Hindsight (2LP Vinyl)

SKU: KSCOPE859
Label:
KScope Records
Category:
Post Progressive
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Double 180 gram vinyl edition.  Semi-acoustic interpretations of classic Anathema tracks.

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  • Second album from gothic high priestess and blonde knockout Helena MIchaelsen. The music was recorded at Everon's Spacelab Studio and has a much more polished feel than the debut. The music was written but Satyrian guitarist Jan Yrlund and has little of the exotic eastern feel that permeated the first album. It turns up in spots but it's just not so prevalent. Michaelsen also varies her voice a bit. Where the debut had her singing almost exclusively in an operatic style this one has that element but you are not bludgeoned with it. The symphonic and power elements are still very prominent but overall it's a better written album.
    $13.00
  • Here's a nice archival discovery courtesy of Esoteric Recordings.  Fields was the post-Rare Bird trio consisting of keyboardist Graham Field, ex-King Crimson drummer Andy McCullough, and bassist Alan Barry.  Their 1971 eponymous release on CBS is a prog rock gem in which Field shows off his abilities as an organ player.Contrasts is a previously unknown to exist second album that sat on a shelf gathering dust since 1972.  It finds Alan Barry replaced by ex-Supertramp Frank Farrell on bass and vocals.  Field concentrates on organ but he does play some synthesizer.  The music has a melodic feel that reminds a little bit of Spring.  Comes with plenty of liner notes by Sid Smith.
    $16.00
  • 40th anniversary vinyl edition of this classic Czech prog album. Flamengo existed in the late 60s as a singles band. This was their debut album, originally released in 1972. The Czech government felt the lyrics were to controversial so the album was withdrawn. The jazz undertones and blasts of sax remind of Colosseum but King Crimson comes to mind as well. Great slashing guitar leads and a big organ based sound. A bit dated sounding (it is 40 years old from a country that was about 10 years behind the rest of the world) but still has plenty of killer moments. 
    $18.00
  • "One of the interesting and strangely rewarding things about being a power metal enthusiast in 2015 is the fact that, due to the general indifference shown by media outlets and the metal population at large, particularly within the United States, fans don’t really get hit over the head with an uninterrupted outpouring of releases 8 days a week as you might for, say, death and black metal. Perhaps that seems like a strange thing to celebrate, but during an age where glut has become the new standard, it’s refreshing to exist in a realm where you often don’t have much of a choice but to really get to know the releases you count as triumphs. To illustrate the point: While there have been a few noteworthy power metal releases in 2015, there haven’t been enough to completely overshadow what's still getting regular play from 2014's sufficient crop. In this sense, power metal is defying the "churn & burn" mandate that seems to govern much of music today.The shortage of a comprehensive power metal vogue also means that, for the most part, the bands that commit to the genre are by-God in it for a true love and obligation to the game. In other words, there’s little evidence of bandwagoning, which is equally refreshing.With that in mind, if you’re lucky enough to resonate with power metal and haven’t been paying attention to what’s been rumbling down the chute from the U.S. lately, you’re doing yourself a great disservice. Releases haven’t exactly been dropping from the trees, per say, but a good portion of what we’ve gotten certainly qualifies for medal contention. To keep things pinned to 2015, consider Artizan’s The Furthest Reaches, Tanagra’s None of This is Real, and Judicator’s ludicrous At the Expense of Humanity. Three high-quality PM records from one country in one year might typically be sufficient, but St. Paul, Minnesota’s Chaos Frame apparently prefers to kick the festivities up to a deafening roar, because Paths to Exile, their sophomore effort, is nothing short of extraordinary.First of all, are you shittin’ me with this thing? Who? Wuh? Where’d?There's nary a bad tune to be found on this record. Seriously. That fact alone should be enough to inspire some of you to pound some samples into your ears and free the tight velcro grip on those wallets, but just in case it’s not: Chaos