Psychedelic

One and done release from this late 60s band led by Middle Eastern born percussionist Sam Gopal.  The album (and band) is probably most famous for the inclusion of Lemmy on guitar and vocals.  Yeah that Lemmy.  This was recorded in 1969 for the short lived Stable label.

$16.00
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"It's hard to keep track with Sula Bassana; he has had his fingers in so many pies and been involved in so many top-notch projects.

$22.00

How is this for hyperbole: An amazing price for this gorgeous gatefold 2LP (black) vinyl set from the Norwegian masters of psychedelia.  The Tangle Edge trio live in the northern part of Norway up in reindeer country.  This 2016 release came out after a long gap in their release schedule.  

$22.00

"Live In Copenhagen captures Causa Sui at two very special nights: at the release parties of Euporie Tide (EPR 013CD/LP 2013) and Return To Sky (EPR 030CD/LP, 2016).

$26.00
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"From Copenhagen’s deep Psychedelic Underground comes a new record from heavy Psych Stoners, Mythic Sunship.

$29.00

"Forever destined to stand within Goat’s shadow, label-mates Hills may miss out on the hype & glory that the aforementioned psychedelic tribe get. Or they may not, depending on your point of view as to whether they are one and the same band.

$17.00
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Out of print hybrid SACD at an outrageous price.

$16.00
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"Forever destined to stand within Goat’s shadow, label-mates Hills may miss out on the hype & glory that the aforementioned psychedelic tribe get. Or they may not, depending on your point of view as to whether they are one and the same band.

$33.00

"This limited boxset captures Causa Sui at two very special nights: At the release parties of Euporie Tide (2013) & Return To Sky (2016).

$75.00

Not at all the free jazz album you might expect from the title.  Far from it.  This 1970 album was released on the MPS label and is one of the rockiest releases they ever put out.  This was a session put together by drummer/vocalist Udo Lindenberg who appears under the pseudonym Lyndon Berg.

