Hindsight (2LP Vinyl)

SKU: KSCOPE859
Label:
KScope Records
Category:
Post Progressive
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Double 180 gram vinyl edition.  Semi-acoustic interpretations of classic Anathema tracks.

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  • This version is not getting a US release.  It will only be available as an import (Yes we know its expensive).  Hardbound mediabook with 28 page booklet and a bonus 4 track EP.Killer UK spacerock/post-progressive hybrid."Less than three years after their magnum o(ctop)us, Amplifier return with an altered line-up (former Oceansize guitarist Steve Durose is now a permanent fixture) and another hefty dose of spaced-out space rock. After the longest fade-in history (beyond even the intro to the first Psychedelic Furs album), a heavily chorused guitar starts the gently meandering ‘Matmos’. Then, around seven minutes in, it all explodes with a shredding guitar and you know that Amplifier are once again firing on all cylinders. With just eight tracks and a running time of 61 minutes, they’ve produced a work that’s much more succinct than its predecessor. That isn’t to say ‘Echo Street’ is any less ambitious or epic than the sprawling ‘Octopus’. ‘Between Yesterday’ is the shortest track at 5:18: the 12-minute ‘Extra Vehicular’ is a prog rock monster of monumental proportions and is not so much a song as a journey through time and space. The title track is a high-octane slice of swirling space rock, and as a whole, ‘Echo Street’ is expansive and cinematic and, in short, classic Amplifier." - Shout4Music
    $20.00
  • Grotesk is the third album from this French trio. Their two previous albums brought them world wide acclaim for their intriguing amalgam of jazz and metal fused together with a strong dose of Zappa-esque humor. Mörglbl was born in 1996 after noted guitarist Christophe Godin decided to form an instrumental fusion rock band. After meeting Jean Pierre Frelezeau (drums) and Ivan Rougny (bass), they decided to work together on the project. In 1997, Morglbl’s first cd named “Ze Mörglbl Trio!!” (IHL) was released and received good reactions from the French press. The band toured intensively in France, placing Christophe as one of France’s top guitar players. In 1999, the band’s second album “Bienvenue a Mörglbl Land” (IHL) was released. The band toured Europe, and Christophe started working as ambassador for Laney Amps, Vigier Guitars, Zoom Effects and Alvarez acoustic guitars. In 2000, Mörglbl disbanded, and Christophe released one cd with metal band GNO (“Trash Deluxe” Janvier Rec.), and became a worldwide in demand clinician. Ivan toured with fusion guitarist Cyril Achard and Y. Malmsteen’s drummer Mike Terrana, as well as rai star Cheb Bilal. In 2004, Christophe started his first solo project, named Metal Kartoon, and asked Jean Pierre and Ivan to be part of the band. The cd was released in 2005 (“Christophe Godin’s Metal Kartoon” Nocturne) and did pretty well in France. Christophe toured intensively (Germany, Italy, China, South Korea, USA, UK). He also released one cd and toured Europe with jazz guitar legend Pierrejean Gaucher (“2G” Nocturne) After hitting the road regularly with Metal Kartoon, Mörglbl regrouped and started working on new material. They recorded their newest cd “Grotesk” and toured Russia, Italy, Germany, Holland, USA as well as France of course, where their popularity rapidly grew after the news of their reunion spread. Christophe is going to be co-headliner of Tokyo Shred Fest in November, part of his next Asian Tour (China, South Korea, Japan, Indonesia, Philippines, Singapore) as Laney ambassador. With the release of Grotesk, Mörglbl has created an album with cross genre appeal. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias IA Eklundh will find much to sink their teeth into. Morglbl on Myspace
    $13.00
