Falling Deeper (Vinyl)

SKU: KSC-LP-820
Label:
KScope Records
Category:
Progressive Rock
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Vinyl edition. Falling Deeper finds Anathema reworking older material, backed by a 26 piece orchestra. The band is complemented by former Gathering vocalist Anneke van Giersbergen.

Anathema - Danny talks us through Falling Deeper from Kscope on Vimeo.



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    $9.00
  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
    $16.00
  • "he world according to The Pineapple Thief is changing. In a recording career now stretching  back 15 years their sound has been built around the key components of progressive and heavy rock music, often seeing the south Somerset four-piece bracketed with other neo-prog bands such as Marillion and their fellow label mates Porcupine Tree. But their tenth album Magnolia gives complete lie to that ancient proverb you can’t teach an old dog new tricks.Elements of progressive, hard rock music still percolate through The Pineapple Thief’s veins – never more so than on album opener and new single ‘Simple As That’ and the blistering ‘Sense Of Fear’ – but where once there was a tendency towards excess and bombast now there is greater economy and eloquence. As founding member and principal songwriter Bruce Soord explains, there are no longer any long tunes. All he cares about now is writing good songs.The triptych of ‘Don’t Tell Me’, the album’s title song and ‘Season’s Past’ is a perfect representation of how The Pineapple Thief’s sound has evolved. Wrapped in a swathe of Andrew Skeet’s strings – something the British composer and orchestrator has previously achieved to similar resounding effect with The Divine Comedy and Imogen Heap – the songs’ stirring arrangements and inherent tenderness nod towards some of the more baroque beauty of The Verve’s Urban Hymns.On Magnolia Soord’s guitar is much more to the fore than has hitherto been the case. It is something he attributes to his Kemper Profiling Amp, through which he has channelled his imagination and realised the sounds that were inside his mind. His head must have been full of contagious, hook-laden songs then, because Magnolia delivers a dozen such gems. It is a record that could, and really should move The Pineapple Thief into the big time." - God Is In The TV
    $29.00
  • European import expands on the US edition. This is Within Temptation's one-off "Black Symphony" concert. The band was backed by the Metropole Orchestra as well as a dance company. This deluxe edition comes with a bonus DVD with a bonus concert performance, music videos, documentaries and the typical "stuff". Also included is the audio soundtrack of the complete performance, contained on 2 cds.
    $50.00
  • "The Aristocrats by any measure the hottest new band in instrumental rock/fusion today rewrote their own rules for their third studio album, Tres Caballeros. After two fairly raw trio albums, guitarist Guthrie Govan (Steven Wilson, Asia/GPS), bassist Bryan Beller (Joe Satriani, Dethklok) and drummer Marco Minnemann (Steven Wilson, Joe Satriani) set up camp at legendary Sunset Sound studios in Hollywood, CA, where Led Zeppelin, The Rolling Stones and Van Halen all recorded landmark albums. The result: Nine new compositions of greater sonic depth and breadth than ever before, with unique textures and lush layering augmenting the band s preternatural ability to improvise at the highest levels possible. But it s all still tempered with a steadfast refusal to take themselves too seriously, and The Aristocrats are still having more fun than a fusion band has any right to have. We ve learned a lot since we started this band four years, three studio albums, two live DVDs and about a billion notes ago! and I think our latest offering reflects this in all kinds of ways, says guitarist Guthrie Govan. The decision to road-test our new material in front of a live audience before commencing the recording process; the choice to record in a studio which had some thoroughly inspiring rock'n'roll "mojo"; our sudden urge to become more bold and experimental with overdubs rather than feeling any pressure to record exclusively in a strict trio format... all of this has had some kind of positive effect on the way the new record came out. Plus, I think the material on this album is some of the most interesting stuff we ve ever written for each other, so... here s hoping our noble listeners will like the finished product as much as we do! Deluxe Edition Bonus DVD Features 30min documentary w/exclusive individual interviews, studio & live footage Bonus audio (outtakes/demos) & group interview"
    $19.00
  • "With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."This is the deluxe mediabook edition.  Same track listing as the jewel box but in much nicer packaging.
    $17.00
  • Third album from a band that is essentially a mash up of members from Sieges Even, Sun Caged and Dreamscape.  Their music carries on very much in the style of the later Sieges Even albums.  In other words progressive rock that leans towards the heavier side of the spectrum.  Rush, Rabin-era Yes, Saga, and Dream Theater come to mind as influences.  Quite melodic and if you are so inclined you'll hear some incredible chops from guitarist Markus Steffen.  The band corraled Stream Of Passion's Marcela Bovio for a guest vocal appearance, dueting with Arno Menses.This is the deluxe 2CD edition.  It sports a really cool looking 3D cover.  The bonus CD is a live concert recorded in Mannheim in 2012.