$17.00
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  • Steve Hackett returns to his roots.  This is the second time he's revisited the Genesis years.  This two disc set features reworking of material that Steve co-wrote.  In addition to members of his touring band, he has assembled an amazing array of guest musicians to help reinterpret classic Genesis compositions: Roger King, Amanda Lehmann, Christine Townsend, Dave Kerzner, Dick Driver, Francis Dunnery, Gary O’Toole, John Hackett, John Wetton, Mikael Akerfeldt, Nad Sylvan, Nik Kershaw, Phil Mulford, Roine Stolt, Steve Rothery, Nick Magnus, Neal Morse, Jeremy Stacey, Conrad Keely, Nick Beggs, Steven Wilson, Rob Townsend, Jakko Jakszyk, Simon Collins, Lee Pomeroy, Djabe.Tracklisting Disc 1:The Chamber of 32 Doors (6:00)Nad Sylvan: VocalsSteve Hackett: GuitarsDick Driver: Double bassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: Violin, ViolaRachel Ford: CelloJohn Hackett: FluteBenedict Fenner: Additional ProductionHorizons (1:41)Steve Hackett: GuitarsBenedict Fenner: Additional ProductionSupper’s Ready (23:35)Mikael Akerfeldt: Vocals (1)Simon Collins: Vocals (2)Steve Hackett: Guitars, Vocals (3)Conrad Keely: Vocals (4)Francis Dunnery: Vocals (5)Lee Pomeroy: BassRoger King: KeyboardsJeremy Stacy: DrumsDave Kerzner: additional Keyboards & programmingBenedict Fenner: Additional ProductionThe Lamia (7:47)Nik Kershaw: VocalsSteve Rothery: GuitarsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionDancing With The Moonlit Knight (8:10)Francis Dunnery: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsJeremy Stacey: DrumsJohn Hackett: FluteRob Townsend: Soprano Sax, WhistleFly On A Windshield (2:54)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsRoger King: KeyboardsLee Pomeroy: BassBroadway Melody of 1974 (2:23)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsThe Musical Box (10:57)Nad Sylvan: VocalsSteve Hackett: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxCan-Utility And The Coastliners (5:50)Steven Wilson: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsChristine Townsend: ViolinRob Townsend: WhistlePlease Don’t Touch (4:03)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: Flute- Total: 73:20Tracklisting Disc 2:Blood On The Rooftops (6:56)Gary O'Toole: Vocals, DrumsSteve Hackett: GuitarsDick Driver: Double BassPhil Mulford: BassRoger King: KeyboardsRachel Ford: CelloChristine Townsend: ViolinRob Townsend: Soprano SaxThe Return Of The Giant Hogweed (8:46)Neal Morse: VocalsSteve Hackett: GuitarsRoine Stolt: GuitarsLee Pomeroy: BassRoger King: KeyboardsGary O'Toole: DrumsJohn Hackett: FluteBenedict Fenner: Additional ProductionEntangled (6:35)Jakko Jakszyk: VocalsSteve Hackett: GuitarsRoger King: KeyboardsAmanda Lehmann: Harmony VocalsEleventh Earl Of Mar (7:51)Nad Sylvan: VocalsSteve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRipples (8:14)Amanda Lehmann: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsUnquiet Slumbers For The Sleepers … (2:12)Steve Hackett: GuitarsRoger King: KeyboardsGary O'Toole: DrumsBenedict Fenner: Additional Production... In That Quiet Earth (4:47)Steve Hackett: GuitarsNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano SaxAfterglow (4:09)John Wetton: VocalsSteve Hackett: GuitarsPhil Mulford: BassRoger King: KeyboardsGary O'Toole: DrumsAmanda Lehmann: Harmony VocalsA Tower Struck Down (4:45)Steve Hackett: GuitarsDick Driver: Double BassRoger King: KeyboardsRachel Ford: CelloJohn Hackett: FluteChristine Townsend: ViolinsCamino Royale (6:19)Steve Hackett: Guitars, VocalsAttila Egerhazi (Djabe): GuitarRoger King: KeyboardsNick Magnus: Keyboards; AtmospheresGary O'Toole: DrumsSzilard Banai (Djabe): DrumsTamas Barabas (Djabe): BassZoltan Kovacs (Djabe): PianoFerenc Kovacs (Djabe): TrumpetBenedict Fenner: Additional ProductionShadow Of The Hierophant (10:45)Amanda Lehmann: VocalsSteve Hackett: GuitarsSteven Wilson: GuitarNick Beggs: BassRoger King: KeyboardsGary O'Toole: DrumsRob Townsend: Soprano Sax, Flute 
    $15.00
  • We have a special offer Tiles "Pretending2Run" t-shirt/2 CD bundle.  The shirt design is courtesy of the illustrious Hugh Syme.  The new Tiles album is a 2CD set in a digipak with a 28 page book.After an eight year absence, T I L E S returns with a vengeance by delivering the mesmerizing 2-CD magnum opus “Pretending to Run.”  Clocking in at over 96-minutes, “Pretending to Run” is an ambitious and richly crafted song cycle spinning the tale of a man blindsided and disillusioned by betrayal.Once again, T I L E S teamed up with producer Terry Brown – and with mastering by Grammy award winning engineer Peter Moore, “Pretending to Run” boasts a powerful and detailed sonic landscape.  Complementing the dramatic and multi-layered storyline is Hugh Syme’s striking and surreal imagery.  Featuring a lush 28-page full-color booklet, the design and packaging for “Pretending to Run” is an elaborate and stunning work of art.Lending their talents to “Pretending to Run” is an extraordinary collection of special guest musicians: Ian Anderson (Jethro Tull), Mike Portnoy (Dream Theater, Winery Dogs), Adam Holzman (Steven Wilson Band), Mike Stern (Miles Davis), Kim Mitchell (Max Webster), Colin Edwin (Porcupine Tree), Kevin Chown (Tarja Turunen, Chad Smith), Max Portnoy (Next to None), Matthew Parmenter (Discipline), Mark Mikel (Pillbugs), Joe Deninzon, and other notable guests from the Detroit area… Destined to be on the radar of Prog fans everywhere, “Pretending to Run” is a distinctive  presentation framed in the grand traditions of progressive rock.  