All Rights Removed (2LP Vinyl)

SKU: KAR066LP
Label:
Karisma Records
Category:
Progressive Rock
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Second album from this Norwegian band finds them climbing the ladder of melancholy prog bands. Short on complexity but long on atmosphere and melody, Airbag's new one packs an emotional wallop. The album has just enough spacey keyboards to draw comparisons to Pink Floyd and older Porcupine Tree. The album builds up to the 17 minute "Homesick I - III" which has enough references to Wish You Were Here that you'll be plowing through your Floyd collection afterwards. Lethal atmospheric prog that will annihilate the minds of any Anathema or Riverside fan. Highly recommended.  180 gram double LP vinyl set cut form the analogue masters specifically for vinyl.

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  • "The Netherlands are a fertile ground for bands that are strongly influenced from the heavy sounds of the early 1970's, and Orange Sunshine and Wallrus may serve as good examples here. New to that bands is DEWOLFF, founded in 2007 in a Southern part of the Netherlands (Limburg) called Geleen. The band consists of three very young guys between the ages of 14 and 18, but they sound as if they were playing music since twenty years. Here, we have their debut album, released at the end of 2009 by REMusic Records and I'm surprised in a positive sense about the quality of their music. Even though the riffage, harmonies, guitar leads are reminiscent of all well-known classic rock bands - Deep Purple, Atomic Rooster, Groundhogs, Cream - this album distills it all and still manages to sound totally different. It's all there with smokin' guitars and bellowing organs that summon the gods back to the days of 1970's hardrock. Despite this, the production is modern which makes sure that the band isn't on a complete musical retro trip. What also strikes me is the variety of 'Strange Fruits And Undiscovered Plants'. You can find heavy organ-based songs such as the opener 'Mountain' or 'Don't You Go Up In The Sky' which convinces with powerful rippin' leads that are guaranteed to rock your ass.In contrast to the aforementioned tracks, 'Birth Of The Ninth Sun' is a soulful ballad with additional piano. In the middle section is a sinister psychedelic segement which reminds me to The Doors. But not only there are strong doses of psychedelia. 'Parloscope' awakens the spirit of 1960's psych with the help of intense melodies - interspersed with heavy organ. With 'Red Sparks Of The Morning Dusk' DEWOLFF displays their talent to combine psychedelic pop with organ-based hardrock and jazz. Especially the saxophon in the last quarter is simply excellent. What I also like very much are the clear vocals of organist Robin Piso that fits in beautifully with their sound. Moreover, he also takes on the function of a bass player with his organ just as Ray Manzarek (The Doors) had done years before. Well, to put it simple: all songs are packed with great memorable riffs, cool arrangements and superb musicianship. I can assure that 'Strange Fruits And Undiscovered Plants' will please every fan of classic/retro hardrock. Oh yes, not to forget, that the LP has a different cover artwork, but the packaging of the CD is also very tasteful." - Cosmic Lava
    $15.00
  • "SULA BASSANA is on the way again in 2009 - this time with a vintage space rock styled album. Multi-instrumentalist Sula is a music aficionado as no other when simultanously collaborating with several bands/projects, organizing festivals in Austria as well as his own SULATRON record label and mail-order business. In spite of that he's even able to spare time enough to record complete albums on his own. This means 'The Night' was produced at his homestudio where he manages all the instruments by himself. Cover art (painting by Frank Leweke) and track titles are obviously referring to cosmic themes.Here we have five playful songs mastered by Eroc (ex-Grobschnitt) - sounding relaxed and busy at once. This is trippy basically, except some rare heavy rocking elements. Probably this album is concipated as a time travel (didn't ask for clarification though) ... anyhow, the opener In Space appears in really retro clothes - mysterious - maybe even a little bit nightmarish. This is immediately reminding me of a sound track seemingly composed for a sci-fi series like the German 'Raumpatrouille Orion' for example which started in 1966. As for that the song even reflects a pop appeal in my humble opinion especially caused by this special beat and the synthesizer contributions.Later then we are Lost In Space - this song might refer to the early 70s - krautrock tinged with hypnotic rhythm elements where Sula's keyboard work is very very attractive. With the epic title song the album gets going at the latest. Divided in four parts it undoubtely makes out a highlight of the production. Partially grooving but also trippy floating this song is ultimately dedicated to the psychedelic guitar! A wonderful melodic piece of work where you will detect the sole external contribution by Stefan Koglek from the