  • "Annysia is a Symphonic Power Metal band from Spain, led by lead vocalist, Rose Mack. The obligatory instrumental, The Essence Of A New Born Star is a well written one, that builds up tension in the beginning of the disc much like a movie soundtrack to an epic battle movie. The operatic stylings of Mack can be heard immediately over a harpischord-laden keyboard effect before the rest of the band kicks in. She definitely has a style of her own, and the music behind her is well played. The highest range of her vocals on this song, show her range, though I think an octave lower is more in her power range. The guitar solo on the other hand sounds out of place, but it may be the production of the song,. Nephilim starts out much in the same vein, though the vocals during the verses are a little more subdued and similar to Liv Kristine in Leave's Eyes. The growly/black metal vocals on this particular song don't do much for me here. The brief but arppegio-laden guitar solo is again well played, and a better fit here. Battle of Mystics is the first track I heard from the band, and honestly the vocal gymnastics in the beginning and during parts of the song, show Mack's talent, but they are done a little too much for my taste, though the song itself is very good. Actually musically this is probably my favorite track on the disc Demontia is a track I could not get into, but musically is not a bad song. Fairysins though, features Mack and a soft piano. Her vocals on this song shows her unique tone, and her wheelhouse when it comes to her range. This song is actually quite beautiful. The epic-ness of Valkyrie is not just in its almost nine minute length, but the music as well. Mack commands her range throughout the entire song, and the twin guitar lead melody is well played. I am not sure if I like the lead tone of the guitar that much, its a little fuzzy for my taste, but the musicianship is definitely there. The previously mentioned death/black metal vocals make an appearance here, and again does nothing for me except take away from Mack's solid performance.Again the fuzzy guitar tone comes back on the beginning of Redemption though when it meshes with the symphonic parts it does not sound as bad. Straying from her operatic range for most the song, Mack shows that she can again, subdue her range, even on a much faster song. The ability for her to sing like this, without her sounding like she is singing in a monotone is a compliment to her abilities. Lost Soul is another piano song, showing the sweeping vocals of Mack. The expression “Less is more,” best explains her vocals on this song, and it was definitely the right call. The instrumental of Captain's Song shows her bandmates definitely have talent themselves, and it is a pretty damn good instrumental. Another standout song is the mid paced, Pirates Of The Sea. The male operatic vocals are too low in the mix to be heard clear enough, though they are much better than the “Blackened” ones of earlier. Nivek is next, and is another epic song in its song structure. For the seven minutes it runs, it pretty much hits all the right marks. With headphones on though, Mack's vocals could have been produced a little better,and be heard a little louder. Much like the disc begins, it ends with an instrumental track, an outro.While the imperfections do come to head when you hear the disc as a whole, Annysia's debut is actually a well written, if only inconsistently produced disc. The disc does have its highs, with strong songwriting and Mack's powerhouse vocals. I do believe in some songs, the band is trying to be as epic as possibly when possibly a little more restrain could have been used. Again most of this criticism is personal opinion, and every listener will have their own opinion. As a whole, this is a great start for a new band, who is obviously full of talented musicians. Let us hope for a label to find the band, and for stronger production values next time." - Metal Review
    $13.00
  • Founding keyboardist Ferdy Doernberg has reformed Rough Silk after spending the past few years touring with Axel Rudi Pell and doing countless sessions. Back in the day Jan Barnett was the vocalist and Rough Silk had a heavy Queen influence. Barnett left after the fifth album and Doernberg eventually took over on vocals as well. He's got a gruff bluesy voice that fits well when he tosses in the old school analog keyboard sounds. So toss the Queen thing out the window - instead the keyboard heavy/guitar crunch offers a sound much closer to Savatage.
    $9.00
  • Metal Mind has repackaged the jewel box editions of Changes and Moonshine together in a slipcase and made it available at an attractive price.