Clearly and unmistakably T I L E S, but infused with a more expansive sound as the guest artists propel the band into new directions sure to please fans old and new.Special guest performances by:Ian Anderson (Jethro Tull)Mike Portnoy (Dream Theater, Winery Dogs)Adam Holzman (Miles Davis, Steven Wilson)Mike Stern (Miles Davis)Kim Mitchell (Max Webster)Colin Edwin (Porcupine Tree)Kevin Chown (Tarja Turunen, Chad Smith)Max Portnoy (Next To None)Matthew Parmenter (Discipline)Mark Mikel (Pillbugs)Joe Deninzon (Stratospheerius)  
    $25.00
  • ""It has happened to me twice here in 2009. You stumble upon a band that you have never heard of which totally blows you away. The first time was with the band Anima Mundi out of Cuba. Now, it has happened a second time.From Germany comes the band AtmOsfear with their third release called Zenith. After hearing this one, I am now they have me on a mad search for their past two discs. I cannot believe that they have been ignored by the prog metal world if the past music is as good as this album. Any fan of groups such as Dream Theater, Symphony X or Evergrey whom they have shared a stage with, are in for a treat that is the equal of any of these bands.The disc kind of lulls you in with the short instrumental intro titled "Beginnings". Aptly titled as this is only the start of what is about to fill your senses. The five remaining songs fill the remaining 70 minutes of music and it culminates in the almost 30 minute epic "Spiral Of Pain". Along the way you are treated to a group of five musicians that can hold their own with anyone you would like to name. Stephan Kruse on keyboards, vocalist Oliver Wulff, bassist Burkhart Heberle along with drummer Tim Schnabel and guitarist Boris Stepanow form one of the most dynamic group of musicians ever assembled. They seem to draw off each other and interweave their individual talents into one of the best musical offerings of 2009 or any year for that matter.When music has the power to make you stop what you are doing and listen then you know you have something special. As the very metal opening to "Loss Of Hope" hit me I perked up the ears. When the vocals started, I knew this was no run of the mill offering. Then as the band swelled to their full magnitude, I was completely absorbed. Who are these guys? It is still amazing that music of this caliber can fly under the radar for this long. All you have to do is listen to the exchange between the keyboards and guitars during the extended instrumental section of this song and you will become a fan without a doubt. These guys are the real deal.I have been trying to think of what I can tell you are the highlights of this disc. Well it could be the terrific instrumental piece "Reawakening" with its powerful piano that sets a mood that the guitar plays off of so well, or it may be the enthralling "Generations" which is a roller coaster ride of sound. Then there is the edgy "Scum Of Society" which shows that they are as powerful lyrically as they are musically. Of course all this is setting you up for the epic "Spiral Of Pain" where they take you on a 30 minute quest for musical perfection. They leave nothing on the table as this vast work captures all that we prog metal lovers dream of. Intoxicating from beginning to end this is a classic piece of art. Where Michelangelo used many different mediums to project his art, AtmOsfear similarly uses many different musical approaches to convey their message, melancholy when called for, melodic where needed, brooding and harsh as the story calls for and totally mesmerizing throughout.This is a must have disc. For anyone who has a love of great music this is one that needs to be given a chance. You will not be disappointed." - Sea Of Tranquility
    $3.00
  • I'm going to cut to the chase: if you are a fan of Fish-era Marillion...if Peter Gabriel's voice makes you spooge...then you need to own this disc.A Time Of Shadows is the second album from this Irish neo-prog band heavily influenced by vintage Marillion. Vocalist Liam Campbell is excellent and clearly from the Fish/Gabriel school. Good long tracks filled with melodies but still plenty of intricacies. Beautiful artwork from Ted Naismith rounds out a superb package. If the words "clutching-at-straws" gives you goosebumps you are a click away from musical nirvana. Highly recommended.
    $3.00
  • OH MY GOD!!! This Polish band sounds so much like Riverside that the album must have been written with tracing paper. No wonder - Riverside vocalist Mariusz Duda was an original member of Xanadu years ago. The band broke up but Xanadu's drummer put together a new version of the band in 2008.Not original in any way shape or form but if you want something to tide you over until the next Riverside disc arrives maybe this will scratch your itch. Its well done - just not one original idea here.  Probably the best of all the Riverside clones.
    $3.00
