Vapor Trails Remixed (2LP Vinyl)

SKU: RRM183740
Label:
Roadrunner Records
Category:
Progressive Rock
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The fans hated the way it sounded...and the band as well.  Rush finally took matters into their own hands and gave the album over to David Bottrill who completely remixed the album and breathed new life into it.

Double LP vinyl edition.

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  • Beautiful sounding symphonic prog from Italy. The music has a very laid back refined quality that touches on folk elements at times. Female vocals (in Italian), flute, keys, electric guitar, bass and drums fill the soundspace in a way that lets the compositions develop and breath. The 31 minute epic "Morgana" features long languid instrumental passages in which the flute weaves around the keyboards and guitar to mesmerizing effect. The music never gets too heavy but there is an ever present ebb and flow that is appealing. Very impressive - these guys need to find a real label.
    $16.00
  • "Orang-Utan were in fact a London-based band called Hunter, featuring vocalist Terry "Nobby" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers/managers ran with the tapes to the U.S., where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff. First-ever legit reissue done in co-operation with the original band members. Includes an insert with rare photos and liner notes by Jeremy Cargill (Ugly Things/Got Kinda Lost), telling the bizarre story of the band for the first time."
    $29.00
  • "One of the most elegantly complex and fully realized of the "difficult" Italian classics, Melos is for fans of the Osanna, Balletto di Bronzi, RRR, and Semiramis styles. I have a hunch that fans of Crimson, VDGG, and Gentle Giant will also approve. It will probably be less appreciated by fans of the gentler and more accessible bands like Celeste and Locanda delle Fate. The musical approach and the sound are very sophisticated and unique. A combination of primarily guitars, flutes and saxes are tightly woven into a very dense, often dark, unsettling, and just plain eerie feel. Some sources say there are no (or very little) keyboards used to create this sound palette which is certainly unusual. Sometimes I think I hear some but I can't be sure the way the other instruments are employed. It took me many plays to really get past the rather exhausting outer shell and discover the melodies hiding inside and now I just cannot get enough of this excellent material. This band from Naples was related to the Osanna band via the Rustici brothers, the younger one in Cervello was another example of how the very young were leaders in the Italian scene back then. Corrado Rustici was but a teenager when the band recorded Melos in Milan back in 1973. While Osanna's big album "Palepoli" generally gets the most attention my personal view is that "Melos" is a better album. While not as trippy as the wildly freaky "Palepoli" I feel that Melos is more overtly musical and more genuinely satisfying in the long run.Juan at ItalianProg describes the Cervello sound like this: "There is great deal of excellent acoustic guitar work and mellotron-like sounds created by the saxophones. The vocals coupled with the acoustic guitar and flutes hypnotize the listener into a technical yet fluid atmosphere so the music then breaks into a frenzy full of sax and adventurous guitar playing. The tempo and mood change from calm and melodic to violent and bizarre (interweaving between scales). No keyboards present, but they are not needed due to the "cerebral" arrangements these musicians have created for us on this album."[Juan Carlos Lopez] In another great review Warren Nelson sums up the sound perfectly: ".with soaring and complex melodies, compelling and angular instrumental passages culminating in some aggressive individual performances, all weaved together in a tapestry of beautiful and emotional musical syncopation. One of the few Italian prog releases without a prominent keyboard arsenal, the rich sound of this band is achieved with powerful drumming, multiple woodwinds, and intelligent scaler runs on guitar. But not least of all are the typically emotionally powerful vocals. Dynamic change-ups and exquisite group interaction complete another example of one of the finest Italian progressive albums you will ever hear."[Warren Nelson]My own take on the specific tracks: "Canto Del Capro" begins with layers of flutes over what sounds like a foghorn and cymbal splashes moving left to right in the stereo spectrum. Soon an acoustic guitar precedes delightfully freaky operatic style vocals like only the Italians can do. A thrilling opening. Suddenly the drums kick in and you think it might be "normal" for a bit but soon these ungodly compressed vocals rattle your eardrums. Strange acoustic and electric guitar flares round out the rest of this unsettling start. "Trittico" is an enchanting initially with sentimental flute melody, acoustic and vocal. Eventually a crazy sax and percussion crash the party for a bit before the soft opening style returns with additional guitar noodlings. After a brief fade the end section is a bizarre cacophony of choral voices. My one complaint is wishing the bass were a bit more clear and upfront, sometimes it is distant and muddy but it's a minor nitpick. "Euterpe" begins with acoustic and flutes again in a warm and inviting mood. This eventually leads into the full band jamming with a