Frame shares current, ex- and guest members from Noble Beast, a band that released one of 2014’s most sublime examples of exhilarating, aggressive modern power metal. And while Paths to Exile certainly shares some of that band’s Blind Guardian-galvanized strut, particularly in those exquisitely stacked choruses, Chaos Frame is an entirely different beast altogether. An even more... noble beast, one might wager? Inconceivable. Just a more proggy, less dungeon-inspired incursion that shares the same level of skill in terms of first-string musicianship from a relatively unheralded act.Something a number of American progressive/power metal acts seem to be managing in excess lately is the idea that you can be uplifting without being overly bubbly, and Chaos Frame nails that notion home with a one-ton hammer. There are no “Heavy Metal Hamsters” or squirrelly circus jigs within a hundred miles of these dudes. Outside of the opening track, every song flashes moments where things seamlessly break off for a stretch of surprisingly dense or FAST execution that strikes with as much oomph as Brian Blessed charging atop a Clydesdale. For comparison’s sake, think Pharaoh, Falconer, Manticora and Spirit of Ukko era Kiuas all balled into one. Now add one of the better vocal performances this side of a Daniel Heiman-fronted Lost Horizon/Heed record and you’ve got the basic gist.Lofty praise, for sure, but Paths to Exile delivers, front to back. And as satisfying as the entire picture manages to be, the weight delivered in its midsection via “Terra Firma,” “Paper Sun” and “Giantkiller” is just staggering. Nimble acoustic picking blends with knotty riffing and ample time signature shifts; infectious choruses swirl into falsettoed, King Diamond-inspired “oh-ohhhs”; bolts of blast-beating drums run like hellfire; pretty leads split the sky without ever being overblown; and there’s even a bloody saxophone solo that winds up resting so perfectly within the overall scheme of things that you’ll wonder why more bands of this nature don’t work this oft-maligned instrument into their own blueprint. Embrace your inner Tim Cappello, heavy metal.It’s been a while since I’ve come across a prog/power metal record as altogether satisfying as Paths to Exile. In the end, however, one probably needs some level of appreciation for the style to fully acknowledge what’s going on here. It’s too bad, really, because above all else, Chaos Frame simply succeeds at delivering great heavy metal – energetic, exciting, empowering heavy metal that’s perfectly suited for those who appreciate impeccable musicianship, towering vocals and just generally feeling fucking fantastic after listening to one of the better records that 2015 has to offer." - Your Last Rites
    $12.00
  • IQ's 10th studio arrives and again with a slightly reconfigured lineup.  The exceptionally gifted Neil Durant, previously with Sphere3, is now handling keyboards.  Nothing dramatic changed.  If anything keyboards might even be a bit more prominent.  Paul Cook and Tim Esau, the original rhythm section, are now in tow. Peter Nicholls is his sombre self.  Guitars seem to be slightly heavier but all in all this sounds like prime IQ.  This is a band that has weathered personnel changes over the year but like a fine wine they've improved with age.  This is a BUY OR DIE release.  Top 10 for 2014. 
    $15.00
  • "The live recording was taken from their critically acclaimed performance at RoSfest USA at the beautiful Majestic Theatre in Gettysburg. Following the success of their award winning second studio album 'Moments', IOEarth present their first live album to the world, showcasing 11 tracks from their ground breaking albums including the sublime 'Cinta Indah' , the explosive 'Home' and the dynamic 'Harmonix'. "
    $7.00
  • Second full length studio album from this British band finds them with new vocalist Ashe O'Hara replacing the great Dan Tompkins.  This shouldn't be inferred that O'Hara is any less a vocalist than Tompkins - he's excellent as well.While the core djent sound is there the band has moved a bit more into a prog rock direction.  In general its less metal and more rock.  O'Hara's vocals don't go in the screamo direction that a lot of djent bands prefer.  The instrumental parts are still stupifyingly crazy but crazy in a King Crimson meets Tool way.  I'm not sure what the djent metal community will think of this shift in course but I like this new direction.  The old was good - to my ears this is better.  Highly recommended.