  • "The first album by Flying Colors got mixed reviews. Some people loved it (I was one of those) whilst others were disappointed that a band that included Mike Portnoy and Neal Morse had made an album that wasn't very "prog." Well, the second album from this band can't be criticised in that way because this is most definitely a prog album. Opening with a 12 minute song, and ending with a 12 minute, three part suite, these are the obvious progressive songs, but most of the shorter songs also mix pop/rock with progressive elements.So, starting at the beginning, Open Up Your Eyes is like a mini-Transatlantic epic, with the first four minutes consisting of an instrumental overture before the vocal come in. There are plenty of swirling keyboards and lead guitar, and Portnoy's characteristic drumming is there too (something that was largely absent from the first album.) The next two tracks are more in a heavy metal style, something not usually to my taste, but certainly Mask Machine has a catchy hook and is an obvious choice for a single. After Bombs Away comes a more straightforward ballad, then the rocker A Place In Your World with some nice guitar riffs and keyboard lines, plus a singalong chorus. Lost Without You is another Power Ballad and the shortest song on the album at under 5 minutes. Then we get to the point at which the album really hits the heights. I defy anyone to listen to the last 3 tracks, one after the other, and not be amazed at the genius of this band. Kicking off with One Love Forever, which has an infectious acoustic guitar riff and a celtic feel, we then move on to what is probably my favourite song on the album. Peaceful Harbour has a beautiful spiritual feel to it, and the beginning and end put me in mind of Mostly Autumn. Finally we have a real gem. Cosmic Symphony is a three part suite with sections approximately three, three and six minutes long. It starts with thunder and rain effects and a simple repeated piano line before vocals, drums and guitar come in. Finally these are joined by a melodic bass line. The second section is more jazz keyboard based and then we move on to the final part which reminded me of REM. The song ends with the same piano line and thunder effects which began it.A superb album, even better than their first and certainly proggier." - ProgArchives
    $6.00
  • "Beware! This is the first time that I have been able to review a full Haken album without any word limits or other punitive restrictions placed upon me. You have been warned…I’m going to lay my cards on the table right at the outset: Haken are one of my all-time favourite bands. Despite only being in existence for a relatively short period of time, right from their debut ‘Aquarius’ I have held them in high regard. It is a situation that has only strengthened over the years with each passing album and having had the chance to meet the band on several occasions, from interviewing the whole motley crew on their tour van at Progpower Europe in 2010 to friendly chats with various members at numerous gigs subsequently.Regardless of this however, Haken are the real deal. Yes, they are a cracking bunch of guys but crucially, they back it up with a superlative end product. Each member of Haken is a supremely talented individual with their chosen instrument(s) but together there is a real magic; an unquantifiable ‘x’ factor that leads to the creation of music that is almost peerless and jaw-droppingly good.And, on that note, let us delve into the world of ‘Affinity’.It took me quite a while to get into and appreciate ‘The Mountain’. It sounded different from what went before it; more grown-up and, ‘Cockroach King’ aside, more serious and introspective. However, in stark contrast to ‘The Mountain’, ‘Affinity’ captured my imagination right off the bat and has not failed to let go in the month or so that I’ve been listening to it. If anything, the more I listen, the better it gets.Weirdly enough, a small voice in my brain kept suggesting that it might be a good thing if ‘Affinity’ wasn’t as good an album. That way, I’d be able to tackle this review without the inevitable comments from readers about me being a fanboy and moaning that ‘you were always going to give it a high score’. But then I came to my senses.‘Affinity’ won’t be for everyone, that’s for sure. If you’re a fan of the first two albums and wanted a return to more of that sound and approach, you might be left slightly disappointed. If however, you’re open to listening to a band that refuses to tread the same path twice, a band that champions the true meaning of ‘progressive’ by trying new things whilst remaining loyal to their core principles, then ‘Affinity’ will probably have the same impact upon you as it has had on me.And what exactly is that impact? It is almost impossible to describe if I’m honest. ‘Affinity’ is an album that transcends the normal debates around whether it is good or not. Of course it is good, that almost goes without saying. I’m not a musician, so I am unable to dissect all of the technical intricacies that are present on this record. That’s not my style. Instead it’s the feelings that Haken evoke in their music that I feel the need to focus on as this is arguably the most powerful and intoxicating aspect of their incredible music.We all have them – bands that, as you listen, make