Zühn Wöhl Ünsaï (2LP Vinyl)

SKU: MIG01101
Label:
MIG Music
Add to wishlist 

2LP reissue of a live radio broadcast recorded in at Sendesaal, Bremen, Germany on 2/6/74 by Radio Bremen.  Magma-philes have been clamoring for an official release for years and MIG Music made it so.

It features one of the great touring lineups:

Christian Vander - drums & vocals
Jannick Top - bass
Michel Graillier - keyboards
Gerard Bikialo - keyboards
Claude Olmos - guitar
Klaus Blasquiz - vocals/percussion

"Recorded by Radio Bremen, this double-LP document of a high sonic quality contains a slightly shorter than usual version of MEKANÏK DESTRUKTÏẀ KOMMANDÖH, and represents with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK an indispensable supplement to MAGMA's other live albums."

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "You have to give it to them… Vanden Plas certainly have a sense for the dramatic, grandiose, the literary, the overblown, the theatrical… and then some!As its title suggests, ‘Chronicles Of The Immortals - Netherworld II’ is the second part of a symbiosis the Teutonic progsters have formed with collaboration with the multi-million selling German author Wolfgang Hohlbein, whose duotych of novels of the same name Vanden Plas frontman Andy Kuntz helped to bring to musical life in a series of sold-out theatrical performances during the 2012 and 2013 seasons. Subsequently, Kuntz led his band on the ambitious journey of bringing the novels to a wider musical audience with two thematic CDs.Now, I’m going to be brutally honest here and admit that I’m familiar with neither the novels in question, or the first part of their musical accompaniment… from what I can gather, however both left the hero of the story - the immortal Andrej Delãny – facing up to the perfidious plans of the dark “Godmaker”, while the second half of the story sees its hero delivered into a further darkness from which his own sense of self-awareness sees him eventually emerge into the light of his own salvation… or something like that!Unfamiliarity with the literary and lyrical background to this album (as well its musical predecessor) initially made this a difficult listen, as I struggled to comprehend the underlying thematic in each regard. However, as it progresses, it possesses a dark and dreamy entrancement, which grabs you in its poetic embrace and caresses you with its strange, extremely enigmatic charm, leading you deep into an opus of truly epic proportions.Kuntz’ vocal is outstanding. His depth and warmth possesses a dark soulfulness which enchants and hypnotizes, drawing the listener into the layers of the musical interpretations of his lyrics. Günter Werno’s keyboards soar and swell, while at the same time dropping diplomatically into the background to make way for Stephan Lill’s sublime guitar work, which crunches and grinds on the album’s denser moments as much as it seers its layered harmonics, which build the layers of each song to their logical conclusion.‘Chronicles…’ drives its story forward with the quality and zest of a good novel. A knowledge of the latter work on which it is based perhaps would aid a better understanding of its inherent message and motive, but the lack of same does not denigrate from the quality of the listening experience, which is an ultimately rewarding and satisfying one." - Uber Rock
    $15.00
  • A new Glass Hammer is like a universal constant.  I can always expect exemplary old school prog rock.  For an old timer like myself Glass Hammer is right in my wheelhouse.  This is their 17th studio album (amazing!) .  If you are unfamiliar with the band you should know it revolves around the core of bassist Steve Babb and keyboardist Fred Schendel.  There have been a lot of musicians through the doors of their studio over the years but somehow they always seem to find an endless supply of them.  The line up seems to be fairly stable at the moment.  Salem Hill mainman Carl Groves handles lead vocals along with Susie Bogdanowicz returning as well.  Guitars are handled by Kamran Alan Shikoh and drums by Aaron Raulston.Glass Hammer music is a reverential amalgam of Yes, ELP, Kansas and what the hell throw in a little bit of Genesis.  Steve and Fred proudly wear their influences on their sleeves.  Want wicked keyboard pyrotechnics?  Fred brings the thunder.  In fact they all do.  The Breaking Of The World arrives with epic length tracks and audiophile quality sound.  I wouldn't want it any other way.  BUY OR DIE!
