Africa Before Invasion

Africa Before Invasion

BY Najite Olokun Prophecy

(Customer Reviews)
$8.00
$ 4.80
SKU: SF001
Label:
SoFa Disk
Category:
World Music
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  • Second album from this superb Italian prog metal band. Long out of print, this new edition is remastered and features four bonus tracks including the original Japanese bonus track, two demos from 1993 and a rehearsal version of "Erase" from 2006. Limited edition of 3,000 copies comes housed in a slipcase and has a poster. One of the killers!
    $12.00
  • Second album from this California based prog metal band with ties to Redemption. The Tragedy Of Innocence is a far more mature and developed release than their debut. It's a conceptual work dealing with a very heavy subject - Valerie Quirarte (wife of drummer Chris) and her experience with child abuse. The music is a reflection of the story - its darker and more intense. All in all Prymary are a progmetal band. You can expect some serious complex arrangements and stand out playing. Kudos to the band for tackling a difficult subject and also jumping up to the next level musically. Recommended.
    $2.00
  • "Since returning to music from an eight year hiatus in 2013, Kari Rueslåtten is definitely making up for lost time. 2014 saw the release of Time to Tell, her finest solo album to date, with the soft wintry melodies and her beautiful voice making it one of the highlights of the 2014- and later in the year she teamed up with Anneke Van Giersbergen and Liv Kristine to tour as The Sirens – playing a range of material from her previous band The 3rd and the Mortal and her solo career. And only 18 months after Time to Tell she’s already back with her sixth solo album To to North, another beautiful album with a lovely atmosphere, sounding new while hearkening back to previous efforts, and now we’re in December I can confidently say is my album of the year.As usual with Kari, the album is centred around her beautiful voice – her soft ethereal vocals with a Nordic trill areas lovely as ever throughout To the North, a constant on a rather varied album. The sound throughout is crystalline, the production really accentuates her voice, and each of the instruments is clear as can be. The first track Battle Forevermore begins as a soft piano led ballad, with a beautifully sullen voice recounting the story of a love gone sour, with the swell of guitar in the middle building an electric, almost intense atmosphere. The electric guitar throughout To the North was almost absent in the former album Time to Tell, and it adds a lot throughout the album – as on the following rockier piece Mary’s Song – the guitar melodies and subtle synths creating a modern sounding track reminiscent somewhat of the Mesmerized album, with touches of Spindelsinn.The next handful of tracks, show her folkier side, one she’s shined at since her career first began in The 3rd and the Mortal days. The acoustic guitar, wind instruments and subtle percussion on Three Roses In My Hands make for a sombre piece of Nordic sounding folk, while the electric guitar comes in with a soft reverb-y wash in Dance With The King, a more mordern piece but another where her folk side is exemplary in the lyrics and her soft voice.Letting Go sees a return to the flirtations with electronic elements as explored on Pilot, drum loops and a slight effect on the vocals over a supremely catchy guitar riff drenched in delay see a small return to that experimentalism, with tremolo picked guitars and clashing drums coming in at the track’s great climax. Arrow in My Heart is the highlight of the album, the soft guitar creates such a lovely atmosphere, carried along by simple, but perfectly placed drums  serving to create a perfect backdrop to Kari’s voice which is as beautiful as it’s ever been in her whole career – her intonation on each line is perfect, especially the high notes near the end of the song. The bittersweet lyrics are lovely, and with the emotion in each one, this is the one you’ll be playing on repeat after the album ends.The last two tracks create a dark, brooding atmosphere that’s almost tangible. The penultimate, Turn, Turn, Turn is a cover of The Byrds track, but inverted from it’s upbeat pop to dark, folky moroseness. The crackle of distortion from the guitar creates a sombre fog, exemplified by a darker side to her voice and the plod of the piano that make it an intospective sullen, brooding piece. The closer To the North is the most atmospheric of the bunch, the otherworldly synths and slow brooding guitars create a thick icy atmosphere akin to being lost in a snowstorm. Her voice takes on a folky Nordic tone once again, and with the layering of synth and guitar it’s the closest in sound to Tears Laid in Earth than anything she’s done in the intervening years since leaving The 3rd and the Mortal. The guitar solo near the end is electrifying, and  it’s a cold, wintry closer that more than lives up to it’s name, true Nordic beauty.With such a short gap since Time to Tell, one could have been forgiven for anticipating a continuation of that album, but she’s pushed her sound once again. She takes elements of her previous albums, and even her time from The 3rd and the Mortal, but adds new elements and a crystalline modern production to create a fresh and brilliant release. Overall the album seems more sullen than Time to Tell, an upbeat album in places, but with a brooding atmosphere, more variation and that great production it’s a worthy follow up. And with hauntingly beautiful tracks such as Battle Forevermore, Arrow in My Heart and the title track in particular, it’s easy to fall in love with To the North, so much so that it’s certainly my album of the year." - Swirls Of Noise
