Eternity (2LP Vinyl)

SKU: VILELP434
Label:
Peaceville Records
Category:
Doom Metal
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2LP reissue of the band's classic 1996 comes with 2 acoustic bonus tracks.  This is where the Pink Floyd influence really starts to creep in.

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  • Intense music from this Sacramento based quartet that first began in 2007 as the brainchild of Sacramento guitarist Josh Burke, with the goal of writing music that would be atmospheric, melodic and progressive, with heavy, dark guitars and drums and an overall epic, emotional arc.A Fair Dream Gone Mad is melancholic metal cut from a similar cloth to Katatonia and Opeth.  Josh Burke sings in a clean and expressive style in contrast to the crushing guitar riffs that take ITS’s music much further into the metal realms than bands they are compared to like Porcupine Tree and Riverside but at the same time guitar takes center stage adding a nice proggy vibe.  A mesmerizing and emotional debut filled with tension.This is a new freshened up edition on Sensory Records.  It arrives in a digipak and has a booklet with lyrics. 
    $13.00
  • "Not many tunes delivered by bands from my southern neighbors, within the borders of Germany, are haunting my mind during these grim and frostbitten cold days of wintertime. Only melodies of Andy Kuntz & Co from prog metal act Vanden Plas, and one of last year’s best prog metal debuts “The Old Man and the Spirit” created by Beyond the Bridge are still able to cradle me to sleep. The question is then how the hell has prog rock/metal act Dante gone unnoticed by my eyes and ears so many years? That is still a mystery to me. I guess it’s time for some changes now. After watching the official trailer of the full album “November Red” describing it as “A New Masterpiece of Progressive Music” and getting my face slapped by words like Power, Passion, Epic, lyrical, Progressive and Breathtaking, I have packed my gear and ready for a great adventure into their musical universe. Will you follow me on my musical adventure? I’ll leave that up for you to decide, but if this has sparked your curiosity, then please keep on reading our fellow reader. You will not regret…Let us start from the beginning. Seven years ago guitarist & bassist Markus Berger, who sadly passed away early this year (R.I.P. metal brother), teamed up with his longtime friend Markus Maichler on keyboards & piano, and created prog rock & metal act Dante after playing around with some of their own musical ideas in Berger’s own studio. Two positions were still left open, so they recruited vocalist Alexander Góhs (former frontman of Berger’s previous act “Twelve”) and drum machine Christian Eichlinger to complete their crew of musicians in control of this new German prog machinery. With some fine tuning of this machine based in Berger’s recording studio, they unleashed after two years their self-produced & self-financed debut “The Inner Circle”, which was applauded and met with great respect by many metal reviewers all around our globe. Same year bassist Michael Neumeier was hooked up, and took over the bass duties of Berger, and then became a permanent member of the band. Two years later in 2010, and the sophomore album “Saturnine” saw the light of the day, released by their new label ProgRock Records, continuing the success of the band. The following year bassist Michael decided to leave Dante, and they welcomed guitarist Markus A. Bader on board their prog metal flagship instead, and Berger returned to his old role as the bass player of the troop.So finally here they are, welcoming 2013 with their long awaited third craftsmanship entitled “November Red”, ready to quench the thirst of many progheads out there…My great adventure through the challenging musical landscapes created by Dante has sudden come to an unexpected end after counting more than one hour of total playing time. It was a continuous bombardment of my ears with strange & complex rhythms, tempo changes, awkward time signatures, mellow passages, gorgeous 70’s styled keyboard sounds blended with heavy and crunchy guitar riffs and solos, all complemented with symphonic influences to make it an interesting and pleasant listening experience. Maybe they borrow some ideas from legendary prog titans Fates Warning and Dream Theater, but arresting them for being a copycat would not hold up in court. It’s a roller coast ride through the whole album, and each of the seven songs is molding our ear wax as different as night and day. The opener “Birds of Passage” is a soft and mellow introduction, whereas the following song “The Lone And Level Sands” is exploring the more heavier and aggressive sound of Dante. “Beautifully Broken” is walking on a total different path, and is the only ballad song included. It’s a melancholy song told with beautifully and mesmerizing piano melodies and by the voice of Alex singing with great