band COLOURHAZE. He provides lyrics and vocals for the second part and this fits closely to the mellow mood.Now hereafter we are up to enjoy contemporary space rock at its best I would say. Meteorritt - the song title shows a nice pun at first colloquially meaning 'ride on a meteorite'. A fine straightforward grooving ride indeed with many repetitve elements plus echoing and swirling guitars all over. Stylistically on nearly the same line Kosmokrator as the last (and longest) tune follows - much more diversified though containing also culminating heavy rocking impressions, some typical vocals - rather more sprechgesang and ambient gliding parts.'The Night' is offered with a charming appeal but guarantees tension too - you can smell Sula's longtime experiences composing music. An excellent cosmic journey which will please krautrock as well as psych/space fans." - ProgArchives
    $17.00
  • One of the great prog albums of the 70s finally given an official reissue although for the time being it appears that its vinyl only.Kvartetten Som Sprängde recorded one album for the short lived Gump label (only 4 releases on the label I believe).  What a killer.  The band was an instrumental trio consisting of Rune Carlsson on drums and percussion, Fred Hellman on C-3 organ and piano, and Finn Sjöberg on guitar and flute.Kattvals features massive phat swirling organ sounds, lethal guitar leads, and a killer groove.  Musically the band is equally rooted in prog, jazz rock, hard rock, and even latin rock.  The band is often comparted to Santana and to some degree that is true.  Hellman's organ work brings to mind Greg Rolie.  He is the perfect foil for Sjöberg's fluid soloing.  The music has a bit of a loose jamming feel to it without flying off the handle.Quite simply one of the best.  BUY OR DIE!
    $32.00
  • This was formerly known as the Full Power release.At the moment Big Big Train are one of the best prog bands going.  This English crew take some of the best elements of old school Genesis and their ilk and marry it with something very contemporary and relevant.  The band was started years ago by Greg Spawton and Andy Poole.  There were a variety of iterations of the band and as the years went on they got better and better.  If you don't know, their vocalist Dave Longdon was a finalist to replaced Phil Collins in Genesis.  Rutherford and Banks obviously made the wrong choice, going with Ray Wilson instead.  Longdon's vocals remind very much of Gabriela and Collins making the Genesis connection quite easy.  Further on the band added Nick D'Virgilio on drums.  These guys totally grok prog.The band's most recent work was epic in nature.  English Electric was released about six months apart as two separate releases.  Further to this, there were 4 additional tracks which were left off and just released as the Make Some Noise EP."Originally released as two separate albums in 2012 and 2013, the English Electric CD's were subsequently brought together as a limited edition (and now out of print) double album called English Electric Full Power, a release which included four additional songs and a revised track listing from the separate album versions.This new double album version of the English Electric CD's retains the extended track listing of the Full Power release and has been remastered by Rob Aubrey to ensure the songs benefit from even greater dynamic range. It is presented in a softpack with a 40 page booklet."
    $12.00
  • "Progressive Power Metal was a genre popularized by titans such as ICED EARTH and NEVERMORE, combining the technicality, speed and fantastical lyrics of power, and the complexity and maturity of Prog. TRAGODIA, a Progressive Power Metal band from Italy, have proved once again why the genre is in such a strong position in the metal world, and why it is nigh-faultless. Writing music that exudes heavy influence from the aforementioned bands, TRAGODIA add their own brand of catchiness and groove to make it their own. After all, the whole point of a progressive band is to be progressive and push genre boundaries.Their new album, "Mythmaker", contains almost all of the great qualities of such an album: it's heavy, it's melodic, it's progressive, it's catchy, it's heavy, it's groovy, it's…  Heavy. It is by no means calm and jazzy, such as some of the work from the penultimate DREAM THEATER. In the mixing, the heavily over-driven guitars, and the drums, are at the forefront, adding vertebrae to the heavyweight backbone that drives this album. "A Cry Among the Stars", the opening, and one of my favorite song on the album, begins with an epic buildup reminiscent of SERENITY, cuts in with riffage worthy of neck snapping headbanging which paves the way for verses that contain an obvious DREAM THEATER note of trippy syncopation. Lucas Meloni, proves to have some vocal versatility, often switching between majestic, powerful notes, and Thrash-like yells. The twin guitarists have already proven, in the song's solo, that they are capable of an incredible dual-axe attack. "The Oracle" is one of the heaviest tracks on the album with crushing riffage all around, supplemented