    $16.00
  • First time on vinyl - now spread out over 6 sides of beautiful 180 gram vinyl.  Comes with the album on 2CDs as a bonus."A legendary band in their own right, The Flower Kings have been at the forefront of progressive rock since their formation in 1994 by guitarist, vocalist, composer, astronaut, chef and veteran nut head icon Roine Stolt. Dedicating themselves to producing a strain of prog they like to call symphonic rock‘, they incorporated classical music, movie soundtracks and both jazz, ethno, blues and seventies metal elements to much success - and building themselves a dedicated fanbase in the process over ten studio albums before taking a break.After a triumphant return to action in 2012 - following an almost 5 year hiatus, The Flower Kings released "Banks Of Eden" in the summer of that year to a brilliant reaction from fans and critics alike. In celebration they toured the world for the better part of a year, visiting locations including Europe, Japan, Russia, Israel & USA. The following year the band hit the road once again, this time with old friends Neal Morse & Mike Portnoy to celebrate the 20th Anniversary of label InsideOut Music, where they played a hugely successful prog extravaganza to packed venues across Europe and the US.Never ones to rest on their laurels however, The Flower Kings immediately entered Fenix Studio in Sweden to start work on the recording of a brand new album. Recorded "live" in this classic, but modern, studio and on reel to reel tape, the album features a glut of grand vintage keyboards such as Hammond B3, Mellotron M 400, Fender Rhodes, Minimoog and a whole host of Tube amps.The band even decided to try a new approach to writing and recording, assembling music on the spot and arranging it as a team.The result of this wonderfully collaborative effort is an epic 10 song cycle entitled ‚Desolation Rose‘; an album that revolves around some of the more disturbing observations of mankind's failure to create the paradise they once hoped for – and the greed, fear and ignorance that caused that failure. The scenario is an observation by an angel who resides in a mysterious tower, looking down on all this ongoing perpetual insanity, yet unable to reach out and help.The band is very much back to their cinematic and melodic symphonic rock best, but with a heavier edge no doubt honed while on tour for the past year. The 10 songs contained within are to be heard as a sequence and the lyric thread is wonderfully cinematic, but again it is more of an observation that works both as a whole or as separate parts. It might be considered one of their most focused efforts to date, such is the impact the tracks have on the listener from the very beginning. From the opening 14-minute tour-de-force that is ‚Tower‘, right through the moody swagger of ‚White Tuxedo‘ and beyond, this album sees the band crafting what might be their most varied album yet.The Flower Kings are truly back where they belong, at the beating heart of the modern day progressive rock scene, and ‚Desolation Rose‘ is testament to their continued vibrancy, sonic potency and determination to keep the music driving forward."
    $32.00
  • Domestic pressing of the second album from this superb Polish prog band. While their first album tended to veer more towards the metal side, Metafiction is a bit lighter - but only in overall sound, not thematically. There are plenty of heavy moments but lets call it heavy progressive rock as opposed to metal. Whereas Riverside initially drew heavily from bands like Porcupine Tree, Opeth, and Anathema they ultimately found their own voice. Votum find themselves at the same crossroads. These bands are all similar influences emphasizing atmosphere and mood. Melancholy prevails - this is not an upbeat sounding album. The heavy parts may seem heavier because the quiet parts...are well...they are quieter! This adds to the dynamics of the album and overall it draws you right in to an inxoticating dreamscape. Easily one of 2009's best albums. Lets hope with a US release they are able to find an audience here. Highest recommendation.
    $13.00
  • New CD only edition arrives in a digipak.Remember when the latest album we bought was more than just a click of a mouse?Remember when music meant something - the excitement and anticipation as the needle came down...not knowing what we were about to hear...?Nothing else mattered at that moment...Our undivided attention was given to the music - music which would become the soundtrack of our lives...THOSE DAYS ARE NOT OVERBeneath The Waves melds the talents of over two dozen artists and ensembles into an astonishing album of rare depth, emotion and intensity.  Held together by a vocal performance of spine tingling power from Steve Balsamo (Jesus Christ Superstar) and co-ordinated by celebrated producer / composer Rob Reed (Magenta, ChimpanA) , the album features a jaw-dropping array of musical talent including:Steve Hackett (Genesis) - Nylon Guitar; Gavin Harrison (Porcupine Tree) - Drums; Nick Beggs (Steve Hackett Band, Kajagoogoo) – Chapman Stick; Troy Donockley (Nightwish, Bad Shepherds)  Uilleann Pipes, Whistles; Nick Barrett (Pendragon) - Guitar, Neil Taylor (Tears for Fears, Robbie Williams) - Guitar; Jakko Jackzyk (20th Century Schizoid Band) - Guitar; Francis Dunnery (ex It Bites) - Guitar, John Mitchell (It Bites, Frost*) - Guitar, Mel Collins (King Crimson, Camel) - Sax, BJ Cole (Elton John, David Gilmour) - Pedal Steel Guitar, Chris Fry (Magenta) - Guitar and Christina Booth (Magenta) - Backing Vocals  - and introducing the vocal talents of Angharad Bryn in the role of Lily.Adding to the epic quality of the album are celebrated vocal ensemble Synergy, The English Chamber Choir conducted by Guy Protheroe, the London Session Orchestra conducted by Dave Stewart plus renowned opera singers Rhys Meirion and Shan Cothi.The album also features lyrics by Steve Reed (Magenta) and artwork by Geoff Taylor (War of the Worlds).This stunning concept album by Kompendium is in the spirit of all those great albums from the 70s without sounding like any of them. 