control and emotion in his preferable low to mid range registers. Fourth song, and the star of the show is “The day That Bled” a tune delivering myriads of shades and musical colours for you prog enthusiasts to delve into. Next on the list is the song “Shores of Time” following in the footsteps of its predecessors, followed up by the softer and slower song “Allan”. The title song “November Red” is the final destination of our journey, and closing of with a big bang. It’s the epic of the album, delivering some of the most heavy and aggressive moments, broken up by mellow passages.Production-wise, this is wrapped into a high quality package, and the musicianship is first class, but it still suffers in the vocal department. Vocalist Alexander Góhs would not be my first choice in the front seat of a traditional prog band, because of his lacking range and dynamics in his vocal performance. He knows his weaknesses and strengths, and mostly stays in his comfort zone the low to mid range registers, and then actually becomes quite enjoyable. His voice definitely takes time to get used to, but is one of the band’s signature sounds for better and worse.So let’s cut to the chase. The latest creation “November Red” delivered by Dante is not a quantum leap forward for progressive music, but they still have a huge and very unique distinct sound of their own. It’s a moody and melodic progressive music experience, and if your ears find comfort in listening to the likes of Fates Warning and Dream Theater, then don’t let this release slip through your fingers. “November Red” takes time to grow on you, but stay open-minded, and it will bury itself deeper and deeper under your skin. It’s definitely one of those progressive bands I’ll keep my eyes and ears locked on too for many years to come." - Power Of Metal
    $15.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "This, Primordial's third full-length, was their first real masterpiece, and where the transformed from the noisy, woodsy Black Metal of Imrama into the epic pagan beast they have become. Leaving behind the generic sound of older works, these Irish forged their own sound and have never gone back. Opening with the odd intro, with Nemtheanga intoning the lyrics like a manifesto while the war-drums pound, the band launches right into the monumental "Gods To The Godless" like a declaration of war. "I have one desire/ let it be/ a Plague upon your lands/ a Plague upon all your houses/ it is my wish to enslave all your people/ the soil enriched with their Blood." Huge riffs, thundering rhythms, and Nemtheanga's powerful, emotional vocals. The mastery never slows, not with the power of "The Soul Must Sleep" or the massive "Children Of The Harvest", and the album's centerpiece, the blazing bonfire of "The Burning Season". This is a more melodic album than the dark and angry The Gathering Wilderness or the dense, epic To The Nameless Dead, but it is no weaker for any of that. There is a repressing that also contains the other three tracks from The Burning Season EP plus a re-recording of "To Enter Pagan". Normally I decry bonus cuts, but these fit right in with the rest of the album both compositionally and recording-wise, and so they are like adding another 30 minutes of awesome to this already grand album. This is a magnificent work by one of the great bands when they were just hitting their stride. Essential." - Metal Crypt
    $15.00
  • Watchtower guitarist Ron Jarzombek's insane math metal sideproject.
    $12.00
  • Of all the Yes albums that needed a remix this is the one that needed it the most!"Relayer (1974) is the third in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been remixed into stereo and 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The blu-ray also contains the original album mix in high-resolution, a complete alternate album running order drawn from demos and studio run-throughs. Additional exclusive Blu-Ray features include extra demo/studio run-throughs, full album instrumental mixes, a full album needle-drop of an original UK A1/B1 vinyl pressing, single edits, live tracks, and needle-drops of the banded tracks from the original US vinyl promo album.Restored artwork approved by Roger Dean, the release of which coincides with the 40th anniversary of the album’s original late 1974 appearance."
    $25.00
  • "Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."
    $13.00
  • Long awaited 5.1 remix of the classic Rush album in a limited  "super deluxe" edition comes housed in a hardbound book.  Here is what you get...CD:1. Remastered edition2. 3 previously unreleased live tracksBLU-RAY:1 5.1 remix in 24/96 PCM and DTS-HD2. Stereo mix in 24/96 PCMEXTRAS:40 page comic book by story artist Tom Hodges (Star Wars "The Clone Wars," The Simpson's "Treehouse of Horrors #17") and a 24 page book with expanded artwork, liner notes, lyrics and unreleased photos. New liner notes written by David Fricke, Rolling Stone.