    $12.00
  • To say this album is monumental would be an understatement.  Jon Anderson has finally made the Yes album that we've all been waiting for the band to record for the past 40 years and never seemed to get around to it.My understanding is that the germ of the collaboration between Roine Stolt and Jon Anderson began when they met on one of the mega-concert cruises.  Anderson and Stolt have been bouncing material back and forth since then and Roine pulled it together into something amazingly cohesive.  Ex-Yes keyboardist Tom Brislin is on board, as are many of the members of Flower Kings and Karmakanic: Jonas Reingold, Michael Stolt, Lalle Larsson, Felix Lehrmann.  Daniel Gildenlow and Nad Sylvan contribute backing vocals.The album consists of 4 epic length tracks.  The vibe, the feel, the soul feels like Yes.  Some people say this sounds like The Flower Kings with Jon Anderson singing.  I don't hear it that way.  To me this has the DNA of Going For The One and Tales From Topographic Oceans.  Is there some Flower Kings feel here?  Sure - after all if there was no Yes there probably wouldn't be a Flower Kings.Roine is a fabulous guitarist.  While he doesn't try to mimic Steve Howe's tone or style he does use a parallel array of guitars.Plain and simple...this is the Yes album you've been craving for decades.  Easily the prog rock album of the year.  I'm simply blown away.  BUY OR DIE!
    $12.00
  • Now here is a band that singlehandedly may be turning prog metal on its head and giving it a good kick in the ass at the same time.Need is a Greek prog metal band that has been around for a bit but like most bands from that country they don't get much attention outside of their homeland.  Orvam is their third album and it finds them stepping up their game quite a bit.Orvam: A Song For Home blends a variety of influences and dishes up something completely mesmerizing.  The band's musical DNA includes Fates Warning, Tool, Nevermore, and lots of prog rock.  All of these influences will crop up but tossed together in a unique way.  Its heavy but complex - ethereal and hypnotic.  Hell the band even weaves in some Mediterranean themes revealing their real roots.  Vocalist Jon V. is the anchor to the musical and he does a phenomenal job, sounding like vintage Ray Alder.  I love how amid all the grinding guitar riffs the band mixes a splash of old school Hammond organ.  Cap this monster off with the 18 minute title piece and you've got an instant classic.  The whole production was expertly mixed by Neil Kernon and masterfully mastered by Alan Douches.  BUY OR DIE!
    $12.00
  • Prospekt are a British Progressive Metal band influenced by bands such as Dream Theater, Symphony X, Opeth and Circus Maximus, as well as film scores and fusion. Prospekt combine the fierce technicality of progressive metal with the symphonic elements of contemporary prog.From brutal riffs coupled with odd time-signatures, to majestic melodies, the principle of Prospekt’s music is to create an intelligent and atmospheric mix of melodic, modern progressive metal. Incorporating passionate higher ranged vocals, frenetic guitar work, haunting orchestration and solid grooves, every composition remains both interesting and original.The Colourless Sunrise was mixed by  Adam "Nolly" Getgood of Periphery and mastered by Jens Bogren at Fascination Street.
    $13.00
  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quarter moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.  
    $27.00
  • Fourth studio album from the prog "supergroup" of Mike Portnoy (ex-Dream Theater), Roine Stolt (The Flower Kings), Neal Morse (ex-Spock's Beard), and Pete Trewavas (Marillion).  Like the previous albums expect marathon length pure prog rock that reflects back onto the golden age.  The title track is 32 minutes long!This is the 2CD/DVD Deluxe edition.Track List:Main Disc:1    Into the Blue                                          25:112    Shine                                                       7:263    Black as the Sky                                       6:434    Beyond the Sun                                        4:29 5    Kaleidoscope                                          31:53TOTAL TIME: 75:43      Bonus Disc:1    And You and I                                         10:432    I Can't Get It Out of My Head                   4:433    Conquistador                                            4:104    Goodbye Yellow Brick Road                      3:165    Tin Soldier                                               3:216    Sylvia                                                      3:497    Indiscipline                                              4:438    Nights In White Satin                                6:12TOTAL TIME: 40:59Making of Kaleidoscope DVD – Full length DVD behind the scenes of the writing and recording of this amazing album. Running time 1 hour and 26 minutes. Edited by Randy George. NTSC Region Free
    $28.00
  • OK WE GOT A HOT ONE HERE!  Latest album from keyboard maestro Lalle Larsson is full-on balls to the wall fusion.  He's hooked up again with Richard Hallebeek, who is one of the great Holdsworth clones out there.  The rest of the band is Stefan Rosqvist (rhythm guitar), Jonas Reingold (bass), and Walle Wahlgren (drums).  Larsson lays down lethal synth leads and swaps back and forth with Hallebeek who matches him with dexterous legato runs.    Time will tell but I think this may be Lalle Larsson's best solo album yet!  Highly recommended.