    $19.00
  • With each successive release the question always is asked – How will the Tipton Brothers top their last album? The band’s fifth album, Dark Deceiver, is another jaw-dropping achievement of technical metal. The quartet of Jasun Tipton, Troy Tipton, Mike Guy, and Chris Salinas take their “chops from hell” attitude to a new level. In creating Zero Hour, the brothers envisioned a dark, heavy, emotional vibe, expressed through intricate arrangements, forceful vocals, and meaningful lyrics.2006 found the band in a curious situation. Although they were attracting attention and accolades around the world they were in need of a new vocalist. The problem was solved by the arrival of noted vocalist Chris Salinas, formerly of Power Of Omens. The resulting album “Specs Of Pictures Burnt Beyond” met with stellar reviews, a US tour and a headlining slot at the Headway Festival in Netherland. The year culminated in the band’s third appearance at ProgPower USA in Atlanta – the largest progressive metal festival in the world.For the recording of their new album the band once again collaborated with producer Dino Alden. Dark Deceiver finds the band experimenting with their already defined sound. The compositions are more technical than before. Alden took advantage of Salinas’ incredible vocal talents to apply some interesting and dramatic treatments, creating something very different from their previous recordings. This is without question the band’s crowning moment.
    $13.00
  • New edition of this wonderful third album from one of Canada's best progressive bands. Originally released in 1976, Ni Vent...Ni Nouvelle is classic Maneige - a sumptuous blend of keys, reeds, guitar, bass and percussion. The instrumental sextet is augmented by a string section. The music is a bit reminiscent of Camel and Gentle Giant with more than a touch of jazz rock thrown in. This new version features four bonus live tracks. Highly recommended.
    $12.00
  • ""It has happened to me twice here in 2009. You stumble upon a band that you have never heard of which totally blows you away. The first time was with the band Anima Mundi out of Cuba. Now, it has happened a second time.From Germany comes the band AtmOsfear with their third release called Zenith. After hearing this one, I am now they have me on a mad search for their past two discs. I cannot believe that they have been ignored by the prog metal world if the past music is as good as this album. Any fan of groups such as Dream Theater, Symphony X or Evergrey whom they have shared a stage with, are in for a treat that is the equal of any of these bands.The disc kind of lulls you in with the short instrumental intro titled "Beginnings". Aptly titled as this is only the start of what is about to fill your senses. The five remaining songs fill the remaining 70 minutes of music and it culminates in the almost 30 minute epic "Spiral Of Pain". Along the way you are treated to a group of five musicians that can hold their own with anyone you would like to name. Stephan Kruse on keyboards, vocalist Oliver Wulff, bassist Burkhart Heberle along with drummer Tim Schnabel and guitarist Boris Stepanow form one of the most dynamic group of musicians ever assembled. They seem to draw off each other and interweave their individual talents into one of the best musical offerings of 2009 or any year for that matter.When music has the power to make you stop what you are doing and listen then you know you have something special. As the very metal opening to "Loss Of Hope" hit me I perked up the ears. When the vocals started, I knew this was no run of the mill offering. Then as the band swelled to their full magnitude, I was completely absorbed. Who are these guys? It is still amazing that music of this caliber can fly under the radar for this long. All you have to do is listen to the exchange between the keyboards and guitars during the extended instrumental section of this song and you will become a fan without a doubt. These guys are the real deal.I have been trying to think of what I can tell you are the highlights of this disc. Well it could be the terrific instrumental piece "Reawakening" with its powerful piano that sets a mood that the guitar plays off of so well, or it may be the enthralling "Generations" which is a roller coaster ride of sound. Then there is the edgy "Scum Of Society" which shows that they are as powerful lyrically as they are musically. Of course all this is setting you up for the epic "Spiral Of Pain" where they take you on a 30 minute quest for musical perfection. They leave nothing on the table as this vast work captures all that we prog metal lovers dream of. Intoxicating from beginning to end this is a classic piece of art. Where Michelangelo used many different mediums to project his art, AtmOsfear similarly uses many different musical approaches to convey their message, melancholy when called for, melodic where needed, brooding and harsh as the story calls for and totally mesmerizing throughout.This is a must have disc. For anyone who has a love of great music this is one that needs to be given a chance. You will not be disappointed." - Sea Of Tranquility
    $3.00