    $12.00
  • "Wow, what lovely album!When we talk about North American Metal, always comes to our minds the idea of a good level of musical technique and the use of great melodies. It’s a characteristic of their scene, and the Power/Heavy Metal trio NINTH CIRCLE is to be as melodic and catching, knowing how to be heavy and melodic on the same proportions. And their new album, “Legions of the Brave”, is an excellent sample of what your Ol’ Big Daddy here is saying.Their music is catching, elegant, heavy, full of life and energy, with good level of technique. And their music really is charming, with excellent clean vocals, great guitar riffs and solos, a rhythmic kitchen showing a good work in terms of technique and weight, and the keyboards work is lovely. And their music is not simply a mix of Heavy Metal with Power Metal aspects, but has high doses of AOR/Hard Rock touches. And it’s excellent.The sound production really is on a high level, making the band sound clear and the arrangements appear, but without losing the notion that we’re dealing with a Metal band.So, you will got in love with their work listening great and perfect songs like “After the Rain”, “Living on the Sun” (what great chorus), “The Quickening” (the great chorus and keyboards are giving a delicious taste to the music), the bold and heavier “Legions of the Brave”, and “Grinding the Bastards Down”. But don’t get the wrong idea: the album is wonderful from beginning to the end.Listen, got on the circle, and buy it. Illegal downloads are for sissies, wimps, posers and other sick mind idiots." - Metal Temple
    $6.00
  • After Ronnie James Dio split, Blackmore replaced him with Graham Bonnet and brought in his old bandmates Roger Glover to handle bass as well as produce.  Dio's mystical element was gone but the album was rock solid.  Remastered edition.
    $5.00
  • "This 1971 release also went gold, here with an unreleased live version of Travellin' in the Dark (to E.M.P.) ."
    $5.00
  • Grotesk is the third album from this French trio. Their two previous albums brought them world wide acclaim for their intriguing amalgam of jazz and metal fused together with a strong dose of Zappa-esque humor. Mörglbl was born in 1996 after noted guitarist Christophe Godin decided to form an instrumental fusion rock band. After meeting Jean Pierre Frelezeau (drums) and Ivan Rougny (bass), they decided to work together on the project. In 1997, Morglbl’s first cd named “Ze Mörglbl Trio!!” (IHL) was released and received good reactions from the French press. The band toured intensively in France, placing Christophe as one of France’s top guitar players. In 1999, the band’s second album “Bienvenue a Mörglbl Land” (IHL) was released. The band toured Europe, and Christophe started working as ambassador for Laney Amps, Vigier Guitars, Zoom Effects and Alvarez acoustic guitars. In 2000, Mörglbl disbanded, and Christophe released one cd with metal band GNO (“Trash Deluxe” Janvier Rec.), and became a worldwide in demand clinician. Ivan toured with fusion guitarist Cyril Achard and Y. Malmsteen’s drummer Mike Terrana, as well as rai star Cheb Bilal. In 2004, Christophe started his first solo project, named Metal Kartoon, and asked Jean Pierre and Ivan to be part of the band. The cd was released in 2005 (“Christophe Godin’s Metal Kartoon” Nocturne) and did pretty well in France. Christophe toured intensively (Germany, Italy, China, South Korea, USA, UK). He also released one cd and toured Europe with jazz guitar legend Pierrejean Gaucher (“2G” Nocturne) After hitting the road regularly with Metal Kartoon, Mörglbl regrouped and started working on new material. They recorded their newest cd “Grotesk” and toured Russia, Italy, Germany, Holland, USA as well as France of course, where their popularity rapidly grew after the news of their reunion spread. Christophe is going to be co-headliner of Tokyo Shred Fest in November, part of his next Asian Tour (China, South Korea, Japan, Indonesia, Philippines, Singapore) as Laney ambassador. With the release of Grotesk, Mörglbl has created an album with cross genre appeal. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias IA Eklundh will find much to sink their teeth into. Morglbl on Myspace
    $13.00
  • "Gong At Montserrat and Other Stories is a wonderful mix of the old and the new and also the rare. The old is footage of the classic line up of Gong which featured Daevid Allen, Steve Hillage, Pierre Moerlin, Tim Blake, Mike Howlett and Gilli Smyth. The more recent footage comes from 2006 and finds Daevid Allen in an al fresco mood reciting his poetry and singing songs. There is also footage of AcidMothersGong from the RFH I 2002. Perhaps the rarest piece of footage is the original line up of the Soft Machine featuring Daevid Allen. This footage was filmed at UFO in 1967 at a benefit for UFO founder John “Hoppy” Hopkins. This DVD received a very positive response when played at the Gong UNCON in Amsterdam in November 2006 and will no doubt sell well to the large and devoted Gong fan base."
    $17.00