    $16.00
  • "Despite what the name might lead you to think, progressive metal is among the most static and boring of all heavy music genres. Half the bands that fall under the moniker exist merely as a vehicle to show off the skills of the players involved, which is fine in small doses, but rarely sustains a creative career. The other half of the bands stick rigidly to the blueprint of one of the fore-bearers of the genre, giving us music that sounds exactly like something we've already heard. Very little of progressive metal is actually interesting, because it is a genre that lacks people dedicated to the art of songwriting. Songs are what makes any band successful, no matter how much sheer musical skill they possess. Dream Theater didn't get to where they are just because they are amazing musicians, they also wrote a slew of great songs and albums. The number of progressive metal bands who have impressed me with their songwriting in recent years is miniscule, but I mention all of this because Ascendia is one of them.As “At The End Of It All” swells into focus with a tribal drum beat and chanted vocals, it's already obvious that this is not going to be prog-by-numbers. The song kicks into gear with a syncopated guitar riff, before the vocals soar over the top of everything, slapping a thick coat of melody atop the sound. There's a quiet section in the middle of the song that feels like a cousin of Killswitch Engage, which is a fresh sound to hear in this kind of music. When it opens back up into the chorus, the song is massive, and it's hard to believe all of that music was contained in five and a half minutes.The songs on the album are more bite-sized than typical progressive metal, but that plays into the band's strengths as songwriters. By keeping the songs lean and tight, they hit harder than if the instrumental sections had been extended by a minute here and there. There is interesting playing going on, but it's all done within the framework of the songs, and never put out front to dominate the spotlight. It's an approach that is smart not just because of how easy it is to get bogged down in instrumental pyrotechnics, but because an album of that sort would never be able to survive the Herculean vocal presence of singer Nick Sakal.With more than a little bit of similarity to the former singer of the aforementioned Killswitch Engage, Howard Jones, Sakal's vocals dominate the album, making you wonder where a voice like that could have come from. His baritone is warm, rich, and not at all what you would expect to hear in a band that isn't playing down-tuned hardcore.But what is most important are the songs, and that's where Ascendia proves themselves as standouts. Whether tackling more modern fare like “Remember Me”, or more traditionally melodic songs like “Moonchild”, there's a phenomenal blend of heavy riffing and soaring melody. I can't tell you how rare it is to hear a progressive metal band that is so in tune with melody, and can write songs that could stand up if they were stripped down to the chord structure and the vocals. We get an example of that with the duet ballad, “The Song That You Deserved”, a largely piano and voice song that is as beautiful as it is heart-breaking. Ascendia's ear for songs is excellent, and that is what makes “The Lion And The Jester” such an engaging listen. Song after song, there's a warm and inviting chorus waiting to wrap its arms around you after you've heard the heavy and intricate moments.This year has been off to a ridiculously great start, with at least half a dozen legitimately great records having already come my way. Add “The Lion And The Jester” to that list, because Ascendia is making progressive metal the way it was always supposed to be. Both challenging and gratifying, intense and cathartic, “The Lion And The Jester” is a phenomenal piece of work that reminds me of the very best progressive metal I've ever heard. This is an album you need to hear.Oh, and how awesome is that cover art? That is one album that will look as good as it sounds in a collection." - Bloody Good Horror
    $10.00