    $15.00
  • This is kind of a shocking release to turn up on Napalm Records. It looks as though they are joining the ranks of Nuclear Blast and Century Media in picking up progressive metal bands...and that can't really be a bad thing. Serenity hails from Austria. They've been kicking around for awhile but this is their debut release. The music is a mix of melodic and progressive metal with some power touches. Georg Neuhauser's vocals have a plaintive, emotional feel that suits the music quite well. They focus on melody but are smart enough to lure a prog head like me in with occassional instrumentals of the Dream Theater variety. Savatage, Vanden Plas, Threshold, DT - these guys have their bases covered. Solid debut. Highly recommended.
    $12.00
  • "Although I had no idea what has been running inside his head, I have always known that Michael Kiske, once the leading vocalist of HELLOWEEN and one of the prime candidates that was suggested to replace Bruce Dickinson in IRON MAIDEN back when the latter left in 1993, would come back big. Along with his old partner in crime back in the hungry days of 80s HELLOWEEN, Kai Hansen, and with members of PINK CREAM 69, including the wonderful producer Dennis Ward on bass, and Kiske's other band PLACE VENDOME, the UNISONIC band was born. Though it's not the rebirth of old HELLOWEEN but more of a mix with melodic Hard Rock music following GAMMA RAY signatures, this joint force showed true class just as it was expected from these veterans with a superb self-titled debut under Edel / Ear Music. Just for the record, I had the feeling that I won't be stumbling upon a Power Metal album as for Kiske obvious Hard Rock notations over the years that kept him somewhat locked out from the Metal world. I can't count his guest appearances as those weren't enough for new fans to accumulate this guy's amazing abilities. Though his band of late, PLACE VENDOME, has been playing something that is near Metal and its second album, "Streets Of Fire", knocked me to my feet, I knew, just like many others, that no matter how soft Kiske would go and no matter his opinions regarding the evil side of Metal, that is where he belongs. The UNISONIC band proves it pretty well. Kiske might not have the long standing high pitches of the past, yet he has more than enough vocal qualities that top most of the old guard of vocalists. As for his partner and amazing artist, Kai Hansen, it seemed as if his place was to be next to Kiske all along, together they made wonders and I believe that two "Keeper Of The Seven Keys" albums are enough as elaborations. When it comes to UNISONIC, I must say that I was glad it wasn't a sort of continuance to the old HELLOWEEN era, even if the opening hit "Unisonic" blasted as if it was a blast from the past straight from the glory days, yet with the addition of a superstar second lead guitarist in the image of Mandy Meyer. Though heavier and more Metal than anything other thing that Kiske has been involved in the last two decades, UNISONIC still relies on the vibes of melodic Hard Rock. The Metal edge serves as an appetizer and a little spicy ingredient to energize things up. "I've Tried" and "We Rise" delivers true class right to your table. Kiske voice sounds so rich, still full of youth while spewing majestic singing rhythms and I can't also ignore the emotive and crunchy soloing of both crushing guitarists. To this fine selection of high quality features I can account also "My Sanctuary", "Never Change Me", "Never Too Late" and blazing "Star Rider". Kiske, Hansen, Ward, Meyer and Zafiriou delivered a well written Hard Rock / Heavy Metal album with plenty of taste. In general I felt the touch of Kiske rather tuned the band to treads a lightly than if Hansen was at the helm, but with a voice like this and such amazing talents, which also involved a striking production, only good can come from this." - Metal Temple
    $14.00
  • First new studio album in many years is a winner. In typical Schulze fashion the disc consists of four epic length compositions. This is a more modern sounding KS - plenty of sampled sounds can be found here - but at the same time it harkens back to some of his work in the 70s. There is a rhythmic, percussive intensity to the music that is a driving force a la Dune. In fact KS plays the Mini-Moog for the first time on a studio recording (who would have figured?). While his output can be uneven at times this one comes across as a solid disc.