real e-guitar and saxophone workout. "Scinsicne" begins with guitar that sounds like it came from an outtake of "Astronomy Domine!" In comes great flute and bass interplay and then vocals which are another strong point on this album. As the band comes on full the saxes jump into the fray and the sound gets brutal. At 3:48 is one of my favorite parts of the album, these mutant bizarre sounds and drums that mimic some sinister funeral dirge. This is followed by a maniacal e-guitar solo. "Melos" features great flute and sax workouts again with another Rustici axe thrashing at the end. "Galassia" is a feast of inventive vocal interludes over beautifully played acoustic guitars. Dabbles of flute precede a full blown e-guitar freakout challenged by pursuing sax and percussion attacks. You'll need a shower after this track. "Affresco" is a rather traditional sounding closer piece, very short and there just to bring you gently back to Earth after your cerebral pummeling.I guess the reason I light up the magic star 5 would be this: Even when listening to most good albums it is evident that I am doing just that. I'm listening to a collection of songs that are just too structured and I know what is coming. They might light up my pleasure center and my brain says "oh that's a good song, let me listen to more of the same!" Melos does not allow me to stagnate. It's more like eavesdropping on someone's thoughts (presented musically) than listening to the next "killer song, dude." Their thoughts or perhaps their nightmares in this case with everything being so strange, the album starts and it's like this bizarre trip occurs. Even some of my favorite albums are relatively predictable but not Melos. With each play I still wonder what the hell is going on. It still pushes my buttons and challenges me, my definition of a genuinely progressive album. That's not the only way an album can get 5 stars from me but it is one way.This is one of the Italian albums you hear people describe as "harsh" and you might hate it the first several times you listen. Don't get discouraged. Put it away and spin it every other month..like many of the best prog albums you may end up loving it a year from now. That's how it was for me-a real grower. But while many of us are thrilled by this album it is not universally loved in the way that PFM is. It's rather confrontational sonic style does have its detractors so read plenty of reviews before you take the plunge. In my book this is essential for Italian fans and recommended for fans of stuff like "Red" era Crimson. Try to find the Japanese mini-lp sleeve edition which features decent sound and a high quality reproduction of the cool artwork. I love the cover of this album..fantastic stuff!" - ProgArchives
    $11.00
  • After many years of unauthorized bootlegs and promises for a legit release its finally here.  A Night On Bald Mountain is considered by many to be one of the finest examples of progressive rock from a US band.  You can debate all you want as to what is the best - let's all agree that A Night On Bald Mountain is in the upper echelon of prog.  The New Jersey based band released this classically influenced album in 1975.  Produced by ex-King Crimson keyboardist Ian McDonald, the album had a very European feel.  Elements of all the English giants can be found here - ELP, King Crimson, and Genesis.  Lots of keyboard pyrotechnics and more than enough wicked guitar and flute to satisfy everyone's taste.This long awaited reissue features mastering by Larry "Synergy" Fast and incldues two previously unreleased bonus tracks - a cover of King Crimson's "Pictures Of A City" as well as "Robot Salesman".  Housed in a nicely embossed digipak cover.  BUY OR DIE!
    $14.00
  • Now this stuff in weird and interesting...Vulture Industries is a Norwegian metal band that has been around for almost 20 years but this is only their third album.  Apparently they were originally a black metal band.  That may be true but there are only vestiges of that in their current sound.  Vulture Industires play the weird metal card - I'd classify them as "avant garde metal", very similar to bands like Arcturus, Diablo Swing Orchestra and Devin Townsend.  Hey what the hell - toss in some Faith No More as well.  This is heavy, guitar driven music with some of that carnival atmosphere that these oddball bands some to love to throw in to keep you off kilter.  The real standout is vocalist Bjørnar Nilsen, who has a real commanding presence on this disc.  Lots of emotion and angst.  A fascinating band.  Highly recommended.
    $12.00
  • First new studio album since 1999's Darktown demonstrates a masterful musican firmly in control. Steve has continued to evolve as an progressive artist with only a modest look backwards. At times subdued there are plenty of guitar pyrotechnics and keyboard embellishments to remind you of his earlier solo works. Recorded with his recent touring band, notable guests include Ian McDonald and brother John Hackett.
    $13.00
  • Stunning return by the Swedish/Danish outfit formerly known simply as Twilight. Keyboardist Finn Zierler has assembled a new lineup that features old members of Twilight as well as vocal God Jorn Lande (Ark, Malmsteen). This is epic symphonic metal with lots of intricacies to keep prog fans from chomping at the bit. A stunning album that features crystalline production from Tommy Hansen. Definitely one of the top 10 metal releases for 2001. Highest recommendation.