    $15.00
  • “Let us begin where it all began...”Progressive rock band Big Big Train return with Folklore, their first full-length studio album since the award winning English Electric. Folklore contains nine new songs with a total running time of 68 minutes.Despite the album title, Folklore is by no means a collection of traditional-sounding folk music pieces. On Folklore, Big Big Train are reimagining and breathing new life into traditional themes, and also creating a few new ones along the way. The crafts of songwriting and storytelling beat strongly at the heart of the Big Big Train and inform every track on the new album.Folklore features the same line up (eight piece band and brass quintet) that performed three sell out shows at Kings Place in London last summer, with the addition of a string quartet. The experience of bringing this complex music to the concert stage has honed the band’s sound, making Folklore a focussed and exciting listening experience. All the hallmarks of the Big Big Train sound can be found here: powerful and emotional vocal delivery, and dramatic extended song arrangements which showcase the musical ability within the band.Big Big Train proudly present Folklore: an epic progressive rock tour de force.“Heigh-ho, so we go. We pass it on, we hand it down-o...”Folklore Ancient stories told by our ancestors around the camp re, being passed down from generation to generation. The passage of time sees the coming of written language and electronic communication, but still we tell our stories and pass them on.London Plane Once upon a time, a great tree took root on a river bank, and watched through the years as a city grew around it.Along The Ridgeway A journey along an ancient pathway, where legends are reborn.Salisbury Giant Big Big Train tell the true story of a medieval giant.The Transit Of Venus Across The Sun When the astronomer lost the love of his life, he set a course for the stars. Inspired by the much-loved British TV astronomer and educationalist, Patrick Moore.Wassail The old ways get a 21st century reboot in this pagan- inspired progressive-folk groove. The title track from Big Big Train’s Wassail EP, it was nominated in the “Anthem” category at the 2015 Progressive Music Awards.Winkie A ripping action adventure story about a true life war heroine, the  rst to receive the Dickin medal in honour of her achievement. To the best of our knowledge, this is the  rst prog epic about a pigeon...Brooklands John Cobb, racing driver, lived life at high speed on the racing line. Time passes, but the ageing driver yearns for one more adrenaline  lled lap of the track... Cobb died in 1952 while attempting the world water speed record at Loch Ness.Telling The Bees Traditionally, bees were told of births, deaths and marriages within the bee-keeper’s family, as it was believed that otherwise they would leave the hive. When his father is killed in the First World War, a young boy takes on this responsibility, grows up to become a man,  nds love and starts his own family. “The bees are told... and we carry on...”.-------------------------------------------------------------------------------------------------Big Big Train: BackgroundDavid Longdon: vocals and  ute; Rachel Hall: violin; Dave Gregory: guitars; Rikard Sjöblom: guitars and keyboards; Danny Manners: keyboards; Andy Poole: guitars and keyboards; Greg Spawton: bass; Nick D’Virgilio: drumsFormed in Bournemouth, UK, in 1990 by Greg Spawton and Andy Poole, Big Big Train has charted an independent course through the British progressive rock scene, slowly developing a richly arranged blend of electric and acoustic instruments that mixes prog, rock, post-rock, folk and classical in uences. 2009’s The Underfall Yard was the band’s  rst album to feature the powerful vocals of David Longdon, alongside the guitar of Dave Gregory (XTC) and the drums of Nick D’Virgilio (Spock’s Beard), since when critical and public acclaim for the band has grown rapidly.The two-volume English Electric (2012-13) further developed Big Big Train’s favourite themes of English history, industry and landscape, and the band won the Prog magazine Breakthrough award in 2013. The following year, the Classic Rock Society awardedBig Big Train their Best Band and Best Track awards, while David Longdon won Best Male Vocalist, a feat he repeated this year.After 17 years as a studio-only outfit, Big Big Train returned to the stage in 2015 with three London performances which topped the Prog magazine Readers’ Poll for Best Event, with several band members also featuring in the instrument sections of the poll. The band has just released Stone & Steel, a Blu-ray featuring songs from the London gigs along with performances recorded in 2014 at Real World Studios. 