    $15.00
  • "Wow, what lovely album!When we talk about North American Metal, always comes to our minds the idea of a good level of musical technique and the use of great melodies. It’s a characteristic of their scene, and the Power/Heavy Metal trio NINTH CIRCLE is to be as melodic and catching, knowing how to be heavy and melodic on the same proportions. And their new album, “Legions of the Brave”, is an excellent sample of what your Ol’ Big Daddy here is saying.Their music is catching, elegant, heavy, full of life and energy, with good level of technique. And their music really is charming, with excellent clean vocals, great guitar riffs and solos, a rhythmic kitchen showing a good work in terms of technique and weight, and the keyboards work is lovely. And their music is not simply a mix of Heavy Metal with Power Metal aspects, but has high doses of AOR/Hard Rock touches. And it’s excellent.The sound production really is on a high level, making the band sound clear and the arrangements appear, but without losing the notion that we’re dealing with a Metal band.So, you will got in love with their work listening great and perfect songs like “After the Rain”, “Living on the Sun” (what great chorus), “The Quickening” (the great chorus and keyboards are giving a delicious taste to the music), the bold and heavier “Legions of the Brave”, and “Grinding the Bastards Down”. But don’t get the wrong idea: the album is wonderful from beginning to the end.Listen, got on the circle, and buy it. Illegal downloads are for sissies, wimps, posers and other sick mind idiots." - Metal Temple
    $6.00
  • "Esoteric Recordings are pleased to announce the release of the first ever boxed set celebrating the solo work of Genesis founding member Tony Banks. A CHORD TOO FAR is a deluxe 4 CD set comprising 48 songs and pieces, all personally selected by Tony. Many tracks have been remixed exclusively for this collection and have been drawn from his seven solo and two orchestral albums; A CURIOUS FEELING, THE FUGITIVE, THE WICKED LADY (film score), SOUNDTRACKS , BANKSTATEMENT, STILL, STRICTLY INC. and his orchestral albums SEVEN – A SUITE FOR ORCHESTRA and SIX PIECES FOR ORCHESTRA.A CHORD TOO FAR also includes four previously unreleased tracks, three of which are keyboard demos of his orchestral suites. The fourth is a piece originally written for the album STILL. Inducted into the Rock and Roll Hall of Fame in 2010 as a member of Genesis, Tony is one of the most respected songwriters and keyboardists in the world. His career spans almost 50 years and has seen him sell in excess of 130 million albums . His body of work is as innovative as it is eclectic. Genesis’ avant-garde style made them one of progressive rock’s founding fathers in the 1970s, creating an experimental style of rock music never before seen. They went on to produce music with a greater pop sensibility in the 1980s that saw them become one of the biggest selling bands of the decade, and play stadiums throughout the world.Tony Banks’ solo work has continued in the same vein. His rock albums have included collaborations with some of the world’s most respected musicians including singers Toyah Wilcox, Fish and Nick Kershaw , bassist Pino Pallodino , and drummers Steve Gadd and Vinnie Colaiuta , as well as long time Genesis collaborators Daryl Stuermer and Chester Thompson . He has composed original scores for four films The Shout (1978), The Wicked Lady (1983), Starship (1985) and Quicksilver (1986) and most recently his orchestral albums, Seven: A Suite for Orchestra and Six Pieces for Orchestra, that were performed by the London Philharmonic Orchestra and City of Prague Philharmonic Orchestra."
    $55.00
  • Debut release from this Norwegian progressive ensemble immersed in the 70s sound.  Tusmorke began life as Les Fleurs Du Mal and featured Wobbler vocalist Andreas Prestmo.  They have since gone through changes of lineup and nae.  The band is heavily influenced by Jethro Tull, White Willow and Incredible String Band.  Its flute driven prog with a quirky psychedelic folk element.  The album was produced by Wobbler keyboardist Lars Fredrik Frøislie who contributes his arsenal to the album enhancing the prog vibe.  Mellotron freaks - its all here!  In addition to the album you get 3 bonus tracks of previously unreleased material from Les Fleurs Du Mal.  Highly recommended.[[{"type":"media","view_mode":"media_original","fid":"9132","attributes":{"alt":"","class":"media-image","height":"283","width":"400"}}]] 
    $18.00