    $69.00
  • Special 2CD tour edition comes with a bonus Acoustic Sessions CD featuring 4 new interpretations, plus "Anathema" recorded at Liverpool Cathedral."It’s been quite a past few years for the incredible Anathema. Honors have been bestowed upon them, they’ve released an instant classic album in “Weather Systems”, and last year they released one of the best live concert films I’ve ever seen, “Universal”. Anathema is on top of the world, and they are only getting bigger. With all of this on their shoulders, they approach the world once again with their new album, “Distant Satellites”, a fitting name for a massive album. Again, with all of their recent success creating huge expectations, can this band meet such critical reception? Needless to say, Vincent Cavanagh on vocals, Danny Cavanagh on guitar, Jamie Cavanagh on bass, John Douglas on percussion, Daniel Cardoso on drums, and Lee Douglas with her wonderful vocals were all up to the challenge.“Distant Satellites” is a very different album from “Weather Systems”, or anything else they’ve done, for that matter. It is different, yet somehow instantly familiar. It includes everything that makes them Anathema, but adds new and exciting elements to their already excellent formula. If you’ve never heard Anathema, their formula (in their last few albums, anyways) includes soaring guitars, amazingly catchy melodies, spiritual lyrics, and emotional flow both vocally and structurally. They are the masters of melody, and they remain complex and progressive even while being simple and accessible. They are truly masters of their craft.This new album, then, is no different in those terms. The melodies return in force, such as the serene beauty of “The Lost Song” parts 1-3. And, yet, there is something different here. The melodic lines are somewhat more complex, less in-your-face, and more organic. This especially shows in the song lengths, most of them being over five minutes. This allows for more growth and more progression. Indeed, then, the melodies on “Distant Satellites”, while not being as instantly lovable or recognizable, are certainly more difficult and possibly will have a longer “shelf life” in my mind. Yes, the orchestrations seem to be lower key, as well, allowing the vocalists to express themselves more personally then ever.There are other improvements, too. I feel that the musicianship is more fervent and on a higher plateau of difficulty than Anathema has tried. Drummer John Douglas, especially, plays amazingly well from start to finish, accenting the music with awesome pounding and fills. The rest of the band are at their peak, too, with Vincent and Lee being especially great with emotional and meaningful vocal performances.“Distant Satellites” is different in more meaningful ways, too. Utilizing post-rock/metal structures is nothing new for Anathema, but they really do perfect them here, as on “Dusk”, a dark, climactic song. Yet, there is a sense of continuity between tracks, too. This is obviously the case between the three parts of “The Lost Song”, but it’s also apparent throughout the album, as if Anathema is telling us a story, convincing us of our true selves and our connection with the universe and with each other.This album is wonderful in the first half, but my excitement reached new heights in the second half. Anathema has taken it upon themselves to change things up a bit. They wanted to progress their sound, but make it all seem so natural. So, in the second half, the album climaxes with one of the best songs, simply called “Anathema”. But then, we are thrown for a loop somewhat, as “You’re Not Alone” features a hefty portion of electronic vibe. It’s great, but the best is still to come.Next, “Firelight”, a darkly ethereal instrumental track that is completely electronic, is thrust upon us, and is followed up by what may possibly be the best song Anathema has ever produced, “Distant Satellites”. This track combines everything that has ever made Anathema great: soaring melodies, climactic structure, gentle spirituality, amazing vocals, and now an electronic beat that is both complex and catchy. Vibrant, mesmerizing, and pure, this track elates me every time I hear it. It takes this album, and my heart, to new heights. The album finishes with a gentle ballad that just seems so fitting, yet it still has the strong electronic influence.So, is “Distant Satellites” a winner? In every way! Is it their best album? I don’t know; it has the potential, but it might take time, just like “Weather Systems” did. What I can tell you is that this new album is more mature, more progressive, more interesting and eclectic, and less formulaic then anything Anathema has crafted yet. It does sacrifice some accessibility and some instant likability for these things, but I respect their decision massively, and I fully expect to see “Distant Satellites” at the tops of many lists at the end of 2014." - Progulator