you feel happy to be alive. Well, for me, Haken are one of the four or five bands on Earth that do just that.The album opens with the sampled sounds made by early computers atop a dark, cinematic soundscape that grows in intensity, building the sense of anticipation brilliantly and setting the foundations to the musical avenues to be explored within ‘Affinity’. Whilst ‘The Mountain’ was heavily influenced by the 1970s with the likes of Gentle Giant looming large within certain compositions, ‘Affinity’ takes its cue from the following decade. To be fair, this was fairly obvious after one look at the retro cover artwork and the most excellent teaser trailers released a few weeks ago. Again, the imagery might not appeal to everyone, but I really like the boldness and simplicity of the artwork that deliberately and unashamedly harks back to the analogue days of cassette tapes and vinyl.The opening instrumental segues seamlessly into ‘Initiate’, the first ‘proper’ track on the album and a barnstormer at that, a deceptively complex piece of music that acts as a real showcase for everything great about Haken in 2016. And as I listen, almost immediately, several things become clear. Firstly, ‘Affinity’ is blessed by a production and a mix courtesy of Jens Bogren (Fascination Street Studios) that is right out of the top drawer. The music sounds powerful yet with a clarity that allows every instrument to shine. Nothing is lost or overlooked and the results are simply stunning.Secondly, Ross Jennings’ vocals have taken another huge leap in the right direction. I was always one of those that took a lot of convincing over his delivery on the debut record particularly. However, he has pushed himself to the point that he is, without doubt a highly talented and accomplished vocalist with a unique, passionate delivery.Thirdly, the increase in atmospherics, of electronic sounds and textures courtesy of Diego Tejeida is also very pronounced from the outset. Not only does he create a very interesting sonic palette that weaves in and out of each composition, he injects a surprising amount of warmth to the music that could so easily have sounded cold and inaccessible.This in turn links to my final observation, that ‘Affinity’ manages to deftly and expertly merge the sounds of the past with the sounds of the future. In spite of the 1980s sheen, all nine compositions on ‘Affinity’ come across to me as fresh and exciting, with accents of djent, post-rock, ambient and all manner of other sounds bursting forth at whim.Having said all that, ‘1985’ is almost entirely immersed in the 80s. In the same way as ‘Cockroach King’ was Haken’s ‘all-out’ track on ‘The Mountain’, ‘1985’ is the song on ‘Affinity’ that throws a little caution to the wind and shows Haken at their most audacious in many respects. Synth drums, overt retro sounds and an occasional dive headlong into 80s movie soundtrack territory all take place within this ambitious composition. However, it works, retaining a homogenous feel throughout. It is made all the more special thanks to a really rousing, hooky chorus that is nothing short of addictive.The elegant ‘Lapse’ features some of Jennings’ most accomplished vocal work on this record, and indeed throughout the entire back catalogue. The vocal chords are stretched in directions that must have been really challenging but the result is gripping, full of sincerity and emotion in places.‘The Architect’ is Haken’s monster epic. At 15 minutes long, it allows the band the time to explore a number of ideas without ever feeling cluttered or disjointed. The track starts off in grand, cinematic style before exploding in a barely-controlled prog metal assault. It is here that Haken most clearly reference their earlier output as the music flits between the over-the-top excesses of the debut and the grandiose tones of ‘Visions’.I’m then reminded vaguely of Tool in the more refrained guitar work and rhythms that follow, before another memorable chorus of sorts grabs the attention. And then, the song plunges into a music abyss where everything falls away to eventually and gradually rebuild over time. The foreboding yet ambient synth sounds lay the early groundwork as the bass guitar of relative newbie Conner Green joins the fray with some exceptionally expressive, deft and highly musical work. Ray Hearne’s drumming is subtle but inspired, and the resulting guitar interplay between Richard Henshall and Charlie Griffiths is inventive, melodious and ear-catching.If that wasn’t enough, as the song ascends from the depths, the band are joined by Leprous’ Einar Solberg who adds his unique gruff vocals atop some heavy djent-like riffing before a return to the chorus and an epic lead guitar solo that rivals that of ‘Aquarium’ for spine tingling majesty.‘Earthrise’ is possibly my favourite track on the album right now. I adore the quiet and melodic opening because it fills me with a warm glow and the feeling that the world can’t be an entirely awful place if such beautiful music can be written. It develops into a composition that is bright and breezy, complimented by lyrics that have a distinctly positive vibe to them.By contrast, ‘Red Giant’ explores entirely different terrain. It is the most modern and post-rock that Haken have ever sounded and is also one of their most brooding and quietly intense compositions. The keys and rhythm section take the lead on this track, which is arguably the biggest and most consistent grower on the entire record.