by guitar harmony that is on a Scandinavian level; best solo on the album, and there are many to choose from. "A Temple in Time" is a relatively chilled-out track in comparison, with an incredibly catchy guitar / keyboard harmony. I am hearing a lot of old FIREWIND in this track. The next track, "Wisdom in the Meadows of Sorrow" comes across as a highly versatile track, combining riffage reminiscent of AMON AMARTH, and the wails of JUDAS PRIEST; overall, this creates an incredibly driving track. "Tidal Waves of Greatness" is exactly that; smooth, yet anxious transitions between acoustic passages and grandiose and dramatic choruses. "Once In Arcadia" is another dominating heavyweight with riffage that is not only devastating, but also extremely catchy; very reminiscent of IN FLAMES; another standout track for me. "The Stone and the Idol" is the longest track on the record, though only capping out at 6:21. It starts with an allusion to yet even more epicenes with a tasteful symphonic intro, and leads into extremely groovy riffage, and ends with the best outro riff on the entire record."Born Under Niobe" may be constituted as the heaviest track, which is definitely saying something. The song begins with a downright battery and harsh, thrashy vocals, and riffage so heavy that leaves your brain pulsing with the force of the kicks. The chorus' vocal melody is extremely catchy, and Meloni proves his excellent vocal capabilities. It leaves you completely unprepared for a repeat of the previous bombard, and soon we hear a classic gallop passage that leaves one with the urge to windmill the beards off that the song has just made us grow. "Mythmaker" is an interesting track, opening with an unexpected tapping bass solo that paves the way for some pounding, driving groove riffage that constitutes the majority of the song, and leads seamlessly into the fantastic instrumental, "The Weeping Rock Of Seriphus". Arguably, this song doubles as both an outro and an extension of "Mythmaker", concluding the album in a dramatic, lengthy fashion. Finally, the bonus track, "Downfall Of The Ancients"; I struggle to see why this song was left out as a bonus track, for it most definitely deserves to be on the record. The atmospheric keyboard tracking is absolutely gorgeous, and complements the song very fittingly; with the rugged vocal work, combines to make a highly engaging track.To sum up this work of metal mastery, TRAGODIA are simply one of the reasons Progressive and Power Metal are my two favorite genres of Metal, and do their home country of Italy proud; absolutely deserving of more publicity, and I believe would make an unforgettable live performance." - Metal Temple
    $14.00
  • "This album was recorded soon after the band's legendary concert on the steps of the Reichstag in Berlin in 1980 and includes the emotive 'In Memory Of The Martyrs' and the hit 'Life Is For Living'.This reissue has been newly remastered from the original master tapes, includes two bonus tracks and features a booklet that fully restores all original album artwork with a new essay by BJH experts Keith and Monika Domone."
    $17.00
  • Sometimes there are great albums that just float underneath everyone's radar.  Poor distribution, small label - or simply a band is just too far ahead of the curve for collector's to catch up.   Sooner or later they do.  That's just the nature of collecting music.  Such is the case of Sway.  Many years ago I stumbled across a copy of this obscure Italian album from 1973 and could not find any mention of it beyond one advanced collector mentioning "Oh yeah that's rare".  At the time there was little interest from the rock community in modal jazz, souljazz, space jazz, kosmigroov - whatever you want to call it.  Jazz collectors may well have been aware of the album but perhaps because the lineup consisted of relatively unknown (outside of Italy) musicians, no one really paid much attention to the album.  I did my fair share of turning friends and collectors on to the album.  Maybe it made a difference.  All I know is that finding a copy of the album now is next to impossible.So what the hell am I exactly talking about?  Sway is a quintet led by noted jazz pianist Sante Palumbo (he's still going today!).  The rest of the lineup consists of journeymen session players: Hugo Heredia (alto/tenor sax, flute), Sergio Farina (guitar), Marco Ratti (acoustic/electric bass), and Lino Liguori (drums/percussion).  If you are a fan of electric Miles Davis or Weather Report you must hear this album.Palumbo is the focal point of the band - his runs on acoustic and electric piano are breathtaking.  This guy can tear of the keys.  The music has that definite kosmigroov sound.  Electric piano plays off of wah-wah laced guitar, some nice skronking sax (and at times gorgeous, liquid flute) and a rock solid rhythmic foundation.  There are some parts to the album which have a slightly freer vibe but for the most part is quite accessible.  If you listen carefully you might hear strains of a sound that bears a kinship to Canterbury. New authorized reissue from Schema Records.  BUY OR DIE!