    $14.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now.The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE!  FORMAT: 1 x CD/1 x Blu-RayCD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeBlu-Ray:Presented in DTS-HD Master Audio– Album mixed in 5.1 Surround– New Album mix– Original Album  mix (flat transfer)– New Album mix (instrumental version)– America original, new & instrumental stereo mixes & 5.1 Surround + further audio extras some exclusive to Blu-Ray edition• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• Blu-Ray features 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.• Blu-Ray features the new stereo album mix in DTS-HD Master Audio (24bit/96khz).• Blu-Ray also features the original album mix & America in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz)• Blu-Ray exclusively features instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).• Blu-Ray also exclusively features a needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.• Numerous audio extras appear in high-resolution stereo including single edits & studio run throughs of album tracks• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a mini vinyl replica gatefold card sleeve with booklet containing new sleeve notes, rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $21.00
  • Fourth studio album from Leprous reinforces the fact that they are one of the most innovative and cutting edge bands working in the prog metal idiom.  The music of Coal has already kicked up a bit of controversy from the early listeners.  The music isn't quite as angular and frenetic as Bilateral.  Atmospheric passages similar to Tall Poppy Syndrome are perhaps a bit more prevalant as well.  All in all it's clearly identifiable as Leprous.  Ihsahn guests on one of the tracks - don't forget Leprous is his backing band.  Nice guys - great band.  Highly recommended."Considering Leprous‘s previous album Bilateral is considered by many to be a masterpiece of progressive metal; Norway’s Leprous had a tall order in front of themselves. Coming up with a followup to such a critically acclaimed and beloved album is no doubt a daunting task. Despite that, after two long years of waiting, Leprous have conjured the successor to Bilateral, and it’s called Coal. Usually, when bands release an album after their magnum opus, the result is either a “version 2.0″ of the previous album, or it’s a return back to the normal style of the band. Leprous have taken a bold turn instead, and they have reinvented themselves. Coal is clearly a Leprous album, carrying all their trademark touches, but it’s also very fresh and unique.With Bilateral, the band were clearly rooted in a sound that has been defined by the big names of progressive metal. By applying their characteristic syncopation, moody riffs and singer Einar Solberg’s haunting and powerful vocals, they were able to perfect an already existing sound. With Coal, the band have taken a different direction. The album is very dense, emotional, and quite avant-garde at times. While there are some more traditional songs similar to Bilateral, there’s also an air of neo-80s on some songs, while others carry some characteristics of modern Scandinavian indie bands. Longtime fans of Leprous will definitely see the direction that has been present since the band’s inception, but listeners who know of them only via Bilateral might be slightly confused. In the end, Leprous have always been about mood, and Coal is oozing with it.In terms of structure, Coal is more similar to Tall Poppy Syndrome than Bilateral (but not too similar to either in the end). The songs are slow burners, setting up a mood, then deliberately building on it until overwhelming the listener with the climax. Everything is very subtle, the production making every hit of every instrument matter. Each song is an exercise in building an atmosphere by slowly adding layers to form a very powerful sound. Einar Solberg is at his best here, he has taken his voice to the next level. He was already an amazing vocalist, but Coal sees him becoming a master of expression. There are many progressive metal bands nowadays with clean singers who can hit insanely high notes and execute amazing melodies. But what is often lost is the soft touch, the control over timbre that makes one’s voice special. Einar is a master of timbre, and he uses his abilities to their full extent in Coal. While this is an album about the big picture and constructing an ambiance with the convergence of all instruments, his unparalleled vocal skills definitely deserve a special mention, because he is what hammers down the emotions and makes this album so special.As mentioned before, Coal is a deliberate album, where attention is paid to every instrument. And the production, by Ihsahn (who also has a stellar guest appearance on the closing track), is perfect for this. Especially of note are the drums, they sound very real and quaint. The intimate feeling of some of the songs can directly be attributed to the unconventional drum sound. The drumming has also taken a turn for the more subtle, with small flourishes and cymbal runs