‘The Endless Knot’ features some delicious drum fills from Mr Hearne and more killer melodies. It also affords Diego the opportunity to go a little crazy with more zany and out-there sounds. It also allows some six-string indulgence in the shape of one of the most intricate and dextrous guitar leads at around the mid-point. The song constantly shifts direction throughout its relatively modest life, but is held together by those strong melodies which return time and again to my great delight.‘Bound By Gravity’ then closes out the album in an impossibly perfect manner. It is arguably one of the softest songs that Haken have ever penned but it is also one of the most beautiful. Acoustic guitars and more warm and inviting keys, vaguely reminiscent of Sigur Ros envelop the listener in a soothing, comforting embrace. Jennings’ soft and gentle delivery adds an almost ethereal quality to the track as it floats along on a warm current of magical melody that is both uplifting and almost heart breaking. Such is its understated and subtle beauty, I find myself smiling broadly and wiping tears from my eyes almost simultaneously.How do I sum up an album like this? I could have mentioned a million bands throughout this review, from Textures to King Crimson and beyond as indeed there are reference points all over the place if you’re of a mind to count them. However, Haken are Haken and the bottom line is that they have developed into a modern prog band that is truly unique. ‘Affinity’ is one of the best progressive albums I have ever had the pleasure to listen to but more than that, it truly moves me and I connect to it on an emotional level; it makes me smile, it makes me cry and it makes me feel alive." - The Blog Of Much Metal
    $14.00
  • Budget priced new live album from fine German melodic prog metal band. Special guest Patrick Rondat featured on Rainmaker.
    $7.00
  • The Custodian is a new British post-progressive rock band formed by Richard Thomson, vocalist for cinematic death metal band Xerath.  Unlike Xerath, The Custodian is an outlet for the more melodic, rock oriented writing from Thomson.While there are moments in the album that harken back to old school bands like Genesis and Yes, the music of The Custodian is contemporary in sound.  Necessary Wasted Time is an album full of dynamics - light and dark shadings balancing acoustic vs electric, heavy vs pastoral.  While atmospherics and tension are a strong component of the album, the band demonstrates their adept musicianship offering up long instrumental passages to complement the emotion filled vocals.  When needed the band unleashes some complex electric runs.The Custodian's debut should deeply resonate with fans of Steven Wilson, Riverside, Pineapple Thief, and Anathema.Necessary Wasted Time was mixed by noted engineer Jacob Hansen and give the full audiophile mastering treatment from Bob Katz. 
    $14.00
  • One of the great overlooked prog metal albums of the 90s made available again. This album with the odd name was only released in Japan by Toshiba-EMI in 1998. It was the debut album from this Swiss trio and featured the great Thomas Vikstrom on vocals. The music was keyboard driven, a bit off kilter and totally amazing. The band didn't release anything again until this year's Retrospective but the similarities are superficial. Retrospective is a great album but a bit more conventional. Cosmic Handball has a lot more personality. Its been remixed and remastered which can only help as the original production was a bit murky sounding. Highest recommendation.
    $5.00
  • After spending some time battling (and winning) a life threatening disease, Andy Latimer has reactivated Camel.  The reassembled lineup consists of Andy Latimer (guitar, flute, keys), Colin Bass (bass), Guy LeBlanc (keyboards), and Denis Clement (drums).  Latimer recently took the band on a short European tour (it will be ongoing in 2014).  I'm not sure of the motivation to re-record The Snow Goose.  Perhaps it was so he had new merch to sell on the tour.  I honestly don't know but here it is.For the most part this new version is quite faithful to the original.  There are some new bits and pieces that integrate well and won't give you pause.  Of course each of the musicians add their own signature to the production.Good to see him back up and running full blast.
    $16.00
  • Since their first release in 1999, WOLVERINE has pushed outside the boundaries of metal and evolved through inventiveness and explorative ambition, now incorporating a wider spectrum of musical elements into their own progressive sound.Machina Viva is a natural evolution from their last album Communication Lost, inviting the listener into the melodic yet dark and moody world of WOLVERINE.  It is the band’s most dynamic album to date; from the 14-minute epic and powerful “The Bedlam Overture” and the dark electronic landscapes of “Machina”, to the naked and organic nature of “Pile of Ash” and “Sheds”. This is the next step in WOLVERINE’s explorations in the progressive field.Machina Viva was recorded and produced by WOLVERINE in Sweden during autumn and winter 2015/2016. The album was mixed at Spacelab Studio (Germany) by CHRISTIAN “MOSCHUS” MOOS (HAKEN, DELAIN), and mastered by Grammy Award winning audio engineer BOB KATZ.
