidate? Highest recommendation.
    $21.00
  • Who would have believed that Greece has one of the strongest and most fervent markets for heavy metal in the World. Not only is it a required destination for any band touring Europe but many home grown bands achieve attention from fans and the local metal media. It is from this hot bed that Wastefall emerged to create two superb progressive metal albums for the Greek label Sleaszy Rider Records. Sensory Records has now signed Wastefall world wide for the release of their third album Self Exile.While Wastefall has often been compared to Swedens Pain Of Salvation their music is much more aggressive and dynamic. The bands desire to take their music to the next level led them to Denmark to work with noted producer Tommy Hansen (Helloween, Pretty Maids, Wuthering Heights). The results are quite evident Self Exile retains all of the bands trademarks but the music is heavier and more immediate. When you hear Self Exile Pain Of Salvation will instantly spring to mind but also Pantera, vintage Metallica, and Nevermore as well. This is an album that has more than enough complexity and passion for the prog fan but is also heavy enough for any metal fan.Wastefall will be making their North American debut appearance at the world renowned ProgPower USA festival on September 16, 2006 in Atlanta, Georgia. 
    $5.00
  • Pymlico is the studio project led by Norwegian multi-instrumentalist Arild Broter.   Guiding Light is his third album under this moniker.  He plays drums, keys, and guitar but he receives assistance from a multitude of musicians including 14 string shredder Felix Martin.  Guiding Light is all instrumental.  The music touches on a variety of genres - Scandinavian jazz, sountrack and world music - all underpinned with an obvious symphonic rock influence.  Its nicely produced with a spacious sound.  In places I'm reminded a bit of Mike Oldfield and Gandalf.  This is the good stuff.
    $12.00
  • New album from this Austrian symphonic metal band.  The band has been a bit of a revolving door with vocalists but Maxi Nil has settled in nicely.  The music is based in the traditional female fronted gothic style with clean male vocals trading leads back and forth.  This time around I hear more of a poppier, catchy sound - somewhat like the direction Delain is moving towards.  Highly recommended to fans of the genre (I wave my hand proudly).  Digipak edition with one bonus track.
    $12.00