building tension in the more atmospheric sections of some songs. The bass is also clearly audible and adds to the sound. The guitar work isn’t as flashy as Bilateral for the most part, but it also has more character because of that. It should come as no surprise to longtime followers of the band, but Leprous are masters of doing more with less, and all of the instruments reflect this. Another production detail worth noting is the presence of keyboards. The keyboard work is more prominent now. In Bilateral it was used mostly to add some extra layers to parts driven by the guitars, but here the keyboards form the building blocks of the sound. This is perhaps what sets the album apart from Leprous’s previous work, the heavier focus on atmosphere and a dense aural landscape. This might be disappointing to some who preferred the more direct approach of Bilateral, as Coal is less “metal”, but the more developed sound suits the band.In terms of songs, Coal is a very diverse album. The first three songs and the closer can be interpreted as a direct evolution of the band’s sound from their previous work, then there is the extremely moody and emotional masterpiece “The Cloak”. This is where the album takes a turn for the introspective, as the rest of the songs are quite experimental and ethereal. Overall, the album has a very clear journey with a defined start and end, and it works quite well. Some of the later songs can feel like they last half a minute too long, but the deliberate pacing of the album makes more sense as is.In the end, it’s hard to deny that Coal is yet another masterpiece by Leprous. The songs ooze character and deliberation. Coal is expressive, emotional and brave. It might not be what everyone expected after Bilateral, but Leprous have defied expectations and raised the bar again." - Heavy Blog Is Heavy
    $9.00
  • "In 2012 Katatonia released Last Fair Day Gone Night on vinyl (and vinyl only), which is a live compilation of shows the band played in 2011 and includes a performance on the band's 2001 Last Fair Deal Gone Down album in its entirety. Now the band will be releasing the same set on September 30 via Peaceville Records, which will also include two DVDs! One of the DVDs will be footage of the shows from the audio CD above and a second DVD will be a 20-year retrospective for the band.While the music portion is pretty damn good, I'm interested in the retrospective and to hear the band chronicle their history! Especially how they went from being a band playing stuff like Dance of December Souls to what they are now. A lot of that history is readily available online, but hearing the stories from the group will really bring it to life!"
    $20.00
  • 2CD edition comes with a bonus live disc recorded at the Loud Park 2010 festival."Taking a cue from where post-psychedelic and hard rock left off in the seventies before our hard rock heroes either went disco or into questionable directions, Spiritual Beggars’ picks up the pieces, just like Grunge did in its heyday; but adding a little more balls to the mix as an authentic force to be reckoned with. A supergroup featuring members of Arch Enemy, Opeth, Firewind, Carcass, and other extensions, the amped up sound of this Swedish powerhouse throws the pretentious mannerisms of out of the mix, gaining them a status that has created a solid dichotomy between them and many other stoner rock bands.Even as these guys are native to extreme and symphonic metal bands, the tunage gets to the point, reflecting Black Sabbath, Deep Purple, Blue Oyster Cult and early-Priest, as the heavy blues & R&B flavored upbeat moods have always raised the roof. Inflamed by grinding riffage and screaming Hammond organ, Earth Blues again sees Spiritual Beggars taking no retreat from their enigmatic rock and roll feast. The opening track “Wise as a Serpent” immediately spurs the dark groove into power pop territories, yet more intricate sides are heard on the multi-faceted “Sweet Magic Pain” & the dark 1-2 punch of “Kingmaker,” both offering up a salvo of to a Sabotage-meets-Agents of Fortune attitude. Without reckless abandon, these guys also explore a psych/funk mindset on “Turn the Tide,” plus you have “One Man’s Curse” which could have been a long last tune from Come Taste the Band.Even on the ballad “Dreamer” and the low key rocker “Dead End Town,” the band flexes their ideology the same way Zeppelin did at times; and that ideology is further expressed by way of  a set of live tracks on a bonus disc, proving they can hit the road with the attitude to kick ass. Still, whatever way you hear Spiritual Beggars, there will be no denying that their solid foundation of hard rock possesses intrigue, forgoing all the poser musicianship and letting the songs, the true grit of emotion, and the conviction to simply rock out speak loud for Earth Blues. Heavy, commanding, & sophisticated, Spiritual Beggars continue to map out their presence with bold, sharp, & gripping, metallic grandeur, affording no shame whatsoever." - Ytsejam.com
    $14.00