  • WE ARE NOW ACCEPTING PREORDERS FOR THE 2LP SILVER VINYL/CD REISSUE OF HAKEN "VISIONS".  PLEASE NOTE STREET DATE IS SET FOR FEBRUARY 3RD.  PLEASE DO NOT COMBINE PREORDERS WITH YOUR REGULAR ORDER AS IT WILL CAUSE DELAYS IN PROCESSING AND LOTS OF LONG FACES...Ten years since the band first formed, 2017 will see Haken’s first two albums, ‘Aquarius’ & ‘Visions’, reissued through InsideOutMusic after being unavailable for a lengthy period of time. Remastered by the renowned Jens Bogren (Devin Townsend Project, Between The Buried & Me), who worked with the band on their last two studio albums ‘Affinity’ & ‘The Mountain’, this reissue sees the albums brought up to the sonic quality of their most recent output.Originally released back in 2010, the band’s debut album ‘Aquarius’ capitalised on 3 years of work from the band which saw them staking their claim as one of the most exciting new progressive metal bands, playing with the likes of King’s X, Riverside & Bigelf. A 72-minute concept record that touched on themes of global warming, this album has long held a place in their fans’ hearts & the lengthy 17-minute closing track ‘Celestial Elixir’ remains in their set lists now.Arriving just a year on from their debut, ‘Visions’ cemented the bands reputation as one of the most solid progressive metal bands of recent years, bringing them to the US on tour for the very first time in 2011. Another detailed concept album conjured in part from a dream that vocalist Ross Jennings experienced, ‘Visions’ captured the imaginations of both fans and critics alike. Haken have also announced that they will be revisiting the album in full, live at Prog Power USA in September 2017.‘Aquarius’ and ‘Visions’ will be available as a remastered double CDs, each featuring a bonus disc of instrumentals, as well as on heavyweight vinyl for the very first time.HAKEN “Visions”:1 Premonition (00:04:17)2 Nocturnal Conspiracy (00:13:09)3 Insomnia (00:06:03)4 The Mind’s Eye (00:04:04)5 Portals (00:05:27)6 Shapeshifter (00:08:08)7 Deathless (00:08:06)8 Visions (00:22:07)
    $29.00
  • Second release from this German band and frankly its a huge improvement from their debut. Dante skirt the fine line between neoprogressive rock and progressive metal. The music is quite melodic and there is some heaviness in the guitarwork...and yeah the keyboardist likes to shred like Jordan does...so maybe they can slip into the metal category. File these guys along side Ricochet.
    $3.00
  • James LaBrie once again that there is life outside of Dream Theater.  His solo band features a stable lineup consisting of Matt Guillory (keyboards), Marco Sfogli (guitars), Ray Riendeau (bass), Peter Wildoer (drums, death vox).  Jens Bogren once again mixed. An interesting twist to the mix is the inclusion of Soilwork's Peter Wichers who contributes some guitarwork and also collaborated on songwriting with LaBrie.While the music is square on prog metal and all in all not too dissimilar to Dream Theater its different enough to have its own vibe.  Wildoer's coarse vocal approach offers an interesting counterbalance to LaBrie's upper midrange clean voice.  The limited digipak edition comes with two bonus tracks.  Highly recommended.
    $13.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now.The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE!  FORMAT: 1 x CD/1 x Blu-RayCD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeBlu-Ray:Presented in DTS-HD Master Audio– Album mixed in 5.1 Surround– New Album mix– Original Album  mix (flat transfer)– New Album mix (instrumental version)– America original, new & instrumental stereo mixes & 5.1 Surround + further audio extras some exclusive to Blu-Ray edition• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• Blu-Ray features 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.• Blu-Ray features the new stereo album mix in DTS-HD Master Audio (24bit/96khz).• Blu-Ray also features the original album mix & America in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz)• Blu-Ray exclusively features instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).• Blu-Ray also exclusively features a needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.• Numerous audio extras appear in high-resolution stereo including single edits & studio run throughs of album tracks• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a mini vinyl replica gatefold card sleeve with booklet containing new sleeve notes, rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $21.00
  • "Progressive rock and boy-band pop seem like natural enemies at first. The former's fascination with ornate, elongated passages of finger-exhausting musicianship is in almost every way the opposite of the latter's emphasis on catchiness first; it's hard to imagine turn-of-the-millennium hits like "Bye Bye Bye" with extended guitar and keyboard solos. Yet ever since A Doorway to Summer, their 2005 debut, Moon Safari has put to rest the notion that progressive-minded songwriters can't make pop that's as hook-driven as it is ostentatious. Grandiloquent epics like "Other Half of the Sky," from the 2008 double album Blomljud, weave together widescreen arrangements with the band's signature five-part vocal harmony, a feature