    $12.00
  • "Song For Everyone heralds the return of the groove in Shankar's East-West-minded music, with former Shakti colleague Zakir Hussain on tabla, Trilok Gurtu on percussion, and Shankar's own manipulation of a drum machine tending to the rhythms. The result is a brighter, more outgoing record than its predecessor Vision, veering between Western acoustic and electric grooves and the complex beats churned out by the tabla. Jan Garbarek again shines beams of light on soprano and tenor, engaging Shankar's 10-string double-necked electric violin in some complex interplay on the title track. Some tracks are driven entirely or partially by the drum machine; "Paper Nut" has a particularly infectious revolving pattern. But sometimes Shankar overdoes it; the lengthy "Watching You" has an overly mechanized feeling that can be either mesmerizing or infuriating, depending upon your mood. On another track, "I Know," the Western percussion is gradually swallowed up by the Indian tabla. Fascinating, free-thinking music, beautifully recorded as usual by ECM."- All Music Guide
    $11.00
  • Latest studio album from this outstanding band from Sweden.  The best thing about Beardfish is their ability to be contemporary but they blend in just enough old school sounds to appeal to the entrenched prog fan base.  The band never quite sounds retro yet they incorporate vintage keys and guitar sounds. Chalk this up to great songwriting. On their previous album, The Void, something went amiss and it didn't sit well with their fans.  The band had taken on a heavier edge touching on metal.  Well have no fear - the band has jettisoned all metal trappings and have returned to the sound of the earlier albums.  Swirls of organ and Mellotron are everywhere and the unmistakeable sound of the Rickenbacker bass will slam you in the gut.  Are you are fan of Anekdoten, Gentle Giant, King Crimson, or even The Flower Kings?  You need to hear this.With regards to the bizarre album title here is a clue from the band:“The comfort zone is the invisible protective suit of negative thinking, almost like an entity of itself. It’s been with you since birth: your parents and your teachers and your friends and your neighbours all teaching you the way the world works – this is how it is and will be and there’s nothing you can do about it. The negative vibe is like a voice living inside of you, a companion through life. With time you start to like that voice and the place it takes you to: your comfort zone. I’m so sick and tired of it and I want to address it and maybe in that way start to work my way out of it”+4626 Comfortzone comes with a bonus CD featuring 13 previously unreleased demo and outtake tracks spanning 2002-2008.BUY OR DIE!
    $12.00
  • A couple of years ago I scored some of these in a warehouse find and they blew out of here immediately.  Some more turned up but how long they will last is anyone's guess.Dadawa is the stage name of Chinese singer Zhu Zheqin.  Think of her as China's answer to Enya.  No Celtic influences here - its purely Asian.  She collaborated with producer/composer He Xuntian on Sister Drum (and later titles) and he knows what he's doing.  The music builds and builds and draws you in.  Her voice is purely hypnotic.  The production is such that it unfolds in layers and layers - of vocals and instrumentation.I have to make a point of discussing the audio aspects of this set.  Its simply unbelievable.  While compatible with standard Redbook CD, the dynamics on this album are utterly insance.  If you crank this one up you are in danger of smoking your woofers - the bottom end on this recording is cavernous but tight as can be.  This is an XRCD24 disc.  It is a special pressing utilizing JVC's proprietary mastering process.  You want to be a show off?  This is the disc to play.  A total lease breaker and gorgeous music to boot.  BUY OR DIE!
    $5.00
  • 1976's sophomore album finds the band continuing to explore the ethnic music of different regions from around the world.  The music predominantly has an ethnic jazz sound but when guitarist Hasse Walli lets it rip watch out.
    $14.00
  • ONE OF A KIND TITLE FROM THE LASER'S EDGE ARCHIVE"Bask consists of flautist Jonas Simonson, saxophonist/percussionist Sten Kallman and fiddler Hans Kennemark. This unique instrumentation brings a freshness to their self-titled debut album, which arranges original and traditional melodies originally intended for solo fiddle into acoustic trio pieces. Bask's deceptively simple counterpoints and harmonies make for enjoyable listening, as background music or with closer scrutiny." - ALLMUSIC
    $8.00
  • Debut album from this Indian sitarist originally released in 1970. Ananda Shankar was the nephew of Ravi Shankar (Ananda died in 2000). Backed by a variety of session musicians, the album has a veneer of Velveeta spread over some of it - particularly the Stones and Doors covers. With early Moog, guitar, bass, tabla and drums as backing, Shankar plays some masterful sitar through out. Overall it's extremely dated sounding but charming and should be of interest to psych fans.
    $5.00
  • Its been a couple of years but from the back of the warehouse, 8000 miles from here, we were able to exhume additional copies of the XRCD24 edition of this world music/new age classic.  While compatible with Redbook CD standards (this means it will work in your CD player) it is manufactured using JVC's proprietary mastering process.  There are lots of versions of this audiophile reference disc but this may well be the definitive one.Last time we had these they sold out immediately.  I would expect the same again. 
    $12.00
  • 1975 debut album on Love Records from this still running Finnish band.  Piirpauke is led by Sakari Kukko who plays a variety of wind instruments as well as keyboards.  The band explores world music themes incorporating elements of jazz...and then plugging in the electricity.  The debut draws on influences from Romania, Bali, China, and Finland.  Beautiful stuff.
    $14.00
  • "Exclusive LP reissue of "Tappeto Volante", third and last one release by Aktuala, an 'open musical collective' from milan, a fixed nucleus with many different contributes from guest musicians. As the Third Ear Band have always been inserted in the international prog panorama, the same happened with Aktuala, who were real music pioneers able to blend world, ethnic, jazz and avantgarde music."Tappeto Volante", published in 1976 always on Bla Bla record label, was the swan song for Aktuala, an unique ensemble who often suffered a lot of criticism, often unjustified, from colleagues and critics. In a period of great social and cultural changes, Aktuala consistently continued in the making of their third album, an LP that consists of several short tracks that do not reach the cohesion of previous releases, albeit in line with what had already been proposed earlier."
    $16.00