    $29.00
  • One of the truly great albums of the 70s. The band developed long form compositions incorporating elements of jazz, folk, and r'n'b in a unique but lyrical way. This is music that just ebbs and flows as it jams on. Perhaps only topped by their next studio album. This remastered edition is a real killer - it features three tracks from a proposed/documents/catalog #'d live album that was never released called "Live - November 70". The tracks were recorded at the Fillmore East in November 1970. A stone cold classic.
    $11.00
  • Termo Records reissue program of the White Willow catalog continues.  This remastered edition features new artwork and liner notes as well as 4 previously unreleased bonus tracks.Seven songs of melancholy and mysticism... White Willow's music embraces gothic, folk and classical elements within a progressive rock framework. The second release from Norway's White Willow carries on in the tradition of their debut Ignis Fatuus. Joining founders Jacob Holm-Lupo and Jan Tariq Rahman are new members Frode Lia, Sylvia Erichsen and Anglagard's Mattias Olsson. Also returning is engineer Jo Wang who's audiophile approach to recording has once again created a sonic masterpiece. Ex Tenebris features a dynamic mix - from moody quiet instrospection to heavy symphonic pyrotechnics. Perhaps more personal and focused than Ignis Fatuus, yet the album offers a more mature sound. Clearly one of the finest progressive rock bands currently recording.
    $16.00
  • OK now this is over the top indulgent and incredibly limited.  I doubt we will be able to restock it as a limited amount has been made available for North America.  This is an oversized hardbound slipcased book with a 44 page booklet.  It also comes with a CD plus a DVD with the album in 5.1 surround and 24 bit hi-res stereo mixes.  Finally there is a second DVD with a "making of" documentary.  Certain to be a collector's item in years to come."It’s been quite a past few years for the incredible Anathema. Honors have been bestowed upon them, they’ve released an instant classic album in “Weather Systems”, and last year they released one of the best live concert films I’ve ever seen, “Universal”. Anathema is on top of the world, and they are only getting bigger. With all of this on their shoulders, they approach the world once again with their new album, “Distant Satellites”, a fitting name for a massive album. Again, with all of their recent success creating huge expectations, can this band meet such critical reception? Needless to say, Vincent Cavanagh on vocals, Danny Cavanagh on guitar, Jamie Cavanagh on bass, John Douglas on percussion, Daniel Cardoso on drums, and Lee Douglas with her wonderful vocals were all up to the challenge.“Distant Satellites” is a very different album from “Weather Systems”, or anything else they’ve done, for that matter. It is different, yet somehow instantly familiar. It includes everything that makes them Anathema, but adds new and exciting elements to their already excellent formula. If you’ve never heard Anathema, their formula (in their last few albums, anyways) includes soaring guitars, amazingly catchy melodies, spiritual lyrics, and emotional flow both vocally and structurally. They are the masters of melody, and they remain complex and progressive even while being simple and accessible. They are truly masters of their craft.This new album, then, is no different in those terms. The melodies return in force, such as the serene beauty of “The Lost Song” parts 1-3. And, yet, there is something different here. The melodic lines are somewhat more complex, less in-your-face, and more organic. This especially shows in the song lengths, most of them being over five minutes. This allows for more growth and more progression. Indeed, then, the melodies on “Distant Satellites”, while not being as instantly lovable or recognizable, are certainly more difficult and possibly will have a longer “shelf life” in my mind. Yes, the orchestrations seem to be lower key, as well, allowing the vocalists to express themselves more personally then ever.There are other improvements, too. I feel that the musicianship is more fervent and on a higher plateau of difficulty than Anathema has tried. Drummer John Douglas, especially, plays amazingly well from start to finish, accenting the music with awesome pounding and fills. The rest of the band are at their peak, too, with Vincent and Lee being especially great with emotional and meaningful vocal performances.“Distant Satellites” is different in more meaningful ways, too. Utilizing post-rock/metal structures is nothing new for Anathema, but they really do perfect them here, as on “Dusk”, a dark, climactic song. Yet, there is a sense of continuity between tracks, too. This is obviously the case between the three parts of “The Lost Song”, but it’s also apparent throughout the album, as if Anathema is telling us a story, convincing us of our true selves and our connection with the universe and with each other.This album is wonderful in the first half, but my excitement reached new heights in the second half. Anathema has taken it upon themselves to change things up a bit. They wanted to progress their sound, but make it all seem so natural. So, in the second half, the album climaxes with one of the best songs, simply called “Anathema”. But then, we are thrown for a loop somewhat, as “You’re Not Alone” features a hefty portion of electronic