  • "Coming to a new Edguy is always a good thing. Ten years ago this German melodic heavy metal band single-handedly brought me back to metal in the 21st century (helping to revive me from a decade lost to grunge in nu-metal). Age of the Joker is their ninth studio album, with the band offering both classic and new Edguy.For classic Edguy, tale-telling in epic melodic power metal form, look to Rock of Cashel, The Arcane Guild, and Behind the Gates to Midnight World as they all have that large ambitious Edguy sound. Rock of Cashel offers strong melodic metal with a smooth groove, piano segue half way, and then guitar solos with a celtic feel. The Arcane Guild finds the band echoing the VGO era with galloping power metal, but infused with some Hammond style organ. (Edguy seems to allow for more liberal and evident keyboard presence throughout this disc.) Typical Edguy, Behind the Gates to Midnight World is extravagant: epic melodic metal with varied movements of mixed tempos. The opener Robin Hood also fits this style but, of all the songs, is nearly too typical, almost caricature, of Edguy power metal. It would have been better to put it at the end or, at the very least, switched with Nobody's Feel (which would have been a better start).If bombastic power metal is characteristic of Edguy, so also is extremely catchy melodic metal. Edguy has an uncanny ability blur metal with a strong hard rock groove. Nobody's Hero, the radio friendly tunes Breathe and (vulgar) Two Out of Seven or, to a slightly lesser extent, Fire on the Downline allow the listener to tap his toe and band his head in a single romp. And what would an Edguy album be without a metal ballad? Incomplete, you answer. Every Night Without You is not quite as inspiring as Land of the Miracle, but follows the formula: passionate and soaring.However, the novelty of Age of the Joker is the unlikely and extremely enjoyable Pandora's Box. Beginning with some interesting acoustic/steel guitar work the song develops into that blur of accessible melodic hard rock and metal. Yet, the best part is the return of that steel guitar in blues fashion for the solo. Match this with the catchy melody and chorus, and the new Edguy becomes the surprising evolving Edguy. Age of the Joker is worth this song alone.With Age of the Joker, Edguy continues from strength to strength, another fine album of melodic heavy metal from a band who knows their craft, and keeps getting better at it. Strongly recommended." - Danger Dog
    $6.00
  • Years ago before Mind's Eye were Mind's Eye (they were known as Afterglow), the band had demoed many different vocalists. One of them was German Pascual. Reflecting back on those demos I always felt that Pascual was a diamond in the rough and had great potential. He didn't stick with Mind's Eye and to be honest I don't know what he's been up to all this time. He's landed in the Narnia lineup and damn if he isn't a great singer! Guitarist Carl Johan Grimack has toned down all his Malmsteen-isms that always seemed to fit Narnia into a Christian Malmsteen clone box for all these years. Instead there aren't that many solos and the writing has taken the music into a melodic metal direction with catchy choruses. The lyrical themes are still religious and that seems to fit Pascual well as he's also gone down that path.
    $12.00
  • "Hard to believe it has been four years since the last Iron Savior record. In that time I almost thought we'd never hear anything from Piet and co again. Boy am I glad they're back, and with the Condition Red line-up to boot. While I felt Megatropolis was a slight musical misfire, The Landing sees the band firing on all cylinders again.It should be no surprise that this album sounds quite a bit like Condition Red in places, with a hefty kick of Unification and Battering Ram for good measure. This is pure unadulterated German power metal played by one of the granddaddies of the genre, Piet Sielck is the man, and he displays his mastery of this style all over The Landing. Kicking off with a mid-paced cruncher armed with sublime hooks, and a majestic chorus, "The Landing" is a great start to the show. However it is in "Starlight" that the album really kicks off. I was overcome with joy when I first heard this song. Iron Savior at their best: blazing riffs, double kicking, and a massive chorus; this track could have be long lost from the Unification recordings.Throughout The Landing Iron Savior continue to assert their authority; everything from production to performance is nothing short of excellent – which should be expected of these masters. The guitar tone is concrete middle ground between the more compressed tone of Battering Ram and the natural feel of Condition Red. They album ticks all the boxes that need ticking in an Iron Savior record, "March of Doom" nails the heavy power metal track, with badass riffs and the finest pre-chorus of the album. "Heavy Metal Never Dies" takes the "Warrior" approach and is a great fist pumper, and coupled with "R.U. Ready" tick of the worship of heavy metal approach. Finally we have the quality "Before the Pain" which ticks off the ballad.All in all I believe The Landing is a complete and utter success, vastly preferable to the latest releases from stalwarts Gamma Ray and Stormwarrior. Highly recommended to all power metal fans, this is without a doubt one of the finest releases this year. While it doesn't reinvent – or innovate for that matter, that isn't important as Iron Savior were never about that. Recommended." - Metal Crypt
    $15.00
  • Stupidly expensive German import arrives as a 2CD set in a hardbound digibook. There is a bonus track as well as an orchestral CD version of the album.Their previous album, Unia, was pretty much reviled by this Finnish band's fanbase. They moved away from the Stratovarious style speed metal and went for something a bit slower and perhaps a touch more progressive. This new album has more uptempo material than Unia but its not a return to the old style either. Its quite symphonic in sound - almost as though they are emulating countrymates Nightwish.
    $25.00