    $13.00
  • In our changeover in distributors we received back a quantity of copies of Specs. We need to bring our inventory level back to normal so we are going to temporarily blow out this title. Grab copies at below wholesale price while you can.
    $13.00
  • "Clive Nolan and his Neo-hard rocking companions return for the eighth Arena album in twenty years, `The Unquiet Sky', taking inspiration from (without being a direct interpretation of) M.R James' short story `Casting the Runes'. It's easy to see why the ghostly tale of supernatural intrigue and occult mystery from 1911 would appeal to Mr Nolan, and the album reveals plenty of the sleek and heavy symphonic rock with poetic lyrics that the British band is known for. The previous disc `The Seventh Degree of Separation' was a divisive and somewhat controversial release for a new line-up of the group that now included vocalist Paul Manzi, a transitional album that saw them adopting a more streamlined hard rock/metal sound. But long-time fans of the group will be pleased to know that, while there are still similarities to that previous album here and there, the much-loved symphonic atmospheres the band was known for are given more focus again, meaning a better balance of these two qualities together to create a truly sublime Arena work.Some of the twelve tracks on offer still retain a hard-rock flavour, but everything an Arena fan could hope to discover is all present and accounted for here. After a more low-key performance on the previous album, virtuoso keyboardist/composer Clive Nolan is center stage again over the entire disc. Not only are his exquisite synths constant and upfront, but the artist has also implemented plenty of theatrical and orchestral symphonic textures into the group this time around, his recent work with the `Alchemy' musical being obvious right from the start, and these theatrical flourishes are a perfect fit for the group. Vocalist Manzi made a promising and reliable debut as singer for the group on `...Separation', but here he lifts his game considerably and offers endless more vocal variety. Better worked into the group, he is equally at home with heartfelt ballads, theatre flair and chest-beating rockers, and he has really become a perfect frontman for the band. Kylan Amos from Nolan's own `Alchemy' production replaces bass player and IQ member John Jowitt and makes an impressive debut here, ex-Marillion drummer perfectly drives the music forwards and It Bites/Kino/Lonely Robot guitarist John Mitchell delivers his usual tasteful and commanding guitar flair.Of several of the highlights, listen out for the gleefully wicked and wondrous orchestral pomp that opens the album that could easily be an outtake from Mr Nolan's `Alchemy' show, the infernal and overwhelming church organ intimidation of `The Demon Strikes' and especially the shimmering dark reggae (yes, really!) chimes and sleek electronics of the thrashing `No Chance Encounter', where Kylan's bass really glides. `The Bishop of Lufford' perfectly mixes ghostly gothic mystery with soaring symphonic prog and muscular hard rock (and wait for that hair-tearing heavy finale!). `Oblivious to the Night' is a fragile little piano interlude with whimsical synths and a thoughtful vocal, `Markings on a Parchment' is an eerie dream-like introspective instrumental, and Mitchell's extended guitar solo in the classy title track even brings to mind Nolan's other band Pendragon.Cascading classical piano spirals with snarling brooding guitars in `What Happened Before', and Clive delivers an overload of delirious synth soloing goodness on both `Time is Running Out' and `Returning the Curse' in the best Nolan tradition that his fans always love to hear! `Unexpected Dawn' is a strong ballad with warm Hammond organ and soothing acoustic guitar, and the ambitious seven minute closer `Traveller Beware' finds time for plenty of ghostly gothic tension, punchy plodding heavy riffs, creeping piano and a stirring repeated chorus with a dark lyric.But special mention has to go to glorious power balled entitled `How Did It Come To This?'. It's a glorious emotional tune with a sombre piano melody, delicate orchestration and dreamy lyrics, carried by a perfectly controlled yet soaring vocal from Manzi. A restrained unfolding guitar solo from Mitchell in the middle ensures it may be one of the truly most heartfelt pieces ever to appear on an Arena album, and it's certainly one of their most purely romantic musical statements to date.Along with typically fascinating and surreal proggy cover artwork and a lavish CD booklet (but what a shame there doesn't seem to be a vinyl version in the works so far), `The Unquiet Sky' is one of the most lavish, sophisticated and varied Arena albums to date, and certainly one of their most endlessly melodic. It's a fine return to form for the Neo prog institution, and it really shows what this latest line-up is capable of, so hopefully even more impressive music is to come from the mighty Arena!" - ProgArchives
    $16.00