vibe. It’s great, but the best is still to come.Next, “Firelight”, a darkly ethereal instrumental track that is completely electronic, is thrust upon us, and is followed up by what may possibly be the best song Anathema has ever produced, “Distant Satellites”. This track combines everything that has ever made Anathema great: soaring melodies, climactic structure, gentle spirituality, amazing vocals, and now an electronic beat that is both complex and catchy. Vibrant, mesmerizing, and pure, this track elates me every time I hear it. It takes this album, and my heart, to new heights. The album finishes with a gentle ballad that just seems so fitting, yet it still has the strong electronic influence.So, is “Distant Satellites” a winner? In every way! Is it their best album? I don’t know; it has the potential, but it might take time, just like “Weather Systems” did. What I can tell you is that this new album is more mature, more progressive, more interesting and eclectic, and less formulaic then anything Anathema has crafted yet. It does sacrifice some accessibility and some instant likability for these things, but I respect their decision massively, and I fully expect to see “Distant Satellites” at the tops of many lists at the end of 2014." - Progulator
    $70.00
  • In my opinion one of the most important progressive rock albums of the '70s. Although Di Giacomo sat it out again the band is surprisingly none the poorer. This instrumental masterpiece is a stunning melding of orchestra and rock band. It is an incredibly mature work that simply took the band to the upper echelon of progressive bands. With the addition of Alan King on sax and flute the band became a literal orchestra. Where the band ends and the Orchestra dell'Unione Musicisti di Roma begins is questionable. I could go on and on about this one. A sublime effort that is firmly entrenched in my Top 10 albums of all time. 
    $11.00
  • "After last year’s successful release of their 9th full-length Dead End Kings, Katatonia have returned with a special release entitled Dethroned and Uncrowned. This album is special for two reasons. Firstly, it was brought to life with the help of the so-called ‘Katatoniacs’; that is, the fans were the ones who financed this project through a pledge campaign the band had set up where fans could pledge for various album formats and other items such as drumsticks, lyric sheets, posters, backdrops and even one of Anders’s old guitars. Needless to say, the pledge campaign was highly successful and reached its goal in four days. Secondly, the album is special music-wise, as it contains the same tracks that were found on Dead End Kings, but all of them have undergone a major makeover. As Katatonia wrote on their website: ‘the drums will be dethroned and the distorted rhythm guitars will be uncrowned’. What they have basically done is that they have kept the vocal lines intact but have experimented with the rest of the music, creating stripped-down, semi-acoustic versions of the songs with the focus on ambience and atmosphere, showcasing the band’s progressive song-writing talent. Katatonia have masterfully and rather elegantly transformed the songs into totally different entities and have given themselves as well as the listeners the opportunity to discover different aspects of each track, by adding little interesting details or emphasizing some parts that were not as noticeable as in the previous version, like the Jan Johansson-esque piano touches in ‘Leech’, or the 70s prog vibe in ‘Dead Letters’. All in all, Katatonia have managed yet again to create a beautiful, melancholic and touching piece of work that will certainly fulfill the expectations of the majority of their fans. Those who were not very keen on Dead End Kings (if such people exist), might enjoy some of the songs in their new versions, and, who knows, they might even appreciate that album a bit more after listening to this." - Metal Recusants
    $29.00
  • Archival release on Long Hair Music of a German prog duo that never recorded a proper album.  Interesting that the lineup consisted solely of organ and drums.  Gunter Kuhlwein takes a Brian Auger meets Keith Emerson approach to his playing and drummer Walter Helbig has a bit of a jazz leaning.  Kuhlwein sings a bit as well but this is mostly instrumental.  If you are fan of early ELP, The Nice, Hardin & York, or even a very obscure German band called Sixty-Nine (anyone remember Circle Of The Crayfish?) you need to check these two kats out.  They rip it up!
    $18.00
  • Justin Greaves continues to churn the lineup but the core sound of Crippled Black Phoenix remains the same.  Vocals are now helmed by Daniel Änghede and he's quite good.  Not sure why no one can hold down the fort at the microphone for more than one album but Greaves keeps finding quality voices.The sound of CBP is a modern twist on vintage Pink Floyd.  A mash up of post rock and old school prog rock.  No Mellotrons here but lots of splashes of organ at just the right time that will remind you of Richard Wright.  Contemporary but old all at the same time.  That's the enigma of Cripple Black Phoenix and what keeps me coming back for more, album after album.  Highly recommended.(Oh - apologies about the price.  The band is signed to Mascot Records, who for reasons unknown to either the band or their management, do not give CBP's albums a US release.  This is an expensive imported digipak)
    $21.00