unmatched by few groups in any genre, anywhere. It's easy to isolate the audience with solipsistic soloing and obtuse orchestrations, but from day one Moon Safari has made prog that—assuming the layperson were more amenable to songs that run upwards of thirty minutes—could lead them to something like a pop crossover hit.But while the union of hook-heavy vocal interplay and '70's prog stylistics gives Moon Safari an unmistakable, unique sound, it also handicapped them in a significant way for their first two LPs. The group's accessibility on A Doorway to Summer and Blomljud, along with its technical prowess, is unassailable, but the high-fructose sweetness of its style leads to a diabetic rush when stretched out onto songs that span ten to thirty minutes. For example, "Other Half of the Sky," the titanic thirty minute showstopper off of Blomljud, has so many memorable hooks that by the time it's run its time out, it's hard to remember all of them. The classic problem of "too many voices leads to a noisy room" was the defining problem of Moon Safari's otherwise enjoyable sound for some time. All that changed, however, in 2010 with the release of Lover's End.It is no exaggeration—even as the decade remains young—to say that Lover's End is one of the finest progressive rock records of the '00's. Hell, it's not even crazy to say that it's one of the finest pop albums of the '00s; anyone, even those turned off by prog's eccentricities, can find something to love on this mellifluous collection of songs. From the a cappella charm of "Southern Belle" to the hook-loaded "New York City Summergirl," Lover's End is chock full of goodness from beginning to end. What explains its genius is that in contrast to A Doorway to Summer and Blomljud, the songs are given exactly the amount of space they need, and not a second more. Some songwriters may feel hamstrung by the verse/chorus structure, but it's a perfect fit for Moon Safari's joyous approach to music.With their newest studio outing, Himlabacken, Vol. 1, Moon Safari continue the refining of their sound, and while this isn't the breakthrough that Lover's End was, it nonetheless attests to the brilliance of this group. Whereas the latter was bound by a loose concept (love and heartbreak), Himlabacken Vol. 1 is less a lyrics album than its predecessor. The cost of this is that the music is less distinct in its cohesiveness, but there are no shortage of catchy passages and amped-up solos. "Mega Moon" comes off as a tribute to musical theatre, with "The Very Model of A Modern Major General" vocal delivery interweaving with Queen-esque bombast to an impressive effect. "Too Young to Say Goodbye" sees and matches the polyharmonic beauty of "Lover's End (Part One)." By sticking to concise song formats—the longest cut here runs nine and a half minutes—Moon Safari ensures that things never run out of steam, an essential quality to any good progressive rock band.If nothing else, Himlabacken, Vol. 1 proves that there's one thing Moon Safari can't be accused of: being unaware of themselves. Grand finale "Sugar Band" is as much a statement of identity as it is a slice of epic pop: "Sweet and saccharine are we," they declare, followed by "syrup's the blood in our veins." (Less successful is the clumsy Katy Perry innuendo of, "suck our big candy canes," which is thematically consistent but tonally off.) Both "Sugar Band" and "Little Man," one of the few Moon Safari songs to feature a solo vocal, are emblematic of the mushiness that might turn some prog fans away from their music. The latter, while obviously a touching document of a father's love for his son, does feel a bit out of place in how deeply personal it is; part of the strength of this group's sonic is the universality of its pop appeal, and the intimacy behind "My Little Man" makes listening to it an almost voyeuristic experience. "Mega Moon" and "Sugar Band" are better at capturing the convivial spirit of the band that's accessible to all.As with past outings, even those drawn to vocal harmonies might find it hard to stomach all of the sweetness of Himlabacken, Vol. 1. But what ultimately makes this LP successful is its unpretentious commitment to fun. Moon Safari are a rare collective that prove daunting musical chops aren't anathema to accessibility, and with Himlabacken, Vol. 1 they've made a recording that, while not the magnum opus that Lover's End was, is as true a capturing of their ethos as there could ever be. Sating a sweet tooth brings to mind the phrase "guilty pleasure," but there's no guilt involved with music as first-class as this. Who knew being in a boy band could sound so classy? " - Sea Of Tranquility
    $16.00