    $15.00
  • "The vast riches lying within the reach of Google have included a lot of bands I’ve discovered by typing long strings of words bookended by “metal” in an effort to root out underground music of varying sub-genres that I might enjoy. Forum posts often proved most fruitful, those splendid user-generated gifts of musical knowledge. One particular band I heard mentioned glowingly a few years back via a forum post was Serdce.They are a Minsk-based group and one whose 2004 album, Cyberly, was being billed as an unknown classic. I take comments like that with a pound of fucking salt. Yet it turned out to be true. So it gave me much pleasure that Blood Music worked with Islander here at NCS to premiere music from Serdce’s soon-to-be-released record, Timelessness. It was doubly nice that Heavy Blog Is Heavy began to post about them as well with yet another song premierel, because Serdce are a quirky progressive death metal band worth checking out — and worthy of that tag.I admit to feeling jarred when I first heard this album. It’s a big shift from their last record, 2009’s The Alchemy Of Harmony, a record I worship and regard as a masterpiece, although the changes make sense because they’ve been expanding toward a more prog-metal-focused sound with each release. As this was always a big part of their style, the shift away from calculating, mid-paced death metal into lighter Cynic-focused realms works phenomenally well. And it’s not as confined or as prog-by-numbers as you might think.he fusion side of this record isn’t a minor flirtation, like most of your average jazz-inflected metal dubbed progressive. In reality, it makes up the majority of the album’s sound and journey — and it’s a dense and dream-decorated journey at that. While the style on display in Timelessness is brilliant and multi-faceted to these ears, it may not be aggressive enough for the tastes of some people. For those in that camp, I urge you to examine their prior albums.That observation is not intended as an indictment or an implication that this new album is not as good as their past work — to the contrary, I would venture to say this is Serdce’s most eclectic and strongest album yet. I merely mean to say that it’s of a more airy and progressive nature and that not all metalheads may be open-minded enough to appreciate it.Serdce have been creating Meshuggah groove-gliding influenced death metal long before most of the pack who followed that lead, and they continue to do it better than most. But for those who are groove-averse, that’s far from the totality of what they have to offer. Throughout Timelessness you will hear a lot of piano playing and orchestral/carnival-esque synths, and in addition, the vocals are primarily sung this time around. Overall, the strong Cynic-vibe of the record comes not only from the riffing and fusion elements; the effusive, prominent, and exploratory bass playing brings that comparison to mind as well.Huge artistic shifts in a band’s sound remain a double-edged sword, usually causing long-time fans to quarrel for and against such transformations in equal measure. Serdce have skillfully navigated these tricky waters and come out the other side a totally different, yet no less intriguing group. Timelessness doesn’t last forever, yet it contains innumerable timelessly memorable moments within its titanic, fluid, multi-part songs. Jump on the bandwagon or crawl in the dust – Timelessness will find an interested and eager audience either way — though I urge you to give it a chance and get on board." - No Clean Singing
    $16.00
  • Please note this is a vinyl only release!"London based Zoltan capture the eerie spine-chiiling terror of the decomposed ghoulish Knights Templar with this four track EP, by paying homage to the Tombs of the Blind Dead series of movies created by Spanish director Amando D’Ossorio.Each track relates to one of the four movies from this cult underground series, which are regarded by many as absolute highlights of the Euro Horror underground horror scene of the early 70’s. Slow motion doomed imagery comes to life in full analogue glory, making this a must for any dark minded music lovers and soundtrack collectors out there."
    $16.00
  • Henning Pauly's second Frameshift project takes an interesting twist with the inclusion of Skid Row vocalist Sebastian Bach. I think this is Bach's first venture into the realm of progressive metal. You may or may not be a Skid Row fan but there is no denying that he has one glorious set of pipes. Henning Pauly plays all guitars and keyboards while Eddie Marvin handles drums. "An Abscence Of Empathy" is a conceptual work focusing on one man's obsession with violence in the media and every day life.
    $3.00
  • "Standard DVD Edition. 2013 live release from the Tampa, Florida-based Heavy Metal outfit. Since Dystopia was released in October of 2011, Iced Earth has been on the attack in a big way, playing more shows in the past year than in the previous 10 years...combined! Early on in the World Tour the band decided that they wanted to capture this newfound energy and passion on film and tape. When the offer came in to film at the ancient Kourion Theater in Limassol, Cyprus, they were immediately attracted to that idea. The history and culture there, as well as the Cypriot audience, which the band experienced in December 2011, solidified the decision to record in Cyprus. Filming and recording a 2 1/2 hour show in an amphitheater that is 6000 years old and is not set-up for a Rock concert, paired with 40-degree Celsius heat, were just some of the obstacles to overcome. But the finished product makes up for any of the challenges that the band and crew faced on that special night."
    $14.00
  • Remastered edition of the long out of print one-off band. It's a short one but a classic. Festa Mobile was actually a precursor to Il Baricentro. While they never displayed that band's pyrotechic fusion leanings, they did have some subtle jazz overtones but a classical influence dominated. The music is dominated by virtuoso piano runs and fuzzed out guitar leads. Gorgeous disc.
    $16.00